Kurt Vonnegut Addresses an Array of Topics
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Olympia, Washington 98504-3096
Olympia, Washington 98504-3096 January 4, 2008 B U L L E T I N TO: ALL STORES AND CONTRACT LIQUOR STORES FROM: Steve Burnell, Marketing Manager SUBJECT: Merchandise Bulletin #02 1) The following new “L” items are in the Distribution Center. Selected stores will receive one case of these items. Managers are reminded to immediately display these items upon receipt in their outlets. Stores and contract liquor stores not receiving an allocation may place an order in the normal manner. Please order in full cases only. UNITS LIQUOR ALLO- BRAND TYPE UNITS/ UPC RETAIL CATED CODE DESCRIPTION CODE # SIZE CASE # PRICE 1 case 035155 Vincent Van Gogh Acai 265 750 ml 12 33824- $23.95 Blueberry Vodka 91343 Once again, Van Gogh Vodka’s artistic spirit shines with the first Acai-flavored vodka. Van Gogh’s Acai- Blueberry Vodka marries the exotic Acai berry with the sweet blueberry to produce a true martini in a bottle. Swathed in royal purple hues, it tingles the taste buds with a vibrant blend of berries, starting with an overtone of blueberry and finishing with the Acai nectar. Explore your exotic side. Straight or mixed with other fine Van Gogh Flavored Vodkas, Van Gogh’s Acai-Blueberry vodka always makes the Luxury Martini. UNITS LIQUOR ALLO- BRAND TYPE UNITS/ UPC RETAIL CATED CODE DESCRIPTION CODE # SIZE CASE # PRICE 1 case 073452 Dekuyper Lusciouis 475 750 ml 12 80686- $13.95 Pomegranate 36740 Now the flavor that’s on everyone’s lips can be in your drink. Put a sweet and tangy twist on your favorite cocktail with the trendy, new taste of luscious DeKuyper® Pomegranate. -
It Is Easy to Interpret Kurt Vonnegut's Slaughterhouse-Five and Anthony
It is easy to interpret Kurt Vonnegut’s Slaughterhouse-Five and Anthony Burgess’ A Clockwork Orange as cynical and pessimistic novels. The profusion of graphic images involving death, gang violence, and war make it difficult to walk away from either text with a hopeful outlook for the future of mankind. Thus, many literary critics label Vonnegut and Burgess as fatalists who argue for an acceptance of deterministic forces that eventually cause humans harm and suffering. However, other critics, such as Liu Hong, Wayne McGinnis, Todd Davis, and Kenneth Womack, all contend that at the end of the day Vonnegut and Burgess offer an opinion of humanity that is hopeful and encouraging. To these critics, the authors ultimately argue that the individual has the ability to determine their own fate in a horrific and often hurtful world. The standard debate concerning these two revolutionary authors has thus been one between a message of either hope or disparagement. It is a debate that has long been discussed among literary critics and continues to be an ever-changing discussion. My contention is that both Vonnegut and Burgess each create a body of work that offers the reader hope, empowerment, and an optimistic outlook of a future that is better than their present, or rather the present setting of their characters. Thus, I agree with critics like McGinnis, who calls Slaughterhouse-Five Vonnegut’s “most hopeful novel to date” (McGinnis 121), or Davis and Womack, who find that A Clockwork Orange’s protagonist ultimately finds a hopeful and optimistic conclusion in embarking “…upon a lifetime of familial commitment and human renewal.” (Davis, Womack 34). -
Town Joins County Plan to Dispose of Solid Waste a Kidney to His Daughter
Page 18 CRANFORD CHRONICLE Thursday, August 14, 1986 f Where else but Kings? romcie SERVING CRANFORD, GARWOOD and KENILWORTH :Vol. 93 No. 34 Published Every Thursday Thursday, August 21, 1986 " USPS 136 800 Second Class Postage Paid Cranford, N.J. 30 CENTS to our own Homemade Salads. In brief Town joins county When it comes to serving a delightful change of pace for a summer dinner, our Deli Corner make a special addition to any dinner. And this week's specials Blood drive nothing can beat an entree of tender veal. go from our Oriental Vegetables to our Pesto Tortellini. The Jaycees will sponsor a plan to dispose Try our own Kings Select Veal and taste for yourself. As lean as can be, it's For salad ideas of your own, simply turn to our Farmer's Corner for blood drive to benefit two' hemophiliac residents, Judd high in protein, low in cholesterol and just the thing to highlight a. dinner for everything from Jersey Fresh Scallions and Cucumbers to California Bartlefts and Kopicki and Tom Kane. The drive two, four or more. • %' Honeydews. -- • will take place at the Community I of solid waste Let our nijjjk}',Kings Select Veal specials inspire you to choose anything from For more entree ideas, come to our Seafood Corner. Our specials include Center Friday from 4:30 to 8:30 | After reviewing several options, am afraid we will have to provide Cutlets to a ,'B$iieless Shoulder Roast. Ip addition, let our outdoor-grill Block Island Bluefish Fillets, Maine Lobsters and North Atlantic Squid, not to p.m. -
An Cruitire 2015
An CRUITIRE Vol. 2 No. 1 Nollaig / December 2015 Contents 3……Cairde na Cruite Events 15……O’Carolan Harp Festival, Nobber 3……An Chúirt Chruitireachta 16……Monaco World Harp Festival 6……Cairde na Cruite’s Spring Concert 18……Muckross Harp Trail 7……Cairde na Cruite’s Christmas Concert 20……Harp Days in Denmark 8……Harpers Meeting National Gallery of Ireland 21……Harp 2015: 15 Memorable Moments 10….News and Events 22……New Albums & Reviews 12….1916 Centenary Celebrations 24……Notices 13….New Publications 25……Castle Fogarty and the O’Ffogerty harp 14….Yeats 150: Harp Festival of Moons 28……An Chúirt Chruitireachta 2016 The cover photo was taken by Kieran Cummins at Cairde na Cruite’s annual harp festival An Chúirt Chruitireachta in An Grianán, Co. Louth, July 2015 Editor: Caitríona Rowsome Editorial Committee: Caitríona Rowsome, Roisin McLaughlin President: Sheila Larchet Cuthbert Committee: Chairperson: Roisin McLaughlin; Festival Director: Áine Ní Dhubhghaill; Secretary: Helen Price; Treasurer: Kieran Cummins; Membership Secretary: Orla Belton; Harp Hire: Caitríona Rowsome; Cormac de Barra, Kathleen Loughnane, Dearbhail Finnegan, Aisling Ennis, Claire O’Donnell, Rachel Duffy Registered Charity: No. CHY 9687 Contact: E mail: [email protected] Website: www.cairdenacruite.com www.facebook.com/CairdeNaCruite Membership: Family €30 p.a. Individual €20 p.a. Student €10 p.a. An Cruitire contents © Cairde na Cruite unless otherwise stated. An Cruitire is the newsletter of Cairde na Cruite and is issued annually on the first week in December. Cairde na Cruite Events An Chúirt Chruitireachta 2015 The 30th anniversary of An Chúirt Chruitireachta 2015 was memorable for many reasons with Irish and international participants and artists celebrating for the first time in Ireland the collaboration between Irish and Colombian harpists. -
Elements of Gallows Humor in Vonnegut's Slaughter House Five
Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.41, 2018 Elements of Gallows Humor in Vonnegut's Slaughter House Five Negar Khodabandehloo M.A. Student of Payame Noor University, Arak Branch, Iran Mojgan Eyvazi Assistant professor, English Department,Payam-e-Noor University, Tehran, Iran Abstract This study analyzes the outstanding satirist Kurt Vonnegut's novel Slaughter-house-five to demonstrate how the elements of Gallows Humor are applied to provide a better understanding of the author's worldview and of his narrative process. This is an anti-war book in which Vonnegut has attempted to blend the serious theme with humor. Through the choice of his protagonist- Billy Pilgrim- and the manipulation of black humor, Vonnegut exposes the atrocities of war from a new viewpoint. The focal point is to extract the phrases containing gallows humor, a sort of black humor, to be studied and explained by details, accordingly some literary terms are to be precisely defined and the unique style of writing is indispensable. Keywords: Anti-war, Black Humor, Gallows Humor, Satire, Humor, Vonnegut 1. Introduction Gallows humor is a kind of black humor in which the threatened person witnesses the oppression. As the name represents, the person threatened is implicated with no hope and no way to escape from the disaster. The misfortune is obvious to him, and he prefers joking about it instead of feeling sorrow. This section includes a definition of the gallows humor followed by some examples for more clarifications. In an essay posted on the website of the Philosophy Club, which meets regularly in Santa Monica, CA. -
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945101 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Context and Neglect: Kurt Vonnegut and the Middleclass Magazine. Lori Philbin A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2018 Copyright 2018 Lori Philbin Abstract The scholarship focusing on the work of Kurt Vonnegut, Jr. has largely centered on his novels. Most studies have neglected Vonnegut’s start in the popular magazine market writing short stories. A few notable scholars have focused on the stories: Jerome Klinkowitz, Peter J. Reed, Jeff Karon, James Thorson, and Steve Gronert Ellerhoff. Even with the work of such scholars, there have been few studies that consider the context of Vonnegut’s earliest stories and how the influence of the middleclass magazine market not only shaped Vonnegut’s career but had continued impact on his later novels. This study explores Vonnegut’s first eight stories: “Report on the Barnhouse Effect,” “Thanasphere,” “EPICAC,” “All the King’s Horses,” “Mnemonics,” “The Euphio Question,” “The Foster Portfolio,” and “More Stately Mansions.” The stories are considered within the context of their first publication venue, the magazine Collier’s, and how that context shows connections between the stories and his novels such as Player Piano, Cat’s Cradle, and Slaughterhouse-Five. -
Uvic Thesis Template
Serious Play: Alden Nowlan, Leo Ferrari, Gwendolyn MacEwen, and their Flat Earth Society by David Eso B.A., University of British Columbia, 2004 M.A., University of Calgary, 2015 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English © David Eso, 2021 University of Victoria All rights reserved. This Dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Serious Play: Alden Nowlan, Leo Ferrari, Gwendolyn MacEwen, and their Flat Earth Society by David Eso B.A., University of British Columbia, 2004 M.A., University of Calgary, 2015 Supervisory Committee Iain Higgins, English Supervisor Eric Miller, English Departmental Member Heather Dean, UVic Libraries Outside Member Neil Besner, University of Winnipeg Additional Member iii Abstract This dissertation concerns the satirical Flat Earth Society (FES) founded at Fredericton, New Brunswick in November 1970. The essay’s successive chapters examine the lives and literary works of three understudied authors who held leadership positions in this critically unserious, fringe society: FES Symposiarch Alden Nowlan; the Society’s President Leo Ferrari; and its First Vice-President Gwendolyn MacEwen. Therefore, my project constitutes an act of recovery and reconstruction, bringing to light cultural work and literary connections that have largely faded from view. Chapters show how certain literary writings by Nowlan, Ferrari, or MacEwen directly or indirectly relate to their involvement with FES, making the Society an important part of their cultural work rather than a mere entertainment, distraction, or hoax. -
Cat's Cradle: the Apocalyptic Creativity of Kurt Vonnegut
Re ds111 clt• fa111dios Norte11111erica110.1·, 11. º 6 ( /998). pp. 25 - J.J CAT'S CRADLE: THE APOCALYPTIC CREATIVITY OF KURT VONNEGUT J ESÚS LERATE DE C ASTRO Uni versidad de Sevilla From the earlicst times down to our own days, St. John 's vision of the Apocalypsc has been the source for a considerable corpus of imaginativc works which have cxplored the rclationship bctween individual and community by meaos of the historical proccss of fin itudc. It is thercfore not surprising that apocalyptic imagination reaches its greatest heights in hi storical and cultural periods which are marked literally or symbolically by a profound sense of destruction and death. While therc is no doubt that this elemcnt of pessimism pcrmeates much of apocalyptic literaturc. it must be noted that, strictly speaking, the biblical concepl of the Apocalypse has a clear prophetic oricntation. To quote Lois Zamora: Apocalypse is not mere/y a synonym for disaster or catadysm or chaos. It is. in fact, a synonym for «rcvelation», and if the Judeo-Christian revelation of the end of history includes - indced, catalogues- disasters. it also envisions a millennial order which represents the potcnti al antithesis to the undeniable abuses of human history. ( 1O) The same paradoxical inteJTelation bctwccn destruction and construction. bctwecn catastrophe and revelation, is thc structural principie articulating the narrative world of Ca1 's Cradle ( 1963 ). Kurt Vonnegut's fourth novel can be interpretcd from a ncgative standpoint laying cmphasis, as Stanley Schatt <loes, on the idea that its apocalyptic ending does not entail any kind of universal revelation or transformation, since «lhere is no suggestion .. -
Catalog 2015-2016 4 Academic Calendar
Catalog 2015–2016 Dream. Learn. Do. Rocklin. Roseville. Grass Valley. Truckee. Online. Health Education .............................................................................. 146 TABLE OF CONTENTS Health Sciences ................................................................................ 147 About Sierra ................................................................................................. 3 History ............................................................................................... 149 Locations and Contact Information ..................................................... 3 Human Development and Family .................................................... 152 District Mission and Institutional Outcomes ...................................... 3 Humanities ........................................................................................ 159 Academic Calendar ............................................................................... 4 Interdisciplinary ................................................................................. 163 A Brief History of Sierra College .......................................................... 4 Italian ................................................................................................. 163 General Information .............................................................................. 5 Japanese ........................................................................................... 164 Board of Trustees ................................................................................ -
On Updike and Vonnegut
Dawes 1 Review Greg Dawes Somewhere Beyond Vertigo and Amnesia: Updike's Toward the End of Time and Vonnegut's Timequake Two of our elder statesmen, two of our most renowned novelists, John Updike and Kurt Vonnegut, have published science fiction novels on the notion of time. In their context time can be construed in a number of ways. In a general sense both Updike and Vonnegut are nearing the end of their (biological) time, both having published an enormous amount of enlightening fiction. We are also coming upon the end of the millenium and we appear to be witnessing the decline of the American empire. Both novels, Updike's Toward the End of Time and Vonnegut's Timequake deal with these existential and social issues and attempt to prod us into doing something about the socio- economic and political changes that are taking place in the late 1990s. In an essay on Vonnegut's critics, John Irving, it seems to me, sums up poetically Vonnegut's and Updike's intentions as novelists: Catharsis--perhaps it is also an unpopular word today, or at least an old- fashioned one--relies on upsetting readers. You purge fear through evoking it, you purify pain by rendering it, you bathe the heart with tears. Vonnegut can hurt you, and he does; he means to, too. When the sunny dreams and the harmless untruths evaporate--and they always do--a ruined planet is what we look upon; his books make us wish we were better.1 Copyright © 1998 by Greg Dawes and Cultural Logic, ISSN 1097-3087 Dawes 2 Timequake is written with irony, humor and sarcasm to wake us from our stupor and apathy and to warn us of what awaits if we do not try to radically transform this society. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
A Postmodern Iconography: Vonnegut and the Great American Novel
A POSTMODERNICONOGRAPHY: VONNEGUTAND THE GREATAMERICAN NOVEL "Call me Jonah". The opening line of Cat's Cradle, Kurt Vomegut's end-of-the-world masterpiece, unmistakably echoes that of Moby-Dick, Herman Melville's end-of-the-world masterpiece. Indeed, such echoes are audible elsewhere in Cat's Cradle, from the "cetacean" Mount MacCabe, which looks like a whale with a snapped harpoon protruding from it, to the great Ahab-like quarrel with God, humorously figured in Bokonon's thumb-nosing gesture at the novel's end. In pointing to Moby-Dick, as likely a candidate as ever was for the "great American novel". Vonnegut registers his own entry into the contest, but here it is also bound up in the laughable impossibility of the project. The novels of Kurt Vonnegut are not generally the first to come to mind when one thinks of the great American novel. Indeed, this latter, elusive thing-impossible and, perhaps, not even desirable-has long been a bit of a joke, the sort of thing an aspiring writer claims to be working on, or (even more likely) something a writer's parents, friends, and others say that he or she is working on. The great American novel is always a dream deferred; it cannot really exist, it seems, for that very reality would probably undermine any novel's greatness. The "great American novel" really belongs to the nineteenth century, not the twentieth. It existed there as a dream of writers and critics, desperate to carve a distinct national culture from the variously influential European traditions.