Front Matter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Woman War Correspondent,” 1846-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository CONDITIONS OF ACCEPTANCE: THE UNITED STATES MILITARY, THE PRESS, AND THE “WOMAN WAR CORRESPONDENT,” 1846-1945 Carolyn M. Edy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2012 Approved by: Jean Folkerts W. Fitzhugh Brundage Jacquelyn Dowd Hall Frank E. Fee, Jr. Barbara Friedman ©2012 Carolyn Martindale Edy ALL RIGHTS RESERVED ii Abstract CAROLYN M. EDY: Conditions of Acceptance: The United States Military, the Press, and the “Woman War Correspondent,” 1846-1945 (Under the direction of Jean Folkerts) This dissertation chronicles the history of American women who worked as war correspondents through the end of World War II, demonstrating the ways the military, the press, and women themselves constructed categories for war reporting that promoted and prevented women’s access to war: the “war correspondent,” who covered war-related news, and the “woman war correspondent,” who covered the woman’s angle of war. As the first study to examine these concepts, from their emergence in the press through their use in military directives, this dissertation relies upon a variety of sources to consider the roles and influences, not only of the women who worked as war correspondents but of the individuals and institutions surrounding their work. Nineteenth and early 20th century newspapers continually featured the woman war correspondent—often as the first or only of her kind, even as they wrote about more than sixty such women by 1914. -
A Review of FBI Security Programs, March 2002
U.S. Department of Justice A Review of FBI Security Programs Commission for Review of FBI Security Programs March 2002 Commission for the Review of FBI Security Programs United States Department of Justice 950 Pennsylvania Avenue, NW, Room 1521 Washington, DC 20530 (202) 616-1327 Main (202) 616-3591 Facsimile March 31, 2002 The Honorable John Ashcroft Attorney General United States Department of Justice 950 Pennsylvania Avenue, N.W. Washington, D.C. 20530 Dear Mr. Attorney General: In March 2001, you asked me to lead a Commission to study security programs within the Federal Bureau of Investigation. Your request came at the urging of FBI Director Louis Freeh, who had concluded that an outside review was critical in light of the then recently discovered espionage by a senior Bureau official. In discharging my duties, I turned to six distinguished citizens as fellow Commissioners and to a staff of highly qualified professionals. I want to acknowledge the diligence with which my colleagues pursued the complex matters within our mandate. The Commission took its responsibilities seriously. It was meticulous in its investigation, vigorous in its discussions, candid in sharing views, and unanimous in its recommendations. When I agreed to chair the Commission, you promised the full cooperation and support of the Department of Justice and the FBI. That promise has been fulfilled. I would like to thank the Department’s Security and Emergency Planning Staff for the expert help they gave us, and I especially commend the cooperation of Director Mueller and FBI personnel at every level, who have all been chastened by treachery from within. -
Chapter One: Introduction
CHANGING PERCEPTIONS OF IL DUCE TRACING POLITICAL TRENDS IN THE ITALIAN-AMERICAN MEDIA DURING THE EARLY YEARS OF FASCISM by Ryan J. Antonucci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2013 Changing Perceptions of il Duce Tracing Political Trends in the Italian-American Media during the Early Years of Fascism Ryan J. Antonucci I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Ryan J. Antonucci, Student Date Approvals: Dr. David Simonelli, Thesis Advisor Date Dr. Brian Bonhomme, Committee Member Date Dr. Martha Pallante, Committee Member Date Dr. Carla Simonini, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date Ryan J. Antonucci © 2013 iii ABSTRACT Scholars of Italian-American history have traditionally asserted that the ethnic community’s media during the 1920s and 1930s was pro-Fascist leaning. This thesis challenges that narrative by proving that moderate, and often ambivalent, opinions existed at one time, and the shift to a philo-Fascist position was an active process. Using a survey of six Italian-language sources from diverse cities during the inauguration of Benito Mussolini’s regime, research shows that interpretations varied significantly. One of the newspapers, Il Cittadino Italo-Americano (Youngstown, Ohio) is then used as a case study to better understand why events in Italy were interpreted in certain ways. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Today's Fbi. It's for You
PLEASE BE AWARE THAT THIS IS AN ADVERTISEMENT, NOT A JOB POSTING FOR THE SPECIAL AGENT POSITION. The FBI is collecting resumes of those interested in future employment as an FBI Agent. Individuals that meet the FBI’s Special Agent preliminary requirements will be notified by email once the actual application is available. TODAY'S FBI. IT'S FOR YOU. The strength of the FBI is its people – employees from different backgrounds, each possessing a myriad of skills, working together to ensure the safety of our communities and the nation. Each year, people from every industry, ethnicity, and environment apply to become members of the most prestigious law enforcement agency in the world. A unique, challenging and life-changing experience that will stretch you beyond your comprehension, the Special Agent position is more than a job – it is a calling to protect and defend your country, uphold and enforce the laws in your community and provide law enforcement assistance where and when, necessary. Bring your skills and dedication. We’ll make you an Agent. FBI Special Agents are responsible for enforcing over 300 federal statutes and conducting sensitive national security investigations. A career as a Special Agent offers unparalleled opportunities for new experiences and personal and professional growth. Listed below are some of our most sought after specialties: FBI SPECIAL AGENT: CERTIFIED PROFESSIONAL ACCOUNTANT (CPA) All crime leaves a money trail - at the FBI, we track it back to its source, investigate the participants and develop a case. As such, the FBI is seeking Certified Professional Accountants (CPAs) for the Special Agent position. -
The Department of Justice and the Limits of the New Deal State, 1933-1945
THE DEPARTMENT OF JUSTICE AND THE LIMITS OF THE NEW DEAL STATE, 1933-1945 A DISSERTATION SUBMITTED TO THE DEPARTMENT OF HISTORY AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Maria Ponomarenko December 2010 © 2011 by Maria Ponomarenko. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/ms252by4094 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. David Kennedy, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Richard White, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Mariano-Florentino Cuellar Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii Acknowledgements My principal thanks go to my adviser, David M. -
Nebraska's Unique Contribution to the Entertainment World
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Nebraska’s Unique Contribution to the Entertainment World Full Citation: William E Deahl Jr, “Nebraska’s Unique Contribution to the Entertainment World,” Nebraska History 49 (1968): 282-297 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1968Entertainment.pdf Date: 11/23/2015 Article Summary: Buffalo Bill Cody and Dr. W F Carver were not the first to mount a Wild West show, but their opening performances in 1883 were the first truly successful entertainments of that type. Their varied acts attracted audiences familiar with Cody and his adventures. Cataloging Information: Names: William F Cody, W F Carver, James Butler Hickok, P T Barnum, Sidney Barnett, Ned Buntline (Edward Zane Carroll Judson), Joseph G McCoy, Nate Salsbury, Frank North, A H Bogardus Nebraska Place Names: Omaha Wild West Shows: Wild West, Rocky Mountain and Prairie Exhibition -
Red Scare: FBI and the Origins of Anticommunism in the United States, 1919-1943 Schmidt, Regin
www.ssoar.info Red scare: FBI and the origins of anticommunism in the United States, 1919-1943 Schmidt, Regin Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Schmidt, R. (2004). Red scare: FBI and the origins of anticommunism in the United States, 1919-1943. Copenhagen: Museum Tusculanum Press. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-271396 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de Copyright © Museum Tusculanum Press RED SCARE Regin Schmidt: Red Scare. FBI and the origins of Anticommunism in the United States, 1919-1943; e-book. 2004. ISBN 87 635 0012 4 Copyright © Museum Tusculanum Press Regin Schmidt: Red Scare. FBI and the origins of Anticommunism in the United States, 1919-1943; e-book. 2004. ISBN 87 635 0012 4 Copyright © Museum Tusculanum Press Regin Schmidt RED SCARE FBI and the Origins of Anticommunism in the United States, 1919-1943 e-Book Regin Schmidt: Red Scare. FBI and the origins of Anticommunism MUSEUM TUSCULANUM PRESS in the United States, 1919-1943; e-book. 2004. ISBN 87 635 0012 4 UNIVERSITY OF COPENHAGEN 2000 [e-book – 2004] Copyright © Museum Tusculanum Press Regin Schmidt: Red Scare. -
Books Located in the National Press Club Archives
Books Located in the National Press Club Archives Abbot, Waldo. Handbook of Broadcasting: How to Broadcast Effectively. New York: McGraw-Hill Book Company, Inc., 1937. Call number: PN1991.5.A2 1937 Alexander, Holmes. How to Read the Federalist. Boston, MA: Western Islands Publishers, 1961. Call number: JK155.A4 Allen, Charles Laurel. Country Journalism. New York: Thomas Nelson and Sons, 1928. Alsop, Joseph and Stewart Alsop. The Reporter’s Trade. New York: Reynal & Company, 1958. Call number: E741.A67 Alsop, Joseph and Catledge, Turner. The 168 Days. New York: Doubleday, Duran & Co., Inc, 1938. Ames, Mary Clemmer. Ten Years in Washington: Life and Scenes in the National Capital as a Woman Sees Them. Hartford, CT: A. D. Worthington & Co. Publishers, 1875 Call number: F198.A512 Andrews, Bert. A Tragedy of History: A Journalist’s Confidential Role in the Hiss-Chambers Case. Washington, DC: Robert Luce, 1962. Anthony, Joseph and Woodman Morrison, eds. Best News Stories of 1924. Boston, MA: Small, Maynard, & Co. Publishers, 1925. Atwood, Albert (ed.), Prepared by Hershman, Robert R. & Stafford, Edward T. Growing with Washington: The Story of Our First Hundred Years. Washington, D.C.: Judd & Detweiler, Inc., 1948. Baillie, Hugh. High Tension. New York: Harper & Brothers Publishers, 1959. Call number: PN4874.B24 A3 Baker, Ray Stannard. American Chronicle: The Autobiography of Ray Baker. New York: Charles Scribner’s Sons, 1945. Call number: PN4874.B25 A3 Baldwin, Hanson W. and Shepard Stone, Eds.: We Saw It Happen: The News Behind the News That’s Fit to Print. New York: Simon and Schuster, 1938. Call number: PN4867.B3 Barrett, James W. -
Mervyn Leroy GOLD DIGGERS of 1933 (1933), 97 Min
January 30, 2018 (XXXVI:1) Mervyn LeRoy GOLD DIGGERS OF 1933 (1933), 97 min. (The online version of this handout has hot urls.) National Film Registry, 2003 Directed by Mervyn LeRoy Numbers created and directed by Busby Berkeley Writing by Erwin S. Gelsey & James Seymour, David Boehm & Ben Markson (dialogue), Avery Hopwood (based on a play by) Produced by Robert Lord, Jack L. Warner, Raymond Griffith (uncredited) Cinematography Sol Polito Film Editing George Amy Art Direction Anton Grot Costume Design Orry-Kelly Warren William…J. Lawrence Bradford him a major director. Some of the other 65 films he directed were Joan Blondell…Carol King Mary, Mary (1963), Gypsy (1962), The FBI Story (1959), No Aline MacMahon…Trixie Lorraine Time for Sergeants (1958), The Bad Seed (1956), Mister Roberts Ruby Keeler…Polly Parker (1955), Rose Marie (1954), Million Dollar Mermaid (1952), Quo Dick Powell…Brad Roberts Vadis? (1951), Any Number Can Play (1949), Little Women Guy Kibbee…Faneul H. Peabody (1949), The House I Live In (1945), Thirty Seconds Over Tokyo Ned Sparks…Barney Hopkins (1944), Madame Curie (1943), They Won't Forget (1937) [a Ginger Rogers…Fay Fortune great social issue film, also notable for the first sweatered film Billy Bart…The Baby appearance by his discovery Judy Turner, whose name he Etta Moten..soloist in “Remember My Forgotten Man” changed to Lana], I Am a Fugitive from a Chain Gang (1932), and Two Seconds (1931). He produced 28 films, one of which MERVYN LE ROY (b. October 15, 1900 in San Francisco, was The Wizard of Oz (1939) hence the inscription on his CA—d. -
The Richard Aoki Case: Was the Man Who Armed the Black Panther Party an FBI Informant?
THE RICHARD AOKI CASE: WAS THE MAN WHO ARMED THE BLACK PANTHER PARTY AN FBI INFORMANT? by Natalie Harrison A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with a Concentration in History Wilkes Honors College of Florida Atlantic University Jupiter, Florida April 2013 THE RICHARD AOKI CASE: WAS THE MAN WHO ARMED THE BLACK PANTHERS AN FBI INFORMANT? by Natalie Harrison This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. Christopher Strain, and has been approved by the members of her supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ____________________________ Dr. Christopher Strain ___________________________ Dr. Mark Tunick ____________________________ Dr. Daniel White ____________________________ Dean Jeffrey Buller, Wilkes Honors College ____________ Date ii ACKNOWLEDGEMENTS I would like to thank, first and foremost, Dr. Strain for being such a supportive, encouraging and enthusiastic thesis advisor – I could not have done any of this had he not introduced me to Richard Aoki. I would also like to thank Dr. Tunick and Dr. White for agreeing to be my second readers and for believing in me and this project, as well as Dr. Hess for being my temporary advisor when I needed it. And finally, I would like to thank my family and friends for all their support and for never stopping me as I rattled on and on about Richard Aoki and how much my thesis felt like a spy movie. -
850 JAN/FE B 9* Cornel L Universit Y Librar Y
N X 850 JAN/FEB 9* Cornell University Library Serial Dept Ithaca NY 14853 -GO- CO I GREAT TIMES WITH OLD FRIENDS SUMMER SES- SION CLASSES OPEN TO ALUMNI STIMULATING LEC- TURES IN THE COLLEGES PROGRAMS FOR YOUR CHILDREN REUNION RUNS OF 2 AND 5 MILES <• REUNION CREWS BIKE TOURS TENNIS AND GOLF TOURNAMENTS LAB OF ORNITHOLOGY BIRDWALK r THE ANNUAL OLIN LECTURE BY AN INTERNATIONAL FIGURE PRESIDENT RHODES' STATE OFTHE UNIVER- SITY ADDRESS CORNELLIANA NIGHT WITH THEGLEE CLUB AND CHORUS ALL-ALUMNI LACROSSE GAME TENTS AND MUSIC ON THE ARTS QUAD LUNCHEONS, RECEPTIONS, DINNERS WITH CLASSMATES-REUNION FACULTY FORUM SINGLES' RECEPTION PLANTA- TION TOURS GREATTIMES WITH OLD FRIENDS SUM- MER SESSION CLASSES OPEN TO ALUMNI STIMULAT- ING LECTURES IN THE COLLEGES PROGRAMS FOR YOUR CHILDREN REUNION RUNS OF 2 AND 5 MILES Cornell Reunion keeps getting bigger and better. June 1994 will be the best of all. Don't miss it! For more information, write to: Cornell Class Programs, Alumni House, 626 Thurston Avenue, Ithaca, NY 14850-2490. Or call the Office of Alumni Affairs at (607) 255-7085 or (607) 255-4850. JANUARY / FEBRUARY 1994 CORNELL VOLUME 96 NUMBER 6 22 The Key to G. Sharp BY ROBERT SULLIVAN The next time you hear a whiny professional athlete complain about his sneaker endorse- ment deal, tell him about biathlon cham- pion and Ithaca firefighter Gillian Sharp, the epitome of the Olympic ideal. so Farmer 3δ What is Worth a Million? BY PAUL CODY BY STEPHEN MADDEN Russ Beck farms Joseph and Carol Reich helped give New York the same land his City a new school.