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2006 Fall Newsletter
THE ENVIROTECH NEWSLETTER Fall 2006 Volume 6, Number 2 Some Great Envirotech Films By Numerous Generous Envirotech Members Inside this issue: Editor’s Note: Last spring Jeffrey Stine made the good suggestion that it might be useful to begin compiling a list of films on envirotech subjects. The following list is the first install- ment in that project. Perhaps a dozen or so of you were kind enough of send in titles and Vegas Session Report 2 brief descriptions. My thanks to you all! But two Envirotechies—Lindy Biggs and Pat Mun- day—really outdid themselves by contributing long lists of films with richly detailed descrip- ET News 3 tions. Indeed, I did not have space to include all of Lindy’s good suggestions. But again following a suggestion from Jeffrey Stine, I propose to continue to compile and periodically Member news 4 publish further additions to this list in the future. So for those of you who perhaps did not have the time to send in your suggestions this go-around, keep the project in mind for the ASEH Sneak Preview 8 spring. Likewise, whenever you discover a new film of value, please take a few moments to send me an e-mail so I can include it in future editions of the newsletter and add it to the Position Available 9 master list. Note that for convenience and to maintain uniformity I have generally not included the names of individual contributors except where necessary to obtain the film. But I do Conferences & Calls 10 (Continued on page 13) Update on the Envirotech Book Project By Stephen Cutcliffe Important Dates: • December 1: Deadline Several years ago the Envirotech lected essays that would “challenge conven- for nominations for the special interest group began a very interest- tional thinking about the relationship be- Envirotech prize for ing list serve discussion on what constitutes tween technology and nature and about hu- best article—see page our human technological relationship with mankind’s relationship with both” in a way 5 the natural world. -
Survival Guide to Rensselaer for International Students
Survival Guide to Rensselaer For International Students Table of Content 1. ISSS Office, Academics, and Rensselaer Quick Info 2. Helpful abbreviations 3. The Rensselaer Handbook of Student Rights and Responsibilities 4. Important Phone numbers 5. Ebill-electric bill a. Access your Ebill b. How to Access Your Financial Information Through SIS 6. RPI Info Page 7. Rensselaer Union a. What Offices are located in this building b. Legal Services 8. Banking Information/ U.S. Currency 9. Academy Hall a. What Office are located in this building 10. Health Center a. Q & A about student health Center b. First Aid Check-list 11. Bus – Public Transportation a. Red Hawk Shuttle Bus b. CDTA Bus to Wal-Mart & Price Chopper c. CDTA Bus d. Google map offers quick & easy ways to get around 12. Public Safety a. Public Safety Services b. Emergency Telephones c. RPI Alert 13. Conversion Charts a. Temperature b. Mileage c. Measurements 14. Alcohol Policy 15. Smoking 16. Adjusting to American Culture a. Idioms/greeting/slangs b. Tip charts 17. National Holidays & Popular Sports 18. Services in the Area 19. Intramural Sports at Rensselaer 20. Popular American Food 21. Meal Plans available on the Rensselaer campus a. Flex Dollars b. Alternative Meal Allowances c. Rensselaer Advantage Dollars (RAD) d. Dining Places on Campus 1. McNeil Room a. What do they serve b. How to order 22. Shopping in the Area a. Shopping on a budget b. Shopping Plaza’s in Troy c. Shopping Malls 23. Services in the Area 24. Information on Troy and Surrounding Area a. Buildings b. -
Aesthetics, Taste, and the Mind-Body Problem in American Independent Comics
PAPER TOWER: AESTHETICS, TASTE, AND THE MIND-BODY PROBLEM IN AMERICAN INDEPENDENT COMICS William Timothy Jones A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Jeremy Wallach, Advisor Esther Clinton © 2014 William Timothy Jones All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Comics studies, as a relatively new field, is still building a canon. However, its criteria for canon-building has been modeled largely after modernist ideas about formal complexity and criteria for disinterested, detached, “objective” aesthetic judgment derived from one of the major philosophical debates in Western thought: the mind-body problem. This thesis analyzes two American independent comics in order to dissect the aspects of a comic work that allow it to be categorized as “art” in the canonical sense. Chris Ware’s Building Stories is a sprawling, Byzantine comic that exhibits characteristically modernist ideas about the subordination of the body to the mind and art’s relationship to mass culture. Rob Schrab’s Scud: The Disposable Assassin provides a counterpoint to Building Stories in its action-heavy stylistic approach, developing ideas about the merging of the mind and the body and the artistic and the commercial. Ultimately, this thesis advocates for a re -evaluation of comics criticism that values the subjective, emotional, and the popular as much as the “objective” areas of formal complexity and logic. iv ACKNOWLEDGMENTS To Anna O’Brien, for the original germ of this idea and hours of enlightening conversation and companionship. To Jeremy Wallach and Esther Clinton, whose emphatic response to the paper that eventually became this thesis was instrumental to my belief in the quality of my work. -
Tucson TRACON (U90)
Tucson TRACON (U90) Table of Contents Table of Contents 2 Welcome Letter 3 Tucson TRACON Today 4 Tucson TRACON Organization Chart 5 Tucson TRACON Leadership 6 Our Expectations of All Employees 7 Policies 8 Local Area Information 10 Restaurants of Note 14 Online Resources 15 Tucson TRACON Area Map 16 Photo of Davis-Monthan AFB 17 Tucson TRACON Directory 18 2 Welcome Letter Dear New Employee, Welcome! You will soon be a part of the Tucson TRACON. Your commitment toward achieving this success is commendable. A career as an Air Traffic Controller is challenging and rewarding. Your first priority as a member of this agency is to ensure safety of the flying public – this is a great responsibility. You will be in an exciting training program when you report to U90. Your training will consist of classroom, simulation, and ultimately on-the-job training. U90 is located at 4445 S Phoenix St, Tucson, Arizona 85707. The facility is on Davis-Monthan Air Force Base. On your first day please report to Ray Lukic, Management and Program Assistant. The Tucson TRACON is extremely proud to provide the highest level of safety and quality customer service. Our goals are: Achieving Operational Excellence, Enhancing Financial Discipline, Increasing Capacity Where Needed, and Ensuring Viable Future. You may find more information at the FAA websites, www.faa.gov and ato.faa.gov. Please do not hesitate to call us if you have any questions prior to your arrival. U90 looks forward to your arrival. Sincerely, Arthur M. Blank Air Traffic Manager, Tucson TRACON 3 Tucson TRACON Today The FAA established Tucson Approach Control, on Davis-Monthan AFB, in 1958. -
11.7.10 Western State Exh.Indd
EXHIBITION #2 Arizona Athle c Media Rela ons Western State at Arizona Asst. SID Molly O’Mara [email protected] Nov. 7, 2010 P: 520-621-4283/C: 520-444-1068 12:30 p.m. - McKale Center (14,545) ArizonaWildcats.com 201011 SCHEDULE November Time/Result 2 GRAND CANYON EXH. W, 90-56 7 WESTERN STATE EXH. 12:30 p.m. 12 at Wichita State 7:05 p.m. CT 15 NORTHERN ARIZONA 7 p.m. 18 at Mississippi 7 p.m. CT 22 ARKANSASSPINE BLUFF 11 a.m. 26 Texas A&M$ 8:30 p.m. CT 27 Bradley$ 6:15 p.m. CT December 2 at Nevada 7 p.m. CT 7 at New Mexico 7 p.m. MT 19 NEW MEXICO STATE 2 p.m. 21 NORTH TEXAS 1 p.m. Record: 0-0 Record: 0-0 28 IONA 7 p.m. Head Coach: Latricia Trammell Head Coach: Niya Bu s 31 OREGON* 3 p.m. 2009-10 Record: 11-17 2009-10 Record: 14-17 January 2 OREGON STATE* 1 p.m. Conference: Rocky Mountain Conference: Pac-10 6 at Stanford* 7 p.m. PT The Game: The Arizona Wildcats and the Western State College Mountaineers will con- 8 at California* 2 p.m. PT nue the 2010-11 slate with an exhibi on game in McKale Center on Sun., Nov. 7. Tip- 16 at Arizona State* 3 p.m. MT off is set for 12:30 p.m. Sunday’s contest is the fi nal exhibi on game on the Wildcats’ 20 WASHINGTON* 7 p.m. -
Position Profile Assistant/Associate Professor March 2021
Position Profile Assistant/Associate Professor School of Landscape Architecture and Urban Planning March 2021 This search is managed in partnership with Summit Search Solutions, Inc. ABOUT THE UNIVERSITY OF ARIZONA Established in 1885, the University of Arizona (UArizona), the state's land- grant university, is a member of the prestigious Association of American Universities. Recognized as a global leader, and classified as a Carnegie R- 1, UArizona conducts more than $687 million in annual research expenditures and is currently ranked in the top 40 among all public universities surveyed. UArizona produces graduates who are real-world ready through its 100% Engagement Initiative. The UArizona is advancing the frontiers of interdisciplinary scholarship and entrepreneurial partnerships and benefits the state with an estimated economic impact of $4.1 billion annually. With a total faculty of 3,144, UArizona currently enrolls 36,503 undergraduate students in more than 300 majors, in addition to 10,429 graduate and professional students. Located in the city of Tucson, with a campus size of 392 acres, UArizona offers students a wide range of activities and academic opportunities. This includes three levels of intramural sports and more than 30 fraternities and sororities, and many other student organizations. The Arizona Wildcats NCAA Division I teams compete in the Pac-12 Conference. Classified as a highest research institution, UArizona involves both undergraduate and graduate students in research projects. The University has a wide range of graduate programs, including the Eller College of Management, the James E. Rogers College of Law and a College of Medicine. The University of Arizona values its inclusive climate because it knows that diversity in experiences and perspectives is vital to advancing innovation, critical thinking, solving complex problems, and creating an inclusive academic community. -
TICKETS PARKING SCHEDULES SPORTS WILDCAT CLUB SEATING SOCIAL MEDIA //////////////////////////////////////////////////// Follow @Dave Heeke Subscribe
////////////////////////////////////////// ///////// FAN TICKETS PARKING SCHEDULES SPORTS WILDCAT CLUB SEATING 2018 SOCIAL MEDIA ////////////////////////////////////////////////////GUIDE 2019 Follow @dave_heeke Subscribe WELCOME TO THE 2018-19 FAN GUIDE GOALS & GUIDING With one year under my belt, I am as excited as ever to be a part of the Arizona Athletics family and serve as the Vice President for Athletics. Everything I have PRINCIPLES witnessed over the past year—from our student-athletes, our coaches and most importantly our fans has confirmed for me that we are indeed one of the 1 Graduate Student-Athletes greatest programs in America. As we look ahead, our mission continues to be 2 Follow the Rules achieving excellence both academically and athletically. 3 Represent the University and Academically, our student-athletes recently posted a cumulative 3.0 GPA for the Athletics Department in a First-Class Manner first time in school history. Similarly, this spring we celebrated 95 graduating student-athletes, including four returning letterwinners through our C.A.T.S. 4 Practice Sound Fiscal Forever Program. We want to maintain this trajectory of academic excellence. Management and Maximize Revenue Opportunities Athletically, we want to contend for Pac-12 and National Championships. This past season we won four Pac-12 Championship titles, in Men’s Basketball and 5 Compete for Championships Men’s Track & Field. In addition, our Women’s Golf team won the National Championship! We want this success to continue, while providing the support and resources needed for all of our programs to compete for championships. As you know, providing a world-class experience for our student-athletes and the tools for success takes resources. -
This Is V1.1 of the 54Th Worldfest-Houston Remi Winners List
This is V1.1 of the 54th WorldFest-Houston Remi Winners List. We have been delayed by Covid19, and we will be revising the Winners List over the next 10 days! WorldFest-Houston is the only film festival in the world that gives your entry a score, a grade! Therefore there can be several Remi Winners in each category. This year, despite Covid19, we have more than 4,500 Category Entries,& only about 10-15% won a Remi Award! 79 Countries participated! Our sincere Congratulations to our Remi Award Winners for the 54th Annual WorldFest-Houston International Film Festival! FirstName Last Name Project Title REMI AWARD Category Directors Producers Category Country of Or Remi Award Recipient (*The name of the company or individual to appear on your Remi Award if nominated.) Ross Wilson Spin State GOLD REMI Feature Ross A Wilson Ross A Wilson, Donna Entick 22 UK Ross A Wilson Farah Abdo A Lonely Afternoon SILVER REMI Short Kyle Credo Farah Abdo 312 Canada Kyle Credo Elika Abdollahi Pass PLATINUM REMI Short, Student Elika Abdollahi Elika Abdollahi 602 IRAN Elika Abdollahi Kevin Abrams I Got a Monster PLATINUM REMI Documentary Kevin Abrams Jamie Denenberg, Auriell Spi 233 USA Kevin Abrams Olga Akatyeva Fib the truth BRONZE REMI Feature OLGA AKATYEVA GEORGIY SHABANOV OLG 15 Russian Feder Olga Akatyeva JIM ALLODI Bella Wild PLATINUM REMI Short JIM ALLODI Penny McDonald , Jim Allodi 311 canada Jim Allodi JIM ALLODI Delivery SILVER REMI Shorts 311 JIM ALLODI Penny McDonald 311 CANADA JIM ALLODI, PENNY McDONALD, CARL KNUTSON Daniel Altschul Buffalo Bayou -
Media Portrayals of the Principalship and Their Influence on Current School Leaders
MEDIA PORTRAYALS OF THE PRINCIPALSHIP AND THEIR INFLUENCE ON CURRENT SCHOOL LEADERS DAVID CAMERON HAUSEMAN SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF EDUCATION NIPISSING UNIVERSITY FACULTY OF EDUCATION NORTH BAY, ONTARIO © David Cameron Hauseman June 2010 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-66779-8 Our file Notre référence ISBN: 978-0-494-66779-8 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
History of Intercollegiate Athletics at the University of Arizona (1897-1948)
History of intercollegiate athletics at the University of Arizona (1897-1948) Item Type text; Thesis-Reproduction (electronic) Authors Svob, Robert Stanley, 1943- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 20:06:50 Link to Item http://hdl.handle.net/10150/553813 HISTORY OF INTERCOLLEGIATE ATHLETICS AT THE UNIVERSITY OF ARIZONA (1897-1948) by Robert Sv Svob A Thesis submitted to the faculty of the Department of Education in partial fulfillment of the requirements for the degree of MASTER OF ARTS in the Graduate College, University of Arizona Approved: Date 80ITZJKTA KTAID-LLIOOHSTITI 10 Y5I0T2IH SIHT TA i m s i Y U . 10 VTIBHSVIHU ■ . '-d g'o y S «2 ihcocfoE aild- to %jIwoal edo- od- SQd-dlucfjLrs noid-;3oifKi to d-nen.t^qsG to eoigeA odd «iol cdxiome'iiirps'x odd to dcoisIIZtZijt XBJtdisq nl 8THA 10 HZTam anoslsA to idlcsovinU t&gsIIoO edcwaasD odd irZ Y) V 2X20 n'x i o ‘ic j o O'fi Ct £ 9 7 9 / / 9 & 0 t o 212500 TABLE OF CONTENTS Chapter Page I. INTRODUCTION............................... 1 Athletic .Plant ......................... 4 Purpose of Study ....................... 6 ... Limitations of Study ..... .... ; 6 Sources of Material ........ ...... 7 II. BASKETBALL, 1904-1949 ...... ........ 8 History ......... .............. 8 Year by Year Record ..................... 14 III. BASEBALL, 1901-1949 44 History................................ 44 Year by Year Record ................... -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.