The Jazz/Latin Jam" Stars Deserving Wider Recognition
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“Dizzy” Gillespie Was One of the Most Important and Influential Jazz Trumpeters, After Louis Armstrong
35 lesson9 Meet the Great Jazz Legends dizzygillespie Photo: © Carl Van Vechten, Library of Congress Vechten, Photo: © Carl Van IMPORTANT FACTS TO KNOW ABOUT JOHN “DIZZY” GILLESPIE Born: October 21, 1917, Cheraw, South Carolina Died: January 6, 1993, Englewood, New Jersey Period/Style of Jazz: Bebop, Afro-Cuban Jazz Instrument: Trumpet, bandleader and composer Major Compositions: A Night in Tunisia, Con Alma, Groovin’ High, Manteca Interesting Facts: Dizzy Gillespie invented the modern approach to jazz trumpet playing, which included extending the range of the instrument, improvising in a more linear fashion and playing with dramatic bursts with large interval leaps. He was among the first to use Afro-Cuban music in jazz. Included Listening: A Night in Tunisia Track 9 36 Meet the Great Jazz Legends ■ The Story of Dizzy Gillespie (1917–1993) ohn Birks “Dizzy” Gillespie was one of the most important and influential jazz trumpeters, after Louis Armstrong. Dizzy Gillespie, along with his colleagues Charlie Parker and Thelonious J Monk, are considered to be the “fathers” of the fast-and-furious style called bebop. Dizzy Gillespie was known for his soaring trumpet lines, his puffed cheeks and the tilted bell of his trumpet. He was loved by musicians and fans for his engaging personality and showmanship. Gillespie was inspired to play music by his father who was a bricklayer and part- time musician. Gillespie began playing the piano at the age of 4. He taught himself to play the trumpet by trial and error, with the help of a few friends at the age of 12. In 1935, Gillespie moved to Philadelphia with his mother, after the death of his father. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
Chick Corea Bio 2015 Chick Corea Has Attained Iconic Status in Music
Chick Corea Bio 2015 Chick Corea has attained iconic status in music. The keyboardist, composer and bandleader is a DownBeat Hall of Famer and NEA Jazz Master, as well as the fourth- most nominated artist in Grammy Awards history with 63 nods – and 22 wins, in addition to a number of Latin Grammys. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber and symphonic works, Chick has touched an astonishing number of musical bases in his career since playing with the genre-shattering bands of Miles Davis in the late ’60s and early ’70s. Yet Chick has never been more productive than in the 21st century, whether playing acoustic piano or electric keyboards, leading multiple bands, performing solo or collaborating with a who’s who of music. Underscoring this, he has been named Artist of the Year twice this decade in the DownBeat Readers Poll. Born in 1941 in Massachusetts, Chick remains a tireless creative spirit, continually reinventing himself through his art. As The New York Times has said, he is “a luminary, ebullient and eternally youthful.” Chick’s classic albums as a leader or co-leader include Now He Sings, Now He Sobs (with Miroslav Vitous and Roy Haynes; Blue Note, 1968), Paris Concert (with Circle: Anthony Braxton, Dave Holland and Barry Altschul; ECM, 1971) and Return to Forever (with Return to Forever: Joe Farrell, Stanley Clarke, Airto Moreria and Flora Purim; ECM, 1972), as well as Crystal Silence(with Gary Burton; ECM, 1973), My Spanish Heart (Polydor/Verve, 1976), Remembering Bud Powell (Stretch, 1997) and Further Explorations (with Eddie Gomez and Paul Motian; Concord, 2012). -
Personalisation, Automation and Internationalisation
PERSONALISATION, AUTOMATION AND INTERNATIONALISATION etaileurope.wbresearch.com PERSONALISATION, AUTOMATION AND INTERNATIONALISATION eTail Europe has an excellent mix of speakers with really good actionable insights. The interactive meeting planner made it extremely easy to plan in meetings with other guests and exhibitors. I came away inspired and would definitely like to attend again next year. Emerald Willett Digital Marketing Manager Astley Clarke etaileurope.wbresearch.com 2 PERSONALISATION, AUTOMATION AND INTERNATIONALISATION CONTENTS Introduction 4 Cart Abandonment Emails: A Brisk Path To Commercial Success 5 Tracy Sestili, Head of Marketing, SparkPost Non-Traditional Fulfilment Paves the Way for International Expansion 6 Joe Farrell, VP International Operations, PFS Providing Personalisation that Respects Privacy 7 Bill Schneider, VP Product Marketing, SheerID Part One: 8 Navigating the New eCommerce Landscape Part Two 14 Strategy Overview Part Three 18 Driving Customer Acquisition and Loyalty Part Four 22 Internationalisation About SparkPost 27 About PFS 27 About SheerID 28 About WBR Insights 28 etaileurope.wbresearch.com 3 INTRODUCTION CONTRIBUTORS In Q1 of 2019, WBR Insights, SparkPost, Tracy Sestili Joe Farrell PFS, and SheerID surveyed 100 Directors of Head of VP Marketing International Commerce from across the Europe to find out SparkPost Operations more about the challenges they face and the PFS innovative solutions they bring to the table. The survey was conducted by appointment over the telephone. The results were Bill -
Decommissioning Programme FINAL VERSION: 1 SEPTEMBER 2016
ConocoPhillips Decommissioning Programme FINAL VERSION: 1 SEPTEMBER 2016 Viking Satellites CD, DD, ED, GD, HD ConocoPhillips Document Control Approvals Name Signature Date Prepared by Cathy Marston ai ( ic Reviewed by Steven McColl £-0 <- Approved by David Farthing I . Approved by Kate Simpson .21.9. / Approved by Joe Farrell <3. <j' 1 Approved by Barry King Ttkr Re ision Control Rev Reference Changes / Comments Issue Date 1 COP-SNS-V-XX-X-PM-12-00001 Pre Draft for BEIS 29-10-2014 2 COP-SNS-V-XX-X-PM-12-00001 Updated Pre Draft for BEIS 19-12-2014 3 COP-SNS-V-XX-X-PM-12-00001 Updated Pre Draft for BEIS 10-03-2015 4 COP-SNS-V-XX-X-PM-12-00001 Updated Pre Draft for BEIS 01-05-2015 5 COP-SNS-V-XX-X-PM-12-00001 Draft for Consultation 16-09-2015 6 COP-SNS-V-XX-X-PM-12-00001 Final Version for BEIS 01-09-2016 Distribution List Name Company No of Copies David Farthing ConocoPhillips 1 Sandra Turin Britoil PLC/BP 1 Contents INST = Installations INST P/L Contents 3 A. TableofTerms and Abbreviations 4 B. Table of Figures and Tables 5 C. Table of Appendices 5 1. Executive Summary 6 1.1 Decommissioning Programme 6 1.2 Requirement for Decommissioning Programme 6 1.3 Introduction 6 1.4 Overview of Installations Being Decommissioned 8 1.4.1 Installations 8 1.5 Summary of Proposed Decommissioning Programme 9 1.6 Field Location including Field Layout and Adjacent Facilities 10 1.7 Industrial Implications 14 2. -
Tribute to Joe Farrell
Around the World in 40 Years! To the Great Joe Farrell from your friends at CIDEC, OISE/UT Created on www.MemoryPress.com Thank you Joe! In celebration of and gratitude for your generous and intellectually invigorating leadership of the Comparative, International and Development Education Centre and Programme at OISE, as well as the Comparative and International Education Society and the Education Sub-Committee of the Canadian Commission for UNESCO. Contents Tributes from Students, Past & Present ................................. 3 “Walking the talk” - Karen Jensen ........................................... 3 “What it means to be a teacher” - Daniel Morales-Gomes & Stephanie Amos ... 4 “No problem” - Jeff Trapp .................................................. 5 “You saved my dissertation and my life” - Mary Wan ......................... 5 “A source of support” - Suzanne Scott ....................................... 6 “A tribute” - Obed Mfum-Mensah ........................................... 7 “Best wishes” - Marie (Eggen) Ammar ....................................... 8 “A lot of heart” - Nhung Truong ............................................. 9 “Thank you, Joe, for everything” - Brenda Haiplik ........................... 10 “If it ain’t broke, don’t 'x it” - Alison Neilson ............................... 12 “From the other side of the pond” - Ted Howe ............................... 13 “This is the kind of stuff I want to do when I grow up!” - Zahra Bhanji ........ 13 “Model and mentor” - Nadya Weber ....................................... -
Jazz at the Crossroads)
MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs. -
Notre Dame Collegiate Jazz Festival Program, 1981
Archives of the University of Notre Dame Archives of the University of Notre Dame .. ~@~@@@@@~@@@@@@@@@@@@@@@@@@@@@@@@@@~~ ~ ~ ~ ~ ~ ~ ~ ~ MUSIC, ENTERTAINMENT & MORE. .. ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ o=oa ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ FOR THE BEST ENTERTAINMENT: ~ ~ in recorded sounds - ~ ~ JUST FOR THE RECORD ~ ~ ~ ~ ~ ~ in live music - ~ Festival Staff ~ ~e ~ Chairman Tim Griffin ~ ~l( ~ Assistant Kevin Bauer Advertising ......................................................... .. Tom Rosshirt ~ UVlUSIC BOX AfB ~ Assistant Mike Mlynski Applications Jane Andersen Assistant Margie Smith ~ ~. ~ Graphics ........................................................... .. Sandy Pancoe Artists Pat Brunner, Jeff Loustau ~ in Mishawaka ~ High School Festival. ....................................... .. Bob O'Donnell, Joe Staudt ~ ~ ~ Master of Ceremonies .............................................. .. Barry Stevens @ Photography Cathy Donovan, Tim Griffin, Helen Odar . ~ ~ ~ Prizes ...................... James Dwyer Assistants. ........................................ .. Veronica Crosson, Vivian Sierra ~ Enjoy the best of both worlds, ! Production .. .......................................................... Kevin Magers Program Tom Krueger ~ with the best of people! --- ~ Assistants ........................ .. Scott Erbs, Tim Keyes, Scott O'Grady, Doug Ventura ~ ~ Publicity ....................................•........................ Mary Murphy ~ o Assistants Lynn Van Housen, John McBride, Lisa Scapellati ~ J F T R (1leUVlUSIC BOX ~ Security Ron Merriweather -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
New Jazz Label Discography
New Jazz Label Discography 10 Inch 100 Series: NJ 101 - Lennie Tristano and Lee Konitz - Lennie Tristano and Lee Konitz [1950] This album was reissued as Prestige 101. Side One Lee Konitz Marshmallow/Sound-Lee/Fishin’ Around/Tautology//Side Two Lennie Tristano Subconscious-Lee/Judy/Retrospection/Progression 10 Inch 1100 Series: NJLP 1101 - Jimmy Raney Quartet - Jimmy Raney Quartet [1954] Reissued as Prestige 201. Double Image/On the Square/Minor/Some Other Spring NJLP 1102 - Zoot Sims Quintet - Zoot Sims Quintet [1954] Reissued as Prestige 202. Howdy Podner/Toot, No. 2/Indian Summer/What's New? NJLP 1103 - Jimmy Raney Quintet - Jimmy Raney Quintet [1954] Reissued as Prestige 203. Stella by Starlight/Jo- Anne/Back and Blow/Five NJLP 1104 - Phil Woods Quintet - Phil Woods Quintet [1954] Reissued as Prestige 204. Pot Pie/Open Door/Robin's Bobbin'/Mad About the Girl NJLP 1105 - Jon Eardley Quartet - Jon Eardley Quartet [1955] Reissued as Prestige 205. Lute Leader/Indian Spring/Black/Cross NJLP 1106 - Teddy Charles Quartet - Teddy Charles Quartet [1955] Reissued as Prestige 206. Violetta/Relaxo Abstracto/Speak Low/Jay Walkin'/The Night We Called It a Day/I Can't Get Started 12 Inch 8200 Series: NJLP 8201 - Mal 3/Sounds - Mal Waldron [1/58] Tensions/Ollie's Caravan/The Cattin' Toddler/Portrait of a Young Mother/For Every Man There's a Woman NJLP 8202 - Roots – Prestige All Stars [1959] Roots/Sometimes I Feel Like a Motherless Child/Down by the Riverside NJLP 8203 - Farmer's Market - Art Farmer [1959] Reminiscing/By Myself/Wailing with Hank/With -
Stefan Czestochowski, Drums Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 4-13-2004 Junior Recital: Stefan Czestochowski, drums Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Junior Recital: Stefan Czestochowski, drums" (2004). Music Department Concert Programs. 297. https://scholarship.richmond.edu/all-music-programs/297 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND LIBRARIES ~---llllllllllllllllllllllllllllllllllllllllllllllllllllll\111111111 3 3082 00873 7834 UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC ••• MUSIC LIBRARY UN IV OF RICHMOND JuNIOR REciTAL Stefan Czestochowski, drums assisted by Tom Gardner, alto sax Adam Claar, trumpet Mike Lee, guitar Steve Saul, piano ••• APRIL 13, 2004, 7:30PM PERKINSON RECITAL HALL ···PROGRAM··· The Cooker George Benson (b. 1943) Benson, a child prodigy, was eight years old when he began his musical career singing in a nightclub. He picked up the guitar shortly after and what followed was a discography spanning many musical genres. The Cooker is from his 1967 disc entitled, "The George Benson Cookbook." This work is in a traditional swing blues in A flat. St. Thomas Sonny Rollins (b. 1910) Rollins began playing the saxophone at age 11 and began recording with J.J. Johnson, Bud Powell and Miles Davis before he was 20. -
Dizzy Gillespie and the Big Band: GILLESPIANA (Verve V6-8394)
JAMU 20150422-2 –Dizzy Gillespie-Lalo Schifrin suites (ukázky) Dizzy Gillespie and His Orchestra: A PORTRAIT OF DUKE ELLINGTON (Verve V6-8386) A1 In A Mellow Tone 3:44 A2 Things Ain't What They Used To Be 4:50 A3 Serenade To Sweden 4:23 A4 Chelsea Bridge 2:34 A5 Upper Manhatten Medical Group 3:05 A6 Do Nothin' Till You Hear From Me 2:38 B1 Caravan 5:18 B2 Sophisticated Lady 3:19 B3 Johnny Come Lately 3:35 B4 Perdido 4:47 B5 Come Sunday 2:56 Trumpet – Dizzy Gillespie Trombone – Bennie Green French Horn – Joe Singer, Ray Alonge, Richard Berg Tuba – Jay McAllister Flute – Robert DiDomenica Woodwind – Ernest Bright, John Murtaugh, Paul Richie, Stan Webb Vibraphone – George Devens Piano, Celeste – Hank Jones Bass – George Duvivier Drums – Charlie Persip Arranged By – Clare Fisher Recorded on 27-28 April, 1960 in NYC. Dizzy Gillespie and the Big Band: GILLESPIANA (Verve V6-8394) A1 Prelude 5:52 A2 Blues 11:16 A3 Panamericana 4:39 B1 Africana 7:31 B2 Toccata 12:01 Trumpet – Clark Terry, Dizzy Gillespie, Ernie Royal, Joe Wilder, John Frosk Trombone – Britt Woodman, Frank Rehak, Paul Faulise, Urbie Green Horns – Al Richman, Gunther Schuller, James Buffington, Julius Watkins, Morris Secon, William Lister Tuba – Don Butterfield Saxophone – Leo Wright Piano, Written-By, Arranged By – Lalo Schifrin Bass – Art Davis Drums – Chuck Lampkin Bongos – Jack Del Rio Congas – Candido Timbales, Timpani – Willie Rodriguez Recorded November 14-15, 1960 in New York Dizzy Gillespie and the Big Band: CARNEGIE HALL CONCERT (Verve V6-8423) A1 Manteca 6:22 A2 This Is