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EXHIBITION Image: Bajirao Mastani Courtesy of Eros International EXHIBITION

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EXHIBITION Image: Bajirao Mastani Courtesy of Eros International EXHIBITION BFI RESEARCH AND STATISTICS STATISTICS PUBLISHED JUNE 2016 EXHIBITION Image: Bajirao Mastani courtesy of Eros International EXHIBITION The overall number of screens in the UK continues to rise, mainly due to the increasing number of multiplex cinemas. However, augmenting commercial cinema is a thriving voluntary sector in film exhibition, and film society admissions are highest in areas less well served by commercial cinemas. FACTS IN FOCUS At the end of 2015, the UK had 4,046 screens, 137 more than 2014, in 751 cinemas. There were just over six screens for every 100,000 people, the same as in 2014, but lower than countries such as the USA (12.6), France (8.7), Australia (8.6), Spain (7.4) and Italy (6.5). Only 7% of screens showed mainly ‘specialised’ (ie non-mainstream) programming, while 0.1% of screens were dedicated to South Asian films. According to IHS, since 2014 all screens in the UK have been equipped for digital projection. Over two fifths (44%) of community cinemas which responded to the latest Cinema For All annual survey saw an increase in their annual admissions compared with the previous year; 31% recorded roughly the same number. The average ticket price at commercial cinemas was £7.19. EXHIBITION UK CINEMA SITES Figure 1 shows the number of cinema sites in the UK from 2006 to 2015. The total number of sites has fluctuated over the period with a low of 697 in 2006 and a high of 769 in 2012. This fluctuation has mainly been driven by changes in the number of traditional and mixed use sites (mixed use screens are used for film screenings only part of the time). The number of these sites has decreased from a high point of 481 in 2012 to 435 in 2015. The number of purpose-built multiplex sites, however, has steadily risen from 249 in 2006 to 316 in 2015. There were 751 cinemas in the UK in 2015, 42% of which were multiplexes. Figure 1 UK cinema sites by type of site, 2006-2015 Number of sites 900 800 700 600 500 400 300 200 100 0 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 ■ Multiplex 249 258 269 275 278 285 288 295 301 316 ■ Traditional and mixed use 448 469 457 448 438 460 481 461 449 435 Total sites 697 727 726 723 716 745 769 756 750 751 % multiplex sites 35.7 35.5 37.1 38.0 38.8 38.3 37.5 39.0 40.1 42.1 Source: Dodona Research, BFI RSU analysis Notes: Multiplexes are defined as purpose-built cinema complexes with five or more screens while excluding those that were converted from traditional cinema sites. Mixed use cinemas are used for screenings only part of the time. BFI Statistical Yearbook BFI Statistical Yearbook 2016 3 UK SCREENS As Figure 2 shows, the overall number of cinema screens in the UK (excluding those operated in venues such as schools and private screening rooms) has risen every year since 2006. In 2015, the total number of screens stood at 4,046, a rise of 137 compared with 2014. EXHIBITION The UK has gained 584 multiplex screens and 22 traditional and mixed use screens since 2006. In 2015, there were 3,096 multiplex screens and 950 traditional and mixed use screens. The percentage of multiplex screens increased from 73% in 2006 to 77% in 2015. Figure 2 UK cinema screens by type of cinema, 2006-2015 Number of screens 4,500 4,000 3,500 3,000 2,500 2,000 1,500 1,000 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 500 2,512 2,578 2,689 2,735 2,767 2,833 2,851 2,915 2,959 3,096 0 928 936 921 916 904 934 966 952 950 950 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 ■ 2,512 2,578 2,689 2,735 2,767 2,833 2,851 2,915 2,959 3,096 3,440 3,514 3,610 3,651 3,671 3,767 3,817 3,867 3,909 4,046 Multiplex ■ 928 936 921 916 904 934 966 952 950 950 73 73.4 74.5 74.9 75.4 75.2 74.7 75.4 75.7 76.5 Traditional and mixed use Total sites 3,440 3,514 3,610 3,651 3,671 3,767 3,817 3,867 3,909 4,046 % multiplex sites 73.0 73.4 74.5 74.9 75.4 75.2 74.7 75.4 75.7 76.5 Source: Dodona Research, BFI RSU analysis See notes to Figure 1. SCREEN LOCATION In 2015, 97% of all screens in the UK were located in town or city centres, ‘edge of centre’, ‘out of town’ or suburban locations. Table 1 shows suburban and rural cinemas tend to have fewer screens on average than their urban counterparts, although town and city centre sites are also relatively small. In 2015, there were increases in the numbers of screens in all locations compared with 2014. The largest increase was seen in ‘out of town’ cinemas, where there were 78 new screens, an increase in provision of 5.8% compared with 2014. 2016 BFI Statistical Yearbook BFI Statistical Yearbook 4 Table 1 Screens by location, 2006-2015 EXHIBITION Location 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 % Average change no. of 2014- screens 2015 per site Town/city 1,555 1,616 1,683 1,732 1,726 1,785 1,848 1,866 1,901 1,932 1.6 4.2 centre Out of 1,262 1,284 1,303 1,297 1,311 1,335 1,310 1,328 1,335 1,413 5.8 9.9 town Edge of 478 486 499 498 506 518 523 534 540 561 3.9 9.0 centre Suburban 40 30 30 27 28 28 27 26 25 26 4.0 1.9 Rural 105 98 95 97 100 101 109 113 108 114 5.6 1.6 Total 3,440 3,514 3,610 3,651 3,671 3,767 3,817 3,867 3,909 4,046 3.5 5.4 Source: Dodona Research, BFI RSU analysis SCREEN DENSITY AND ADMISSIONS PER PERSON – INTERNATIONAL COMPARISONS A standard way to gauge the level of cinema provision is by ‘screen density’, ie the number of screens per unit of population. In 2015, the UK figure was 6.3 screens per 100,000 people, up from 6.1 screens in 2014. This level of access to screens falls short of the numbers in other major film territories: USA (12.6), France (8.7), Australia (8.6), Spain (7.4) and Italy (6.5). Germany’s screen density, at 5.7 screens per 100,000 people, is less than the UK’s (source: IHS). Table 2 shows the number of admissions per person in a number of major film territories. The UK saw more admissions per person (2.6) than Spain, Germany and Italy despite having a lower screen density than Spain and Italy. Of the major territories, the USA (3.9) and Australia (3.6) had the highest admissions per person. Table 2 Admissions per person in major film territories, 2006-2015 (ranked by 2015 admissions) USA Australia France UK Spain Germany Italy 2006 4.3 4.0 3.2 2.6 2.7 1.7 1.6 2007 4.3 4.0 3.0 2.7 2.6 1.5 1.7 2008 4.1 3.9 3.2 2.7 2.3 1.6 1.7 2009 4.2 4.1 3.4 2.8 2.4 1.8 1.6 2010 4.0 4.1 3.5 2.7 2.2 1.5 1.8 2011 3.8 3.8 3.6 2.7 2.1 1.6 1.7 2012 3.9 3.7 3.4 2.7 2.0 1.7 1.5 2013 3.8 3.7 3.2 2.6 1.7 1.6 1.6 BFI Statistical Yearbook 2014 3.6 3.3 3.1 2.4 1.9 1.5 1.5 2015 3.9 3.6 3.1 2.6 2.0 1.7 1.6 Source: IHS 2016 5 SCREEN DENSITY AND ADMISSIONS PER PERSON IN THE UK As in previous editions of the Yearbook we are able to present screen provision data based on two types of regional classification. The datasets are not directly comparable because of differences in the way the regions are defined; they do, however, shed light on different aspects of national and regional variation in screen provision. EXHIBITION The Cinema Advertising Association produces monthly admissions totals for each of the television advertising regions used by the Incorporated Society of British Advertisers (ISBA). Screen and admissions data for 2015 using these television regions are presented in Table 3. The population estimates for the ISBA regions are based on 2011 census data and so the UK total shown in the Table is lower than the UK population shown in Table 4 which is based on the official mid-2014 population estimates. The lower UK population total figure shown in Table 3 also results in the figures for screen density and admissions per person shown in the Table being different to the corresponding IHS estimates. Although London had the highest numbers of screens and sites, its screen density, at 7.0 screens per 100,000 people, was lower than that of Northern Ireland (11.3) and Central Scotland (7.4) and only slightly higher than the Wales and West (6.7) and Lancashire (6.4) ISBA regions.
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