Polisci 394DI: Protest and Dissent
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Radiolovefest
BAM 2017 Winter/Spring Season #RadioLoveFest Brooklyn Academy of Music New York Public Radio* Adam E. Max, Chairman of the Board Cynthia King Vance, Chair, Board of Trustees William I. Campbell, Vice Chairman of the Board John S. Rose, Vice Chair, Board of Trustees Katy Clark, President Susan Rebell Solomon, Vice Chair, Board of Trustees Joseph V. Melillo, Executive Producer Mayo Stuntz, Vice Chair, Board of Trustees Laura R. Walker, President & CEO *As of February 1, 2017 BAM and WNYC present RadioLoveFest Produced by BAM and WNYC February 7—11 LIVE PERFORMANCES Ira Glass, Monica Bill Barnes & Anna Bass: Three Acts, Two Dancers, One Radio Host: All the Things We Couldn’t Do on the Road Feb 7, 8pm; Feb 8, 7pm & 9:30pm, HT The Moth at BAM—Reckless: Stories of Falling Hard and Fast, Feb 9, 7:30pm, HT Wait Wait...Don’t Tell Me®, National Public Radio, Feb 9, 7:30pm, OH Jon Favreau, Jon Lovett, and Tommy Vietor, Feb 10, 7:30pm, HT Snap Judgment LIVE!, Feb 10, 7:30pm, OH Bullseye Comedy Night, Feb 11, 7:30pm, HT BAMCAFÉ LIVE Curated by Terrance McKnight Braxton Cook, Feb 10, 9:30pm, BC, free Gerardo Contino y Los Habaneros, Feb 11, 9pm, BC, free Season Sponsor: Leadership support provided by The Joseph S. and Diane H. Steinberg Charitable Trust. Delta Air Lines is the Official Airline of RadioLoveFest. Audible is a major sponsor of RadioLoveFest. VENUE KEY BC=BAMcafé Forest City Ratner Companies is a major sponsor of RadioLoveFest. BRC=BAM Rose Cinemas Williams is a major sponsor of RadioLoveFest. -
Strategies of Narrative Disclosure in the Rhetoric of Anti-Corporate Campaigns." Dissertation, Georgia State University, 2012
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication Spring 3-20-2012 Strategies of Narrative Disclosure in the Rhetoric of Anti- Corporate Campaigns Richard A. Herder Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Herder, Richard A., "Strategies of Narrative Disclosure in the Rhetoric of Anti-Corporate Campaigns." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/communication_diss/32 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STRATEGIES OF NARRATIVE DISCLOSURE IN THE RHETORIC OF ANTI-CORPORATE CAMPAIGNS by RICHARD ALEXANDER HERDER Under the Direction of Dr. Michael Bruner ABSTRACT In the years following World War II social activists learned to refine rhetorical techniques for gaining the attention of the new global mass media and developed anti-corporate campaigns to convince some of the world’s largest companies to concede to their demands. Despite these developments, rhetorical critics have tended to overlook anti-corporate campaigns as objects of study in their own right. One can account for the remarkable success of anti-corporate campaigns by understanding how activists have practiced prospective narrative disclosure, a calculated rhetorical wager that, through the public circulation of stories and texts disclosing problematic practices and answerable decision makers, activists can influence the policies and practices of prominent corporations. In support of this thesis, I provide case studies of two anti-corporate campaigns: the Amalgamated Clothing and Textile Workers Union vs. -
WRITTEN TESTIMONY of CATHERINE SEVCENKO Director of Litigation, Foundation for Individual Rights in Education
WRITTEN TESTIMONY of CATHERINE SEVCENKO Director of Litigation, Foundation for Individual Rights in Education Before the UNITED STATES HOUSE OF REPRESENTATIVES COMMITTEE ON WAYS AND MEANS, SUBCOMMITTEE ON OVERSIGHT March 2, 2016 Hearing on Protecting the Free Exchange of Ideas on College Campuses March 2, 2016 Representative Peter Roskam Chairman House Ways and Means Oversight Subcommittee B-317 Longworth House Office Building Washington, DC 20515 Representative John Lewis Ranking Member House Ways and Means Oversight Subcommittee 1106 Longworth House Office Building Washington, DC 20515 RE: March 2, 2016 Hearing on Protecting the Free Exchange of Ideas on College Campuses Dear Chairman Roskam, Ranking Member Lewis, and honorable members of the Subcommittee: The Foundation for Individual Rights in Education (FIRE; thefire.org) is a nonpartisan, nonprofit organization dedicated to defending student and faculty rights on America’s college and university campuses. These rights include freedom of speech, freedom of assembly, legal equality, due process, religious liberty, and sanctity of conscience—the essential qualities of individual liberty and dignity. Since FIRE’s founding in 1999, our efforts have won 385 victories on behalf of students and faculty members whose rights were unjustly denied at 250 colleges and universities, defeated 223 repressive speech codes thereby advancing freedom of expression for more than 3.5 million students, educated millions about the problem of censorship on campus, and spurred reforms across the entire California, Hawaii, and Wisconsin state university systems. Every day, FIRE receives pleas for help from students and faculty who have found themselves victims of administrative censorship or unjust punishments simply for speaking their minds. -
Political Support and Attitudes Toward Protest in Venezuela Damarys
Preserving Democracy: Political Support and Attitudes Toward Protest in Venezuela Damarys Canache University of Pittsburgh Michael R. Kulisheck University of Pittsburgh Paper to be presented at the Annual Meeting of the Latin American Studies Association. Chicago, IL, September 24-26, 1998. Introduction Not long ago, Venezuela seemed to have skillfully avoided many of the problems experienced by other Latin American countries. Up until the mid-1980s, Venezuela possessed a solid petroleum- based economy and a vibrant democracy built upon inter-elite cooperation within a viable two-party system. The convergence of these factors brought political stability for almost three decades, a period quite exceptional by Latin American standards (Rey 1991). During this period, however, many issues went unresolved and many new problems were created. By the mid-1980s, the Venezuelan economy no longer enjoyed the benefits of high oil prices and the nation was deeply in debt. The government could not continue with the practice of redistributing oil rent among different sectors of the population. The economic crisis of the 1980s resulted in a dramatic turn for the worse for the people of Venezuela. Poverty increased by 32 percent between 1982 and 1989. In 1989, 22 percent of the population did not have enough resources to meet basic neeeds (Naim 1993). Questions were raised regarding whether traditional political institutions and social organizations were capable of meeting the social and political demands of Venezuelans. At the political level, debates surfaced throughout society about the effectiveness of political institutions and the failure of democratic governments to promote economic equality and growth. Multiple signs of citizens’ discontent with the political system emerged. -
— Samizdat. Between Practices and Representations Lecture Series at Open Society Archives, Budapest
— Samizdat. Between Practices and Representations Lecture Series at Open Society Archives, Budapest, No February-June . Publications IAS — Samizdat. Between Practices and Representations Lecture Series at Open Society Archives, Budapest, February-June 2013. edited by valentina parisi — Co-sponsored by the Central European University Institute for Advanced Study and eurias — Colophon Parisi, Valentina (ed.) Samizdat. Between Practices and Representations Lecture Series at Open Society Archives, Budapest, February-June 2013. ias Publications No 1 © Central European University, Institute for Advanced Study 2015 Includes bibliographical references and index. isbn 978-615-5547-00-3 First published: February 2015 Proofreading: Christopher Ryan Graphic design: Ákos Polgárdi Typefaces: Adobe Jenson & Arquitecta — Contents Acknowledgements p. 005 Preface p. 007 The common pathways of samizdat and piracy p. 019 Balázs Bodó “Music on ribs”. Samizdat as a medium p. 035 Tomáš Glanc The media dimension of samizdat. p. 047 The Präprintium exhibition project Sabine Hänsgen The dispersed author. The problem of literary authority p. 063 in samizdat textual production Valentina Parisi Movement, enterprise, network. The political economy p. 073 of the Polish underground press Piotr Wciślik Samizdat as social practice and communication circuit p. 087 Olga Zaslavskaya Authors p. 101 Index of names p. 105 — 3 — 4 — Acknowledgements This volume brings together the texts of all the lectures delivered at the Open Society Archives (OSA) in Budapest in the -
The Professional Military Ethic and Political Dissent: Has the Line Moved?
No. 83 AUGUST 2011 The Professional Military Ethic and Political Dissent: Has the Line Moved? Eric A. Hollister The Professional Military Ethic and Political Dissent: Has the Line Moved? by Eric A. Hollister The Institute of Land Warfare ASSOCIATION OF THE UNITED STATES ARMY AN INSTITUTE OF LAND WARFARE PAPER The purpose of the Institute of Land Warfare is to extend the educational work of AUSA by sponsoring scholarly publications, to include books, monographs and essays on key defense issues, as well as workshops and symposia. A work selected for publication as a Land Warfare Paper represents research by the author which, in the opinion of ILW’s editorial board, will contribute to a better understanding of a particular defense or national security issue. Publication as an Institute of Land Warfare Paper does not indicate that the Association of the United States Army agrees with everything in the paper, but does suggest that the Association believes the paper will stimulate the thinking of AUSA members and others concerned about important defense issues. LAND WARFARE PAPER NO. 83, August 2011 The Professional Military Ethic and Political Dissent: Has the Line Moved? by Eric A. Hollister Lieutenant Colonel Eric A. Hollister is an Army Force Manager currently developing and teaching Force Management curriculum for the Command and General Staff College at Fort Leavenworth, Kansas. His previous assignment was as the 25th Infantry Division’s Force In- tegration Officer, during which time he spent 15 months in Iraq providing force management support for all of Multinational Division-North. LTC Hollister holds a BA in Music from UCLA and an MA in Humanities from California State University, Dominguez Hills. -
Introduction in FOCUS: Revoicing the Screen
IN FOCUS: Revoicing the Screen Introduction by TESSA DWYER and JENNIFER o’mEARA, editors he paradoxes engendered by voice on-screen are manifold. Screen voices both leverage and disrupt associations with agency, presence, immediacy, and intimacy. Concurrently, they institute artifice and distance, otherness and uncanniness. Screen voices are always, to an extent, disembodied, partial, and Tunstable, their technological mediation facilitating manipulation, remix, and even subterfuge. The audiovisual nature of screen media places voice in relation to— yet separate from—the image, creating gaps and connections between different sensory modes, techniques, and technologies, allowing for further disjunction and mismatch. These elusive dynamics of screen voices—whether on-screen or off-screen, in dialogue or voice-over, as soundtrack or audioscape— have already been much commented on and theorized by such no- tables as Rick Altman, Michel Chion, Rey Chow, Mary Ann Doane, Kaja Silverman, and Mikhail Yampolsky, among others.1 Focusing primarily on cinema, these scholars have made seminal contribu- tions to the very ways that film and screen media are conceptual- ized through their focus on voice, voice recording and mixing, and postsynchronization as fundamental filmmaking processes. Altman 1 Rick Altman, “Moving Lips: Cinema as Ventriloquism,” Yale French Studies 60 (1980): 67–79; Rick Altman, Silent Film Sound (New York: Columbia University Press, 2004); Michel Chion, The Voice in Cinema, trans. Claudia Gorbman (New York: Columbia Univer- sity -
Managing Dissent Timothy Zick William & Mary Law School, [email protected]
College of William & Mary Law School William & Mary Law School Scholarship Repository Faculty Publications Faculty and Deans 2018 Managing Dissent Timothy Zick William & Mary Law School, [email protected] Repository Citation Zick, Timothy, "Managing Dissent" (2018). Faculty Publications. 1892. https://scholarship.law.wm.edu/facpubs/1892 Copyright c 2018 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/facpubs MANAGING DISSENT TIMOTHY ZICK In his insightful new book, Managed Speech: The Roberts Court's First Amendment (2017), Professor Greg Magariancriticizes the Roberts Court for adopting a "managedspeech" approach in its FirstAmendment cases. According to ProfessorMagarian, that approach gives too much power to private and governmental actors to manage public discourse, constrain dissident speakers, and instill social and political stability. This Article argues that at least insofar as it relates to many forms ofpublic dissent, the managed speech approach is both deeply rooted in First Amendment jurisprudence and culturally prevalent. Historically, First Amendment jurisprudencehas expressed supportfor narrowly managedpublic dissent. Expressive activities that pose no threat of actual disruption, and that do not risk undermining social and political stability, have been granted a preferredposition. Managedspeech attitudes andprinciples are part ofour contemporary culture and politics. Public and private actors manage dissentfrom statehouses, to college campuses, to NationalFootball League stadiums. Legislatures and executive officials have sought to curb public protests, universities have acted to limit campus dissent, and the NFL has facedpressure to dismissplayers who refuse to stand at attention during the playing of the national anthem. In these contexts, officials and private institutions have sought to curb, tame, and marginalize public dissent. -
A Little Rebellion Now and Then Is a Good Thing
Michigan Law Review Volume 100 Issue 6 2002 A Little Rebellion Now and Then is a Good Thing James Forman Jr. University of Michigan Law School Follow this and additional works at: https://repository.law.umich.edu/mlr Part of the International Law Commons, Law and Society Commons, and the Military, War, and Peace Commons Recommended Citation James Forman Jr., A Little Rebellion Now and Then is a Good Thing, 100 MICH. L. REV. 1408 (2002). Available at: https://repository.law.umich.edu/mlr/vol100/iss6/10 This Review is brought to you for free and open access by the Michigan Law Review at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. A LITILE REBELLION NOW AND THEN IS A GOOD THING* James Forman, Jr.t REBELS WITH A CAUSE: THE MINDS AND MORALITY OF POLITICAL OFFENDERS. By Nicholas N. Kittrie. Boulder: Westview Press. 2000. Pp. xxviii, 411. $35. What do George Washington and Eldridge Cleaver have in com mon? Or John Brown and Mahatma Gandhi? The Stern Gang and the Palestine Liberation Organization? Jefferson Davis and Eugene Debs? In Rebels with a Cause: The Minds and Morality of Political Of fenders, Nicholas Kittrie1 says they are all political offenders - men and women who, "professing loyalty to a divine or higher law, to the call of individual conscience, or to the imperatives of some perceived public good, have challenged the legitimacy and authority of the insti tutions of their governments" (p. -
Traducción Entrevista Con Boots Riley
Traducción entrevista con Boots Riley David Riu: Hola Boots encantando de hablar contigo otra vez, ¿cómo van las cosas por aquí en la bahía, en Oakland, California Boots Riley: Oh, en realidad las cosas van muy bien, estoy dejando mucho trabajo hecho. Debido al confinamiento, todos los proyectos que tenía retrasados los estoy acabando, también pasando tiempo con la familia. Me monto mi horario, hacer ejercicio, trabajo, la familia… nunca antes lo había podido tener. Normalmente siempre estaba trabajando, siempre ando liado con muchos proyectos, en realidad demasiados… pero luego cuando no hago nada, me preocupo por no estar haciendo nada. D: Sabes, al principio de este podcast estaba hablando, de cómo se están cancelando grandes conciertos, grandes eventos, pero esto no significa que la música vaya a desaparecer, y me ha venido a la cabeza lo que pasó en Sevilla con Antonio Saavedra, el cantante de flamenco, ¿te acuerdas? B: Sí, estábamos en el café, en Sevilla, él apareció, le “pillé” el ritmo cogí el móvil, y todo listo. Creo además, que se volvió viral y sonó en algunas radios. D: Así que crees que como están las cosas, es momento de volver a la música como algo más local, más de pequeño formato, no todo tienen que ser grandes eventos. Disfrutar de la música de todos modos, no necesitas tener 20mil personas a tu alrededor para ver un buen concierto o cualquier tipo de arte B: Creo que a estas alturas en realidad ya es así de alguna manera. Míralo de este punto de vista, en los 90’s necesitabas tener un contrato discográfico, al menos en los EEUU. -
No Vember/De Cember 20 18
NOV/DEC 2018 NOVEMBER/DECEMBER 2018 NOVEMBER/DECEMBER Christmas atCINEMASTERS: GFT BILLY WILDER PETERLOO | WIDOWS | NAE PASARAN SUSPIRIA | SHOPLIFTERS | OUTLAW KING FRENCH FILM FESTIVAL | AFRICA IN MOTION THE OLD MAN AND THE GUN | UTØYA | SQIFF GLASGOWFILM.ORG | 0141 332 6535 12 ROSE STREET, GLASGOW, G3 6RB CONTENTS 3 Days in Quiberon 23 Possum + Q&A 21 White Christmas 17 Access Film Club: Blindspotting 28 Science Fair 21 CINEMASTERS: BILLY WILDER Scottish Animation: Access Film Club: Home Alone 28 7 The Apartment 15 Stories Brought to Life Anna and the Apocalypse + short 23 Double Indemnity 15 Shoplifters 22 Archive Film, Propaganda and The Private Life of Sherlock Holmes - 5 15 Spanish Civil War Sorry to Bother You 23 35mm Bad Reputation 20 Super November + Q&A 7 Some Like It Hot 15 Becoming Animal + Q&A 6 Suspiria 22 Sunset Boulevard 15 Been So Long + Q&A 6 Three Identical Strangers 23 COMEDY GENIUS Blue Black Permanent 24 Utøya - July 22 20 9 to 5 25 Blueprint: Scottish Independent Shorts 8 Visible Cinema: It’s A Wonderful Life 28 Shaun of the Dead 25 Calibre + Q&A 5 Visible Cinema: RCS Curates: Widows 28 South Park Sing-a-long - 35mm 25 21 Disobedience 23 Widows DID YOU MISS 22 The Wild Pear Tree 23 Distant Voices, Still Lives Black 47 25 20 Wildlife 22 Don’t Worry, He Won’t Get Far on Foot BlacKkKlansman 25 6 A Woman Captured + Q&A 5 Evelyn + Discussion C’est la vie 25 20 The Workshop 22 An Evening with Beverley Luff Linn Cold War 25 @glasgowfilm 24 Worlds of Ursula K Le Guin 7 The Evil Dead ESTONIA NOW Fahrenheit 11/9 20 AFRICA -
Fiamagazine Board of Trustees 1 Thomas J
WINTER 2018/19 fiamagazine Board of Trustees 1 Thomas J. Mitchell From the Executive Director CONTENTS President Elizabeth S. Murphy First Vice-President executive director 1 founders travel 27 Mark Lippincott Membership Second Vice-President exhibitions 2–9 education 28–31 Kathryn C. Boles Becoming a member of the Flint Institute Genesee County voters granting everyone Secretary of Arts has always been a popular way in the county free admission to the FIA art on loan 10–11 art school 32–35 Martha Sanford Treasurer for people to support the museum while galleries for the next 10 years. Although we acquisitions 12–13 contributions 36–37 Dean Yeotis Immediate Past President also receiving a benefit. For example, avid films 14–16 membership 38–40 Eleanor Brownell travelers join at the $100 level and above Ann K. Chan for the benefit of free admission to 1,038 James Draper news & programs 17–26 museum shop 41 Founders Society President museums nationwide in the North American Carol Hurand Reciprocal Museum (NARM) program. Others calendars 19, 23, 25 Raymond J. Kelly III Jimmy King join for the benefit of attending members- Alan Klein only exhibition previews and lectures or for Jamile Lawand Eureka McCormick eligibility to join a limited membership to Office Hours Admission William H. Moeller the Print Club. Bargain lovers find the 10% Jay Nelson discount at the Museum Shop and Palette Mon–Fri, 9a–5p Adults $10.00* Karl Olmsted 12 & under FREE Dr. Brenda Rogers-Grays Café irresistible and students enrolled in Gallery Hours Students w/ ID $8.00* Michael Rucks Mon–Fri, 12p–5p; Sat, 10a–5p; Senior citizens 62+, $8.00* Ira A.