DOCSLIB.ORG

Students H Grant Wishes by Brian Rutherford

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Students H Grant Wishes by Brian Rutherford urne ~,;: - . - --..,IE~l[JI - _..._ ~ ~ ~ ~' · IEIL_;.- ()f lr\ennesaw. D Page 3 Anti-Prayer? tJ Page 6 Teaching PhD's D Page I ~ Owls Seek Revenge Uol.21, Issue no. 8 February 17, 1987 Students H Grant Wishes By Brian Rutherford . On Thursday, February 5, members from Wish Foundation group could not thank the two actiue groups on campus and a few will­ volunteers enough for their efforts. They were ing uolunteers came together to extend a help­ pleased with the turn out, the enthusiasm, and ing hand to Children's Wish Foundation the hard work and excellent job that came Brian Rutherford, secretary of Theta Chi and. about Both organizations and the uolunteers acting chairman of community. setuice com­ that helped out were inuited to the grand mittee, organized a ·group of brothers from ·opening of the offices on March 12. Children's Theta Chi, sisters from Delta Chi Gamma Wish Foundation is an organization whose sorority, and indiuiduals willing to go along to purpose is to grant the fauorite wish of a , ter~ help members of the Children's Wish Founda­ minally ill child. It also hopes to give families · tion paint and remodel their office building. A special memories, not just last images of hos­ total of 18 people turned out for the euent pitals, medical equipment, and suffering. which eueryone agreed, was an excellent Wishes are granted to .terminally ill children effort on each group's part. Euery member up to the age of 18. No wish, regardless of cost, trauel, etc. if at all possible is turned down - -~ worked uerg hard for seueral hours painting seueral office buildings. Eu~ ryone was rewar­ Volunteers are always needed to help out. If ded well, as they were prouided with about 50 anyone is interested, write to Children's Foun­ · ~ - ::. pizzas and s~veral cases of cokes for their dation at 32 ·Perimeter East, N.E. Suite 100, · ·efforts taken care of by the people _at the Atlanta, Ga. 30346 or call 393-WISH. Children's Wish Foundation. The Children's Theta Chi and Delta Chi Gamma help the Children's Wish Foundation by painting their ; office. Students Party to the MA.XX Space Crunch By Kelly Dunn Changes are taking place in the libratjJ: where there is room at the ends of the other Children's books are being taken off of their corrals on the third floor. One of the new shelues and being reorganized to form a counter high shelves for the children's books, separate children's library urhich will be which will arrive in six weeks. will divide the located in the southwest comer of the third floor in half, and other shelves will be placed The Maxx, an Atlanta-based group was a big success at the Student Union Romance Dance. _ floor. New books are being purchased for the on the walls, so that they will not take ·floor By Jerry Davison collection with money from the Dr. John space. In the fall Bob Williams wants to add Love often rears its head in the most from top 40 and M.O.R such as 'In Control', Difazio Memorial Fund, and additional more lounge furniture for the students, unlikely places. This year it was in the Student 'Word-Up', and 'Talk to Me.' The Maxx has per­ donations received for this purpose. possibly some small chairs for the children Center as the Kennesaw Student Union hosted formed with Kool & the Gang, the Bar-Keys, With the closing of the student center, · who visit the library, and a large bulletin a free Valentine's Day dance Feb. 13. 'Romance the' Fixx, and the S.O. S. band. Their pro­ and the rapid growth in the student popula­ board for the teacher education students. Dance,' as it was called by the Entertainment fe ssionalism was evidenced by their large, tion, there is a rising concern among students Dr. Mitchell, chair for the Department of Committee . featured live music from the intricate lighting and sound system. about space. The basic questions are "How is Curriculum and Instruction, said. "Space Iylaxx Band. The Romance Dance was open to all the· children's library going to affect the crunch is a very real on (problem), and a hard The Atlanta-based group was given high · students, howeuer only around 50 attended. student's room for quiet studying, and is it place for everyone." She feels that in seruing recommendations from schools such as the Funding for the dance was prouided · important enough to take this room?" the student both the need for the children's lib­ Uniuersity of Virginia, the University of entirely by money allotted to the Student Bob Williams, library director, is con­ rary and the need for space are equally impor:_ Charlotte in North Carolina, and MaconJunior Uriion from actiuity fees paid by all students cerned about the student's needs. He wants to tant. In most major colleges with quality College. They performed a uariety of music each quarter. enhance the library without taking anything teacher education there is almost always a away from it, namely comfortable space in separate children's library. It is needed for the Correction. ... which the students study. He says," As long as credibility of the Educational Departmerit In tpe Feb. 2 issue ofThe Sentinel a rep9r­ In the Feb. 2 issue, it was reported only I am the library director we will not take seat­ Accreditation companies will look at. the ter incorrectly identified a Life Science Club seniors were eligible for internships in the co­ ing out of the library;" The lounge furniture children's section because this is a weak point adu1sor as Don Jordan. The name should haue op program. A student is eligible for the on the third floor will not moue. Students will at Kennesaw College. It will help teacher been Dawn Jordan. internship program based on hauing 45 or still be free to take naps and to study there as eduacation students gain certification in * * * more credit hours accumulated. Dr. Stathas' they always haue. Bob Williams is hoping that other states. Speaking for the School of Educa­ In the Feb. 2 issue of The Sentinel a repor­ title was also giuen as Director of Placement. the addition of the children's library will make tion, she says that they are very excited about ter stated that the new communications pro­ His actual title is Assistant Dean of Student that' part of the library more comfortable for hauing the new books. She feels that it is an gram is focused toward the print medium. Development and Director of CAPS. I the students. Some . of the study corrqls, important addition to the college. Actually, the print focus is yet to come. The - It is the policy of this newspaper to coffect approximately four, will be moued and stacked current program is business focused. errors offact that appear in its news columns. I ... ,.. \ _. ...... Page 2/The Sentinel Februaru l 7. 198.7 Dear Editor, Is Kennesaw College a real college? As because at their" real school" these classes are Mallory's school is so often maligned by Alex considered too hard. on "Family Ties," I too haue heard this : Euen : our- large. per.cemag~'l}f--§018_ _~ ~-"'11 insinuated about our school. students seems to blemish our noble halls of 4 Let's face it, we're all aware of this situa­ higher education. They'renot"real students." tion When a·sked where you attend school, They're disgruntled housewiues just taking aren't you amazed at the unenthusiastk mari­ up space hoping to fill a need to "find them- ... ! ner in which yotir reply, "Kennesaw College" selues." Or, they're those who haue already · is receiued by the inquirer? Usuaily the res­ entered the workforce only to find that their ponse is, "Oh, that's nice," or they make a piti~ lack of a degree is holding them .back. So, ' -..-._"'f" ... ful attempt to assure you that "Kennesaw is a they're here to earn a degree, any degree, the good school too." easiest degree, the quickest and cheapest way Unfortunately, too many people see our possible in order to climb that corporate school as a nest of under-achieuers who ladder. couldn't make it at other institutions or as a Is there a way we can squash these little dumping ground for those students who haue minds with proof, statistics and facts to shut. tried and failed els.ewhere and settled for Ken­ their mouths? I would love to see the Sentinel nesaw. Why I 'personally know a case of a print a comparative study of our school's U.G.A. freshman who is being threatened by scholastic reputation to those of the "real her parents that unless she maintains a cer­ colleges" in our state. Then, I u.:ouhJ _rnJJ ~f'Jike tain GPA, "it'll be Kennesaw College for you to be able to take a copy and rub it in the noses Dear Students, girl." We're euen considered an "easy A" by of evey "Alex" · that under-estimates our Although my answer to the letter to the · These statistics proue that, yes, we are an some transient students who choose to take school's reputation. editor was to prouide some of · the statistics up and coming college and that there is no this or that subject at Kennesaw College Signed, requested, I'd like to make a few comments on doubt about the difficulty of the classes (I Concerned Junior them First of all, part of the lack of enthu­ mean, what do you expect out of all thos.e pro­ siasm from people who are not students at KC.
Load more

Recommended publications
  • 2006 Fall Newsletter
    THE ENVIROTECH NEWSLETTER Fall 2006 Volume 6, Number 2 Some Great Envirotech Films By Numerous Generous Envirotech Members Inside this issue: Editor’s Note: Last spring Jeffrey Stine made the good suggestion that it might be useful to begin compiling a list of films on envirotech subjects. The following list is the first install- ment in that project. Perhaps a dozen or so of you were kind enough of send in titles and Vegas Session Report 2 brief descriptions. My thanks to you all! But two Envirotechies—Lindy Biggs and Pat Mun- day—really outdid themselves by contributing long lists of films with richly detailed descrip- ET News 3 tions. Indeed, I did not have space to include all of Lindy’s good suggestions. But again following a suggestion from Jeffrey Stine, I propose to continue to compile and periodically Member news 4 publish further additions to this list in the future. So for those of you who perhaps did not have the time to send in your suggestions this go-around, keep the project in mind for the ASEH Sneak Preview 8 spring. Likewise, whenever you discover a new film of value, please take a few moments to send me an e-mail so I can include it in future editions of the newsletter and add it to the Position Available 9 master list. Note that for convenience and to maintain uniformity I have generally not included the names of individual contributors except where necessary to obtain the film. But I do Conferences & Calls 10 (Continued on page 13) Update on the Envirotech Book Project By Stephen Cutcliffe Important Dates: • December 1: Deadline Several years ago the Envirotech lected essays that would “challenge conven- for nominations for the special interest group began a very interest- tional thinking about the relationship be- Envirotech prize for ing list serve discussion on what constitutes tween technology and nature and about hu- best article—see page our human technological relationship with mankind’s relationship with both” in a way 5 the natural world.
    [Show full text]
  • Survival Guide to Rensselaer for International Students
    Survival Guide to Rensselaer For International Students Table of Content 1. ISSS Office, Academics, and Rensselaer Quick Info 2. Helpful abbreviations 3. The Rensselaer Handbook of Student Rights and Responsibilities 4. Important Phone numbers 5. Ebill-electric bill a. Access your Ebill b. How to Access Your Financial Information Through SIS 6. RPI Info Page 7. Rensselaer Union a. What Offices are located in this building b. Legal Services 8. Banking Information/ U.S. Currency 9. Academy Hall a. What Office are located in this building 10. Health Center a. Q & A about student health Center b. First Aid Check-list 11. Bus – Public Transportation a. Red Hawk Shuttle Bus b. CDTA Bus to Wal-Mart & Price Chopper c. CDTA Bus d. Google map offers quick & easy ways to get around 12. Public Safety a. Public Safety Services b. Emergency Telephones c. RPI Alert 13. Conversion Charts a. Temperature b. Mileage c. Measurements 14. Alcohol Policy 15. Smoking 16. Adjusting to American Culture a. Idioms/greeting/slangs b. Tip charts 17. National Holidays & Popular Sports 18. Services in the Area 19. Intramural Sports at Rensselaer 20. Popular American Food 21. Meal Plans available on the Rensselaer campus a. Flex Dollars b. Alternative Meal Allowances c. Rensselaer Advantage Dollars (RAD) d. Dining Places on Campus 1. McNeil Room a. What do they serve b. How to order 22. Shopping in the Area a. Shopping on a budget b. Shopping Plaza’s in Troy c. Shopping Malls 23. Services in the Area 24. Information on Troy and Surrounding Area a. Buildings b.
    [Show full text]
  • Aesthetics, Taste, and the Mind-Body Problem in American Independent Comics
    PAPER TOWER: AESTHETICS, TASTE, AND THE MIND-BODY PROBLEM IN AMERICAN INDEPENDENT COMICS William Timothy Jones A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Jeremy Wallach, Advisor Esther Clinton © 2014 William Timothy Jones All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Comics studies, as a relatively new field, is still building a canon. However, its criteria for canon-building has been modeled largely after modernist ideas about formal complexity and criteria for disinterested, detached, “objective” aesthetic judgment derived from one of the major philosophical debates in Western thought: the mind-body problem. This thesis analyzes two American independent comics in order to dissect the aspects of a comic work that allow it to be categorized as “art” in the canonical sense. Chris Ware’s Building Stories is a sprawling, Byzantine comic that exhibits characteristically modernist ideas about the subordination of the body to the mind and art’s relationship to mass culture. Rob Schrab’s Scud: The Disposable Assassin provides a counterpoint to Building Stories in its action-heavy stylistic approach, developing ideas about the merging of the mind and the body and the artistic and the commercial. Ultimately, this thesis advocates for a re -evaluation of comics criticism that values the subjective, emotional, and the popular as much as the “objective” areas of formal complexity and logic. iv ACKNOWLEDGMENTS To Anna O’Brien, for the original germ of this idea and hours of enlightening conversation and companionship. To Jeremy Wallach and Esther Clinton, whose emphatic response to the paper that eventually became this thesis was instrumental to my belief in the quality of my work.
    [Show full text]
  • This Is V1.1 of the 54Th Worldfest-Houston Remi Winners List
    This is V1.1 of the 54th WorldFest-Houston Remi Winners List. We have been delayed by Covid19, and we will be revising the Winners List over the next 10 days! WorldFest-Houston is the only film festival in the world that gives your entry a score, a grade! Therefore there can be several Remi Winners in each category. This year, despite Covid19, we have more than 4,500 Category Entries,& only about 10-15% won a Remi Award! 79 Countries participated! Our sincere Congratulations to our Remi Award Winners for the 54th Annual WorldFest-Houston International Film Festival! FirstName Last Name Project Title REMI AWARD Category Directors Producers Category Country of Or Remi Award Recipient (*The name of the company or individual to appear on your Remi Award if nominated.) Ross Wilson Spin State GOLD REMI Feature Ross A Wilson Ross A Wilson, Donna Entick 22 UK Ross A Wilson Farah Abdo A Lonely Afternoon SILVER REMI Short Kyle Credo Farah Abdo 312 Canada Kyle Credo Elika Abdollahi Pass PLATINUM REMI Short, Student Elika Abdollahi Elika Abdollahi 602 IRAN Elika Abdollahi Kevin Abrams I Got a Monster PLATINUM REMI Documentary Kevin Abrams Jamie Denenberg, Auriell Spi 233 USA Kevin Abrams Olga Akatyeva Fib the truth BRONZE REMI Feature OLGA AKATYEVA GEORGIY SHABANOV OLG 15 Russian Feder Olga Akatyeva JIM ALLODI Bella Wild PLATINUM REMI Short JIM ALLODI Penny McDonald , Jim Allodi 311 canada Jim Allodi JIM ALLODI Delivery SILVER REMI Shorts 311 JIM ALLODI Penny McDonald 311 CANADA JIM ALLODI, PENNY McDONALD, CARL KNUTSON Daniel Altschul Buffalo Bayou
    [Show full text]
  • Media Portrayals of the Principalship and Their Influence on Current School Leaders
    MEDIA PORTRAYALS OF THE PRINCIPALSHIP AND THEIR INFLUENCE ON CURRENT SCHOOL LEADERS DAVID CAMERON HAUSEMAN SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF EDUCATION NIPISSING UNIVERSITY FACULTY OF EDUCATION NORTH BAY, ONTARIO © David Cameron Hauseman June 2010 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-66779-8 Our file Notre référence ISBN: 978-0-494-66779-8 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Commercials Issueissue
    May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era.
    [Show full text]
  • Mcwilliams Ku 0099D 16650
    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
    [Show full text]
  • New Students J
    0 Volume II Number XVI Atlanta, Georgia September 25 1991 Cole Looks at Future I INDUCTION MAKES HISTORY By Tonya Latimer News Editor By Sheryl Kennedy Editor-in-Chief On Thursday, Aug. 22 at 7 p.m., nearly 800 students were inducted into the Clark Atlanta University family The consolidation of Atlanta through a service centered around the theme, "The African University and Clark College was a American Tradition: Meeting the Challenges." step that has brought much Although the induction ceremony was a tradition at prosperity, but Dr.Thomas W. Cole Clark College and one that was continued after the Jr. , president of Clark Atlanta consolidation of the two parent institutions, this induction University, said that there are still ceremony made history. more changes to come. According to Dr. Thomas W. Cole Jr., president of 'The glass is only half full," he CAU, this marked the first time that the activity was held said. "The quality of the service can outside, as opposed to Davage Auditorium. He added that be improved, the way the buildings this was the largest number of students ever to participate in look, the quality of academics. All an induction ceremony at the university. Eric Morgan, chairman of the Orientation Guide these are issues that still need to be ’’his year the housing worked on to fill the glass to the Corp, reminded the students that they will only experience problem was attacked by the "one block party, one orientation week and one induction rim." completion of Beckwith Dormitory Dr. Cole said that improving the ceremony." He said that all of these things, including fully which facilitates graduate and planned days of seminars, are designed to introduce them to quality of the university in every undergraduate students, and the aspect is not his only concern.
    [Show full text]
  • Download MAXX-2420-EX Operations Manual
    MAXX-2420-EX™ High Definition Video Server Operations Manual P/N 100-145-0022-01 June 2012 Software Version 1.08.561 Copyright © 2012, 360 Systems All rights reserved Printed in the United States of America MAXX-2420-EX Owner’s Manual Page 1 Page 2 MAXX-2420-EX Owner’s Manual Contents Preface________________________________________________________________ 9 Software and Operations Manual Revisions..................................9 Safety Notices_________________________________________________________ 10 Safety Terms and Symbols..........................................................10 General Safety Caution...............................................................10 Personal Injury Precautions ........................................................10 Important Safety Instructions ......................................................11 Product Damage Precautions......................................................12 Product Registration ...................................................................12 Product Improvements and Upgrades.........................................12 Trademarks ................................................................................12 Software Copyrights ...................................................................12 Video and Audio Copyright Reminder........................................12 Introduction __________________________________________________________ 13 Key Features and Benefits ......................................................................16 Applications for
    [Show full text]
  • Claudia Katz
    www-old.carseywolf.ucsb.edu Carsey-Wolf Center at UC Santa Barbara 10-13 minutes In May 2012 Claudia Katz sat down with MIP to discuss Rough Draft Studios, running a global animation company headquartered in Southern California, and how the animation production process works with scalable labor. Claudia joined Rough Draft in 1994 to produce The Maxx. Since then she has produced numerous projects for film and television including: Futurama, the series, Napoleon Dynamite, Full English, Happy Families, Sit Down, Shut Up, all four Futurama DVD features, The Simpsons Movie, Drawn Together, Star Wars: Clone Wars I & II, Baby Blues, Spy Vs. Spy, the Looney Tunes Theatrical Shorts; Duck Dodgers in Attack of the Drones and The Whizzard of Ow, the CBS pilot Vinyl Café and the Cartoon Network pilot Nancy Stellar. She is currently working on Futurama Season 7, Full English, various pilots, and in-house development. Claudia has received an Annecy Award for her work on The Maxx, Emmy and Hugo Awards for Futurama, Emmy Awards for Star Wars: Clone Wars I & II, and Annie Awards for Bender's Big Score, Beast With A Billion Backs, and Into The Wild Green Yonder. Global Partners and Competitors May 2012 How does an animation studio survive in an environment where a lot of content is put online and revenues are unclear? That’s an interesting question. Ultimately, versatility is survival. You can't just do one thing one way and assume that will always work out for you. We really try to adapt and figure out how to crack different models.
    [Show full text]
  • 1 United States District Court for The
    UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ________________________________________ ) VIACOM INTERNATIONAL INC., ) COMEDY PARTNERS, ) COUNTRY MUSIC TELEVISION, INC., ) PARAMOUNT PICTURES ) Case No. 1:07-CV-02103-LLS CORPORATION, ) (Related Case No. 1:07-CV-03582-LLS) and BLACK ENTERTAINMENT ) TELEVISION LLC, ) DECLARATION OF WARREN ) SOLOW IN SUPPORT OF Plaintiffs, ) PLAINTIFFS’ MOTION FOR v. ) PARTIAL SUMMARY JUDGMENT ) YOUTUBE, INC., YOUTUBE, LLC, and ) GOOGLE INC., ) Defendants. ) ________________________________________ ) I, WARREN SOLOW, declare as follows: 1. I am the Vice President of Information and Knowledge Management at Viacom Inc. I have worked at Viacom Inc. since May 2000, when I was joined the company as Director of Litigation Support. I make this declaration in support of Viacom’s Motion for Partial Summary Judgment on Liability and Inapplicability of the Digital Millennium Copyright Act Safe Harbor Defense. I make this declaration on personal knowledge, except where otherwise noted herein. Ownership of Works in Suit 2. The named plaintiffs (“Viacom”) create and acquire exclusive rights in copyrighted audiovisual works, including motion pictures and television programming. 1 3. Viacom distributes programs and motion pictures through various outlets, including cable and satellite services, movie theaters, home entertainment products (such as DVDs and Blu-Ray discs) and digital platforms. 4. Viacom owns many of the world’s best known entertainment brands, including Paramount Pictures, MTV, BET, VH1, CMT, Nickelodeon, Comedy Central, and SpikeTV. 5. Viacom’s thousands of copyrighted works include the following famous movies: Braveheart, Gladiator, The Godfather, Forrest Gump, Raiders of the Lost Ark, Breakfast at Tiffany’s, Top Gun, Grease, Iron Man, and Star Trek.
    [Show full text]
  • English 108A: the Superhero Instructor: J
    English 108A: The Superhero Instructor: J. Andrew Deman – [email protected] Time: T, Th 10:00-11:30 Room: HH139 Office: SH 2107 Office Hours: T, Th 11:30-12:50 Course Description: An examination of hero figures, ranging broadly from ancient characters such as Gilgamesh to the modern comic book superhero. Literary as well as non- literary materials (e.g., film, comics, games) will be considered. The objective of this course is to track our cultural fascination with superheroes throughout the past century and place it within a broader literary context of the hero figure in general. Why are we drawn to the superhero? What cultural values are reflected through the superhero? What does the superhero say about us and our society in contrast to earlier societies? How does the superhero compare to older mythologies? Additionally, the course will seek to cultivate active reading and analytical skills alongside essay-writing ability. Required Texts: The Epic of Gilgamesh – Author Unknown (available through course website). Superman: Birthright – Mark Waid et al. Ms Marvel Vol. 1: No Normal – Wilson et al. X-men: X-Tinction Agenda – Claremont et al. The Dark Knight Returns – Frank Miller et al. Watchmen – Moore & Gibbons The Maxx Vol. 1 – Sam Kieth et al. Understanding Comics – Scott McCloud Assignments: Final Essay This paper will be the culmination of the student’s work in the course. It will be a comparison of two or more classroom texts with regard to an 35%35% issue of relevance to in-class discussions. All topics must be approved by me prior to writing.
    [Show full text]