Madison Montambault

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Mezzo-Soprano MADISON 734.474.2803 madisonmontambault.com [email protected] Member of AGMA MONTAMBAULT Operatic Roles: Suzuki Madama Butterfly Indianapolis Opera, 2020 & covering in 2021 Muley’s Wife The Grapes of Wrath Michigan Opera Theatre, 2019 Bradamante Alcina University of Michigan Opera Theatre, 2019 Mary Mary Chesnut, A Civil War Diary University of Michigan Master’s Recital, 2019 Old Lady Candide University of Michigan Opera Theatre, 2018 Carmen Carmen University of Michigan Studio Opera, 2017 Mrs. Williamson The Difficulty of Crossing a Field Detroit Chamber Winds & Strings, 2017 Madame de Croissy Dialogues des Carmélites University of Michigan Studio Opera, 2016 Dorabella Così fan tutte University of Michigan Opera Theatre, 2016 Musical Theatre Roles: Annie “Anytime” Reilly 42nd Street The Croswell Opera House, 2014 Madame Thenardier/ u/s Fantine Les Misérables The Croswell Opera House, 2014 Dance Captain/ u/s Fastrada Pippin The Croswell Opera House, 2014 Partial Operatic Roles/Scenes: Dido Dido & Aeneas Indianapolis Opera, 2020 Carmen Carmen Indianapolis Opera, 2020 Elizabeth Proctor The Crucible Indianapolis Opera, 2020 Musetta La Bohème Indianapolis Opera, 2020 Zulma L’Italiana in Algeri Sarasota Opera, 2020 Nicklausse Les contes d'Hoffmann Sarasota Opera, 2020 Suzuki Madama Butterfly Sarasota Opera, 2020 Meg Page Falstaff Sarasota Opera, 2020 Training & Education: M.M Voice Performance (2017-2019) The University of Michigan, School of Music, Theatre & Dance B.M Voice Performance: (2013-2017) The University of Michigan, School of Music, Theatre & Dance Indianapolis Opera (2020-2021) Resident Artist Sarasota Opera (2020) Apprentice Artist Canadian Vocal Arts Institute (2016) Montréal, QC, Canada Music in the Marche Summer Opera Institute (2014) Tuscany/Marche regions of Italy Awards: Semi-Finalist The International Czech & Slovak Voice Competition, 2019 Semi-Finalist Byrd International Young Artist Competition, 2018 Blanche Thebom Opera Fellowship Recipient The University of Michigan School of Music, Theatre & Dance, 2017-2019 2017 EXCEL Enterprise Fund Grant Recipient The University of Michigan School of Music, Theatre & Dance, 2017 Finalist University of Michigan Concerto Competition, 2016 Teachers: Conductors: Directors: Coaches: Masterclasses: Stephen West Kathleen Kelly Matthew Ozawa Kathleen Kelly Frederica von Stade Martha Sheil Stephanie Rhodes Russell Grant Preisser Martin Katz Judith Forst Carmen Pelton Eugene Rogers Omer Ben Seadia Stephanie Rhodes Russell Paul Curran Jerry Blackstone Robert Swedberg Timothy Cheek Ricky Ian Gordon Suzanne Acton Kay Castaldo Matthew Thompson Mark Clark Steven McGhee Trevor Chartrand Special Skills: Specialized Diction (Czech, Chinese), Dance (Jazz, Tap, Ballet & Musical Theatre), Stage Combat/Sword work, Choreography skills, conversational French, German and Italian, Russian dialect. .

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Philharmonic Au Dito R 1 U M
LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living.
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Choral Union Concert Series
UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Thor Johnson, Guest Conductor Lester McCoy, Associate Conductor Eighth Concert 1950-1951 Complete Series 3050 Seventy-second Annual Choral Union Concert Series CHICAGO SYMPHONY ORCHESTRA RAFAEL KUBELIK, Conductor SUNDAY EVENING, MARCH 4, 1951 AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Overture to "The School for Scandal" BARBER Symphony No. 1 in D major, Op. 60 DVORAK Allegro non tanto * Adagio Scherzo (furient) Finale—allegro con spirito INTERMISSION Theme and Four Variations ("The Four Temperaments") for String Orchestra and Piano HINDEMITH Theme Variation No. 1: Melancholic Variation No. 2: Sanguine Variation No. 3: Phlegmatic Variation No. 4: Choleric GEORGE SCHICK at the Piano Prelude to "The Mastersingers of Nuremberg" .... WAGNER The Chicago Symphony Orchestra uses the Baldwin piano, and records exclusively for R.CA. Victor. NOTE.—The University Musical Society has presented the Chicago Symphony Orchestra on pre vious occasions as follows: Choral Union Series, Theodore Thomas, conductor (8); in thirty-one May Festivals (1905-1935 inclusive), and in the Choral Union Series, Nov. 2, 1936 and Nov. 30, 1941, Frederick Stock, conductor; Mar. 19, 1945, Jan. 31, 1946, and Mar. 16, 1947, Desire Defauw, conductor; Oct. 26, 1947, Artur Rodzinski, conductor; Mar. 27, 1949, Fritz Busch, Guest Conductor; and Mar. 12, 1950, Fritz Reiner, Guest Conductor. ARS LONGA VITA BREVIS PROGRAM NOTES By FELIX BOROWSKI (Taken from the Program Book of the Chicago Symphony Orchestra) Overture to "The School for Scandal" .... SAMUEL BARBER The overture to "The School for Scandal" was composed in 1932 and was per formed for the first time at a summer concert of the Philadelphia Orchestra at Robin Hood Dell, Philadelphia, August 30, 1933.
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Così Fan Tutte
Wolfgang Amadeus Mozart Così fan tutte CONDUCTOR Opera in two acts James Levine Libretto by Lorenzo Da Ponte PRODUCTION Lesley Koenig Saturday, April 26, 2014, 1:00–4:40 pm SET & COSTUME DESIGNER Michael Yeargan LIGHTING DESIGNER Duane Schuler STAGE DIRECTOR Robin Guarino This production of Così fan tutte was made possible by a generous gift from Alberto Vilar. Additional funding was provided by the Metropolitan Opera Club; the Denenberg Foundation, in honor of Dan Denenberg; The DuBose and Dorothy Heyward Memorial Fund; and the late Mr. and Mrs. Samuel L. Tedlow. The revival of this production is made possible GENERAL MANAGER Peter Gelb by a gift from DOLCE & GABBANA. MUSIC DIRECTOR James Levine PRINCIPAL CONDUCTOR Fabio Luisi 2013–14 Season The 184th Metropolitan Opera performance of Wolfgang Amadeus Mozart’s Così fan tutte This performance is being broadcast live over The Conductor Toll Brothers– James Levine Metropolitan Opera International IN ORDER OF VOCAL APPEARANCE Radio Network, sponsored by Ferrando Toll Brothers, Matthew Polenzani America’s luxury homebuilder®, with Guglielmo generous long-term Rodion Pogossov* support from Don Alfonso The Annenberg Maurizio Muraro Foundation, The Neubauer Family Fiordiligi Foundation, the Susanna Phillips Vincent A. Stabile Endowment for Dorabella Broadcast Media, Isabel Leonard and contributions from listeners Despina worldwide. Danielle de Niese* This performance is Cello Continuo also being broadcast David Heiss live on Metropolitan Opera Radio on Harpsichord Continuo SiriusXM channel 74. Howard Watkins* Saturday, April 26, 2014, 1:00–4:40 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation.
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J2P and P2J Ver 1
club activities has been formed continues to latch on to inde- at MGM -Verve, including liai- pendent label product as they Club Picture Sharpens son offices on both the East and become hot. A prominent exam- West Coast. MGM artists who'll ple is Tamla- Motown, which the Continued from page ata Tebaldi, Birgit Nilsson, Ni- be available through the record Columbia club handles on a uso colai Ghiarunov, Mario del club include Roy Orbison, Sam nonexclusive basis. and its affiliated labels such as Monaco and Marilyn Horne. the Sham and the Pharaohs, the AQOQO! Command and Westminster. Animals, Herman's Hermits, Most of the important record MGM's deal with the Capitol Tie With London Connie Francis, Johnny Tillot- companies have already com- The Victor club's tie with club includes all product by mitted themselves to one club MGM, Verve and Folkways with son, Hank Williams and Erroll London gives it access to one of Garner, who recently joined the or another on an exclusive or the exception of artists whose the largest of the recorded opera label. Verve artists in the club nonexclusive basis. A notable well a contract prohibits it. MGM Rec- catalogs as as flock of include Stan Getz, Jimmy Smith, exception is Atlantic -Atco Rec- potent pop sellers. London has ords President Mort L. Nasatir ords. The clubs have indicated emphasized that none of the ex- Ella Fitzgerald, Astrud Gilberto about 200 items in its operatic and Cal Tjader. interest in the Atlantic -Atco catalog which features such ceptions were significant artists. product but the firm has yet to names as Joan Sutherland, Ren- A special division to handle The Columbia club, meantime, commit itself.
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Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H.
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Lise Lindstromin Conversation from London, Via Zoom, with Dr Robert Mitchell
Thursday 11 February 2021, 8 – 9.30pm: Lise Lindstromin conversation from London, via Zoom, with Dr Robert Mitchell Report by Minnie Biggs There was yet another excellent turnout (nearly 40) of Society members and guests to meet Lise Lindstrom in London on Zoom. A great follow up to Susan Bullock’s talk. And yet another Puccini to Wagner journey (but Turandot rather than Butterfly). Perhaps not so surprising given the similarity of their voices. Lise came from California and both of her parents were singers. In fact, she made her debut as Donna Anna - her father was the Commendatore - with the Berkeley Opera in California. Interestingly, her first real teacher was the beautifully named Met Opera star Blanche Thebom who came from Ohio, middle America. Like Susan Bullock, it took a long time for Lise to find her voice, no one knew quite what to do with it, until Turandot was suggested and initially resisted and finally turned out to be the perfect match. She has sung all the different endings of Turandot. Lise paid tribute to director Graham Vick, who taught her how to analyse every phrase to give deep meaning to the words to make the characters believable. After Turandot Lise continued with the great Strauss roles, Electra and Salome, and finally Brünnhilde in Melbourne in 2016. Lise spoke warmly of the collegiality and enthusiasm of the Melbourne company. We will be able to hear her Brünnhilde again in the OA Ring in Brisbane in November. When asked her dream role not yet performed: Minnie in La fanciulla del West.
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Cross Gender Roles in Opera
Boys Will Be Girls, Girls Will Be Boys: Cross Gender Roles in Opera University at Buffalo Music Library Exhibit October 1, 2003-January 9, 2004 An exhibit focusing on the high-voiced male castrato singers and on “pants roles,” in which women sing male roles. Created in conjunction with “Gender Week @ UB” 2003. Curated by Nara Newcomer CASE 1: Castrati : Introduction The opera stage is one place where gender roles have always been blurred, disguised, even switched – possibly multiple times within the course of an opera! Italian composers of seventeenth and eighteenth century opera seria (“serious opera” – as distinguished from comic opera) were especially free in this regard, largely connected with the high-voiced male castrati. Such traditions are not solely confined to that era, however. This exhibit will examine gender roles in opera, focusing on the castrati and upon operatic travesty, specifically upon breeches parts (“pants roles”). The photographs in the section of the exhibit on breeches parts come from the Music Library’s J. Warren Perry Collection of Memorabilia which includes over 2,000 photographs, largely operatic. Many of the photographs bear the singer’s autographs and are inscribed to Dr. Perry. A castrato is a type of high-voiced male singer, produced by castrating young boys with promising voices before they reached puberty. Castrati rose to prominence in the Italian opera seria of the 17th and 18th centuries. They were the prima donnas, even the rock stars, of their day. Somewhat ironically, however, the era of castrati both began and ended in the church. Castrati are known to have existed in Western Europe by the 1550’s and were present for centuries before in the Byzantine church.
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Rare and Beautiful Books, Prints, Letters
Rare and Beautiful Books, Prints, Letters Many concerning scenic design Golden Legend, Inc. 449 South Beverly Drive Beverly Hills, CA 90212 Table of Contents A Gala Performance. Tuesday June 10, 1958 Silk… ~Delete3 Architectural design for a theatre backdrop signed "Tasca ~Delete3 Le Guide du Carrossier ~Delete4 Les Franconis. Lithograph, hand colored. Printed Metz: Imprimerie… ~Delete4 Adolphe Appia, 1er Septembre 1862 29 Fevrier 1928 ~Delete5 Bakst, Leon, ALS, May 28 1919 to Gabriele D’Annunzio ~Delete6 Bella, Stefano, Entree du Prince di Toscane, Representant Hercul ~Delete6 Cappiello, Leonetto, Nos Actrices ~Delete7 Chagall, Paris / l'Opera Romeo and Juliet ~Delete7 Cocteau, Jean, Poster, Ballets Russes de Diaghilew Paris: 1939 ~Delete8 Craig, E, L'origine dell' Accademia Olimpica di Vicenza con una… ~Delete9 Craig, E, Madame de Pompadour et la cour de Louis… ~Delete10 Craig, Edward, A Production ~Delete11 Gide André, Le Roi Candaule, Drame in Trois Actes ~Delete11 Gozzi, Carlo, Printsessa Turandot ~Delete12 Kean, Edmund, Mr. Kean in Richard the Third. Act IV… ~Delete12 Khmury, V, Teatral'ni stroi ~Delete13 Lola Montez, Letter 31 Lines, 8vo. With autograph address and… ~Delete14 Macready, William, Playbill on silk ~Delete15 Martin, John, Seven Ages of Shakspeare, The ~Delete15 Miller, Arthur, The Price ~Delete16 Miro, Joan, Lucifer ~Delete17 Mozart Wolfgang, Cosi Fan Tutte ~Delete18 Poiret, Paul, Typed letter, signed "Paul Poiret" dated 28 April… ~Delete19 Rutherson, Albert, Anna Pavlova in Le Réveil Flore ~Delete20 Smit, J, Complete Series of 12 Engravings of Sets from… ~Delete21 Stephens, John, Oswego Falls Opera House ~Delete22 Taglioni, Marie, ALS in French to Monsier Séguin English opera… ~Delete22 Table of Contents 310-385-1903 • [email protected] ii 1 A Gala Performance.
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Spring/Summer 2017
News for Friends of Leonard Bernstein Spring/Summer 2017 Special Edition © ALFRED EISENSTAEDT 2 Let the Celebrations Begin 6 Musician for the World 14 In the News Inside... 4 A Multifarious Career 8 Passing the Baton 16 Looking Ahead 5 Artful Learning 12 LeonardBernstein.com 17 Some Performances SS2017_PFR_art(20RE)_draft2.indd 1 3/31/17 4:24 PM Let the Celebrations Begin! eonard Bernstein at 100! What a by Jamie Bernstein and Age of Anxiety, explored the trou- Lpriceless and unrepeatable oppor- Craig Urquhart bling times of the 1940s. His musical tunity to share his legacy with those Candide was devised as a protest who experienced him in his lifetime, ugust 25, 2018 will against the evils of McCarthyism as well as to introduce him to the next be the 100th Birthday of in the 1950s. West Side Story con- fronted head-on the ramifications of generation. People and organizations Leonard Bernstein. Yes, 100 — though it seems like bigotry and prejudice. His prophetic all over the world are cooking up a A only yesterday that he was among us, MASS from 1971, which examines myriad exciting presentations for sharing his prodigious gifts. a war-torn nation’s crisis of faith, the celebration — as this special issue Leonard Bernstein’s range of brings together musical styles as clearly indicates. accomplishments was uniquely diverse as America itself. For those of you who had the good broad; as a composer, educator, con- Bernstein’s legacy as a conduc- fortune of experiencing Leonard ductor, political activist and more, tor is unequaled. Its very beginning Bernstein firsthand, we have a very he was a significant contributor to is now legend: on November 14, special request for you: the cultural life of the 20th century.
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VAI 2005 Fall Catalog.Pmd
2005 FALL CATALOGUE THE LEADER IN RECORDINGS OF HISTORIC PERFORMANCES AND RARE REPERTOIRE A-18 GEN TWO NEW DVDS IN ALICIA ALONSO ON VVVAI’sss BROADWAAAY SERIES Listing on page 2 Listings on page 3 New Compact Disc Releases on Page 22 These and other recent VAI DVD releases pp. 2-8! New Hardy & Kicco Classics DVDs on Page 21 A Tribute to the “Voice of an Angel” Listing on page 3 Listing on page 3 February 1, 1922 ••• December 20, 2004 Details of this 2-DVD retrospective on page 3 Listing on page 7 Listing on page 6 From the President of VAI Recently Released Dance & Orchestral DVDs from VAI Dear Friends, Our current listings feature some of HARDY CLASSICS DVD Broadway’s brightest stars. Most of this material derives from the rich archives of the Bell Telephone Hour which has provided us with performances by some of the greatest artists from the worlds of opera, dance and the concert stage. The Broadway offerings were no less luminous with star turns from such legendary greats as Ethel Merman, Barbara Cook, Robert Goulet, Alfred Drake, Carol Lawrence, Larry Kert, Dolores Gray John Raitt, Howard Keel and Gretchen Wyler. Highlighting our new releases are TWO NEW DANCE DVDS FROM VAI DVDs devoted to the art of Barbara Cook and Carol Lawrence. Both ladies ALICIA ALONSO – PRIMA BALLERINA ASSOLUTA This GISELLE are still very much in the public eye. compilation from 1958 to 1985 includes extracts from many of Alicia Miss Cook, a cabaret favorite, is about NUREYEV • FRACCI Alonso’s most celebrated roles.
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Review of Met/North American Premiere of Arabella
2018-09-11, 1135 AM Page 1 of 1 [Met Performance] CID:167930 United States Premiere Guide Arabella {1} Metropolitan Opera House: 02/10/1955. Key Word Search (United States Premiere) Multi-Field Search (Debuts: Ralph Herbert, Matthew Farruggio, Paul Marko Browse Review) Met Opera on Demand Sirius and XM Metropolitan Opera House New Review February 10, 1955 New Photo Repertory Report Benefit for the Welfare Fund Performers Report United States Premiere Contacts In English Met Opera Website ARABELLA {1} R. Strauss-Hofmannsthal Arabella................Eleanor Steber Mandryka................George London Zdenka..................Hilde Güden Matteo..................Brian Sullivan Adelaide................Blanche Thebom Count Waldner...........Ralph Herbert [Debut] Fortuneteller...........Thelma Votipka Count Elemer............Gabor Carelli Count Dominik...........Clifford Harvuot Count Lamoral...........Lawrence Davidson Fiakermilli.............Roberta Peters Welko...................Benjamin Wilkes Djura...................Matthew Farruggio [Debut] Jankel..................Paul Marko [Debut] Waiter..................Rudolf Mayreder Conductor...............Rudolf Kempe Director................Herbert Graf Designer................Rolf Gérard Translation by John Gutman Arabella received seven performances this season. Production a gift of the Metropolitan Opera National Council Review of Ronald Eyer in Musical America Strauss's 'Arabella' Given American Premiere at Metropolitan Opera It took Richard Strauss's "Arabella" over 21 years to reach America (it had its premiere in Dresden in 1933), but when it arrived at the Metropolitan Opera House on Feb. 10 it received red-carpet treatment, and its American debut was a brilliant social affair staged as a benefit for the Metropolitan's welfare fund. Rudolf Bing lavished something like $60,000 and a galaxy of his choicest singers on the production, and at the helm he had Rudolf Kempe, young German conductor, who is said to have at least 50 performances of this opera to his credit in Europe.
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A Tribute • Lauritz Melchior (Ten)
LAURITZ MELCHIOR: A Tribute • Lauritz Melchior (ten); Various artists • IMMORTAL PERFORMANCES 1139-2 mono (4 CDs: 312:54) WAGNER Die Walküre: Act II (Edwin McArthur, cond; Kirsten Flagstad (Brünnhilde); Marjorie Lawrence (Sieglinde); Herta Glaz (Fricka); Lauritz Melchior (Siegmund); Fred Destal (Wotan); San Francisco Op O. Live: San Francisco 10/24/1939). WAGNER Die Walküre: Act I; Act II, Scene 3 (Fritz Stiedry, cond; Helen Traubel (Brünnhilde); Rose Bampton (Sieglinde); Lauritz Melchior (Siegmund); Mihály Székely (Hunding); Metropolitan Op O. Live: New York 1/24/1948). WAGNER Tristan und Isolde: Act II (Fritz Busch, cond; Helen Traubel (Isolde); Blanche Thebom (Brangäne); Lauritz Melchior (Tristan); Mikhail Székely (King Marke); Metropolitan Op O. Live: New York 1/3/1948). & VERDI Aida: Judgment Scene (with Margarethe Arndt- Ober). Otello: Esultate! Dio mi potevi (2 recordings). Niun mi tema. PUCCINI Tosca: Recondita armonia. LEONCAVALLO Mattinata. Pagliacci: Vesti la giubba (2 recordings). STRAUSS Zueignung. Heimliche Aufforderung. SCHUBERT Ständchen. SEVERRE JORDAN Høorer du!. GRIEG Ich liebe dich. WAGNER Der fliegende Holländer: Mit Gewitter und Sturm. Die Meistersinger: Preislied. (2 recordings). Die Walküre: Winterstürme. Lohengrin: In fernem Land. Mein lieber Schwan. Parsifal: Nur eine Waffe taught! (2 recordings). Siegfried: Nothung!. Wesendonck-Lieder: Traume. Interview with Melchior By Henry Fogel FANFARE November / December 2020 There are a number of opera singers who deserve the adjective “great.” Each of them brings to the public something unique. I can think of only one, however, whose level of performance is so far above and beyond his colleagues that he occupies his own level in the vocal hierarchy: Lauritz Melchior. At least since the beginning of recordings, in the category of Heldentenors there has been Melchior and then all others.
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