DOCSLIB.ORG

Christian Masini | Editor 310.266.3866 | [email protected] |

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Christian Masini | Editor 310.266.3866 | Cpm.Editor@Gmail.Com | Christian Masini | Editor 310.266.3866 | [email protected] | www.christianmasini.com Narrative The Voyeurs (2021) Cast: Sydney Sweeney, Ben Hardy, Justice Smith, Natasha Liu Bordizzo Director: Michael Mohan Producers: Greg Gilreath & Adam Hendricks Divide/Conquer, Amazon Everything Sucks! (2018, 6 episodes) Cast: Jahi Winston, Peyton Kennedy, Sydney Sweeney, Quinn Liebling, Rio Mangini Directors: Michael Mohan (7 episodes), Ry Russo-Young (3 episodes) Producers: Ben York Jones, Michael Mohan, Jeff Pinkner, Scott Rosenberg Midnight Radio Productions, Netflix Save the Date (2012) Cast: Lizzy Caplan, Alison Brie, Martin Starr, Mark Webber, Geoffrey Arend Director: Michael Mohan Producers: Jordan Horowitz & Michael Roiff Gilbert Films, Night & Day Pictures, IFC Films U.S. Dramatic Competition - Sundance Film Festival Pink Grapefruit (2015, Short) Cast: Wendy McColm, Nathan Stewart-Jarrett, Matt Peters, Nora Kirkpatrick Director: Michael Mohan Producers: Adam Hendricks, John Lang & Greg Gilreath U.S. Dramatic Competition - Sundance Film Festival Jury Prize Winner - SXSW Film Festival This is How You Die (2013, Short) Cast: Jonathan Shockley, Matthew Haddad, Kevin Manwarren Director: Michael Mohan Producers: Adam Hendricks & John Lang Film Advertising The Hive (a.k.a. Disney’s in-house advertising team), Burbank CA, 2019 Edited on Avengers: Endgame, The King’s Man, Captain Marvel, Mary Poppins Returns, Aladdin, Ford V. Ferrari, Frozen 2. Rogue Planet, Studio City CA, 2018 Edited on Bumblebee, Ford V. Ferrari, Battle Angel: Alita, and Serenity. Industry Creative, Los Angeles CA, 2017 Edited on Transformers: The Last Knight. Transit, Santa Monica CA, 2014 - 2016 Edited on the following campaigns (partial list): Assassin’s Creed, Lights Out, Hidden Figures, Morgan, Narcos, Trespass Against Us, San Andreas, Fantastic Four, Three Days to Kill, Into the Storm, Hitman: Agent 47, The Gunman, Jupiter Ascending, and Annabelle. Mob Scene, Beverly Hills CA, 2006 - 2013 Edited on the following campaigns (partial list): White House Down, World War Z, Total Recall, Avatar, Titanic 3D, 21 Jump Street, Act of Valor, 2012, Night at the Museum 2, Talladega Nights, Dreamgirls, Entourage, and The Sopranos. mOcean, Los Angeles CA, 2004 - 2006 Edited on the following campaigns: The Fog, Roll Bounce, Chicken Little, Zathura, Underworld 2, and Final Destination 3. Commercial Advertising Edited on the following campaigns: Casper Mattress, Oscar de la Renta, Sharp Copier, Shea Homes, Dynamite USA, The Lights at LACMA, and Partida Tequila. Music Videos Division Day - “Hurricane” Director: Chris Levitus The One AM Radio - “Witness” Director: Michael Mohan Awards Key Art Awards 2016 Bronze - Lights Out Trailer 1 Key Art Awards 2011 Bronze - Avatar Extended Collector’s Edition Blu-ray Telly Awards 2011 Bronze Online Award - Avatar “Planet Pandora” Golden Trailer Awards 2014 Best Pre-Show Theatrical Advertising for a Brand - White House Down “NCM” Golden Trailer Awards 2010 Most Innovative Advertising for a Feature Film - Avatar “Planet Pandora” Education 1999-2003 Chapman University, Orange CA B.F.A Film & Television Production Skills Avid Media Composer, Adobe Premiere Pro, Final Cut Pro X. Adobe After Effects, Photoshop, Lightroom. References available upon request..
Load more

Recommended publications
  • Joker (2019 Film) - Wikipedia
    Joker (2019 film) - Wikipedia https://en.wikipedia.org/wiki/Joker_(2019_film) Joker (2019 film) Joker is a 2019 American psychological thriller film directed by Todd Joker Phillips, who co-wrote the screenplay with Scott Silver. The film, based on DC Comics characters, stars Joaquin Phoenix as the Joker. An origin story set in 1981, the film follows Arthur Fleck, a failed stand-up comedian who turns to a life of crime and chaos in Gotham City. Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, and Marc Maron appear in supporting roles. Joker was produced by Warner Bros. Pictures, DC Films, and Joint Effort in association with Bron Creative and Village Roadshow Pictures, and distributed by Warner Bros. Phillips conceived Joker in 2016 and wrote the script with Silver throughout 2017. The two were inspired by 1970s character studies and the films of Martin Scorsese, who was initially attached to the project as a producer. The graphic novel Batman: The Killing Joke (1988) was the basis for the premise, but Phillips and Silver otherwise did not look to specific comics for inspiration. Phoenix became attached in February 2018 and was cast that July, while the majority of the cast signed on by August. Theatrical release poster Principal photography took place in New York City, Jersey City, and Newark, from September to December 2018. It is the first live-action Directed by Todd Phillips theatrical Batman film to receive an R-rating from the Motion Picture Produced by Todd Phillips Association of America, due to its violent and disturbing content.
    [Show full text]
  • Denis Villeneuve Director / Screenwriter ————— FILMOGRAPHY
    Denis Villeneuve Director / Screenwriter ————— FILMOGRAPHY Blade Runner 2049 To be released October 6, 2017 Feature film Director Dune in development Feature film Director The Son in development Feature film Director Arrival 2016 Feature film Director AWARDS Academy Awards - Won Oscar Best Achievement in Sound Editing Sylvain Bellemare - Nominated Oscar Best Motion Picture of the Year Shawn Levy, Dan Levine, Aaron Ryder, David Linde/ Best Achievement in Directing Denis Villeneuve/ Best Adapted Screenplay Eric Heisserer/ Best Achievement in Cinematography Bradford Young/ Best Achievement in Film Editing Joe Walker/ Best Achievement in Sound Mixing Bernard Gariépy Strobl, Claude La Haye/ Best Achievement in Production Design Patrice Vermette (production design), Paul Hotte (set decoration), 2017, USA BAFTA Awards - Won, BAFTA Film Award Best Sound Claude La Haye, Bernard Gariépy Strobl, Sylvain Bellemare/ Nominated BAFTA Film Award Best Film Dan Levine, Shawn Levy, David Linde, Aaron Ryder/ Best Leading Actress Amy Adams/ Nominated David Lean Award for Direction Denis Villeneuve/ Nominated, BAFTA Film Award Best Screenplay (Adapted) Eric Heisserer/ Best Cinematography Bradford Young/ Best Editing Joe Walker/ Original Music Jóhann Jóhannsson/ Best Achievement in Special Visual Effects Louis Morin, UK, 2017 AFI Awards – Won AFI Awards for Movie of the Year, USA, 2017 ARRIVAL signals cinema's unique ability to bend time, space and the mind. Denis Villeneuve's cerebral celebration of communication - fueled by Eric Heisserer's monumental script - is grounded in unstoppable emotion. As the fearless few who step forward for first contact, Amy Adams, Jeremy Renner and Forest Whitaker prove the imperative for finding a means to connect - with awe- inspiring aliens, nations in our global community and the knowledge that even the inevitable loss that lies ahead is worth living.
    [Show full text]
  • Tabla 1:Festivales Y Premios Cinematográficos
    Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International
    [Show full text]
  • Movie Trailers and Their Need for Access & Preservation
    Coming Soon to an Archive Near You: Movie Trailers and Their Need for Access & Preservation Samantha Melanie-Anne Losben Tisch School of the Arts Department of Cinema Studies May 7, 2011 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Moving Image Archiving and Preservation Professor Dan Streible, Faculty Advisor New York University, 2011 1 Abstract Movie trailers have been a part of the cinematic experience for almost as long as there have been movies. Over the years, the merits of trailers have been disputed among moviegoers. Some see trailers as entertaining and informative, while others see them merely as spoilers or a waste of time. Regardless of reputation, trailers are a significant part of the film industry. Trailers have the power to captivate, excite and entice viewers in a short time period. A trailer is usually a person’s first concept of a film and often may determine whether or not they see it. However, despite their role in promoting the industry and their own inherent creativity, trailers are often treated as nothing more than disposable advertising material. Many trailers find their way into archives simply by accident, which begs the question how are trailers regarded in the film archiving field? How are trailers currently incorporated into archives and how should they ideally be integrated? How are trailers currently accessed and should they be preserved? This thesis will explore the history and significance of theatrical trailers for feature films and how they are currently being accessed and incorporated into film archives.
    [Show full text]
  • Telluride Indie Fest 2000 Greets & Gathers First Time & Seasoned
    The 2nd Annual Golden Trailer Awards – A Forecast for Things to Come at the Academy Awards? By Vinca Liane Jarrett The 2nd Annual Golden Trailer Awards, conducted January 14, 2001 went with few hitches to hem and haw about and in grand style at New York’s prestigious Manhattan Center from 7 p.m. until Midnight. Black chic gowns and tuxedos adorned the $500 a head crowd who waited anxiously on line outside the theatre, as the formally attired doorman guided people into the exclusive event. Sparkling cider was handed out on the next line to the elevator, and finally attendees made their way through the coat check line, which wound around circular corridors. In the grand ballroom, tables were lavishly spread with buckets of popcorn and wrapped licorice sticks, as television stations swarmed industry notables for interviews. The event gives artistic and professional recognition primarily to editors and their production staffs who construct film trailers for the film-going public to guess at what movies we’ll want to see, and for which I personally require prior to the start of any feature, especially when ticket prices have soared to $9/head even here in Boston. This year’s event appears to have mirrored what I expect to see a lot more of at the 2001 Academy Awards in March, although instead of Robin Williams hosting, Todd Newton, comedian and radio-personality (a.k.a. Rikk Idol), spunked up the sometimes all-too-solemn crowd. With nineteen awards total, stylishly designed by Cambridge native Kyle Damon, and nominees that included mega-blockbuster hits such as Crouching Tiger, Hidden Dragon, Requiem for a Dream, Almost Famous, Gladiator, Cast Away, The Patriot, and even Charlie’s Angels, there were some unexpected winners as well, such as the Dark and Stormy Night Award going to Hollow Man.
    [Show full text]
  • Amerikanische Trailer Sequenzprotokolle.Xlsx
    Inhaltsverzeichnis Abbildungsverzeichnis ........................................................................................ IV Abstract ............................................................................................................... V 1 Einleitung ........................................................................................................ 1 2 Forschungsstand ............................................................................................. 4 2.1 Trailer ............................................................................................................... 4 2.2 Das Genre Thriller im Bereich Film ................................................................... 6 2.3 Werbung in der deutschen und US-amerikanischen Kultur ............................ 8 3 Methodik ...................................................................................................... 13 3.1 Analyseverfahren ........................................................................................... 13 3.2 Korpus ............................................................................................................. 17 4 Analyse der deutschen Thriller-Trailer ........................................................... 18 4.1 Abgeschnitten ................................................................................................. 19 4.1.1 Film ..................................................................................................... 19 4.1.2 Trailer .................................................................................................
    [Show full text]
  • Monica Brady of Vuniverse
    Monica Brady of VUniverse Hall T Martin: [00:00:04] This is the Investor Connect Podcast Program, I'm Hall T ​ ​ Martin. I'm the host of the show in which we interview angel investors, venture capital, family offices, private equity, and many other investors for early-stage and growth companies. I hope you enjoy this episode. Hall T Martin: [00:00:23] Well hello, this is Hall Martin with Investor Connect. Today I'm ​ ​ here with Monica Brady, co-founder of VUniverse. VU by VUniverse is the go-to app for today's streaming entertainment world powered by a personalized algorithm. VU provides programming recommendations based on individuality as well as engaging, fun, and insightful features that connect users with every corner of the streaming universe. As a subscription app, VU protects user privacy and security, and unlike free navigation apps that trade on personal data, VU saves users time and frustration with the convenient platform for discovering and surfacing the best streaming programming available. Monica, thank you for joining us. Monica Brady: [00:01:00] Thank you for having me. ​ ​ Hall T Martin: [00:01:01] Great. So, what was your background before joining ​ ​ VUniverse? Monica Brady: [00:01:06] Well, back in 1999 I started the Golden Trailer Awards with ​ ​ my sister and the Golden Trailer Awards is the "Oscars" for Motion Picture previews. So the trailers, the "Oscars" for trailers. And, we started that in 1999, I'd just graduated from Tisch School of the Arts at NYU, and I had enough money to put together to shoot a trailer for a feature film I wanted to film.
    [Show full text]
  • Movie Trailer Types and Their Effects on Consumer Expectations
    International Journal of Business and Management Invention (IJBMI) ISSN (Online): 2319 – 8028, ISSN (Print): 2319 – 801X www.ijbmi.org || Volume 7 Issue 1 || January. 2018 || PP—94-100 Movie Trailer Types And Their Effects On Consumer Expectations Ádám Horváth1, Dr. Balázs Gyenge2 1(Department of Business Studies, Szent István University, Hungary) 2(Department of Business Studies, Szent István University, Hungary) Corresponding Author: Ádám Horváth Abstract: The following paper aims to explore the main characteristics of movie trailers and to study its various forms (standard trailers, teaser trailers, television spots etc.), taking a closer look on both their history and their role among the other tools used to promote the movie. The paper's goals include mapping out the various channels used to reach the consumers and to study how they generally feel about movie trailers and how these perceptions have changed as time went on. In addition to above, the paper also seeks to answer how movie trailers have changed in their content since their inception, how the main tones and focus points have shifted (fe. how the footage that was used were selected to begin with), what consumer- and marketing trends they tried to adhere to and how early into the movie production process have they started to promote it. Keywords – advertising, consumer behavior, cultural marketing, movie consumption ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 12-01-2018
    [Show full text]
  • On Line at Sundance
    March, 2000 Edition: IMAGINE ON LINE AT SUNDANCE By Vinca Liane Jarrett The biggest news at Sundance 2000 from my perspective was not the array of grunge-set filmmakers running around trying to make deals, taking meetings, partying ‘till dawn, waiting on line to see the competition. No. It was the new Millenium set, getting with the groove of high technology and using the World Wide Web to showcase and sell their films on line. There were so many computer based companies running around making a new type of music called P&A without ever leaving your desktop or laptop computer, that this article is going to focus on just two. Imagine promises to bring you new and up-and- coming information in future issues on additional computer and web-based products. Both companies featured this month offer very different products, completely free, that indie filmmakers can utilize in the new generation of film promotion. REGENERATION T.V. – www.RegenerationTV.com Regeneration T.V. seeks to “entertain, educate and enlighten” its viewers according to founding member Chris Wicke, a film and t.v. editor, producer and cameraman currently based in Los Angeles. It provides an independent and alternative media for filmmakers and film-watchers alike. Filmmakers are interviewed on-line during various festivals, this year’s Sundance Festival being the first adventure for the hip, young 6-some of entrepreneurs. Once a filmmaker is interviewed, the site can be linked to other web sites, including trailers or information packets on the film, allowing potential distributors, investors and viewers to gather more data on the film.
    [Show full text]
  • Pontifícia Universidade Católica De São Paulo Puc/Sp
    PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC/SP Rita de Cássia da Silva Leão Werner Herzog em busca da compreensão humana DOUTORADO EM CIÊNCIAS SOCIAIS Tese apresentada à banca examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para a obtenção do título de Doutora em Ciências Sociais (Antropologia), sob a orientação da Prof.ª Dr.ª Lucia Helena Vitalli Rangel. São Paulo 2015 BANCA EXAMINADORA ________________________________________ ________________________________________ ________________________________________ ________________________________________ ________________________________________ Agradecimentos À CAPES e ao CNPq, pela concessão da bolsa de Doutorado. À Prof.ª Dr.a Lucia Helena Vitalli Rangel Ao Prof. Dr. Edgard de Assis Carvalho Ao Prof. Dr. Edmilson Felipe À Prof.ª Dr.a Cynthia Marcucci Ao Prof. Dr. Flávio Sousa Brito Dedico aos queridos Iara e Guilherme. RESUMO Todo cinema contém um caráter antropológico, por ser aberto como a própria humanidade. A obra de Werner Herzog é contigua à antropologia fundamental, que busca compreender o processo de penetração do homem no mundo e o processo inseparável de penetração do mundo no homem. O primeiro filme analisado, Wodaabe: Os pastores do sol, trata do amor à beleza entre seres que se sentem desprezados pelos povos vizinhos. O segundo, O homem urso, de um humano que queria ser urso e não suportava o mundo dos humanos. O terceiro, A caverna dos sonhos esquecidos, conta como sonhava a humanidade há 32 mil anos, como projetava seu duplo nas paredes das cavernas e nas pequenas estátuas. Nas pinturas e estátuas estão presentes, ao mesmo tempo, uma tendência para o fantástico e para a realidade das formas.
    [Show full text]
  • El Trailer: Generador De Expectativas
    Universidad Católica del Uruguay Facultad de Ciencias Humanas Memoria de grado Licenciatura en Comunicación Social El trailer: generador de expectativas Historia, teoría y práctica de la realización de avances cinematográficos Autor: Matías Carriquiry Tutora: María Laura Rocha Montevideo, Mayo de 2014 Memoria de Grado El trailer: generador de expectativas Los autores de la memoria de grado son los únicos responsables por los contenidos de este trabajo y por las opiniones expresadas que no necesariamente son compartidas por la Universidad Católica del Uruguay. En consecuencia, serán los únicos responsables frente a eventuales reclamaciones de terceros (personas físicas o jurídicas) que refieran a la autoría de la obra y aspectos vinculados a la misma. Matías Carriquiry 2 Memoria de Grado El trailer: generador de expectativas RESUMEN La siguiente Memoria de Grado consiste en una exploración sobre el trailer o avance cinematográfico como formato audiovisual y un ejercicio práctico de cómo realizar un trailer aunque la película que promociona no haya sido rodada todavía. Se realizó una investigación sobre la historia del trailer cinematográfico en la industria estadounidense y su vínculo con las distintas épocas y tecnologías; los elementos que los componen; las convenciones que rigen al formato en su forma profesional; las distintas formas de clasificarlos; y el nuevo uso que se le da a los trailers como formato autónomo. A su vez, se realizó un trailer falso sobre una película inexistente, para demostrar cómo pueden ser aplicados de forma práctica los conceptos abordados en el transcurso de la investigación. Se prestó especial atención al proceso de guionado y al montaje propiamente dicho.
    [Show full text]
  • Programación Time Table
    PROGRAMACIÓN TIME TABLE TEATRO SALÓN CERVANTES X8 J9 V10 S11 D12 L13 M14 X15 J16 V17 S18 D19 10:00 h IDIOMAS EN CORTO IDIOMAS EN CORTO IDIOMAS EN CORTO ALCINE KIDS IDIOMAS EN CORTO IDIOMAS EN CORTO (Inglés)* (Inglés)* (Inglés)* (a partir de 3 años)** (Inglés)* (Inglés)* h 10:00 11:00 h ALCINE KIDS (a partir de 3 años)** h 11:00 11:30 h IDIOMAS EN CORTO IDIOMAS EN CORTO ALCINE KIDS 12:00 h IDIOMAS EN CORTO IDIOMAS EN CORTO (Inglés)* (Francés)* (a partir de 6 años)** ALCINE KIDS (Francés)* (Inglés)* h 11:30 (a partir de 6 años)** 13:00 h CONCIERTO Orquesta Ciudad de h 13:00 Alcalá***** ALCINE KIDS CERTAMEN NACIONAL DE CERTAMEN NACIONAL DE IDIOMAS EN CORTO IDIOMAS EN CORTO P. ABIERTA (4) ALCINE KIDS ALCINE KIDS 18:00h h 17:30 (a partir de 6 años)** CORTOMETRAJES (1) CORTOMETRAJES (Inglés)* (Inglés)* Converso (a partir de 3 años)** (a partir de 3 años)** PALMARÉS 17:30 h 17:30 (4) Certámenes de cortos 19:45 h 20:00h CONCIERTO P. ABIERTA (1) CERTAMEN NACIONAL DE CERTAMEN NACIONAL DE PANTALLA CERO (1) EL DEDO EN LA LLAGA CORTOS ESPAÑOLES P. ABIERTA(6) CLAUSURA ALCINE KIDS 21:00h Maika Makovski La mano invisible CORTOMETRAJES CORTOMETRAJES Algo muy gordo Terrorismo en europa NOMINADOS No sé decir adiós 20:30h (a partir de 6 años)** PALMARÉS h 19:45 and the Brossa Quartet **** (2) (5) (fuera de concurso) AL OSCAR (1) (con invitación) Certámenes de cortos 22:00 h GOLFOMARATÓN Comedy CERTAMEN NACIONAL DE CERTAMEN NACIONAL DE P.
    [Show full text]