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Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Has the Advent of Social Media Ended the Culture of Superstardom in Bollywood?
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 8 (November. 2017) PP 43-44 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Has the advent of social media ended the culture of superstardom in Bollywood? Urvi Parikh1 Ravindra Katyayan2 1Research Scholar, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 2Research Guide, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 [[email protected]]. Abstract: Superstar as a term is synonymous with Bollywood. The glamorous world of Bollywood has witnessed the rise of several stars, making a mark with their talent, charm and charisma. While some manage to swoon the audience over their looks, there are some who sweep them off their feet and are tagged as the Superstars of Bollywood! From Dilip Kumar to Shah Rukh Khan, B-town has many names in this list of superstars. But lately, we only have stars. The culture of superstar has become redundant. Reason? May be the advent of social media. With easy accessibility and direct contact with a star over social media has brought down the curiosity that once existed around the film stars. The kind of stardom that has been enjoyed by the likes of Rajesh Khanna, Dilip Kumar, Amitabh Bachchan, Shah Rukh Khan, Salman Khan, Aamir Khan, Akshay Kumar and Ajay Devgn, is missing with the actors of the newer generation. Keywords: Bollywood, Social Media, Shah Rukh Khan, Amitabh Bachchan, Salman Khan, Superstars of Bollywood, Twitter ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 09-11-2017 Date of acceptance: 23-11-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Indian cinema has completed a century since the first film was made by Dadasaheb Phalke back in 1917. -
Kajol Tutors Ajay Devgn on How to Click Sel Es
www.WeeklyVoice.com BOLLYWOOD Friday, February 28, 2020 | B-9 Adline Going To Miss Universe Pageant Enter to win NEW DELHI: Adline Castelino has Movie Passes been selected to represent India at Miss Universe pageant 2020. Castelino was announced as the win- ner of Liva Miss Diva Universe 2020 title and was crowned by Vartika Singh, Miss Diva Universe 2019, at an event held on Mumbai. Aavriti Choudhary was crowned as LIVA Miss Diva Supranational 2020 and will represent India at Miss Supra- national 2020, while Neha Jaiswal was and wa the LIVA Miss Diva 2020 - Runner - Up. The participants underwent training and grooming under the able mentor- ship and guidance of Bollywood actor & former Miss Universe, Lara Dutta. Speaking on the occasion, Lara Dutta said, “It has been a wonderful journey. All the girls are winners, however, there can be only one winner. winners heaps of luck as they stand on of the Miss Universe 2000 and Mentor In “Sholay”, what was “It was dificult for the panelists to the brink of a bright future. I am look- Lara Dutta, Miss Supranational 2019 choose that one winner from all these ing forward to the prestigious Miss Uni- - Anntonia Porsild, Designers Shivan the name of gorgeous divas who were all truly gifted verse pageant and hope that we bring & Narresh, Nikhil Mehra and Gavin and promising. The winner is very de- the crown home this year.” Miguel, Yami Gautam and veteran actor Basanti’s horse? serving, and I would like to wish all the The judges panel included the likes Anil Kapoor. -
LET US ENTERTAIN YOU Your Ultimate Guide to This Month’S Superb Selection of Movies, TV, Music and Games
LET US ENTERTAIN YOU Your ultimate guide to this month’s superb selection of movies, TV, music and games All on board and right at your fi ngertips Movies New Releases and Recent Movies p1166––117 Made in Belgium p118 World Cinema p119 TV Programmes See the full list p120-121 News and Sports See highlights on p121 Music See the full list on p1222 Games See the full list on p1222 Welcome! Switch on to switch off and relax on your Brussels Airlines fl ight today with our extensive range of top entertainment options. Thiss month’s linne-upp inccluddes thhe rrettuurnn of everyone's faavourrite llassso--paackkinng herooine in WONNDER WOMMAAN, Eddgaar Wrigght's musicaal heist dramma, BAABBY DRIVVER, the Freench fi lm thaat openned Cannes this yeaar, LES FAANTTOOMMES D'ISSMAEL and a neww TV seriess by Cammeron Crowee, ROAADIEES OCTOBER 2017 115 LH_115-122 IFEcg.PDV.indd 115 27/09/2017 09:38 FEATURED MOVIES Spider-Man: Jackie (2016) Homecoming (2017) Three things Cast Natalie Portman, Cast Tom Holland, you didn’t Peter Sarsgaard, Greta Michael Keaton, know about.... Gerwig Robert Downey Jr. Moonlight Director Pablo Larraín Director Jon Watt s Languages EN, FR, DE, Languages EN, FR, DE, THE SPEED OF LIGHT ES, NL ES, IT, PT, NL The fi lm was shot in just 25 days in South Florida. Following the Following the events assassination of of Captain America: NICE TO NOT MEET YOU President John F. Civil War, Peter Parker The three actors who play Kennedy, First Lady att empts to balance his life in high school with his Chiron never met during Jacqueline Kennedy fi ghts through grief and trauma career as the web-slinging superhero Spider-Man. -
Sharad Kelkarguest INTERVIEW
PVR MOVIES FIRST VOL. 23 YOUR WINDOW INTO THE WORLD OF CINEMA SEPTEMBER 2017 TOTAL RECALL: guest GUNS BLAZING: interview SEVEN BEST HEIST SHARAD MOVIES KELKAR THE BEST NEW MOVIES PLAYING THIS MONTH: JUDwaa 2, HASEENA PARKAR, IT, LOGAN LUCKY GREETINGS ear Movie Lovers, Revisit “The Apartment , “ a classic romantic comedy directed by Billy Wilder . Here’s the September edition of Movies First, your exclusive window to the world of cinema. T ake a peek at the life and films of legendary lyricist and filmmaker Gulzar , and join us in wishing Hollywood This month is packed with high-octane thrillers. superstar Keanu Reeves a Happy Birthday. Watch the Kingsman spies match wits and strength We really hope you enjoy the issue. Wish you a fabulous with a secret enemy. Arjun Rampal portrays the dark month of movie watching. life of mafia don Arun Gawli in “Daddy,” while Shraddha Kapoor traces the journey of crime queen “Haseena Regards Parkar .” Ajay Devgn pulls off a daring 70s-style heist Gautam Dutta in “Baadshaho.” CEO, PVR Limited USING THE MAGAZINE We hope youa’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS London’s top spies The Kingsman are back with a new adventure. Turn the pages to get a peek inside their new mission. Tap for... Tap for... Movie OF THE MONTH GUEST INTERVIEW Tap for.. -
1 Bombay Dreams and Bombay Nightmares
ORE Open Research Exeter TITLE Bombay dreams and Bombay nightmares: Spatiality and Bollywood gangster film's urban underworld aesthetic AUTHORS Stadtler, FCJ JOURNAL Journal of Postcolonial Writing DEPOSITED IN ORE 01 February 2018 This version available at http://hdl.handle.net/10871/31264 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Bombay dreams and Bombay nightmares: Spatiality and Bollywood gangster film’s urban underworld aesthetics Florian Stadtler * Department of English and Film, University of Exeter, Exeter, UK E-mail: [email protected] The importance of the city in an articulation of Indian modernity has been central to the narratives of Indian popular cinema since the 1950s. Much of the focus has been centred on Bombay/Mumbai. Especially since the mid-1970s, in the wake of Indira Gandhi’s declaration of a State of Emergency, Hindi cinema has explored the structures of power that determine Bombay’s urban city space where the hero of the film encounters exponentially communal, domestic, gang, and state violence. These films put forward textured views of the cityscape and address overtly its potential for corruption and violence. In the process commercial Indian cinema challenges the city’s status as a shining example of progress and modernity. Focussing on post-millennial Indian popular film, especially Milan Luthria’s Once Upon a Time in Mumbaai (2010), this article explores Hindi cinema’s engagement with urban violence in an age of market liberalisation, accelerated economic growth and planned expansion. -
Page 01 Aug 05.Indd
MONDAY 5 AUGUST 2013 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Genetics can determine MARKETPLACE • The road to Qatar 2015 why we smell certain — Five continental odours differently qualifications ahead P | 5 P | 6 SCIENCE • Australia opens ‘world’s smartest’ aquarium P | 6 HEALTH • Researchers wonder if low-nicotine cigarettes can end smoking addiction P | 7 Our addiction to WHEELS sugar is linked to obesity, cancer • Seat Leon: An impressive and heart disease – package and soft drinks are among the worst offenders. ALEX P | 11 RENTON reports on the new health war, and reveals why TECHNOLOGY some fruit juices may • Google’s got be as bad for you as the best way cans of fizz. to watch TV P | 12 THE DEMON DRINK: Learn Arabic lessons will resume from WAR ON SUGAR September 1, 2013 P | 13 2 PLUS | MONDAY 5 AUGUST 2013 COVER STORY STEER CLEAR OF SUGAR-FILLED ‘HEALTHY’ DRINKS BY ALEX RENTON work for more people than dentists. healthcare costs are double those fat die young.” He is a medical doctor Though the drinks and food industry of people with a healthy body mass. and professor of clinical paediatrics he tin of 7UP rolls to a stop at still hotly contests it, a scientific The “metabolic syndrome” maladies at the University of California who my feet. I pick it up, scowling consensus is now emerging that associated with insulin resistance has emerged as the guru of an at the kid on a bike who’d fatal problems can be traced back and obesity – many authorities now increasingly noisy international Ttossed it and missed the lit- to excessive sugar consumption. -
EROS INTERNATIONAL PLC (Translation of Registrant’S Name Into English)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 6-K REPORT OF FOREIGN PRIVATE ISSUER PURSUANT TO SECTION 13a-16 OR 15d-16 UNDER THE SECURITIES EXCHANGE ACT OF 1934 For the month of June, 2016 001-36176 (Commission file number) EROS INTERNATIONAL PLC (Translation of registrant’s name into English) 550 County Avenue Secaucus, New Jersey 07094 (Address of principal executive office) ________________________________________ Indicate by check mark whether the registrant files or will file annual reports under cover Form 20-F or Form 40-F. Form 20-F ☑ Form 40-F ☐ Indicate by check mark whether the registrant by furnishing the information contained in this Form is also thereby furnishing the information to the Commission pursuant to Rule 12g3-2(b) under the Securities Exchange Act of 1934. Yes ☐ No ☑ If “Yes” is marked, indicate below the file number assigned to the registrant in connection with Rule 12g3-2(b): Other Events This report on Form 6-K is being furnished to disclose the press release issued by the Registrant on June 28, 2016. The purpose of the press release, furnished as Exhibit 99.1, was to announce the Registrant’s results of operations for the fourth quarter and fiscal year ended March 31, 2016. The information in this Form 6-K and Exhibit 99.1 attached hereto shall not be deemed “filed” for purposes of Section 18 of the Securities Act of 1934. SIGNATURE Pursuant to the requirements of the Securities Exchange Act of 1934, the registrant has duly caused this report to be signed on its behalf by the undersigned, thereunto duly authorized. -
'Bigg Boss' Like Salman Khan
ENTERTAINMENT z Monday z November 16, 2020 5 Not even SRK can host 'Bigg Boss' like John Abraham collaborates with Harshvardhan Rane Salman Khan: Shehzada Dhami! for his next production! was last seen in Bejoy Nambiar's multi-starrer Taish has bagged Vinil Mathew's murder mystery, 'Haseen Dillruba'. While the Taapsee Pannu and Vikrant Massey starrer is completed and will release in the first quarter Corn Kebab of 2021, reportedly the actor has also signed two more films. Now it has been recently learned that Harshvardhan Rane has joined hands with his friend and mentor John Abraham for a romantic drama. Produced by John in association with Bhushan Kumar's T-Series, the drama has been titled Bolo Tara Ra Ra. "The project is at the very early stage right now but Harshvardhan is doing it. It's currently being written and will go on floors in March next year. However, Rane is doing one more film before that and he'll start shooting for it from 9th November," a media source revealed. Well, Harshvardhan Rane was supposed to make his Ingredients Bollywood debut with John Abraham's production Satra 2 cup frozen sweet corn, 2 large potato hehzada Dhami is not an ardent follower of the reality show "Bigg arshvardhan Rane, who made his Bollywood Ko Shaadi Hai back in 2015. It was a romantic comedy refined oil as required, 3 green chilli Boss", but he is confident that if superstar Salman Khan stops debut with the film 'Sanam Teri Kasam' is all set in the backdrop of a big fat Indian wedding and also water as required, 1/2 cup rice flour Shosting the show, the TRPs would drastically fall. -
Ahmed Bin Majed Al-Maadheed, the Qatari Artist Who Drew the Iconic ‘Tamim Al Majd’ Portrait Recalls What Pulled Him to It
Friday, June 5, 2020 Shawwal 13, 1441 AH Doha today 330 - 440 THAT portrait Ahmed bin Majed al-Maadheed, the Qatari artist who drew the iconic ‘Tamim Al Majd’ portrait recalls what pulled him to it. P 2-4 COVER STORY SHOWBIZ BACK PAGE Filmmaker Basu Chatterjee told Diplomatic community hails Qatar’s stories about you and me. resilience on the anniversary of blockade. Page 15 Page 16 2 GULF TIMES Friday, June 5, 2020 COMMUNITY COVER STORY “I drew it with my heart” PRAYER TIME Fajr 3.13am Shorooq (sunrise) 4.44am — Ahmed bin Majed al-Maadheed, Qatari Zuhr (noon) 11.34am Asr (afternoon) 2.58pm Maghreb (sunset) 6.24pm artist who drew ‘Tamim Al Majd’ portrait Isha (night) 7.54pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Office (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “Because things are the way they are, things will not By Azmat Haroon Al Majd’ (Tamim the Glory) quickly his love and faith in the leadership stay the way they are.” became popular. It was everywhere of Qatar. -
05/11/2012 in the MATTER OF: Ajay Devgn Films Informant Through Naik
COMPETITION COMMISSION OF INDIA Case No. 66 of 2012 Dated: 05/11/2012 IN THE MATTER OF: Ajay Devgn Films Informant Through Naik Naik and Company v. Yash Raj Films Private Limited Opposite Party No. 1 Yash Raj P.P. Associates Private Limited Opposite Party No. 2 Yash Raj Puri & Co. Pvt. Ltd. Opposite Party No. 3 Yash Raj Pal Film Distributors (Banglore) Pvt. Ltd. Opposite Party No. 4 Yash Raj Vandana Film Distributors Pvt. Ltd. Opposite Party No. 5 Yash Raj Kushagra Arts Pvt. Ltd. Opposite Party No. 6 ORDER UNDER SECTION 26(2) OF THE COMPETITION ACT, 2002 The present information has been filed by Ajay Devgn Films (‘the informant’) under Section 19(1)(a) of the Competition Act, 2002 (‘the Act’) against Yash Raj Films Private Limited (‘OP No. 1’), Yash Raj P.P. Associates Private Limited (‘OP No. 2’), Yash Raj Puri & Co. Pvt. Ltd. (‘OP No. 3’), Yash Raj Pal Film Distributors (Banglore) Pvt. Ltd. (‘OP No. 4’), Yash Raj Vandana Film Distributors Pvt. Ltd. (‘OP No. 5’) and Yash Raj Kushagra Arts Pvt. Ltd. (‘OP No. 6’) (collectively referred to as ‘opposite parties) alleging inter-alia contravention of sections 3 and 4 of the Act. 2. The informant is a sole proprietary concern of a well known Bollywood actor engaged in production of films. OP No. 1 is a company incorporated under the Companies Act, 1956, engaged in production and distribution of films. OP No. 2 to 6 are various other companies associated with OP No. 1 engaged in distribution of films all over India. -
Seeing Like a Feminist: Representations of Societal Realities in Women-Centric Bollywood Films
Seeing like a Feminist: Representations of Societal Realities in Women-centric Bollywood Films Sutapa Chaudhuri, University of Calcutta, India The Asian Conference on Film & Documentary 2014 Official Conference Proceedings Abstract One of the most notable contemporary trends in Indian cinema, the genre of women oriented films seen through a feminist lens, has gained both critical acclaim and sensitive audience reception for its experimentations with form and cinematic representations of societal realities, especially women’s realities in its subject matter. The proposed paper is based on readings of such women centric, gender sensitive Bollywood films like Tarpan, Matrubhoomi or The Dirty Picture that foreground the harsh realities of life faced by women in the contemporary patriarchal Indian society, a society still plagued by evils like female foeticide/infanticide, gender imbalance, dowry deaths, child marriage, bride buying, rape, prostitution, casteism or communalism, issues that are glossed over, negated, distorted or denied representation to preserve the entertaining, escapist nature of the melodramatic, indeed addictive, panacea that the high-on-star-quotient mainstream Bollywood films, the so-called ‘masala’ movies, offer to the lay Indian masses. It would also focus on new age cinemas like Paheli or English Vinglish, that, though apparently following the mainstream conventions nevertheless deal with the different complex choices that life throws up before women, choices that force the women to break out from the stereotypical representation of women and embrace new complex choices in life. The active agency attributed to women in these films humanize the ‘fantastic’ filmi representations of women as either exemplarily good or baser than the basest—the eternal feminine, or the power hungry sex siren and present the psychosocial complexities that in reality inform the lives of real and/or reel women.