THE LIBRARY OF THE UNIVERSITY OF NORTH CAROLINA
ENDOWED BY THE DIALECTIC AND PHILANTHROPIC SOCIETIES
M1503 .S9h9 H3
MUSIC LIBRARY UNIVERSITY OF N C AT CHAPEL MILL
00010982591
Th- h ,• h ,,h MUSIC LIBRARY This book is due at the »»» Qn last the date stamped under "Date Due." If not on hold, it may be renewed by bringing it to the library.
E RETURNED DUE D^JE RETURNED ._-.
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. .
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tfADDON HALL
WRITTEN BY SYDNEY GRUNDY.
COMPOSED BY ARTHUR S ULLIVAN.
Vocal Score (complete) . . Price, net 12s. 6d.
CHAPPELL & CO., Ltd., 50, NEW BOND ST., LONDON, W. 1. AND SYDNEY. FOR THE COUNTRIES OF NORTH AMERICA: CHAPPELL—HARMS Inc., 185, Madison Ave., NEW YORK.
All Rights under the Copyright Act, 1911, and the International Copyright Conventions are reserved. Applications for the right of performing the above Opera, including the use of band parts, must be made to Miss Bridget D'Oyly Carte, No. 1 Savoy Hill, London, W.C.2.
" J
COPYRIGHT, MDCCCXCII, BV CHAPPELL & CO.
rBlNTSD IN ENGLAND. I m-- gin ©riflinal Jfijjfti (Enjglislt ©pra,
/TV THREE ACTS,
ENTITLED
HADDON HALL -
WRITTEN BY SYDNEY QRUNDY.
COMPOSED BY A RTHUR SULLIVAN * . . it >
ARRANGED FROM THE FULL SCORE BV KING HALL.
Vocal Score (complete) Price, net 12s. 6d.
CHAPPELL & CO,, Ltd,, 50, NEW BOND ST., LONDON, W.l. AND SYDNEY.
All Rights under the Copyright Act, 1911, and the International Copyright Conventions are resen-ed. Applications for the right of performing the above Opera, including the use of band parts, must be made to Bridget D'Oyly Carte, No. 1 Savoy Hill. London. W.C 2.
COPYRIGHT, MDCCCXCII., BY CHAPPELL & CO. MADE AND PRINTED IN GREAT BRITAIN BY LOWE AND BRYDONE (PRINTERSl LIMITED, LONDON, N.W.IO — — 1
Produced at the Savoy Theatre, London, tinder the management of Mr. R, DOYLY CARTS, on Saturday, -zith Septemher, 1892.
Characters.
Courtice Pounds. John Manners ... Mr. Richard Green. Sir George Vernon Royalists .. Mr. Oswald Mr. Charles Kenningham Mr. Rutland Barringtgn Rupert Vernon ... Roundhead.. W. Denny. The McCrankie ... Mr. H. Lewis. Sing-Song Simeon ... Mr. Rudolph Mr. W. H. Leon. Kill-Joy Candlemas Puritans . Nicodemus Knock-Knee Mr. A. Fowles. Barnabas Bellows-to-Mend Mr. G. de Pledge. Major Domo Mr. H. Gordon.
Dorothy Vep.ncx Miss Lucile Kill. Lady Vernon Miss Rosina Brandram. Dorcas Miss Dorothy Vane.
Nance ... Miss Nita Cole. Gertrude Miss Claribel Hyde. Deborah Miss Florence Easton. Chorus of Simples and Gentles.
*
ACT I.—THE LOVERS. Scene.—The Terrace W. Telbim.
" The green old turrets, all ivy thatch. Above the cedars that girdle them rise, The pleasant glow of the sunshine catch, And outline sharp on the bluest of skies."
ACT II.—THE ELOPEMENT.
Scene I. Dorothy Vernon's Door Hawes Crave».
" It is a night with never a star,
And the hall with revelry throbs and gleams ; There grates a hinge—the door is ajar And a shaft of light in the darkness streams."
Scene II.—The Long Gallery J. Harker.
ACT III.—THE RETURN. Scene. —The Ante-Chamber W. Perkins.
NOTE.—The clock of Time has been put forward a century, and other liberties have been taken with history.
1 1 1111 1 11 1 1 1 11 1 1 1 1 11 1 11 1 1 n il 1111 1
The Opera produced under the Stage Direction of Mr. Charles Harris, and the Musical Direction arranged by Mr. DAuban. The Costumes designed by of Mr Francois Cellier. The Dances John Madame Leon, Mr. B. S'MMONS, Messrs. Mr' Percy Anderson and executed by Mdmes. Auguste, J. Angel & Son, and M. Alias. Wigs by Clarkson. Properties bv Mr. Skelly. Stage Machinist Mr. Peter White.
1033433 " ' '
CONTENTS.
PAGE Introduction
art 5. no.
i. Chorus with Solos " " To-day, it is a festal time ... .,., 4 " a. SONG (Dorcas) " 'Twas a little dear dormouse 9 b. " " Madrigal When the budding bloom of May ... iS " 2. TRIO (Dorothy, Lady Vernon, and Sir George) " Nay, father dear 22 " 3. DUET (Dorothy and Lady Vernon) " Mother, dearest mother , 26 " 4. Song (Oswald) with Chorus Ribbons to sell - ...... , 30 5. Duet (Dorcas " " and Oswald) The sun's in the sky ... 3S 6. Recit. (Dorothy, " " Dorcas, and Oswald) My mistress comes 42 7. Trio (Dorothy, Dorcas, and " " Oswald) Oh, tell me what is a maid to say ? 43 8. SONG (Manners) " " The earth is fair 43 8J.RECIT. and Song (Dorothy) " Why weep and wait ?" & " Red of the rosebud 52a 9. Entrance of Puritans " " Down with princes S3
10. •' SONG (Rupert) I've heard it " ...... said ... ., 55 11 Finale, Act I " ' The bonny bridegroom com^th'" ... 57 a. Song (Rupert) " " When I was but a little lad ... 65 b. Song (Dorothy) with Chouus "To thine own heart be true" ... 72
art H-.
i2 Introduction ' and Chorus of Puritans Hoarsely the wind is howling So " 13. SONG (McCrankic) '" My name it is McCrankie S3 " 14. DUET (Rupert and McCrankie) •' There's no one by S5 " 15. (Dorcas, ' Trio Rupert, and McCrankic) Hoity-toity, what's a kiss ? 9 1 16. Finale, Act II " 'The west-wind howls 9i
a. Duet (Dorothy and ' Manners,, Oh, heart's desire" 99 b. Storm 113 c. SONG (Sir George) In days of old "... 119
Art Hi.
" 17. Opening Chorus " Our heads we bow 139 iS. (Lady " Song Vernon) with Chorus ...... " Queen of the roses 143 " 19. Recit. (Lady Vernon and Sir George) ...... "Alone, alone ! No friendly tone 145 a. (Lady " " DUET Vernon and Sir George) Bride of my youth 147 20. SCENE (Dorcas, Rupert, three Girls, and Chor us) " In frill and feather " 150 21. Ensemble ...... "Good General Monk" 152 a. Song, Chorus and Dance ... " We have thought the matter out 156 22. Song (McCrankie) and Chorus ... " Hcch, mon ! hech, mon!" ... 159 a. Scotch Dance 160
23. Finale, Act III. ... "Hark! the cannon!" 161
("Hicioun Hall "—Vocal.) — — — « i «
Haddon Hall.
"Written by SYDNEY GRUNDY. Composed by ARTHUR SULLIVAN. INTRODUCTION. Allegro modirato.
Ped.
t. ft* m — |- h- «" i -*- »— — f- » ' ' « f> — — _sz —^^f r^^ *— s — — -4- Vy —» ^ w —0.— — m— *— 1 8 — =S= p r 3= -=*=t —•— —*—*— —JJ—
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Andante. Tenors & Basses. (Behind Ike teems.) Unit. -f.j
Stat- ly - - homes of Eng land, So sim - pie, yet so grand Long may ye stand and flou - rish,
ii±3i;
X Sopranos, f
Types of our English land 1
19.348 fa^^M wife were true. Ye state - lyhomesof Eng- land, vir-tnereign'dfromcot to throne, . . And man and
Ye state - lyhomesof Eng * land,
-*-*- vlii WFWtWWWWzzm U±Ui fffffl
Tjf" I 1 g r wife, of our Eng-lish land! Long may your tow- ers stand; Types of the life of man and . . Types 1- Q m £~L ^ ff t t,lT *^^E- r* > £ ,
wife, Types of our Eng-lish land! Long may your tow- ers stand; TyP"15 of * •* of man and . .
r r r r ' r f r r r r ' * r-^r~T I f [ 19,S4cr ACT I. No. 1. CHORUS with SOLOS. Allegro con trie.
Piano.
P«L
Ped.
Chords, f
1B.348 —
- - a fes - lal time : The Bride groom comes to day
- - And we are here to day, it is a fes tal time ! The Bride groom comes to day,
Unit.
S I • -N- _^: / h*¥» =*=^ i U H J-M-^-t^ =#*=
a rhyme To speed him on his way. Tc- day, our mis - tress, e ver dear, doth plight
mm r n f i T-f^ sing a rhyme To speed him on his way.
Jjt ±- *^?i=»^ * 46= =r=c « i * .' m -^ ' ' m v * J J j Ped. * mPed. « Ped.
gin troth ; And we ire all fore-gath • er'd here To sing,
And we are all fore-gain - er'd here To sing
18.348 Ped God bless them both ! day, it is . To a In tal time ! The
^ - -* I 5 Ped. I P
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way. are all - We fore gath er'd here to sing. God Llesa them
18348. Ped.
Ped. * Ped. * Fed.
— ^j5 ZJr ~: Ped. « Ped. # Ped. • 1-ed. 19.348. -i .i *• 5" Ped.
Fed. * Ped. * Ped. * Ped. * Ped. * PedT
Dorcas.
Hut midst our ju . bi • la tion, the - Comes e cho ol a sigh ; It's
i I i r i r JL
full sig ni - - fi - ca-tion Ye will ga-ther by-and-bye. Now, lend me your at - tention, While I tell you all a tile, A
19.M8 — ^ ^ — — —
P Choros.
• *- — »— 5" •— T— "SI • -J. * — —
- nent a dain-ty dormouse, Andan un - at - trac-tive snail. A dain-ty dor-mouse ! An un at trac-tive snail !
- - A dain-ty dor-mouse ! An un at trac-ti»e snail 1
~*iJU_frn _* *g= i**- ^
(No la.l SONG-(Dorcas). Dorcas. •*^ee N N n. N > S anc s N I r 11 \=5 N V * « 1 5 | ft f ->— - 'Twas a dear lit - tie dor-mouse — A lit - tlemousemaid! Her pa-pa and mair.-ma She hadalways o gal-lant young squirrel Sat perch'd on a tree, And hethuughttohimself,Therc'sagoodwtfefor
„ a. Andantesinaunic moderato.7Tiuac7u.iv. "] -1 I . 1 1 ' 1 -H' ' ' > '"~J. j-*i — "q *« ' • . J - "m m m \ w m —^ 9«— —m—m*w " - - WjM M ^M m jj|g*¥ m + m . 9 m-m *s jjglii*-*»-' m gm m
Pit - a - pat went her heart, And her check yrew pale, When commanded to mar-ry A stu -pid old On the eve of the wedding He said to the mouse, "Wilt thoumar-rya squirrel Who hasn't a
gg^u ^=? > / :
snail, 'Oh, fa-ther, I can-not! ""But, daugh - ter, thou must For he has a house, " ; And house ? squirrel, - •Oh, I can-not! ""But, dor mouse.thou must ! Her heart to a squir - rcl A
19.34a. IO
" we haven't a ! cnut The snail he was ug - ly, The snail he was
dor • mouse may trust I" The squir - rel - was hand-some ; They plight ed their
black But for all that, car-ried ; he a house on his back, Said the wi - ly old dormouse, " When thou art his
vows, And tht squir-rel ran off With lit - tie the dor-mouse. And I'm sure if yon ev - er Set eyes on a
will his - !"" bride, He lend us house, And we'll all live in side I "Oh, fa-ther, I can-not But,
snail, Youwill all sym - pa-thizeWith the dor-mouse's wail. "Oh, fa-ther, I can- not, Don't
Chorus. sostenuto.
"Oh, fa-ther, I can- not !"" But
^fc g e-g-
; ' Oh, fa- thcr, I can- not " " But
** T -*" I 1&S48. II
crust. For he has a hause, I - has a house, Ado we haven't a ur/h ter.thoumust ; For he And we haven't a crust, Though he has a house, ) tell me I must ; Though he has a house. And ires. i
has a house, I For he has a house, And we haven't a crust, For he And has a house, \ house, we haven t a crust, Though he tell me I must ; Though he has a And -"" » « *~ P » P 0— 1- • ^ » w
- ter,moumusi lie "<" suuuat, i&uu — — - — — , jaurn ; rm a house. we haven t a crust. Though he has tell me 1 must ; Though he has a house, And
yL J ST
2m/ time. I Iff tinu. dim,
1 ..ft h I gS; fefe
crust !' we have-n't a crust we have-n't a dim.
we have-n't a crust!" "Put who is the dormouse ? Anu we have-n't a crust 1 * T r— * ' » i -i i r T f»»
* y s • • • " is dormouse ? And " we have-n't a crust ! "But who the we have-n a crust ! P^m^
i
E Alltgretto con brio.
IR34& 12
Hail to the Lord of Had-don !
Hail to the Lord of Had-don ! And
SI m J
13.S4B IJ
Gl>U Vnu
• beau ty ol bios • sotn That gar land thy path • way With fra grance of Spring. No
fee - Hon That bios* soms al dies in a day Can speak an af
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• could en - twine, Could way. And nev - er hap let Our hands
19,348 u
p* 4 *tJ. A 19.M£ DOKOTHT
- i'e you . - hood, Right wei come Dear play - mates of child
ttlUs.
Ped. * Ped.
Lady Vf.enon.
* Ped * Ped.
D in the shade. - shine. And blooms Tt blooms in the sun bios • soms ne'er fade. • Ped. Ped. Ped. * 19348. >6 Chorus. Dorothy & Lady V. Chorus. 19Ad8 '7 Dorothy & Lady V. Chords. thine al tax True - • wel - come ! Bui lay on ! ly ! Oh, let I Ob, wel come Nor li - ;m - wor telles. . . . dim. I | love's im - mor telles. moderate. Sir George. Tempo RECIT. -& :* Let youth and beau-ty Wel • come, I bid ye wel-come.oneand all ! .*..-*_#...*-«--*- 19.W8 i8 keep their nier-ry May For all too ; soon the leaves of autumn fall, And evening shadcwsquenchthelaughing (No. lb.) MADRIGAL. day. Allegretto modera to. 1. When the bud - ding bloom of May Paint-, - the hedge rows red and white, Ca - iher then yuur 2. When Lhe leaves of • au rumn sigh, - 'Near er death and fur - ther birth!" Time e - nough for Lady Vernon. Dorothy. - gar lands gay , Earth was made for s - light man de ! May is play -time, — June is hay- time,- " hearts to cry, Man was on • ly !" made for earth Youth is plea • sant, — Grasp the pre sent,- 19.34a ;;; «9 Dorcas. spring ' Let our hearts in chor - us Car - ol now the birds o( Fa la ! - day sun is e-nough for hearts to sigh ! Now the noon Fa la ! Time Laijy Vernon. chor • us the birds of spring ! Let our hearts in Fl la Car ol now - day sun U for hearts to sigh ! Now the noon Fa la Time enough Sir George. in chor • us • birds of spring ! Let our hearts la Car ol now the Seize the day- time,— Fa la I - sun is e-nough for hearts to sigh ! Now the noon day ! Time Moons are cres- cent, — Fa la la Chorus. night Dawns the sil ver orb of ; - en day is pale, sing Ere the gold wears the night gay, Kobe of vet high Day in cloth of of night Dawns the ver orb ; • day is pale, sing! Ere the gold en ver wears the night gay, Robe of Day in cloth of gold is high 1 Tenor. - orb of night Dawns the sil ver ; Ere the gold en day is pale, • wears the night gay, Kobe of sil ver Day in cloth of gold is Bass. • ver orb of mghl ; pale. Dawns the sil Ere the gold • en day is singl night ver wears the ; gay, Robe of sil Day in cloth of gold is high ! N.3ta " 20 Sweet - |y trills the - • night in gale. ) All • ' ere a - lion seems to say, Sweet • Iy trills the night in - gale, ( All ere - a . tion seems to say, Sweet - ly trills the - - night in gale, . . ) ! All ere - a - tion Earth was made for man's de - light seems to say, . Fa J la =• Fa U la U la la la la. Pa b > a - fa la la la la la la la. Fa 'Earth 1« la la la la la la. Fa la la la la la. " Eartb lfl.848. . 21 ' *" ^ J I m i tfl ~* ** -4S £> 1" p> fj 1 f- ' 1 — 1 J J 1 ' ';- | — a » 1 — | jggjl | *Q Q — *= S CJ : — <*3 = Andante com* primo. (J = ') p- r ? fffy Pcd. 22 No 2. TRIO-(Dorothy, Lady V., & Sir George). Allegro agitato Dorothy. Nay, fa - ther dear, speak not to me In ' Piano. m t £MMlh£L£kM Ped. * Ped. r > * * * s , , • • • J Lady Vlk.non. an - ger's cru el ! tone By all the love she liears to thee— The Dorothy. * Ped. Ped. * Ped. * Ped. for me? ~3 - And hast thou none tjiy thouehl for ihine « dor'd. ' ' 'V > " N V N N N IS^t* true love's sake ! For true love's sake bean win sigh| . Sir George. a hMn w n L . - »*— I 1: r -^ -lv -H» -rj; sake I For true love's sake a hearl will Ped. IOM&. * Fed. — *5 Q C ? 4-0-b-JJfM love's sakel ° 1 -| i . = true love's sake ! true love's sake ! : : **' *=fc J: a B_U 1 lf_ ff 1 -T\ » n j-»a & w-fi : ((*)'. h L—is* ^ ^ & |S : -'^a L^-pV^. —i 3_j 1_ v. 1 * ? * Ped. * Ped. A: Afc:£:£: *i ~ ft ft: ftft: -fcEjj*i*JP tf *t'' tt %^ 19.848 1 i6 No. 3. DUET-(Dorothy & Lady Vernon;. Andante ispnssivo Dorothy. Mo-ther, dear - est - - mu ther. Hearken un to me. - Think not that an o - th er Draws my heart from thee. !*i»no. I j j^ j nfji.iii.il ij l i l~ ilAAJ^M- tJ JtJ^f His I seem to borrow, All is mine own thine : In vir . gin sor - • my row Help me. mo ther mine 1 Were but I a - bove him, Sim -pie were his task ; Doth my daugh-ter love him ? That is all I ask. Were but 1 a . bove him. Stranger tho' he lie. If my daughter love him. Son he is to me 1 Whether wife or maid-en. 19.34a ; 27 ^'he-ther wile or ^ IS : E rnr^ -v -> as mff^V> « -,—-—-—— ^ ^^91 is - - ter - All my heart thine ; Joy or sor row la Jen, Thou an daugh mine ! Whe iher maid en. Thou art mo - ther Joy or sor - row la - den. wife - or maid en. Thou art daugh-ter mine Joy or sor • row ta - den. rail. all my heart is thine, all my hear* thine, all my heart i= thine ! all is ' my heart thine, all my bean is thine, all my heart is thine 1 ft. 34& s« Mo-ther. my own dearma-ther, Both of ourlives -n twine ! Could'stMoa have wed an - o- ther Had **] - *-* q j i ^ .. ^ q ^*i , 4^hH ^ -^n -**T^ q -gTn LaMV V tkMON. 19.34a. ! ! 29 leave to the sad - ness, And leave to me the str:fe. ' -L ^0 I^WWW^WW3 5? it » b~ -£ Ped. ' 11 my heart U thine, all my heart is thine, all my heart is thine rail. * If u -+ -& All my heart is thine, all my heart is thine, all my heart is thine M\ +# , ,*** •cry jrm' "O" re«L 19 348. 30 No. 4. SONG-(Oswaid)-with CHORUS. CHOtCTV Pi*»o. Rib-bons to lie up our ! hair I! I! Kib-bons to tie up ouf hair ! Who'll buy ? Who'll buy ? |I-W H i i 3' II J* 1 J" _i !s_ * a * : ^ » ^ i c"^N ; " : ^* nr i r^i 3 |g "7 ? ? ?~ > ; ' ^ I ! I! I as well ! as well ! And now for the fun of the fair t -* w *— * • * * = a « * — — <• S \3— — — a- B» f P — ^ y • I as well ! I as well ! And now for lb fun of the fair ! .is es_ **—•—»— EEt> i> a » * i F- * ^^^^3^^^^ — \f v t - Rib-bons to sell, rib- hons to sell I Rib boos to tie up our hair ! . . Who'll buy? I! I! !-"I M r 1 1 1 Who'll .r~TJ -»—»- =03= nr E i *& SE B* P [I r r f"ff f*m , f*fjj= 1 i i iillii * Ped. Ped. • Ped. * * 7~ for the u well' Who'll buy? I! II and I as well I And now I as ! now tor the buy ? Who'll buy i I I I ! and well And 19340 3 2 fun, the fun of th? fair mi- ^m i. jjriri j~n jt-j fii^f v U ETEZ7 -L rtr if ?m a. ^m i. jLm_^m.m ± * Ped. * Ped. * Ped. Oswald. 1. Come, sim-ples and gen -ties, and ga ther ye round, And for your at - ten-tion I'll thank- 'ee ; I 2. My pri-ces are low and my deal-ings are cash, So your pock-ets I won't dip - in deep ly ; Thro' sell by the pe. ny- weight, pot • tie and pound, - Wares Eng lish.French.Ger-man and Yan kee. I've buy ing my stock at a great Lon -don smash - - I am a ble to sell ve ry cheap - ly. So 18.&W 33 1 wares for the young, nor left out in the cold Are their el- ders, the more is the pi - ty, For I t bid for it bold- ly, but please bear in mind That the rule of cash down is " de ri - gu£ur. The —?- v '* can't help re- mark - ing you're - - none of, you old, And no ting you're all of you pret ty ! price of - ti - - - each ar cle, la dies, you'll find, Has been marked in a ve ry plain fi - gure. I've ar - ti - cles - - • - • suit ed to ev e ry taste And ev 'ry des crip-tion of weather ; If corn-plaint the pro - pri - e - tor begs to im- plore In case you'renot treat - ed po - lite- ly, Foi - fair la - dy'll - a ny o blige with a waist, W«ll try on this gir - die to - geth - er ! i. Al I a kind of a * vel - • - am tra ling store— In fact, I'm a pre ma, ture White-ley ! 2. He l. Al • ». He 10^4Ck — = — , 34 tr / '*- - though on his back he may car - "7 a pack. has of - - He hands a won der fill whiteness ; And bought up a great met ro - - • pol i tan smash At a - cri - sa fice tru ly a larm • ing ; lie -•• -»- -P- » • -0L «_ i> - m- * -m~ <&l> * >~ —>— [ f" m \j0— r ^1? - Xi though on his back he may car a <7 pack, lie has hands of a won der fuf whiteness ; And bought - - - - up a great met ro pol i tan - smash At a sa cri • fice tru ly a larm ing : He -*- -0- S" -0L HP- -m- M- -r r r -r*- - Jt * -» > f » if T Y <* T ^/ - _^_p—,— Ped. * Ped. this sym-pa - thel-ic young pe . ri - pa . tet - ic A pa - ra-gon - is of po lite-ness ! does-n't de - duct a - ny discount for cash. But his manners are per-fect ly this sym-pa - thel-ic • - • - young pe ri pa tet ic - of . A pa ra-gon is po liie-ness ! does-n't de - duct a - ny discount for cash, But his manners are perfect - ly | 2nd time. " I 1 ? y «' — charm-ing ! QxX—V—«^— V _2J3 : > 1 1 rfc charm-ing ! "- - • • • *" -* . i- -i- J. v ;-j ji -1 i. h^J j.. ^ij A 4 ^ j i |^=^=t fr y,- + + j» p > f f" f + fr -•- 19.34A < °g 35 Oswald. N 1 f- > ; r J 1 Im ^i I i g J r i . r . 1 V Now is - n't that beau - u - nil ? is n't that : i *i i i i i > , EJE Eai ^=E5E f= £ i f HHE *i i i j i | n^r»p" nice ? When 1 tell you the ar ti - cle's Ger- man, Youll know it could on - ly be 5E i i r i I «j—1 -? pi m 3=t j n 4 4 t^r*^ ^^ s I i i r- ' J^iLL- & fa r -»- » > *i r g — 5 5 S 5 i r Ijfctr. g g ?" ^^ Thro - ter - na - tion- al - - sold at the price a prand in fir man. A still great er bar- gain ! : S N.' S . ^ Jm,-p- -» » i 5 E g r ii F=* £ — — x g^ ?C V g > An ar - li - cle French. When 1 say it's ./ French man - u E?fE E«E it; ^r m \ =&=^=l j . > , s_ t- ^i-^-i-i— i 1 ! S ^| —*> —V 19.34a — ^ — —= 3& * i * p — 1 — — 1— — 1*" 1 7VK r =i =i Ss=—IV F f —=r~— $=£=£==£=£=£=1 (<)Xj2—c n n—M ZE _= U«— m L^— V V * _J2. — Wh I men- tion the ar - ti - cle's Yan - kee, Well, bo - bo - dy then will re - 1 ... .4. J. 4 -1 4 b*L 1 i i : t 1 =1 v • l^i i h-TT- — 1— =3= rff 1 V 1 1 m * '} — W« 1 L *— 9—1 i -f-i r 1 i (p): h • 1 g —m 1 —-r=J r to • - • quire be told That there can't be the least han ky pan lty ! Who'll buy? Who'll buy? A Chorus. Not I! S I^Hl ^^ Not I ! 1S.S48 37 Oh. yes ! oh, yes ! the chance we'll miss ! For we've - heen told, a Us ! yes I Oh, oh, yes ! the chance well miss ! For we've - been told, a las ! That what is sold - as Van kee gold Is some • . times Van kee brass ! what is sold as Van kee gold Is some times Yan kee brass ! Pad 3 . 19.34* 38 No. 5. DUET-(Dorcas & Oswald). Allegro con brio. Oswald. PlAKO. sun's in the sky and The grass in ihe ground; Na-ture -ter - - - ma nal, Pla-cid, su per nal, Soreadeth her ver - nal grace is in grief, and vir No - tue in tears! Come what may af - ter, - Youth and its laugh ter Pierc- ing the' raf - ier. Dorcas. Man - tie a • round. "Tis i - die re - pin ing, When sum- is mer cay , Glad - den the spheres ! To - mor row we'll sor -row, But now let us sing ! whin - .rom her cof - ferr Jew ela she of fers, Scorn not her prof • fers. Say her not na\ ! to . • Hap-py day be, Joy ous and gay he. Pluck - ing while may be Bios - soms of spring! Pod. 18 .Mb. ;; 39 OSWALb. Whik mom- ing is shin • ing, Your gar-lands en-twine Ere eve- ning clo - ses, Ga-theryour po - sies, Each gift of cre - a - tion Is hea-ven's en - voy Ne'er a bud spring - eth. Ne'er a bird sing eth, _!_ While yet it is day light, Re - joice in the day; - - Oh! list to the mes- sage The hem i spheres voice . Ja*' mine and ro ses. Sweet eg - tan - tine ! But to earth bring eth Ti - dings of joy 1 -j nrx r?—j- J—T-+ ? ? f ? £ £ * * * Nought to re - pent of, Breath be con - tent of, Fra-grant with scent " - Kol ly is sad - ness, Mis • er - y, mad ness, Ho . iy is glad 40 u! ' While there is noon enough, ^ 6»y £g Night will come soon e • nough— { us re -joke!) Starlight not moon e- nough I S ! While there is noon e - nough, " "* y ^ , Night will - ' f come soon • " H" • e nough— Star -light nor moon e nough I Let us re |oice 1 e - nough! . . . Night will crime »oon e nough—Star -light nor moon e nough 1 MS be * te he a While there is noon • g y ' B»y> y. ** e nough, While there is noon e nough, ! H' E * r^ - \nire rp . irt,™ r» tni*. ( Let US re - joice, re • joice, re - joice, re - us ta ta While there is noon e • nough, While there is noon e - nough, f*7' *" SV' ** B7i j f^[ us re - joice, re - joice, re • joice, re ' — 4* gay ! Let us be gay, be gay ioice ! Night will cozif joice ! Let us re - joice, gay ! Let us be gay, . be ! gay joice ! Night will come •owe ! Let us re - joice, N in mm fr X I X fr P* E k p i n 3H3E - - soon e nough, Star-light nor moon e -nough ! While there is noon e nough, Let us re - joice ! • » * '^^r > ' -V—*- =^=?= &V — ' -V r- - - soon e nough, Star-light nor moon e- nough ! While there is noon e nough, Let us re • joice 1 -» »- -a- «- 1 1 r 1 -« 5= -\ * 1 — r f \ v5&l I ?V r I i / il i i 1- -l T f f \ fi i g @g i » s^ 1 1 Ped. 19.848. *a No. 6. RECIT.-(Dorolhy, Dorcas, & Oswald). Andante ion moto. Do*cas. RECIT. Dorothy. RECIT. Oswald, a tempo. 19.34ft 43 No. 7 TRIO—(Dorothy, Dorcas, & Oswald). AlUgretto moderate. Dorothy 3-*-* * Shall it I* rice or true? Oh, tell me, what is a maid to say? g ' r_r -i ; ?r_r ^ ; f»j» -, * r_^ i "f «« /Wfl '*/. ri n n "5 "' n* L 'trH rj t ti t t_r " 19W-1 44 A " tempo. do? Ah ! or nay ? Go or stay? To which be false, to which be Yea or nay ? or siay 7 To which be false, to which be ' Yea nay Go or stay? To which be false, to a tempo. When a maid -en wa- vers twixt yea and nay- Shall it be rice or which h< ,n,e? When a maid - . e„ „ ,e,V.wix, yea ,„,| nay _ ShaU it ^ ,;„ 19.846. 45 g g g * :$ Dorcas. C -*--»- -*- ^»--«- »** -*- 1B.S4T 4 "cc * »ay, And leave - he hind tbic rue ! maid • en wav ers 'twixt yea and nay— shall it be rice or maid - eL wav - ers 'twixt yea and nay— i*.M8 47 Ped. Go or stay ? Rice Go or *uy ? Rice Go or stay ? Rice a Umpo. P«L 18.&4& 48 No. 8.« SONG— (Manners). Allegro moderate. , Manners. Piano. l ea » Ere day is done And the set ting sun Dips down - • be neatb the sea . But !— night Cre - a - tion sleeps, But its spi - rit keeps Her vir gin lamp - a light ; . Yet ner - er a sun in the skies a - far Bright as the eyes of my la dy are, My la - dy who love ne» - er a star in the . heav'ns a bove Pure as the soul of my la - dy love, Ture as the troth I me ! Where in the shin ing frame a - bove, Where in the great de • sign, plight Where in the shin - ing frame on high, Where in the gre.n de sign, . . 10.84& • As originally performed at the Savoy Theatre. As new performed, vide No. 8$, pace wa. 49 Where in the world is found a love Like un . to mine and thine ? Like un - to thine and Where is the love in earth or sky Like un - to thine and mine ? Like un - to mine and =t 3 it =t zt =t zt • mine, love ! LHce un to mine and thine 1 - thine. love ! Like un to thine and mine and thine, Oh love, Oh love Like un • to thine and mine ! Fed. 19J4S. ; ; 5° Dorothy. Sweet • Iy the morr. doth break. love is - When nigh ; Hue» of the rain bow take Land - scape ar.d sky Gai - ly the sun doth shine O vei my head; High heaven' it - self is mine, Sor - row is dead. Et . er for thy dear sake Hap - py am I Sweet ly the mom dotn break, When love is 18.348. — « — — — 5> Man h lis. * Ped. * Ped. Dorothy. 3=g= * * Now shines the sun a - hove, Now thou art mine! f- g ->— Pgp' r * * * Thou art the wine I . Id my life's -X-—x- *.? ' -*—«- ^i -p—* -t^rV^T *[*£ ^^ ^=c h » I r-:-^^-T-7~7 i i »» —"5 ^— 1 1 —"^- t-——— _* * —m. -m—« m—n- *»—w"i -^— r _ -Em —m m «— — — * m *- — '¥==?=* V W *r •' 'r £ fr 1 : =FE d*H rr~ 1 r IL J tLJCLJ *£ Ped. * Ped. * Ped. * Ped. * Ped. Now shines the sun a-bcve. Now shines the sun a-bove. Now thou art mine ! Now thou an cha - ixc. love, In my life's cha - uce,love, Thou art the wine! Ah, love, thou art the iB.348. ! 5* Hues of the rain-bow take Land - scape and sky j PerL * Ped. * Ped. * Ped. Sweet - ly the morn doth break, When love is nigh Sweet - ly the mom doth break, km Sweet - ly the morn doth break, When love is nigh ! Sweet - ly the morn doth break, * Ped. * 3 5 Ped. * Ped. * Ped. * Ped. When love is nigh! - Sweet lythernorndothbreak,When love is nigh, is nigh I When love is I - nigh Sweet ly the morn doth break, When love is nigh, nigh ! * Ped Ped. UUM& 52<» (No. 8a.) SONG-(Dorothy). RECIT. ' Wily weep and wait ? Why he -si - tate ? Too soon Is bet - tei than too Piano. Lento. Allegretto leggiero. sleep. Red of the rose • bud, Wnite cf the Breast of the 10 - bin, Why dost thou Allegretto leggiero. May, Why are ye fra grant? VVhy are ye gay? blush ? Whence is my mu * sic, Throat of the thrush ? .9.344 ' 526 Why are ye blithe as blithe can be? Whis - per your se - cret low to Why me ! do ye &t from tree to tree? W-w - bleyi-ur se - ere: lew to me: Why do ye droop when day is done? Is it be-cause ye love the sun? Why do ye roam the sky a bove ? I* it in search of your true love? Why do ye smile thro' tears of dew ? '* >t be cause the sun loves Why do ye build your - selves a nest Is it be cause your love is a tempo. you? Red of the rose - bud, White of t.le May, That ts ycer blest? Breast ot the ro - bin, Why dost thou blush ? Where is ihy 5« £ =5=5= JP52^S i^: i new, Ye lovt your love. And your love loves too. me. Thou lov'st thy love. And thy love loves *het " <**£> =?= '' -p-w- PHi is g =*=& C3Z3Z^3 3 Sing th". old song that for ev - er u new, Ye love your Fear not to whis - per thy se - cret to me, Thou lov'st thy love, And your love . . loves you ! . love. And thy love . . loves " TH J-J£ -*Q^_ WSBL 5*' I love my love, and my love loves me, I love my love, ... \ love my yt. | jji i j mi | ji J5I— -*- -*- -« 3=Z1^2^£XIJZJ=J±J—:— " 19J48. r S3 No. 9. ENTRANCE OF PURITANS. Andante ptsantt. Poiitaxi. mm jjlgg^l Down with =£2= *£ r i i i (I i ^m PlAMO. / 42- -*a- 3± *=5i z -C s =f- s I I ^^ nn +— - love - prin • ces, downwith peo - pies! Down with church - es, downwilh stee pies ! Down with anddown with mar riage! Down wilh - la - with ev-'ry- thing that's - ! all whokeep a car riage ! Downwilh lord anddownwith dy— Up sha dy U.-S48. 54 Down with life and down with laughter Down with land - lords.down with ~* * * 4- "T And— just while we are a bout it— Down with ev - 'ry bles • sed thing] r 7 J- g f ; g 19.34& 55 No. 10. SONG-(Rupert). AHegrttto. 1. I've heard it said, Ani it 2. Ex - am - pies show That wt PlAJIO. *! V S ^=s \ r\ sr » > N v | l zX=C i m S3 may be read In ma- ny a trus • ty tome, How, when ail - gurs met On the par - a • pet Ol the walls of an-cient need - n't go So far as to an-cient Rome, For it just oc -urs Un - to me, good sirs, There are hum bugs near - er m ^^ B r S Mir 4 1 r -x~ Rome, As the two passed by, Each winked an eye With a can - dour con - fi - den - tial, Or stroked his nose-WTlich, home. When you style the spheres A vale of tears, Don't you ra - ther beg the ques - tion ? Pe - mem - ber, bards. It's - goodness knows— But it is - n't at all es - sen - tial. For ev 'ry man, Since the world be - gan, Had his i- di - o - syi' - cia - on the cards, It is nothing but in - di - ges • tion. For ev - 'ry -.nan, Since the world be • gan, Had his lit tie in- firm -i 1 9,848. 4 9 see, And to lunch off > moan, And lo dine on a groan With a trick-ling tear for tea— Well, it may suit you From tee, And is apt to mis-iakc Whatis on - - - - ly an ache For pro foundphil o so phee. He is not the sphinx He sub- V £~£ yourpointofview.But it doesn't at all suit - me! As I don't re joice In a deep bass voice— Well,it doesn't at all suit) lime • ly thinks, But a man very much like me! Not a de -mon fell, an arch - - Or an gel. But a man very much like ) me 1 rho' the world be bad, It's the best to be had ; And there-fore Q. E. D. ; Tho' it mayn't suit you And a r' \ i . ! 1 —m— —g -*- ^gr _^"°"--_ ** 1 ?Lr s i i —& s- -& XT -e5 -O 1 No. 11. PlAKO. Ped. i ->Q -i igl jgj 1 "eh c/i l£iU; 3 gr i ^&+Sh-g^\*g i j [ fr g i f % w* ^ ^ ^*= 1 Ped. * Ped. * Ped. Chorus. Sopranos. The bon - ny bride groocn eth To meet the bon - ay Tenors & Basses. /J iy.348 — — — 58 pen wide' The bon - ny bride • groom com eth Your Allegro moderate. Rutlrt. wel come With a hip, hip, hap oh. Ped. if 19.348. 59 Simeok. NiconnMus. Barnabas. pear - ancc is - not a sue cess. Well, not a tri-umph. A sue - cis d'ts - time. Or * Ped. Rupert. Ped * Ped. * Ped. * Ped. * Ped. * Ped. * "•" but ply their trade. They Once we close the por-Uls, Once we shut the shop. We're like o - ther mortals, 19.348. 60 Choius. -N S Sx N S^ & V u1 pi r J ' r [ g P J p *j 3 I a j j *j s ^ j g Oot up -on the hop ! Once they close the por - tils, Once they shut the shop, Puritans. Out up -on the hop! Once they close the por-tals, Once thev shut the shop, • - - They're like o ther raor tals, Out up on the hop ! Once they close the por - tals, They're like o - ther Rupert. la- dies, lie - fore this ena-». mortals, o • ther mor-tals,Out upon the hop ! I pray you, pret-ty audience To P * * mortals, o - ther mor-tals,Out up-on the hop ! ' » g ±± ±±k i * ± J: ±* J: * j: " i^^'^T 19.348 6i _ ISistesso tempo. I* 19.348 1 — 6j • - I suf-fer'd ga- lore, Kill - Joy Can die mas. E-nough ! e-nough we have W& -+- -+• -m- -*- ^fc E-nough ! e-nough ! we hare suf-fer'd ga- lore, We y * in- can-not suf-fermore! Oh, let's see the back of you, Ev -'ry man-jack of you, All of you sil -liei and all of you sights! The let'ssee the back of you, Ev -'ry man-jack of you, All of you sil -lies and all of you sights! The ** ; m t. g 1 1 I Get a »rt of old fo - gies That bob up like bo • gies, And keep one a - wane in the dead ot the nights —•- * I \ r - I * * - * P * \ r ~i~ Fed. • Fed. 19X8. 63 Rupert, Be - tween our-selves, I can - did - ly con - fess, That I ex - pect - ed nci - ther more nor less. -v-fg P P U~»~ , My faith-ful friends, I do not mind con - fess - ing To all of you, whom I am now ad - 3 2 5 2 253225^ <&*;*-+ —n r i~=F V y ^ \ ^ s^ j; \M»> [jfe i ^.w - dress ing, That. as a lot, you are not pre-pos - sess - ing. It's no use blink - ing it ! ;T rt^ &*ii *ffr» We were ost 19.348 — 64 La- dies.pret - ty la- dies, se- condthoughtsare best ; Preg-nant is the pro-verb, think ing it 1 ' ~ -*— *~~ ' m *^ # 'f*~^ time's the on - ly test. Come, la-diesfair Beyond compare, And list to my con- fes-sions ; Be warn'dby me.And nev'-er be dc ^£ f=H=f t t f t ft i f i i £=HM Chorus. ciev'd by first im-pres-sions. Come, la- dies fair, Be-yond compare—And list to bis con - fes - sions. ^fc ^:r*^' P'g^p i*r- r i r r ^ Go, la - dies fair, Be-yond com-pare—And list to my con - ies - sions. ^ * -i«~ 50- 19.348. 65 (No. 11a.) SONG-(Rupert). Andante con espress. Rupert. When I was bat a lit tie lad, And cake and tof • fee made me glad, Ana flANO. high the sun at My mo - ther came to me . one day, When I was in the P I J ' J _p v x i r ^ not twice, '- ish'J a trice - thought The jam had van — Quite frank are these con fes- sions ! 19.34& 66 Chorus, f ceived by first im • pres-sions I Quoth Doc -tor Syn - tax, one fine day, " Ru - pert, I have a ~m m~ ceived by first im - pres-sions I So ten - der * ly he took my hand. His J&348. 67 tone was so po - lite and bland, I fol - low'd like i lamb. But once up • stairs his man - ner frea'd, And all at once he seem'd dis- pleas'd, As with M - Di - do I Then, quick as thought he seiz'd a birch And fair - Iy knock'd me off my perch- Whack, whack, whack fol-de-rid-dle -i-do! Now.ta • dies fair Be- yond com • pare. Be wam'd by Chorus. Tenors, pp > N > > i Whack-fol-de-rid-die • i - do I Whack-fol-de-rid-dle - i - do ! Wback-fol-de-riddle- Basses. pp Whackfol-de-rid-dle - i - 1 • do Whack -folde-rid-dle-i do I iy.34«. • Ped. * fed. 68 You ly see The va - ni ty Of trust ing Tsnoms. i • - • do ! Whack-fol-de-riddle- i -do! Whack-fol-de -riddle i do ! Whack-fol-de-riddle-i- do 1 Whack-fol de -rid-dle Rasses. Whack-fol-de-riddle-i - ! • - • - - do Whack fol-de-riddle-i do ! Whack-fol-de-riddle-i do 1 Whack-fol-de-rid-dle i do ! ------• I Whaclc fol de rid-dle - i • do ! Whack, whack, whack fol de rid die i do rs h> 6 is s ft * * ------i - 1 Whack fol de rid-dle i do ! Whack, whack, whack fol de rid-dle do 19.348 — 69 AUtgretio con brie. r i § i : g l-j i ir P Ej f p a FlAMO J L *=**= ;.>*«' MSe 3* Sg I rv I t=c " 5t V J. Six George. y y ^ r r E - - • Hail, cou sin Ru pert, wel come to our heart ! --X- g =3= 3^£ £ P f IB =S= p s- / =tz== < • * **T ^ r r- E c Modcrato. Rupert. jt * < &*«r. -i*! S t= V =±L £ ' » * * * _ r * * * ^ n= (fr I gB * b Tho' scarce we know thee in this hab - it home - ly. It doth not suit me, but Ue fore we 1S= 1 : mP=±B£ 1T» i m m /p / ljg| 1 < Lady Vernon. Rdfert. pazt I h> to change it for a garb more come • 1;. A bride groom's ? Aye, if 19,348. 7° this swct maid - en wills. This mai - - den, aye, her la thers wish ful . fils. fe Andante con espressione. Rupert: Sir George. Cou - sin fair, to thee I of • fer Soul and bo - dy, heart and hand. fn ex Lady Vernon. £ H » f * change, to • thee we prof fer Beau ty, du ty, hou«e »•<< land. Hus-band, hear me 1 hus - band, :?^:::^ s£ ^=& I ^m g^ V lis - ten ! Let our daughter's heart re - ply. I u her eyes t he tear drops gUs - ten. I f she r»- WE=iF=F ^ gi— 19.34 a 7' DOROTJW will die ! - - Fa ther, hear me ; fa ther, lis • ten 1 If I wed him, I shall m ^uv \ ^ me If I • i wed . . . him, I shall die ! Fa ther.hear me, Hus - band, hear her, . , husbandries her: If she - wed him, she will die ! On ly hear her. Rupert. fair, Cou-sin to thee I of - fer Soul • and bo dy, heart and hand, heart and hand, heart and soul and 19.348- 7* fa • ther, hear me ; For if I wed him, I shall die ! ly hear her ; For if she wed him. she will die ! ^=^ *£- ^m I I 3= ^=q= wed him, she will die ! £- hand, heart and soul and hand, soul and bo dy, heart and soul 1 (No. lib.) SONG-(Dorothy). Moderate Dorothy. 19,348 * 73 I seem'd to hear the an - gels say, "To thine «wn heart be true." Heav'n */ -m- To all who have the rf: ^-i-l -1 ' ^-g- 3-^1 f-l-r f cru. -*H-P- -=1-r— ir Ped. « Ped. - - rings all na ture through ; For er, ia the an gels' sight, To thine own heart be Tho' storms up - rise And cloud the skies, And thorns where r^*i ' — -* — ' ~~ * | P t !* & J r ^ _ «W-r i 1 ' > S ~ ' J~ -T 1 ^ - ' F " 1 — * Fed. * 19.3*8 ; Sn™- C ™ °™ »'«' or woe, To tfine own " heart. To JkZ^S be true I TW storms up rise - And cloud the skies, And thorns where ro - ses grew Dokcas. To thine own heart, to thine own heart ... be true.! Ka - ther, for - give ! Rise Allegro ' to thychamber, thou re-bel-liousmaid molto con brio. ! Mv 19318 75 jrforto vivau. will is law, and law must be o-beyed. I ask not words of du - ty, I ask Molto vivace. We are re • fus'd A plague up - on our ,ia - lal Sir George. £= mine ! m m . m m . m » . » B f BE S E * E £ E 1 - Hur-ray ! hur- ray ! Oh, bless ed day ! up - on - tal We are-~! we are ! A plague our na f 1 " % 1 tiL iIjj" i .^ a j'ijj pp i m .^ pp .rnj 19.M8. Ped. 13.3»8. er ring hand Die - tales the right - ful way ! er - ring hand, Die - tales ihe right - ful er ring hand, Die - tales the right - ful way! m mm "*" er - ring hand, Die - tales the right - ful *- -0- -* _ -*- - Ped. * Ped. * Ted. 7» I dare not, I dare Dorcas. to dis o • bey! It is forconseienceto com-mand!Thydu- ty with un - er- ring Lady Vernon. to dis o - hey! It is for conscience 10 - command !Thydu ty with un - er- nngri to dis o I It is - bey for conscience to com-mandlThydu- ty with un • er- ring P- -»-» -o- -m- -m- * -P- -o- -»- -». to dis o • bey I It is a fa-thers to com-mand!Thydu- ty with un - er- ring .v >, 1 > I I S to dis o . beylThydu ty with un - er nng •8- :: to dis o • bey ! Thy du ty with un - er nng to dis o - beylThydu - - ty with un - er rmg 79 I dare, dare not dis o - bey ! hand, Dic-tates the right - ful way, the right • ful way ! hand, Dic-tates the right - fill way, the right - ful way ! v rs s \z fq^t hand, Dic-tates the right - ful way, the right - ful way! hand. Dic-tates right way ! fff. .ff.ff.r Ped. 19.3I& End of Art I. 80 ACT II. No. 12. INTRODUCTION & CHORUS OF PURITANS. Allegretto. Piano 19.34a — — " 8i ~H "~ " IX ^ ~~ it & — "* * |^' Puritans. T*" "*" _ m • • • c r £ — m U r -t^~ ¥^=F?:lj*—k—fc_|. what of bbut— The mid night cat is prowl ing— The rain is fall ing fast But ffi —O = ^f bl r • »4: ' 1 i ' — 19.34S : — 82 ROPEltT. Puritans. Rupert. 9" 1 cy blasts It's the sort of da; when peo P'= SB] It'i much too ba i to ' - am b 1 ? * • ^S 1 % • Mr - w>— 1 d I ^ : —^— -*=> 9 t° -to " • *° PORITAMS. ROPERT. Ropert 4 PtJRITANS. ia348. — v ! &3 No. 13. SONG-lMcCrankie). Andante commoao. McCrankir S pi 3* | ft fr =*= m 1 P , m # ^g- #— - dy an' a Sankey,Wound up i. My name it is Mc- Cran-kie, I am lean an' langan' Ian- ky^ I'm a Moo pok- in* In • to 2. I'd pit a stap tae jok- in', An' I wad- na'sanctionsmokin'; An' my nose I wad be PlAKO. -* W~ - - - * Pre - * - * • li - vere an' sup er cee li ous. o' a Scot tish reel I Pe dan tic an' punc tee ous, Se - • die - ta - to - ri - al ; To U • ka bo - d/s way. I'd use my pow'r cen - so ri - al In man ner 3*= *" " * = t- 5 i" — m m * 5 — 1 - - whis - key, But 1 • ceese an at • ra - bee li ous— Rut mean - in' ve - ra weel. i don't ob jec tae - -in', An' for • nae - bo-dy's me - mo ri al At - ten - tion wad I pay; I'd jtip the kit tens' play ~ a A A ~7 /TIa"" A ^ jA A J- r /a A J _ A m * ^ d . __p . _* - " 1 ~ i i r q— -j L-^3 r ' -r -r r # ri ** N E ^=P= lichts ! say a' songs are ris - ky, An I think a' dan • ces fris - ky. An' I've pit the fuit oot - loie ass 't bra» bid the hor - ses' neigh - in', But oh, not the ass - 'l bray in', For I the - 19348 — — 1 84 am themaist dog-mat - i - cal, Three - - - - - cor ner'd.au to crat i . cal, . - - Fu ne re al, fa na . ti - cal, O' am themaist me-chan - i - al. - . Of - fee cious.pu - ri tan • i - cal, Prag . - - ma tic an' ty ran . ni . cal' P» a* the - cranks a boot ! . - due tion o' the day ! A A £ t ." **~. - A A * *A- ^a , — . -'ft f j ' | 2nd timr. '. a 'a k A A A A . J-A > " *^ ;: 1 I i ..i I ^ * 1 » *ifc~ r*—^=^ i r g ^ . — — — — J _ n — 19.3+8 — 85 NO. 14. DUET—(Rupert & McCrankie). Allegretto. < r T 1*^""* 1 ~l 1 ^ 1 S1 iH U-J u- PliNO ! s 1 * * 1 "Td a — 1 m m — — 1 1 * * I m 1 "1 ^^ >-^- s pi ^m l» 1 1 1 1 L 1 L T -* 1: » fc=LJ UJ 1 \ ^=tF I * * T-^ / '/ Rupert. McCrankie. There's no one by— no pry - ing eye —Our sol - emn se - cret tae es - py — So Rupert. McC. Both. Rupert. we wad ve - ra quick !y do.— If we but had our way Like 19.348. 86 McCraMKIR. Both. Josh.ua, we would stop the sun— The thing is ve - ra sira - ply done— If w^ but had our way ! Rupert. McCrankir, Both. ~&. 3fc-^ 9 - ROPERT. McC we but had our way ! . We'd so - per - vise the plants and flow'rs— Pre JSZ Both. Rupert. - scribe 'em ear ly clos - in' hours —If we but had our way 1 We \k McCrankie. Both. would for - bid the rose to smell— re - - - We'd in state the cur few bell— If we but bad our way ! 19348 ! 87 RUFE»T. McCranki*. Both. No man, in in - flu - en- za's throes, Suld be al - lo'ed tae blaw his no«e— If RtlPEST McC. we but had our way No cock should crow,no bird should sing, —Na RUPE1T. McClANKII. Both. bo - dy suld eke o • ny- thing—With - out our li - - - cenae rign'd and seal'd : For we wad do mi nate mon- kind— If 1JU4& — 83 Bot*. We were not, thro' some freak of earth, Con - sul - ted at the plan - et's birth—Tho* McCrankie. * * - * \J -< c ~T we'd i lot (0 say I Had we been on ere a - lion's scene, A 1 ' 1 i 1 r v -0- !jl j: -i j ((*)'. 9 m— 0— — * * f — — r " » ~~r r 1 I ^ i c_ 1 1 c_ 1 1 Both. Rupert great im - provement thcre'd ha' been If — we'd but had our way ! But McCrankie. Both. some-how we were - - clean for got.That's why well make things pip ing hot— And ye the pi per pay. 19,348. »9 McCrankik. We'll tax ye oop an' tax ye doon, We'll tax the coun - try, tax the toon,— I! Rupert. McC Both Rupert. sen' the rate-book oop lift • high,—And cry, hur - ray, hut - ray! McCrankie. what be - comes o' sci ence, art. The law. the tem-ple an' the mart -We nae> ther ken nor care 18.J48. 90 RlIPEET. McCeaneie. Born. Rupert. McC. McCeankie. RUPEET. Both. -it Jt — ! 1 91 No 15. TRIO-(Dorcas, Rupert, & McCrankie). Allegro moderate. Rupert McCrankie. 1. Hoi - ty - toi - ty, what's a kiss? 'Tis nae ve ra shock -in'! 2. Hoi - ty - toi - ty, who's a . fraid ? When there's nae ane leuk - in'! 3. Hoi - ty toi - ty, what's an oath? Eyes were made for hook, in' Pi an a. Rofrrt. McCrankie. Dorcas. rfc V Do not take * thing a miss ! Lass, there's nae ane leuk • in* ! Hoi - ty - toi - ty, I could ne'er re - sist a maid— When she - shows her stock in' Hoi - ty - toi - ty. We are ve ry hu - man, both When there's nae ane leuk - in' 1 Hoi - ty - toi - ty, Rupert. McCrankie, what's a kiss ? Kiss - ing goes fa vour And when the kiss Is a «o - len bliss— The man, be mum H ast thou had glas - sie? My friend hath come From the Isle of Rum— An' things have come To a pret pas The Isle of Rum Is a tri - fle glum— An' \»MS. ; 92 Dorcas. sweet • er is the Up - on my word, t nev - er nea: d A thou'rt a braw, wee las tie - have thy - self, Thou High - land elf. Thy thou'rt a bon - ny las - - Thou hor rid thing ! Thou High land fling ! I'm ~+ *~ statement more sur - pris - - ing ! Aren't ye a fraid Of with a maid Your con-science com- pro - mis -ing? Up - con - duct is past bear - ing ; I thought ye both Had ta - Wen oath, Fri - vol - i - ty for - swearing. Like - sure thou'sthad a glas sie ! I won't by Or a call'd - - you— ny two— Be a bon ny las sie ! Dor. \ Oh, Hup. & McC. i Oh, e on a light And star- ry night, con - suit the lat - ter But when the maid Is in | the shade, It's j Ve ™J|j ev - 'ry man, A Pu - ri • tan Ad - mires a waist that's ta - per, And on the sly Will wink his eye, And hist and whist ! - I'll ere - ate a - Now, do de s;st, Or clat ter ! Do set me free, And let me be, And hist and whist ! Now,don't re - sist ! Why mak e so great a ciat - ter ? There's none to see, So what the d , The - - quite an o ther mat - ter ! - cut his lit lie ca - per ! • cease your sil - ly chat ler ! de' - il doth it mat - ter ? 93 No. 16. FINALE ACT II. Alltgro non troppo. gfeg^gfr ^gvg^g>£, Piano. Ped. Dorcas. The West wjid howls, The thnn - der rolls, But love keeps vnm my heart ! . Ped. Oh, mis tress dear. To - night and here, Sweet tress, must we i^m% i A J* J-.JV J> s , * Ted. Oswald. fa 94 fa-vour our flight Each ; plan-et its splendour hath gra-cious-ly veiled, Andthechastemoonher-self her ef ' Dorcas. - fill gence hath paled. But - • the plan ets are there, Tho' their glo ry they hide ; Tho' a tea • r mask theymay wear, Tlreywillsmileon the bride ! The stars keep their vi . • gils a bove her I Oh, Oswald. lfl.348. ; 95 maid, A wife lo be ! To be - be lov'd By so fair C Dorcas. thee : Not now I not I now To love's sweet 111 • vow Us life long j Sing, love, to me. And thine I'll be, - And live . . up on thy song Bat sing not now ! If they should take her— If they should pur • sue— Do not for - 1M48- sake her, Oh, my lov • er true! Promiseme, Os • wald, promise thy bride, That.if thou leav'stme a maid for - lorn To weep the Oswald. Dorcas. • Now art thou mine, , For ev er mine ! - And I for ev er thine ! Ped. * Ped. * Ped. 19.348 97 Manners (Off). X\> T • \ n Flash, light ning, - flash, And roll, thou thun der, roll ! The hea Ped. * Ped. 19.X48. — i 9 8 4^-J-J^ =>^=^ ^ ^ • i - roll, thou ihuc der, roll ! Thoa canst not crush, thou canst crush [ i * . « fa- & i t*- ' g ±E i - im? ^ g v roll! Thou canst ciush ! Love reigns from pole to pole 1 And through the IE =p^ - mroll, thou thun der, roll ! Thou canst not crush, thou canst crush 1 . p\Tr i g IS - b* ' pi -fcf» For love is there, And ev 'ry - when Where love * i » —— »- fcc ^S 4= =3=* black A - byss, the black . bove Love rolls thee back, For thou i a — >-i— £E m ^? For love there, And ev 'ry - where Where love fe^-J- j!C ^ j r j : :^^-jiJr-j g^ Ped. 19.S48. ! Manners. I see thee once a gain I seem to hear the heav'n - \y choir Sil ! ; IOO dark ness now There is no light When thou art far §2=s3Es ^s g i i a m rJ . J I I I I I I - I I s J J J "*IJ'J J J I J J J m * m J J J I I J J J j 33 ^=?^ r te^t- • t ^^- r r r-if r j a j g g I Thine ab - sence is to me the night, Thy pre sence is the day IOI There is no dark oh, my love, There is no dark- ness, oh, my love, oh, . my luve, There is no dark- ness, oh, my love, B*f lov;l Oswald. B - love I The hor ses ve 19.348 102 Dorcas. Manners. - rea - • wait ing—And dy am I ! The storm is a - ba ting—Come,love,let us fly ! Oh, grant me one Oswald. Dorothy. Andante tranquillo. 3 „ 3 - - love, mo-ment ! The hor ses are wait -ing —Dear Had-don, good byel Come, let us 19.34" — ! ! — — — •03 oye ! I have tried to o - bey the*— Id vain Sad am I Oh, love Allegro molto. *£ M^^ 1 pray thee I Good-bye ! Good 6 fct *A .i. rf^M#^£g| — • i r i E .1 ^Ftf J.HrrtrntrE ji =* -*^—*»-§ V^»- p <«.!. Ht- iir il s^5 1^ l V'^t^J Ped. RBCIT. , - . piu Unto. 1 i * T- ! = %W *"Tg^ 3*= = • wt*) p t? — ! — mam— — *f~— \r*\ hi #= —El p g-i/ i — Why do the heavens roar ? Is this thing sin That -s AAA ss*. Ba* a^ C P m m r rJ z a ^ ^ * '"* ~^ *1 "^ m ' ry ^J —j£7 ri — 1 ^ j | | E ^^ 1 = ^^^^E== j = K a /««/<» vivace, Mmni * * «L lH.a4o. 104 DO*CAS. OSWALIJ. calm aye foJ - lows storm ! ! Hush what was that ? Thy n - jTj. j"^ i |j>. X i !*- i' 1 ^ J? j." "^rjH -i» » * J #^ Manners. Dorcas. Dorothy. Hush! -i 5 i as > i r > 8 ij. ^ » n< i jjg. i p ^ 19.3*8. Twas but the twin - kle of the rust ling leaves. Twas but the twin - kle of the rust - ling leaves. Twas but the twin - kle of the rust ling leaves. Be not 'Twas but the twin - kle of the rust - ling leaves. pend ! See . f r aid ! on my strong arm de Manners. io6 Dorothy. Dorothy. 'Twas but the branch • es sway 'Twas but the branch - es sway - ing in Allegro molto vivace. 19.JMS. — ! : io7 * . : -jrTnr - * i =? . c i P I Now step light • ly ! Hold me ti«h: ly J^ j j» i _* gE jg | i s g g jU Now step light - ly ! Hold me tight - ly i J' i £ -i £ E i S i i l r ^ I c C ' &J ' | S <" ; pi" Pk iq g g - Hold me tight • ly, Creep a long by yon - der wall 1 Now step light • ly 1 Hold me tight • ly s 1 N * i jg | g=gg J 1 J" J g Now step light • ly ! Hold me tight • ly g j 1 1 t i ;i i=5 => -M— fe £; i= 1 11 1 i ^-i- g j'l | <-1 1 i ju g «*^ - ii i -i i i i i i i i 1 i *i i i i^^ri i i-PS-t- grr : s £ ^ I b b I I ? ^i -y if if— -—i p- Where the deep • est sha - dows fall. Heav'n be - friend us Saints de - fend us 1 Where the deep - est sha • dows falls. Heav'n be - friend us 1 Saints Where the deep - est sha - dows falls. Heav'n be friend us 1 Saints de- Where the deep - est sha dows falls. Heav'n be friend us I 1U.S48. io8 J-l-1^11 J 1 ~l** 1 1 old Had • dun Hall I F»re wdl old ' Had " don Haii! Now step light - ly, Hold me 'ight - ly, Creep 19,348. ! ! — io9 of girl • hood, so hap fare Ihee well ! Home my py, - - tight • ly the - est sha - do'»i long by yon der wall I Iiush, step light ly I Hold me Where deep - - - - est - long by yon der wall ! Hush, step light ly ! Hold me tight ly Where the deep sha dows long by yon - der wall Hush, step light - ly ! Hold me tight • ly Where the deep - est sha - dows p=$£^B=+=^\ -1 g=5^ * *54z £CTg=2ig ^Ss^^ I j — " 4 1 1 4-^ i i 1 1 *— j m\ > S Ml \7t p 3=3z I ^r p v &=f= I -V V- ^=E • ! - (are well Now step light lyf fall. Light ly, light - ly, light - ly, Cieep a - long by yon - der wall! Now step light - ly, ' ip=*1 i v Fare • well • ly, light • ly, • - fait Light light ly, Creep a long by yon - der wall 1 Now step light - !y, JS. 18.348. — no Hold me tight • ly a ! Creep long der wall - by yon Where the deep -est sha dows fall, tight - Hold me - ly ! Creep a long by yon • del wall - Where the deep est sha - dows fall - ere * seen ' -i Hold me tight • iyi Creep a - long by der wall yon Where the deep - est sha dows fall, ere seen \ " '. , 1, Hold me tight lyl - Creep a long by yon der wall Where the deep est sha dows fall, ,eres. Where the deep - est sha - dows fall ! 19A4K Ill fill. Light ly ML our foot • Heps Now step light • ly, Hold me tight - ly, Light ly let 1SLMS Light - ly fall, light - ly fall, ligh, . | y "*" -id- MMH. 113 (No. 16b.) STORM. Doppio movimento. ( J = J • ) j.|j. *$i— j~i&- ^ 1 ^l-; \-i [si ^ 1 [si1 : ^ ;' f ^" * * B« ^Ti TB-- -** jrU '^ J a 5 J- --z H II 4 * Ped. * Ted. 5 J J £ 3 3 & 2 2 .± Ped.-C7- '15 * Fed. ^JfJ^Sf. Z jlfefcjjg^feAfefei^jj^fe ; * Ped. ij6 — — r H7 j rfrf i r g^ ^ m M 1 1E i•—r / # i—-> I. n -• m—m- I :* v*t * 1 1 m p-j— i r4— i i ; — j— i * ' 5=^^ 3= ' h ' • ' r r : '~r * * * 7%. m | * * H -* *- b -=t T" =t W W Ped. Ted. * Ped. * Ped. Ped. * Fed. 8m. n8 Major Domo. Sir George. Tis an hon - our'd old tra - di tion, - pen house is - O Had don Hall ; Wel-come aH who seek ad - mis • sion. Gen- tie, sim - pie, peat and small. Health and wealth to com-rades r r r Chords. "£•-5 £ f r r * * P- 19.34& n9 (Wo. 16c.) Allegretto moderate e pesante. 3 3 3 Ped. # Ped. # Ped. * Ped. * Ped. * Ped. Sir Geojlgi. ^~~^ In days of old, When men were bold. And the P F=F^= i r r ^F * ^ 1; r i I'rF -m—»- m1 = r i f* e § p E P i 1 1 c i cu> 1 1 we ^ g j g rs-s-^ - prize of the brave the fair, We danc'd and sang Till the raf - ters rang And laugh - ter was ev - 'ry where ! Our " i ii'-iU ' -'Hl '•'^N^-l "A i 'iH lu^x8 I 20 :£-f:-5—£- on - ly laugh'd the more For mirth was mirth, And w^rth was worth In the grand old days of * Fed. * Ped. yore! For mirth was mirth.And worth was worth In the grand ol.l days of yore! To the grand old days, To the To th«; grand old days, To the Ped. * Pt.i. * Ped. Sir George. grand old days, The grand old days of yore ! The grand old (lays of yore ! grand old days, The grand old days of yore ! The grand old days of yore 1 Ped. * Ted. * Ped. 1»,348. 121 ^£ ba£T > t life is old. And hearts grow cold, And the au - tumn gath - ers grey, With soul and voice In your youth re- joice, And - ri - ly - - • - mer keep your May ; A gain let love and man ly mirth And wo man's beau ty rule the earth As - ruled - fore, • • beau ty be As beau ty ruled be for« ; And once a • gain Let men be men As they . eres. y-^ dim mi f Fed. 19.34R of yore. once a - gain Let men De men As they were days To the grand old * Ped. * Ped. * Ped * Ped. * Ped. * Rupert. RECIT. - E - loped. e loped ! Allegro non troppo. *-^i^- K_T" 19.348 »23 MCCRANKIE. Sir George. Ped. 19.348. — — 124 Lady V. & Dorcas. Chords. this is his na - tive ev - 'ning dress. Yes, why has he come— Yes, why has he come from the Sir George. But why has he come Yes, why has he come from the qg== n v Sir George. Lady V. & Dorcas. And hav - ing come—Yes, hav - ing come- r d ^m 3^ * -L. g Isle of Rum? Yes, hav • ing come from the Isle of Rum— Isle of Rum ? Yes, hav - ing come from the Isle of Rum— im Lady V. & Dorcas. te *5=t5= £E -^-f- g-C r JV N * ' m I -f rnt m Althoughhehascomefromthe Isle of Rum ! SirIRftGeorge. ~ -* »- P » IS > V V * <* Cannot thy Gae • lie friend be dumb ? Althoughhehascome from the Isle of Rum I ittr ^r^~ =ts=Ps= \ pttP SS I -v »--- *-, Althoughhehascomefromthe Isle of Rum I £= fes r / t$= 3=p Although he has come from the Isle of Rum ! _ ! 125 Moderate Lady Vernon. R iJPERT. McCrankie. RECIT. Sir George. _^ I fear Tha Eh, mon, eh.mon, ye din-na ken, The doch-ter'sgane wi' e - vil men ! What is this tale? me! Chords. - - tear-ful tale, fear 1 tale I will suc-cinct ly tell, If you will on ly hear me. Oh ! tell this tale to us as well ; A 1 me tear-ful t.Ve, I fear Oh ! tell this tale to us as well ; A me Molto moderato I'istesso tempo, Rupert. McCrankie. Puritans. Rupert •it < ; j- 9m S V * c g J^U > ^ a M--Mnrr-^§=± keep us warm In the pelt • ing storm —We were hae - in' a wee drap - pie! Theywere hav - ing a wee drap - pie I We iff « r-r f f , r r.f f r . . * 19,348. 126 PURITANS. said so, friends - - - Ve ry damp—And most un hap py ! Oh, McCrankie. Dorcas & Sops. -*-!*--«-v *- Puritans. m^ r j- j ttru c \ i eg \ p p i | § | g / j jv g - - - yes, we weredamp,And we .ill had the cramp,Eut w McCrankie. jgyjL^S-£-^J=Es *U*\i m-^t ' Js -^ why we were un - hap - py. I was bid • in' there Wi' nae breeks to wear—An' a Simeon Rophrt. McCrankie. (A Puritan). 1 - - kiltS a wee bit draugh- ty ! When one of the boys He heard a noise— An we lis ten'd, cool an' craf ty. Please 19348. McCrankie Rupert 4 McCrankie pV- And what did the voi - ces say? Tell us, we pray. -»- -»- Puritans. » -m- -»-~l -m-\Sf- -m.-9-M.- ,r x r r TfT 5~ r t- > * v Need we men-tion Our at - ten - tion Was be-stowed on what they said ? And what did the voi - ces say ? Tell us, we pray Piii vivo. Rupert McCrankie ( IVhisperingfy). Whispcringly). » » ( Both. Hush, step light-lyi Haud me tightly ! Light-ly let yourfootstepsfall— Ught-ly.light-lyJight-ly fall 1 Now step lightly ! hold me tightly ! Puritans. Light-ly,light-]y,light-ly fall ! Now step lightly ! hold me tightly ! 3—r 3- I9.S4& — — 1 ! 128 Puritans. gj^^McCrankie. ^^^^j^tii^^l^^^McCrankir, ^^ Rupert - fell, ! I a-gain,butsomeaneknocktmedoon! For rit I an'crackta Scot-tiSfecroon I Backward we flew, un- til we pull'd up gasping rose A — * , — — h- £1 nil g=a EpSE©S * # Ped. Ped. McCrankie. E Rupert. S IA? hP ft I ft -ft-ft i bgu B *EZMH i ^-^-^ '^ , 4-^ • - — '"^ m^^ ^=^ sound of hoofs against the gravel ring-ing— The cluds disperse, that had obscur'd the moon We see a maid-en to a horseman clinging Too late ! too late ! too late I too Rupert. i i £_£_£-£_£ i =e k. m 1 Too late 1 too late I too late ! too late ! too late 1 too late 1 too McCrankie. -i- =q=^ =F$*_ ^§fc ^ > > v I m m ^ i> V v~ We were too late Too late 1 too late I too late 1 too late ! too late ! too late I too Puritans. 1 g-t- i ^ntg-g-g-jr-g-it g 5 j p ; g is^r\±-z+±tt& Or else we were too soon. Or else we were too soon ! too soon ! too soon ! too soon ! too soon ! too Chorus. s s1 N P p h PI -fc-P-tted^ta: i 3 Too late, they were too late ! too late I too late 1 too late! too late! too sir -t- p -r pt . -> * ' ^ 9 v 19.34a 129 means this tale ? Why in - ter - rupt our sport, This in soon ! What •3° A - way to the wa-ter They gal - lant - ly ride ! j. Lady Vernon. P daugh - ter I u, Rupert. ~z ' s r cou • sin and bride 1 Sir George. 11 r i f I E r • My daugh-ter ! Tohorse—to horse—the fugitivespur g-g- ' 5— =g J'3'3''3 5'S 3 JiJJJ^F Rupert & McCrankie. 19.M8 ! '31 Q Six Geokgl Dorcas & Lady Vernon. Fleet tho' the light-ning's flash Rupert. Fleet tho' the light- ning's flash McCrankie. Close as the thun - dei - dap Af - tci the bolt If " r | • g c ^ Fleet tho' the light-ning's flash Chorus. Van - ish trom view, Sure - ly Uie thun- der's crash Fol- lows a., -.new I Van • ish from view, Sure - ly the thun- der's crash • Fol- lows a new ! To horse— to -m * *. ! i — 133 - Toborse! to horse I the fu- gi-tives pur sue, the fu- gi-tives pursue To horse ! --> -> , i r I =t= - The fu- gi-tives pursue, the fu gitives ! To horse ! S = „ B ftB isB ftB ftB n| ftsfi a bl , a ^s i -*-*-* > _«_ m - - ! The fu gitives pursue, the fu gitives To horse ! to horse ! To i»- -*- • -0--0- m -m- -m- -m- -m- » - - To horse! to horse ! the fu- gi-tives pur sue, the fu gi-tives pursue To horse ! To fe: £^ =£: 5pg E?=£ To horse- horse To 5LJE 4fe -? i? [ p-j» ' 9~ '9 i? ' ' f ^ m9 9 ^9 m9 9 ?V g-r-9 g9 h?9 9 >—' 9 9g 9i 9 - To horse! to horse ! the fu- gi-tives pur sue, the fu- gi-tives pursue, the fu -gitives ! To horse ! horse I to horse ! - - - - the fu gi lives pur sue ! To horse ! the fu - gi lives pur • sue ! IE =»=ti ^fe£ ^E =fr=g= ! ! fu - horse to horse the gi lives pur sue 1 To horse ! the fu - gi - tives pur N ?V- -N- horserse ! to horse ! the fu - - - - - gi tives pur sue ! To horse ! the mfu gi tives pur -S * horse I to horse ! fu the sue ! To horse ! the fu - gi - tives pur -m ft # # # ft It- horse ! to horse ! the - fu gl tives pur sue ! To horse ! the fu - gi - tives pur » > > (S >> IS t$— — * f* -fS —_fv-— —fs fs fc- horse ! to horse ! - - - 'be fu gi tives pur sue ! To horse ! the fu gi tives pur |s IS S IS l*> \ N - |S N N > IS N IS 3E fe~ at i i*L horse ! to horse - - - I the fu gi tives pur sue 1 To horse ! trie fu - gi - tives pur * \ \ led. I9.31fl. »34 Andante moderate Three Girls. Fare - well, cur gra • cious host - ess, - - Of chil dren both be reft ; But 19.318 135 love, o- oe-dience, troops of friends Un - to thee still are left. Not ours to break griefs sa- cred seal And on thy woe todwel!, Bot Andante con moto. Fare- to bend a hum - ble knee And bid thee fond fare welL ( • . = ' Ped. « Fed. Chorus. - r - Time, the A ven g= > well I . Fare well i . V Time, the A - ven E«. ±±*.±±±*ir- > ± ± ± ~ r * rrr ^§e ^r^^ff^jfj^^^s Ped. * Ped. Pad. 19.348 — 136 Time, the Con - troi Time, that un - iav - els the tan - gle of life, Guard thee from rTTTTTF??^^ :T fc*r * 5: Ped. * Ped. * Ped. * Ped. * Ped. * Ped. dan - ger, Prove thy con - so ier, - - And make thee a gain hap py mo ther and wife I -f* « * —0- dan - ger. Prove - - - - - thy con so ler, And make thee a gain hap py mo ther and wife ! ; 137 And thro' this dream The name - less scheme Ful - fils Ped. * Ped. * Ped. — = »38 Sopranos. - Un a day Thro' space is hurled . . . . A va - cant world. * Ped. Tenors & Basses /T\ —^-.—j-vj ; .7- , T iiJr~ir~i—" d r 1 v m — — " 1 :' —d i s— 1L m T ^3 : : * f * ^ 3 • 5. S7\ , S ' ' 1- 1—_L 1 — * * i_^ J~ T^ " Ped. 19.348 End of Act JI. P r r — r 139 ACT III. No. 17. CHORUS. Andante moderate. ** **- <=> r— (2- r r -^ :=2rr=3E & f?- • 1 ' — i £ I i wm *Tr j 1 r t T ^^ Piano. / *. -». 4 i-O- -O- • ! _J_i_ * W I— -* • ^ # 1— 3 « * =5 i IS I I I i— r r r — / *—« a- ^ r r r U^r*- ii i ijiiji i jiij:^ 19.348 r 140 B / I J- J i I iJ * 1 _J HHHi g J J, J • alt of us tell ing par • eel of lies ! {Aloud.) The truth - a^ E £ r r 1 I ! g I S SE? i 1 r ^F^F all us tell - ing a par * eel of lies I (Aloud.) The truth last 4- __Q -r<£~ 1 r r I J J i 1 [0 ^ P' J-t § j j, j ^ / < ,j \ 1 r-j ; : : t 1. 1 1 ^ -i—— 113<& hea-ven-ly bliss I We're pain - ful - ly con-scious we're so ina - ny guys, And we're all of us tell - ing a 19.34a. !! ! f— 142 £^= I |i j i & ! | | | i ' » * *- If—j 1i j m—-* * J. a m p i g » *-8- *J- f 4 i 8 J. p - par - eel of lies ! Oh, hi did - die, did - die ! be • tween you and me, Our ap - pa rent coo - ver - sion / {Spoken.) J J-C- -p-p rr i -*- J J m Hm¥ -w- -* -*- per - ish'd so soon ! Oh bless - ed boon Oh what a tune, w^o/ a tune ! / (Spoken.) =PC -^ #- r r r &£ -P~P £=£ Z g - SB ^^ F=F=^ i r i - - per Uh'd so soon ! Oh bless ed boon Oh what a tune, what a tune (Spoken.) ' a f-> -p- I I ^ -p-p » r I»=tB 3e g =f*=F Eg boon ! Oh bless - ed boon ! . Oh what a tune, what a tune 1 - -* 5- -P-P- rr r r r r r f _^— 1 | |f j i ^ ^ / af ff ~^ r r 'j r f-- r r r p - r J M r | J | 19.348. 143 No. 18. S0NG-(Lady Vernon) with Chorus. Allegretto moderate, FlAHO 1. Queen of the - gar den bloom'd a rose, Queen of the ro - ses round her; 2. In - to - her heart a can ker crept, In • to her soul a sor row ; Nev - er a way - ward wind that blows Breath 'd on the briar tKat bound her; O • ver hex head the dew - 11 drops wept, She will be dead to - mor row ! The sun set Un - - ger'd on her face, And Phce - bus, west - ward roam But sUl1 a smiIe up - on her cheek, The mor - row found her glow ing, II lu - mined with gold - en grace The em - pres: of the gloam ing In crim - son state, all who seek Her roy - al grace oe - stow 144 rail. a tempo. Nev • er a moon at even - ing rose But in the twi • light Queen of the gar - den still at noon, Queen of the ro • ses a tempo. found her Re - gal in rest, in red re - pose, of the - Queen ro ses round her 1 round her. Not un - til eve the pal - lid moon Dead in the gar - den found 19.248 145 (Enlcr Sir George.) No. 19. RECIT —(Lady Vernon & Sir George). RECIT. Sir George. - • friend - ly bid heart re - joice. A lone— a lone 1 No tone To my 19 3+8 H6 Laot Vuuion. M^ Sir George. Lady Vernon. no » .ftY} WW. Sir George. Lady Vernon. night, The cul prit, I • lone ! Then it was ihou ! My head I hum bly m 19.348 ; 147 (Ma 19a.) DUET. Andante con moto. Sir George. £ *- 3$T bow. Bride of my youth, wife of my age, Who, hand in hand and page by page, Hast Un - til we quit life's che - quered Love, let us keep our friend - ship green 19.348. 148 Lady V, Friends we have al - ways, al • . ways been, . . Friends let us al - ways be. Our years are spent, Our heads are grey, And slow . - It ebba the tide a way That bears us out to Sir George. I print a kiss up - on thy brow; We »re too old to quar • rel now; E Lady V. 19.316. ! »49 quit life's che - quered scene, Love, let us keep our'' friend - ship, Friends ws have al - ways. Friends let us al ways be ! Friends let us al al - ways . . been, . Friends lei us al - ways be! Friends let us al PffP^ "^ din -4 =3= be! Friends let us al - ways be n n -et 18.&48. ; N «SO Ho. 20. SCENE—(Dorcas, Rupert, Three Girls & Chorus). Allegretto moderate Piano. Dorcas. 1. In frill and fea • ther, spick »ndspan, A 2. Oh, sir, he's such a hand - some youth; The m. K— m -r f » 35t i i 33= 3=3= rxr -»—#- ==^==P =*=*= P> B * y—fv r=^ * 1 * * 5 m pi ^ ^ V * V £=*==£ gal- lant is ask- ing for thee I told him to go, But he wouldn't take "no"—Oh,he is such s nice young - - ni - cest I ev er did see ! To tell thee the truth I have nev er seen youth Who was quite such m youth as 5 i i i i a *i i = ==q=q £= i i m 11*] i =q= i i i i i i„i e -i -i The Three Girls ^ » " r r " • - is man ! We told him to go, But he would n't take "no,'— Oh, he such a nice young tell truth have nev - er seen youth Who was quite such a youth he I . To thee the We — • mai Oh 7«. I know that nice youngman! - he! He trav-els in cof fee and Oh jo. I know that self - same youth I He dab-bles a bit in the tea, And if you're not in Leaves be - hind him a tin, Or pack - arts el of bad Bo He wants you to hire What you'll nev - er re - quire. In se ries of month - ly tea, And if you're not in, leaves be . hind him spoons a tin, Or a pack - «et of bad Bo And bug W1 ll he wait '_ j«* _ With his foo , m fc ga( In the hT ^- -^ T , r g 2 ^ f^ ^ . i-r | I 7~ tea, And if "V 9 you're not in, leaves be hind him , — a tin, Or a pack - et of bad spoons And long will he Bo wait With his foot in the gate, In the dusk of the af - ter < ViM%. No. 21. ENSEMBLE. o -there therein nam'd, Hath en - ter'd Lon-don and the Kingpro-claim'd. And by bis or - der 19.348 ! 153 I am here to claim This an-cient ma - nor in King Charles - 's name Dost thou m Rupert. Oswald. - said ! So be it, sire ren der ? No-thing ! I have ; 4 I m 4 MZ vi y-i g =?. 1 ~ if — f f^FF =pc gg S v J-K- -*--»-*- * 5 * » V 5 5 t -i -s: -J | r rS ^ IS^^£=£ E N P V" M ts±: M V 1 M rv —r^ Mr e ^ J. A- a rat at" • * blood be on thy head ! /Si vivace. '-trr- r-r m . m * a . m-m- m I I s P¥N^ RUPEKT. • Sam-mon my bo dy -guard ! I 19.348 154 feu me. friends, e vil to - Some my per son this per tends ! r ^S m c^r^;' fVJr^T^"^ frT\ LL| ==5* ^r car i&^jqc tf =tac ^i^ 3^ - r a =^3= • ^ RECIT. Ropeit. 19.348. '55 Bo-ther our books ! We all in - tend Our e - vil looks And ways to mend ! We **- r • V— — i * * ' — — '56 Eight hours we'll groan Eight hours we'll pry ! But for six - teen we i r i i r ft—F- d*L iu i t-T$S—± I I H-E. * *fi > (I -*• ^ 5f ^T ?~ -r -r ff I? Tff S5 p -i ::^^^ Ped. Ped. P*ed. Ped. Puritans. Presto. Chorus. (Mo. 21a.) l r i m^ME <^ icJr i' fM^Vr § will be free ! And so say I ! And so say we ! jfEEEgg s ^ ,, r ^^ SI And so say we I Dorcas. i. We have Rupert. 2. To a Puritans. 3. From the _*_ JR. JR. JR. -£ ^ £_-_*--*- » I F- li* r* N — E3^^= =*= ~\ \ s I =^jm -s —» =F ^^ -*— ' — =^FFf ^ «• F^ —•— — — , & ' ' J r= • m M * thought the mat ter out And we know what we* re a - bout, An d what ev - er thou mayst do or We in- - - - - • - - ane word of warn ing hark, Ere you reck less l; em bark Oi 3 an un der tak ing so in As to point of view of wit, We are • pen tc ad - mit It' s a sil ly sort of thing to ay j But whei l • 1 * 1 • — *—•- — : J « m— -* w— -0- ~* — — -* TT -rf i I I J J —* — 4 *— —~- • « J ' * 18.S46. 157 f CHotm. tend to sing in cho - rus With the gal- lants who a • dure us, And to mer - ry- make the - live long day ! Sing - ing de - di cate to Cu - pid That par - tic - - - • - - - - - u lar ly stu pid And pe cu li ar ly weak re train Known » - si - cal - • - - - mu ly treat ed And suf fi cient- ly re peat- ed, It's ef - fee - tive in its sim - pie way ! So sing, ) Ped * Ped. la, la, U, la, Tra, b, la, la, la, la, Tra, la, la, Tra, la. Tra, la, la, Tra, la, la, la, la, Tra, la, la, la, la, la, Tra, la, la, Tra, la. Tra, la, la, Tra, 19J18. ' * ^ i — 158 * Ped. &- isi ind times. 1 3'v/ time. ^(O r r —si == \w i la. la. »' \-= la. la. rr — - =^=t: * _*— * * • '-#4 r m A i 1 — —*- — — ^j 1 z y ^ .^ T 1 p "»- -m- -0- i a % t -i *- Tf~ 1 • * | s- p- ^g# — gj — —aM -f- r— — 1 1 *' ; * \ 1 » * —m | — *— — j [ m — Ped."«- * Ped. %- * r^-. * . + s ^^ * Ped. * Ped * Ped. r ; ! — 159 No. 22. SONG-(McCrankie) & Chorus. Allegretto commodo. McCrankie. Voice. ^=rT- r. Hech, mon ! hech.mon ! if gars me greet Tae 2. At first I thocht the sud der. swap Was A A A . AA i i • ^ - - i l^.w \ J. — — -z d J ^— — d ^^ ^ ^ ^ i \— Piano. see thy - - ca pers mo ny, When na - ture made the earth sae sweet, An' life micht be sae bon - ny. Why jist a wee - bit ris ky But noo they're fas - ten d o' the tap I feel quite young aid fris - ky. To nae ac - cept what for- tune sen's, learn An' that earth an' heav n are frien's ? E -neugh o' han - ky - pan - ky— Gie show ye jist the sort o thing, I'm gaun tae dance a Hee-land fling, An' if yell help, I'll thank 'ee. A ower thy freaks An' don the breeks, An' be a mon, Mc Crank-ie I've got 'era on ! wee bit skirl— A wee bit whirl— fling wi' A auld Mc Crank-ie ! A wee bit skirl J - 19348. i6o got on, em Mc Crank-ie ! Thou'st got 'em on, Thou'st got 'em oo, Mc Crank-ie ! (ling wi 1 auld Crank-ie Mc ! A wee bit whirl- A fling wi' auld Mc 3 _ _ _ 3 /-^_ _ . 3 Ped. Ped. -* Ped. « Ped. i9..m ! i6i No. 23. FINALE ACT III. Allegro vivact. PlAHO. Pcd Chorus. Ped. Hark !the cao-non ! Hark a - gait, the tram - pet's call! b*.- m- A im. iM'- ** ± Ve.1. 19--UH. * ; — — 162 i£ =£=&q s i -»s 1 ; B^? m i i > > > . r- m Friend a - far and foe be - side us, Fnend a - far and foe be - side us, Death confronts us one and rg=^ *-\r=*=£ jL > "* r. > k * n i > i— | p E> 3g3 F=m \m g £E£E i Friend a - far and foe be - side us, Death confronts us one and all! Death con - fronts us one and — m k- 1 r ft ... _»_ j. jti Jt- JL Jt. JL Andante cspress ^^"7= -* j 1 > '• f H • > I S S Charles's name, spurn'd me from thy gate For my re venge I had not long to wait. Thee, in King ^==fc 3s: by i i ~i «! i ji i -^^-^-n^H* *» *», * » ** $ — — — b» b * — T. 1* -A4^ 7 9.348. ! «63 f Chorus. - don's Hall. God save the King God save the King I re • in-stal The lord of Had-don and of Had ! God save the King ! God save the King ! -5 < n , —= , -*- ' -»- -0- PiU vivo. Sir George. Lady Vernon E K ft Butwhoart thou that bring Ti - dingsso glad ? Thy name John Manners ! Sir George. Manners. Sir George. Manners. Rut-land's son? The same ! Thou hast done this for me ? For one who bore thy name. ^ " 1^ 1 - U i V i ^_g §£§! H M ^1 =^ J- =M _M ^ B Allegro vivace. Pcd. 18.348. 164 Chords. f Manners. of that great - er King Who rules be - yond the mm ^F 19.348. i«5 Sir George. Dorothy. gg- « I*-- Lady Vernon. >— — , * Dorothy. 19.348. ; ; 1 66 Allegro moderate bey a To " who have the ears to heat - Love breathes it ev 'ry day. Now, fe^^E^E ,%. ,» f -j- ^ ^ -^-^. *» -j- .£ -j. ^ ^ I the bab - bling of the brook, It mux - mars to our souls 1 Now, thro' the light - rung ! - g- 1 f ? i r f f f i f * ^rr^rrw^PpF j — 167 fie - ry fork Re ver • be - rant it rolls. It e - choes thro' the so lemn night, It -*-+ - * - Jt>§- § * i, „,-§- t + M- ^» +» ^r~^^ ^=^ i fir Ped. * Ped. * Ped. all - rings na ture through ; For ev - er, in the an - gels' sight To thine own heart be ^Htf f fesa ft , ^ Ped. Though storms up - rise And cloud the skies, And thorns where ro ses grew, Come Lady Vernon. —r^r- \ J j - +— —* Though storms up - rise And cloud the skies, And thorns where ro - ses grew, Come Manners. — —'=-—|--i Though storms up - rise And cloud the skies, And thorns where ro - ses grew, Come Sir George. Though storms up • rise And cloud the skies, And thorns where ro - ses grew, Come -»—*- =a fr V -fr-j— - P±esI g j-iW m ~~. b4--*-A-?:J_-*-_J^J_ Vl-frl^rJ^r ^ * * ^ * ^ 1 (g I n si.:, n ^ z5±z —CS Ped. Ped. « Ped 19,348. ! 1 68 sun, come snow.Come weal, come woe, To thine own heart/To thineown heart be true! Though sun. come snow.Come weal, come woe, To thine own heart be true Though sun, come snow.Come weal, come woe, To thine heart be true ! Though -* It- T& , I | 5 storms up - rise And cloud the skies, And thorns where ro - ses grew, Come $ m d m j i m storms up - rise And cloud the skies, And thorns where ro - ses grew, Come -yr i¥ i i E^3 storms up • rise And cloud the skies, And thorns where ro ses grew, Come m £ r r r storms up - rise And cloud the skies. And thorns where ro ses grew, Come ** & r £ * * * ,? I u lrJ~*-J~2 *±±±± ^4 ± fr 19.3*8. 169 DOKOTHY, ''"_. sun, come snow, Come weal, come woe, To thine own heart be rail. «un, come snow, Come weal, come woe, To thine own heart be true ! Fed. * Ped. 18,34«. End 0/ Opera. u a n a TOM JONES § a :o: A Comic Opera in Three Acts :o; n:o; Founded on Fielding's Novel by n A. M. THOMPSON and ROBERT COURTNEIDGE LYRICS BY n CHAS. H. TAYLOR MUSIC BY EDWARD GERMAN u u n VOCAL SCORE PIANOFORTE SOLO u n VOCAL SCORE (Concert Version) LIBRETTO n n p:o: DREAM O' DAY JILL. (In E flat and F.) u n ON A JANUAIRY MORNING. n WALTZ SONG. (In C and D.) WEST COUNTRY LAD. u '0. TO-DAY MY SPINET. (In F and A flat.) :<3 IF LOVE'S CONTENT. n -a BY NIGHT AND DAY. (In E flat and F.) :o; 8 THE GREEN RIBBON. a WE REDCOAT SOLDIERS SERVE THE KING. a n53 MADRIGAL (HERE'S A PARADOX FOR LOVERS) . Octavo. n n n SELECTION. For Piano Solo. n n VALSE. For Piano Solo. u n LANCERS. For Piano Solo. THREE DANCES. For Piano Solo. a u a 'a CHAPPELL & CO., LTD n :c> 50 NEW BOND STREET, LONDON, W.i NEW YORK TORONTO ---SYDNEY PARIS 1 " n No. 262 , MERRIE ENGLAND Jl Comic Opera in Ttwo jlcts WRITTEN BY COMPOSED BY BASIL HOOD EDWARD GERMAN VOCAL SCORE PIANOFORTE SOLO VOCAL SCORE (Concert Version) LIBRETTO X THE YEOMEN OF ENGLAND. (In C and D.) WALTZ SONG. LOVE IS MEANT TO MAKE US GLAD. SHE HAD A LETTER FROM HER LOVE. (In D flat, E flat and F.) C0ME JQ ARCAD , E (Due , a PEACEFUL ENGLAND. „ |g TH£ MERRy mmH Qf HM fpgA) THE ENGLISH ROSE. LOVE IS MEANT TO MAKE US GLAD. (Quintet, Quartet, or Trio, octavo.) IN ENGLAND, MERRIE ENGLAND. (Quartet, octavo). X FIRST PIANOFORTE SELECTION. SECOND PIANOFORTE SELECTION. Also for Full or Small Orchestra and Military Band. X VALSE Arranged by Carl Kiefert. LANCERS Arranged by Warwick Williams AJso for Full or Small Orchestra. x FOUR DANCES (Piano Solo or Duet) Arranged by the Composer FOUR DANCES (Violin and Piano) Arranged by the Composes X TOLHURST'S VIOLIN AND PIANOFORTE SELECTION. 50 NEW B0ND STREET london, w.. CHAPPELL & Ltd > CO ' ' NEW YORK TORONTO SYDNEY PARIS u u u a n POPULAR u COMIC OPERAS n a By W. S. GILBERT and ARTHUR SULLIVAN u a a, " a THE GONDOLIERS " or " The King of Barataria a " IOLANTHE " or " The Peer and the Peri " ' THE MIKADO " or " The Town of Titipu " u PATIENCE " or " Bunthorne's Bride THE PIRATES OF PENZANCE " or " The Slave of Duty " ' PRINCESS IDA " or " Castle Adamant " ; RUDDIGORE " or "The Witch's Curse " 1 UTOPIA, LIMITED " or " The Flowers of Progress n 'TRIAL BY JURY " u " u ' THE GRAND DUKE " or " The Statutory Duel n 1 THE YEOMEN OF THE GUARD " or " The Merryman " a and his Maid u " " " " that a Sailor S3 H.M.S. PINAFORE or The Lass Loved n "THE SORCERER " uS3 n " " n HADDON HALL by Sydney Grundy and Arthur Sullivan n " IVANHOE " by Julian Sturgis and Arthur Sullivan :o: ALL THE ABOVE CAN BE HAD AS FOLLOWS: n n Vocal Score, complete. Piano Solo, complete. a Libretto n n Separate Songs, Dance Music, Selection and other arrangements. ar n Items marked & Libretti published by Chappell & Co., Lid. Operas published by S3 'ocal Scores and Separate Songs of these two :<3 J. B. Cramer & Co., Ltd. S3 :<3 S3 THE FORESTERS," by Lord Tennyson and Arthur Sullivan The Songs, Choruses and Incidental Music, complete. S3 S3 Selection for Piano. S3 CHAPPELL & CO., LTD., S3 50, NEW BOND STREET, LONDON, W.l S3 AND SYDNEY. S3 NEW YORK S3 No. 241 *, cj e — a I rj EB3E I o i o ' Q ^s r -i— i c> ** I - :J::|::J:|s£:5::§:-*--5»--I--ll--»--*-