Ilrfp=Hk=Jbfpbi=D^Iibov=

Total Page:16

File Type:pdf, Size:1020Kb

Ilrfp=Hk=Jbfpbi=D^Iibov= ilrfp=hK=jbfpbi=d^iibov= TOM BLACKWELL Biography BORN 1938 Chicago, Illinois TEACHING 1985-89 School of Visual Arts, Masters Program, New York, NY 1981 University of Arizona, Tucson, Artist in Residence, March 1980 Dartmouth College, Hanover, NH, Artist in Residence, Fall 1978 Keene State College, Keene, NH, Guest Professor, Summer GRANTS AND AWARDS 1998 New York State Council of the Arts, Individual Artist’s Grant 1990 Awards Panel, New Hampshire State Council on the Arts 1986 American Academy & Institute of Arts and Letters, purchase award 1986 New Hampshire State Council on the Arts, Individual Artist Award SOLO EXHIBITIONS 2018 “Tom Blackwell: Motorcycles & Mannequins,” The Artist Book Foundation, Mass MoCA, North Adams, MA, Feb. 8 – June 2 2016 “Tom Blackwell: American Photorealist,” Louis K. Meisel Gallery, New York, NY, November 9 – December 22 2012 “Tom Blackwell: Metamorphical Paintings,” Karl Drerup Art Gallery Plymouth State University, Plymouth, NH, October 2 – 27 “Tom Blackwell: The 21st Century,” Bernarducci Meisel Gallery, New York, NY, May 3 – June 2 2009 “Tom Blackwell: Image as Metaphor,” New England College, Henniker, NH, October 3 – November 13 2006-07 “Aspects of a Realist,” Brauer Museum of Art, Vapraiso University, Valpraiso, IN, December 8, 2006 – March 25, 2007 ilrfp=hK=jbfpbi=d^iibov= Galerie Patrice Trigano, Paris, France, November 29, 2006 – January 6, 2007 2004 “Tom Blackwell,” Louis K. Meisel Gallery, New York, NY, April 10 – May 1 2002 “Tom Blackwell,” Eckert Fine Art, Naples, FL, April 1 – April 30 1999 “Tom Blackwell,” Louis K. Meisel Gallery, New York, NY, October 2 – 30 “It’s about Time: Tom Blackwell, Paintings for the Millennium,” Roxbury Arts Center, Roxbury, NY, Sponsored by the New York State Council of the Arts, August 15 – September 26 “Tom Blackwell,” Gallery Camino Real, Boca Raton, FL, February 11 – March 6 1995 “Tom Blackwell,” Gallery Camino Real, Boca Raton, FL, April 6 – 29 1988 “Tom Blackwell,” Carlo Lamagna Gallery, New York, NY 1987 “Tom Blackwell: Third Inaugural Exhibition,” Carlo Lamagna Gallery, New York, NY, May 21 – July 31 1986 “Tom Blackwell: Second Inaugural Exhibition,” Carlo Lamagna Gallery, New York, NY, June 19 – July 30 “Tom Blackwell,” Carlo Lamagna Gallery, New York, NY, April 10 – May 10 1985 “Tom Blackwell: New Paintings,” The Currier Gallery of Art, Manchester, NH, October 18 – December 1 1982 “Tom Blackwell,” Louis K. Meisel Gallery, New York, NY, Nov. 6 – 27 1981 “Tom Blackwell,” University of Arizona Museum of Art, Tucson, AZ 1980 “Tom Blackwell: Selected Works 1970-80,” Dartmouth College, Hanover, NH, November 7 – December 28 “Tom Blackwell,” Louis K. Meisel Gallery, New York, NY, Nov. 8 – 29 1977 “Tom Blackwell,” Louis K. Meisel Gallery, New York, NY, Oct. 8 – 29 1976 “Tom Blackwell,” Galerie Le Portail, Heidelberg, West Germany 1975 “Tom Blackwell,” Morgan Gallery, Shawnee Mission, KS 1975 Sharp-Focus Paintings by Tom Blackwell, Sidney Janis Gallery, New York, NY, February 5 – March 1 1964 Orange Coast College Museum, Santa Ana, CA 1962 Rex Evans Gallery, Los Angeles, CA 1961 Roy Parsons Gallery, Los Angeles, CA ilrfp=hK=jbfpbi=d^iibov= SELECTED EXHIBITIONS 2020 “High Fidelity: Anthony Brunelli & the Digital Age Photorealists,” Arnot Art Museum, Elmira, NY, Feb. 14 – May 8 2019-20 “The Seasons,” Nassau County Museum of Art, Roslyn Harbor, NY, Nov. 16, 2019 – March 1, 2020 2019 “Panoramic Views,” Louis K. Meisel Gallery, New York, NY, Jan. 3 – Feb. 24 “Reality Check: Photorealist Watercolors,” Herbert F. Johnson Museum at Cornell University, Ithaca, NY, April 27 – July 28 2018-19 “Every Picture Tells a Story,” Parrish Museum of Art, Watermill, NY, Nov. 11, 2018 – Oct. 3, 2019 2018 “PaVement to PaVement,” Louis K. Meisel Gallery, New York, NY, Jan 4 – Feb 24 “Photorealism,” Imago Galleries, Palm Desert, CA, Mar. 2 – April 7 “Reflections, Ripples & Shadows,” Louis K. Meisel Gallery, New York, NY, Nov 15 – Dec 22 2017-18 “From Lens to Eye to Hand: Photorealism 1969 to Today,” traveling exhibition: Parrish Art Museum, Water Mill, NY August 6, 2017 – Jan. 21, 2018; Flint Institute of the Arts, Flint, MI, April 21 – September 12, 2018 “American Dream,” Kunsthalle Emden, Emden, Germany & Drents Museum, Assen, Netherlands, Oct 19, 2017 – May 10, 2018 2017 “Photorealism in the Desert”, Imago Galleries, Palm Desert, CA, March 10- April 8 2016 “Photorealist Urban Landscapes,” Bernarducci Meisel Gallery, New York, NY, November 3 – December 17 2015 “Still Life: 1970s Photorealism,” The Currier Museum of Art, Manchester, NH, January 24 – May 3 “Photorealism,” Flint Institute of Arts, Flint, MI, September 12 – Nov. 11 2014-15 “Photorealism: The Sydney and Walda Besthoff Collection,” The New Orleans Museum of Art, November 9, 2014 – January 5, 2015 2013-14 “Celebrating the Publication of Photorealism in the Digital Age,” Louis K. Meisel Gallery, New York, NY, November 2, 2013 – January 30, 2014 ilrfp=hK=jbfpbi=d^iibov= “Still Life: 1970’s Photorealism,” Yale University Art Gallery, New Haven, CT, August 30, 2013 – March 9, 2014 “Photorealism ReVisited,” traveling exhibition: Oklahoma City Museum of Art, Oklahoma City, OK, January 24 – April 21, 2013; Butler Institute of Art, Youngstown, OH, June 1 – September 30, 2013; MANA Contemporary, Jersey City, NJ, January 12 – April 18, 2014 2012-17 “Photorealism: 50 Years of Hyperrealistic Painting,” traveling exhibition: Kunsthalle Tübingen, Tübingen, Germany, December 8, 2012 – March 10, 2013; Museo Thyssen-Bornemisza, Madrid, Spain, arch 21 – June 9, 2013; Saarland Museum, Saarbrücken, Germany, June 30 – October 13, 2013; Birmingham Museum and Art Galery, Birmingham, United Kingdom, November 30, 2013 – March 30, 2014; Museo de Bellas Artes de Bilbao, Bilbao, Spain, Octobr 7, 2014 – January 19, 2015; Kumu Art Museum of Estonia, Talinn, Estonia, March 17 – June 12, 2016; Musée d’Ixelles, Brussels, Belgium, June 29 – September 25, 2016; Osthaus Museum, Hagen, Germany, October 15, 2016 – January 8, 2017; Kunsthal Rotterdam, Rotterdam, Netherlands Feb. 25 – Jun. 4, 2017; Tampa Museum of Art, Tampa, FL, July 13 – Oct. 22, 2017 2012 “Au-delà du Réel = Beyond Realism.” Galerie De Bellefeuille, Montreal, Canada, September 8 – October 2 2011-12 “Our Own Directions: The Louis K. & Susan P. Meisel Collection,” Eileen S. Kaminsky Family Foundation at MANA Art Center, Jersey City, NJ September 18, 2011 – February 15, 2012 2011 “Signs,” Louis K. Meisel Gallery, New York, NY, February 10 – March 10 “The New York Project: Paintings of the City by Artists from Around the World,” Bernarducci Meisel Gallery, New York, NY, September 15 – October 29 2010 “Expansion,” Bernarducci Meisel Gallery, New York, NY, September 30 – November 13 2010 “The Illustrious Mr. X: Museum Collection as Character Study,” Samuel Dorsky Museum of Art, August 18 – December 12 “Summer Sweet,” Bernarducci Meisel Gallery, New York, NY, May 6 – September 10 “Real (ists),” Selby Gallery, Ringling College of Art and Design, Sarasota, FL, January 15 – February 16 2009 “New Photo-Realism Painting in the Digital Age,” Arthur M. Berger Gallery, Manhattanville College, Purchase, NY, November 11 – December 11 “40 Years: AnniVersary of the Louis K. Meisel Gallery,” Louis K. Meisel Gallery & Bernarducci Meisel Gallery, New York, NY, November 1 – December 20 ilrfp=hK=jbfpbi=d^iibov= “American Dream,” The National Museum in Kraków, Kraków, Poland, July 2 – October 10 “The City: Day & Night,” Louis K. Meisel Gallery, New York, NY, April 4 – July 17 “Photorealism: A Closer Look,” Scott Richards Contemporary Art, San Francisco, CA, March 31 – May 30 “Picturing America: Photorealism in the 70s,” Deutsche Guggenheim, Berlin, Germany, March 7 – May 10 “Small Paintings from Around the World – Part II,” Bernarducci Meisel Gallery, New York, NY, February 5 – 28 2008-09 “Shock of the Real – Photorealism Revisited,” Boca Raton Museum of the Art, Boca Raton, FL, December 16, 2008 – March 11, 2009 2008 “Recent Acquisitions,” Louis K. Meisel Gallery, New York, NY, September 27 – October 25 “Recent Acquisitions,” Louis K. Meisel Gallery, New York, NY, February 1 – March 31 2007 “Recent American Watercolors,” Peninsula Fine Arts Center, Newport News, VA, June 16 – August 26 Group Show, Louis K. Meisel Gallery, New York, NY, May 1 – December 20; June 5 – 30 2005-06 “Photorealism, Then and Now,” Elaine Baker Gallery, Boca Raton, FL, December 8, 2005 – January 9, 2006 2005 Group Show, Galerie Patrice Trigano, Paris, NY, September 7 – October 4 and viewing at le F.I.A.C. October 5 – 10 “Doubletake: Photorealism From The 1960’s and 1970’s,” The Rose Art Museum of Brandeis University, Waltham, MA, May 19 – July 31 “Cars and Ketchup: Photorealist Images of the American Landscape,” Herbert F. Johnson Museum of Art, New York, NY, April 2 – June 19 “Vintage Masterpieces of Photorealism,” Louis K. Meisel Gallery, New York, NY March 5 – 26 2004-05 “An American Odyssey 1945 – 1980 (Debating Modernism),” traveling exhibition, Spain: Circulo de Bellas Artes, Madrid, April 13 – May 30; Domus Artium 2002, Salamanca, June 10 – July 31; Kiosco Alfonso, A Coruña, September 2 – October 2; Also to Queensborough Community College Art Gallery, Bayside, NY, October 24, 2004 – January 15, 2005 “American Photorealism,” traveling exhibition, Japan: Iwate Museum of Art, April 4 – May 16; Iwaki City Art Museum, May 23 – July 4; Kumamoto Prefectural Museum of Art, July 16 – September 5; Hakodate Museum of ilrfp=hK=jbfpbi=d^iibov= Art, Hokkaido, September 12 – November 7; Jane Vorhees Zimmerli Art Museum, Rutgers, The State
Recommended publications
  • Oral History Interview with Karl Drerup, 1974 November 15-1975 January 28
    Oral history interview with Karl Drerup, 1974 November 15-1975 January 28 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Karl Drerup on November 15, 1974 and January 28, 1975. The interview was conducted in Thornton, NH by Robert Brown for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ROBERT BROWN: This is an interview in Thornton, New Hampshire in November 15, 1974 with Karl Drerup and I would like to begin by—if you will talk a bit about your childhood. I know your family was a very old one in Westphalia [Germany] and if you could give some feeling of your family as you knew them and some of the memories of your earlier childhood. KARL DRERUP: All right. A very strictly orthodox Roman Catholic family to begin with. This is one of the main elements of my terribly religious middle-class shelter, if you wish. Ja, this would be a good description. Of course, First World War fell into my time, into my youth. ROBERT BROWN: You were about 10 when it started; weren't you? KARL DRERUP: Yeah, and we saw the army go out on horseback and come back on horseback you might say is what happened—during the war, my mother's and my stepfather's particular interests were to have one of their children become a clergyman.
    [Show full text]
  • October 19,59 G Old M L' Dal Ing Historical a Nd Artistic Qual Ity, Chosen from Museum Tional Code
    demonstrate the stages in the development of the fin­ The.:. Tational ished work, This material will become part of the per­ manent collection o f the Museum of Contemporary Adz isorl} Boa rd Crafts, to be used for display and for circulating edu­ cational units of the Amencan Craftsmen's Council. > The National Advisory Board held its annual meeting The nine enamclists who were commissioned are: at the close of the Lake George Conference. The dis­ C Margaret Craver, Karl Drerup, Robert J. King. Mary cussion ranged through a variety of subjects including Ellen McDermott, John Paul Miller. Earl B. Pardon, membership, jurying. regional conferences, and a code Ronald Pearson, June Schwarcz and Joseph Trippetti. of ethics for craftsmen. It was suggested that all affi­ Finally, the contemporary enamel work is shown c:! liates who have formulated a Code of Ethics send one against the background of sixty enamels of outstand­ copy to ACC for a study leading to a possible Na­ October 19,59 G old m l' dal ing historical a nd artIstic qual ity, chosen from museum tional Code. collections in this country, This part provides a point winner hv Dirk Hubers David Campbell reiterated his belief that the contin­ of perspective for the exhibition as a whole, shows the ued growth of ACC depended upon a mutual effort historical use of various techniques, provides the op­ among individual members, affiliated groups, and portunity for comparisons with contemporary work ACe. The ACC does not intend to impose any rigid and finally, inspiration for the enamelist. Some enam­ pattern upon its members, but only to lead them in the eli sts interviewed stated frankly that the study of directions they themselves believe are best.
    [Show full text]
  • Brett Colley Curriculum Vitae 1211 Calder Arts Center Grand Valley State University Allendale, MI 49401 616-331-2952 [email protected]
    Brett Colley Curriculum Vitae 1211 Calder Arts Center Grand Valley State University Allendale, MI 49401 616-331-2952 [email protected] Education: Master of Fine Arts, Printmaking/Minor: Painting, University of Iowa, Iowa City, IA - 1994 Master of Arts, Printmaking/Minor: Drawing, University of Iowa, Iowa City, IA -1993 Bachelor of Fine Arts, Printmaking, Grand Valley State University, Allendale, MI - 1991 Kendall College of Art & Design, Grand Rapids, MI - 1986-7 Teaching/Professional Experience: Associate Professor – Grand Valley State University, Allendale, Michigan. Course have included all levels of Drawing, Printmaking, Artists’ Books, and Senior Seminar. Fall 2004 – Winter 2009 Assistant Professor – (Tenure Track) Grand Valley State University, Allendale, Michigan. Appointed initially to teach Foundations, responsibilities also encompassed upper levels of Drawing, Printmaking, and Senior Seminar. Fall 2004 – Winter 2009 Visiting Assistant Professor (Full-time) - Printmaking, Grand Valley State University, Allendale, Michigan. Although originally appointed to teach drawing, the parameters of this position shifted due to a sabbatical replacement, growth of the printmaking area, and the addition of screen-printing. Courses/responsibilities included: Introduction to Printmaking Intermediate and Advanced levels of Intaglio & Relief Screen-Printing (as well as other non-traditional, non-toxic planographic techniques, including polymer plate lithography.) Acted as area head, representing the Printmaking area on all faculty committees and review panels. Served as advisor to graduating seniors and other print majors. Oversaw acquisition of supplies, and maintenance of print facility Committee work included: Foundation, Junior, and Senior Reviews, Visiting Artists Committee, Studio Area Committee. Fall 2003 – Winter 2004 Visiting Assistant Professor (Full-time) - Drawing, Grand Valley State University, Allendale, Michigan.
    [Show full text]
  • Newsletter/Spring 2016 the DAS DAS DAS News the Decorative Arts Society, Inc
    newsletter/spring 2016 Volume 24, Number 1 Decorative Arts Society The DAS DAS DAS news The Decorative Arts Society, Inc. in 1990 for the encouragement of interest in, the appreciation of, and the exchange of DAS sees changes on board, information about the decorative arts. To, is pursuea not-for-profit its purposes, New theYork DAS corporation sponsors foundedmeetings, Newsletter programs, seminars, tours and a newsletter on the decorative arts. Its supporters include museum curators, academics, collectors and dealers. is at peak of service and vitality Please send change-of-address information by e-mail to [email protected]. or the past 10 years, I have had to the chairs of the Robert C. Smith for the fall Board of Directors Gerald W. R. Ward Editor the honor and pleasure to serve and Charles F. Montgomery Award of 2016: to President Senior Consulting Curator Gerald W. R. Ward as president of the Decorative committees, and to Gerry Ward and New Haven, Senior Consulting Curator & F Susan P. Schoelwer Katharine Lane Weems Senior Curator of Arts Society (DAS). Believing strongly Ruth Thaler-Carter for their dedica- CT, to see Katharine Lane Weems Senior Curator Robert H. Smith Senior Curator American Decorative Arts and - tion in bringing out each new issue of the exhibi- Sculpture Emeritus of American Decorative Arts and George Washington’s Mount Vernon cial to every organization (not to men- the newsletter. tion Art and Museum of Fine Arts, Boston Sculpture Emeritus Mount Vernon, VA that changes in leadership are benefi Boston, MA Museum of Fine Arts, Boston I owe special thanks to Nicholas Industry Boston, MA decided to step down.
    [Show full text]
  • Jeannine Falino's CV
    JEANNINE FALINO Curator, writer, and lecturer examining the intersection of design, craft and society CURATORIAL PROJECTS Exhibition Curator Curator, Betty Cooke: The Circle and The Line, Walters Art Museum. Exhibition forthcoming fall 2021; catalogue forthcoming September 2020. Curator, Gilded Chicago: Portraits of an Era, The Richard H. Driehaus Museum. A companion exhibition to Beauty’s Legacy, Gilded Age Portraiture in America, focusing on prominent Chicago citizens and the portraits they commissioned to advance their social standing and proclaim their affluence. September 2018 to January 2019 Curator, New York Silver, Then and Now, Museum of the City of New York. Twenty-four metalsmiths, artists, and designers create new works inspired by the Museum’s renowned collection of New York silver. June 2017 to May 2018 Curator, L’Affichomania: The Passion for French Posters, The Richard H. Driehaus Museum, Chicago, Illinois. Five grand masters of the medium (Jules Chéret, Eugène Grasset, Théophile- Alexandre Steinlen, Alphonse Mucha, Henri de Toulouse Lautrec) are featured, with one gallery devoted to performances advertised in this new art form, and accompanied by Acoustiguide script. For catalogue, see publications. February 2017 to January 2018 Curator, What Would Mrs. Webb Do? A Founder’s Vision, Museum of Arts and Design, New York. Focus on Aileen Osborn Webb as an advocate and philanthropist in American craft. September 2014 to February 2015 Co-curator, Gilded New York, Design, Fashion & Society, Museum of the City of New York. Exhibition devoted to luxury goods and paintings in New York’s gilded age. For catalogue, see publications. March 2012 to May 2017 Co-curator, Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York.
    [Show full text]
  • Newsletter/Fall 2015 the DAS
    newsletter/fall 2015 Volume 23, Number 2 Decorative Arts Society The DAS The Decorative Arts Society, Inc. founded in 1990 for the encouragement of interest in, the appreciation of and the exchange of information about the decorative arts. (DAS) To pursue is a not-for-profit its purposes, New the DASYork sponsors corporation meetings, programs, seminars, tours and a newsletter on the decorative arts. Its supporters include museum curators, academics, collectors and dealers. Please send change-of-address information by e-mail to [email protected]. DAS Board of Directors President Robert C. Smith Award Committee Newsletter David L. Barquist Jeannine Falino, Chair H. Richard Dietrich, Jr., Curator Independent Curator, Museum Consultant The DAS Newsletter is a publication of American Decorative Arts Adjunct curator, Museum of Arts and of the Decorative Arts Society, Inc. The Philadelphia Museum of Art Design purpose of the DAS Newsletter is to serve as Philadelphia, PA New York, NY a forum for communication about research, exhibitions, publications, conferences and Vice President Suzanne Findlen Hood other activities pertinent to the serious Nicholas Vincent Associate Curator, Ceramics and Glass study of international and American deco- Manager of Collections Planning Colonial Williamsburg Foundation rative arts. Listings are selected from press Metropolitan Museum of Art Williamsburg, VA releases and notices posted or received New York, NY from institutions, and from notices submit- Dennis Carr ted by individuals. We reserve the right Treasurer Carolyn and Peter Lynch Curator of to reject material and to edit material for Stewart G. Rosenblum, Esq. American Decorative Arts and length or clarity. Sculpture We do not cover commercial galleries.
    [Show full text]
  • Education in Ceramic Art
    EDUCATION IN CERAMIC ART IN THE UNITED STATES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University DOROTHY WILSON PERKINS, B. F. A., M. A M HH*« The Ohio State University 1956 Approved byt School of Fine and Applied Arta TUBUS OF CONTENTS CHAPTER PAOE « INTRODUCTION................................... 1 PART It DEVELOPMENTS PRIOR TO 1900 1. EARLY DEVELOPMENTS IN MANUAL, INDUSTRIAL, AND ART EDUCATION................................... U 2. NINETEENTH CENTURY DEVELOPMENTS IN CINCINNATI, . 31 3. NINETEENTH CENTURY DEVELOPMENTS IN NEW ORLEANS • . 50 L. NINETEENTH CENTURY LITERATURE PERTAINING TO CERAMIC A R T ...................... ........ £6 PART II. THE ESTABLISHMENT OF FORMAL EDUCATION IN CERAMIC AlF? 9. CHARLES FERGUS BINNS............................ 82 6. LITERATURE OF THE POPULAR PRESS PERTAINING TO , CERAMIC ART, 1900 - 1 9 2 5 ........................ 120 7. THE AMERICAN CERAMIC SOCIETY.................... 130 8. ADELAIDE ALSOP ROBINEAU AND THE CERAMIC NATIONALS. 176 9. ARTHUR EUGENE BAQG3.............................. 139 10. DEVELOPMENTS AT NON-COLLEGE LEVELS.............. 220 PART IIIi SURVEY 11. EDUCATION IN CERAMIC ART AT THE COLLEGE LEVEL - A NATIONAL SURVEY ....................... 256 CONCLUSION..................................... 273 APPENDIXES................................................ 290 BIBLIOGRAPHY............................................. 302 ii INTRODUCTION Since that early day when some child of primitive
    [Show full text]
  • 20Th Century Design and Craft: the Library of Philip Aarons
    20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO.
    [Show full text]
  • 2815 Colquitt Houston, Texas 77098 (713)526-9911
    2815 COLQUITT HOUSTON, TEXAS 77098 (713)526-9911 MANUAL (Suzanne Bloom/Ed Hill) Edward Hill: b. Springfield, Massachusetts, 1935. Rhode Island School of Design B.F.A. (1957); Yale University, M.F.A. (1960). Academic Appoint- ments: Florida State University, 1959 - 62; Smith College, 1962 -76; Dartmouth College, 1969 - 70; Amherst College, 1971; Professor of Art, University of Houston, 1976 - 2004. Suzanne Bloom: b. Philadelphia, Pennsylvania, 1943. Pennsylvania Academy of Fine Arts and University of Pennsylvania B.F.A. (1965); Univer- sity of Pennsylvania, M.F.A. (1968). Academic Appointments: Pennsylvania State University, 1969 - 70; Smith College, 1970 - 76; Professor of Art, University of Houston, 1976 - 2012. Solo Exhibitions 2019 Tyler Museum of Art, Tyler, Texas 2018 Moody Gallery, Houston, Texas 2016 Moody Gallery, Houston, Texas 2014 Moody Gallery, Houston, Texas 2012 Moody Gallery, Houston, Texas 2011 Galveston Arts Center, Galveston, Texas 2010 Moody Gallery, Houston, Texas 2007 Moody Gallery, Houston, Texas SFA Galleries, Stephen F. Austin State University, Nacogdoches, Texas 2005 Hood Museum of Art, Dartmouth College, Hanover, New Hampshire 2004 Moody Gallery, Houston, Texas Museum of Fine Arts, Houston, Houston, Texas 2003 Samara Museum of Art, Samara, Russia Karl Drerup Art Gallery, Plymouth State University, Plymouth, New Hampshire 2002 Moody Gallery, Houston, Texas International Center of Photography, New York, New York (traveling) 2000 Moody Gallery, Houston, Texas 1999 Herron Gallery, Herron School of Art, Indianapolis, Indiana 1998 Moody Gallery, Houston, Texas Austin College, Sherman, Texas 1996 Moody Gallery, Houston, Texas 1995 Society for Contemporary Photography, Kansas City, Missouri 1994 Moody Gallery, Houston, Texas Scottsdale Center for the Arts, Scottsdale, Arizona 1993 Craig Phadrig Wood, Inverness, Scotland 1992 Jayne H.
    [Show full text]
  • Ceramics Monthly Feb61 Cei026
    FEBRUARY 1961 • 5Oc uwm v HI b i 9+ N , • o ! OHIO CERAMIC & SCULPTURE SHOW 0 VER 2 0 0 STEP.B Y-S TEP PHOTOGRAPHS FEATURED HANDBOOK ~ j i It¢... THROWING on the POTTER'S WHEEL by Thomas Sellers This new handbook on the use of the potter's wheel is based on the series of outstanding articles which has been appearing in CERAMICS MONTHLY since 1954. The original series has been expanded to include many new chapters of basic instruction and information of special ira- portance to the beginner. Examples of wheel- PARTIAL LIST OF CONTENTS thrown pottery by contemporary American pot- PART I PART III Development of the Wheel .Jars and Vases ters have been included in a special section. Selection of a Wheel Pitchers This complete manual on the use of the potter's Accessory Tools Pulled Handles Choice of a Clay Bottles wheel includes basic steps, from wedging the Preparation of the Clay Making a Chuck Covered Jars clay to the making of specific shapes, all clearly PART II Teapots Centering Low Bowls and Plates described and illustrated with photographs and Opening Closed Forms sketches. Making a Cyllnder Cups and Saucers Making a Bowl Sectional Pots Lifting from the Wheel Lugged Bowls Foot Rimming Double-Wall Pots Throwing on Tiles and Bats Matched Sets "k 80 pages of instruction An ideal book for both teacher and student. A must for ~" Full-size 81/2" x 11" format every hobbyist, school, art and craft group, library. Attractive three-color cover Price $4.00 CERAMICS MONTHLY BOOK DEPT.
    [Show full text]
  • Plymouth State University 2017-2018 | Academic Catalog
    PLYMOUTH STATE UNIVERSITY 2017-2018 | ACADEMIC CATALOG 17 High Street Plymouth, NH 03264-1595 (603) 535-5000 plymouth.edu Catalog Limitations Affirmative Action Statement This catalog describes policies, programs, and procedures of Plymouth State Plymouth State University, in accordance with federal and state laws and University that are in effect at the time of its preparation, March 2017. regulations, does not discriminate on the basis of race, color, religion, national origin, gender, sexual orientation, gender identity or expression, Plymouth State University reserves the right to change any of its rules and age, veteran’s status, or disability, in admission or access to, treatment of, regulations at any time, including those relating to admission, instruction, or employment in its programs or activities. Inquiries regarding this policy and graduation. The right to withdraw curricula and specific courses, to should be made to the vice president for enrollment management and alter course content, to change the calendar, and to impose or increase student affairs, Plymouth State University. Further inquiries may also be tuition or other fees similarly is reserved. All changes are effective at addressed to the Director, Office of Civil Rights, United States Department such times as the proper authorities determine and may apply not only of Education, Washington DC 20201. to prospective students but also to those who are already enrolled in the University. The provisions of the catalog are not, and should not be construed to be, a contract
    [Show full text]
  • Ruth Hardinger [email protected]
    Ruth Hardinger [email protected] Solo Exhi bitions 2010 Woodstock Artists Museum, WAAM, Woodstock, NY 2009 Narthax and Stairwell Gallery, St. Peter’s Church, NYC 2008 Washington Square Windows, 80 Washington Sq. E. , New York University, NYC Lesley Heller Gallery, NYC. In the Garden / Envoys Outside. Tama Gallery, New York City 2006 Anthony Giordano Gallery, Dowling College, Oakdale, NY 2004 Karl Drerup Art Gallery, State U n iversity of New Hampshire, Plymouth, NH 2002 Paul Sharpe Contemporary Art, New York Centro Cultural de Santo Domingo, Oaxaca, Mexico (Oct) Galeria Quetzalli, Oaxaca, Mexico (Oct) Centro de Arte UNICEF, Seville, Spain 1995 Porter Randall Gallery, La Jolla, CA 1994 Washington University Bixby Art Gallery, St. Louis, MO. 1992 Brunnier Gallery and Museum, Iowa State University, Ames, Iowa Simpson College, Indianola, Iowa Indian Hills Art Gallery, Ottumwa, Iowa 1991 Philippe Staib Gallery, NYC 1989 Bill Bace Gallery, NYC. Galeria Principal, Altos de Chavon, Dominican Republic. Staten Island Children's Museum, “Reef Raff” installation 1987 Sarah Doyle Gallery, Brown University, Providence, RI. 1985 Max Hutchinson Gallery, NYC. 1984 Max Hutchinson Gallery, NYC. Artspace, Washington, DC (Richard Griffith Williams) 1975 Artists Space, NYC, selected by Robert Morris. Central College, Pella, Iowa. 1974 Art Students League, NYC. Grou p Ex hibitions 2010 Fracking: Art and Activism to Stop the Drill, Exit Art SEA Building Beauty, Lesley Heller Gallery, NYC (forthcoming Nov 2010) Ins and Outs, curated by Amy Lipton, Rockland Center for the Arts, West Nyack, NY. Site Specifics 10, The Carriage House, Islip Museum of Art, East Islip, NY What Matters Most, Eocartspace Benefit Exhibition, ExitArt,, NYC W.A.T.E.R.
    [Show full text]