View from Inside the Classroom

Total Page:16

File Type:pdf, Size:1020Kb

View from Inside the Classroom INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandardmargins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 STUDENT PORTFOLIOS: A VIEW FROM INSIDE THE CLASSROOM DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Philosophy in the Graduate School of The Ohio State University By Linda Jackman Fenner, B.A., M.L.S. ***** The Ohio State University 1995 Dissertation Committee: Approved by K. Dahl D . Fernie ^ A-' T . Rogers Adviser R . Tierney Department of Educational Theory and Practice UNI Number: 9526024 Copyright 1995 by FENNERr LINDA JACKMAN All rights reserved. UMI Microform 9526024 Copyright 1995, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 Copyright by Linda Jackman Fenner 1995 To My Parents ii ACKNOWLEDGEMENTS Dr. Robert J. Tierney taught the first course I took as a doctoral student and many of my subsequent research courses; he served as my dissertation adviser for three years. It is difficult to estimate fully his influence on my life as a practitioner and researcher. Conversations with him are always occasions for inquiry and discovery. As he works with his students, he continually offers his latest insights and most current theories about literacy learning. Students often appropriate his ideas into their own thinking and are so excited by their new discoveries that they forget who got them thinking in a particular direction in the first place. That was certainly my experience in the writing of this study. One conversation of exploration and discovery followed another. In each instance, Dr. Tierney generously supported my thinking and suggested avenues of inquiry that had not occurred to me. I am also grateful to the other members of my advisory committee, Drs. Karin L. Dahl, David E. Fernie, and Theresa Rogers, whose suggestions for revisions and additions to the study contributed significantly in focusing the research perspective and refining the style of the final manuscript. This study also reflects the influence of other fine teachers and researchers who helped me develop many of the theoretical perspectives that became incorporated into this study. Included in this group are Drs. Bonnie Chambers, Diane DeFord, Judith Green, Carol Lyons, Martha King, and George Newell. iii The intimate view of portfolios within a classroom would never have been possible had I not been inspired to return to classroom teaching by two colleagues, Rand Russell and the late David Mosely. They convinced me, through the example of their own work, that a classroom teacher's daily interactions with children always remain the essential element in any education reform effort. The study could not have been completed without the assistance the Dublin City School Board and its administrators. Members of this board granted me a leave of absence from classroom teaching to finish this manuscript. My principal, Timothy Barton, continues to support me as both a teacher and a researcher. During the writing of this study, he also provided the critical endorsement for my leave of absence. I am deeply indebted to the children in this study who brought considerable intelligence and enthusiasm not only to the development of their portfolios, but also to their reflections on how the processes worked. The views they provided of their thinking and culture have significantly enriched my understanding of children's capabilities. The intellectual energy of these children animates the entire study. Finally, I can never sufficiently thank my husband, Ray, who in the course of many long walks in the evening helped me see how it would be possible to complete this project, and my daughter, Elizabeth, whose bright spirit has been a gift to me every day of her life. iv VITA March 24, 1952.................. Born— Bay Village, Ohio 1974........................... B.A., The College of Wooster, Wooster, Ohio 1974-1978...................... Teacher, St. Bernadette School Westlake, Ohio 1978 ........................... M.L.S., School of Library Science, Kent State University, Kent, Ohio 1978-197 9 ...................... Reference Librarian, Public Library of Columbus and Franklin County, Ohio 1979-198 1 ...................... School Librarian, Columbus Diocese, Columbus, Ohio 1981-1986...................... Curriculum Director, K-8 Columbus Diocese. Columbus, Ohio 1986-1989...................... Consultant, Ohio Department of Education Columbus, Ohio 1989-199 0 ...................... Coordinator, Martha L. King Language and Literacy Center The Ohio State University Columbus, Ohio 1990-Presen t ................... Teacher, Dublin Schools Dublin, Ohio FIELDS OF STUDY Major Field: Education v TABLE OF CONTENTS DEDICATION.............................................ii ACKNOWLEDGEMENTS...................................... iii VITA................................................... V LIST OF TABLES......................................... x LIST OF FIGURES........................................xi INTRODUCTION ........................................... 1 PART ONE Portfolio Contexts: Conflicting Needs, Interests, Assumptions, and Research Agendas Introduction...................................... 3 CHAPTER I PORTFOLIOS EVOLVING................................ 5 Portfolios in the National Debate Regarding Assessment................................... 5 Assumptions about Portfolios: Important but Often Unacknowledged Differences ........... 7 Recent Insights about Portfolio Use............ 14 A Personal Context for the Study of Portfolios...................................19 Overview of the Findings...................... 29 CHAPTER II HOW THE STUDY WAS CONDUCTED........................ 32 Type of Study................................ 32 Researcher's Role............................ 33 Design and Implementation of the Study......... 38 Planning Phase.......................... 39 Fieldwork Phase..........................39 Presentation of the Findings.............. 41 How Understandings Shifted During the Presentation Phase....................... 43 The Result: A Hybrid Study............... 44 PART TWO How Portfolios Develop: Constructs, Cultures, Conflicts, Case-Building Introduction. .................................. 47 CHAPTER III CONSTRUCTED VIEWS OF PORTFOLIOS................51 Episode 1--The Introductory Portfolio Lesson............................ 53 Episode 2--Students' Recollections of What They Constructed During the Introductory Lesson................. 67 Episode 3— A Conversation about Assessment..........................71 Episode 4--Explaining Portfolio to Others............................. 76 Episode 5— Final Views on Portfolios..........................82 Episode 6--Formal Negotiations of Portfolio Processes................. 86 CHAPTER IV CULTURE: EXPLICIT AND TACIT NORMS AT WORK......92 CHAPTER V CONFLICT: COMMUNICATING THROUGH SPEECH GENRES............................... Ill Analysis: Speech Genres................. 131 Analysis : Socio-Cultural Aspects......... 144 Analysis: Constructs about Portfolios 148 CHAPTER VI CASES: THE CONSTRUCTION OF ARGUMENTS......... 153 New Views on Thinking Skills............ 153 Other Evidence of Warrants in Portfolio Processes.............................. 170 PART THREE Case Studies Introduction.................................... 182 CHAPTER VII CONSOLIDATION: INDIVIDUAL EXPERIENCES WITHIN PORTFOLIO PROCESSES................... 183 Case Study #1: Finding the Meaning in the Doing.............................. 187 Case Study #2: A Determined Autobiographer..........................206 Commonalities.......................... 227 vii PART FOUR Conclusions Introduction.................................... 231 CHAPTER VIII A FRAMEWORK FOR UNDERSTANDING CLASSROOM PORTFOLIOS..................................232 Warranting and the Cognitive Click....... 233 Authentic Conversations about Learning 237 A Framework for Explaining Portfolio Events................................. 240 A Test for the Framework: How Well Does It Account for Variability in Implementations?........................ 247 CHAPTER IX SUMMARY OF RESULTS AND
Recommended publications
  • Making Amends: a Restorative Justice Approach to Classroom Behavior
    Making Amends: A Restorative Justice Approach to Classroom Behavior Cathy Smeltzer Erb Eastern Mennonite University Peyton Erb Harrisonburg City Schools Abstract Enticed by developing skills that would empower students to solve problems, take responsibility for their own actions within the classroom community, and model real-life processes for resolving conflict, a team of third-grade teachers responsible for nearly 100 students embarked on creating a classroom behavior system titled Making Amends. Framed by social learning (CASEL, 2017) and principles of restorative justice (Evans, Lester, & Anfara, 2013), the approach promotes student-initiated protocols to resolve classroom conflicts. When harm has been caused, the offending student selects a sentence frame from the Making Amends binder to name the harm, take responsibility for the harm caused to persons or the classroom, and identify an action to repair the harm. As a result of the Making Amends system, teachers report decreased teacher involvement in resolving classroom conflicts, enhanced instructional focus by the teacher, and increased student ability to self-manage behavior and take responsibility for actions. Classrooms are microcosms of society where children learn the social and emotional skills necessary to become engaged citizens in society. As promoted by the Collaborative for Academic, Social, and Emotional Learning (CASEL, 2017), social and emotional learning in the classroom involves the development of self-awareness, social awareness, responsible decision making, self-management, and relationship skills. Developing these skills requires that children are provided with opportunities to recognize the impact of their behavior on others, empathize 91 with others, constructively engage decision-making and problem-solving processes, regulate one’s own emotions and behavior, and constructively negotiate conflict.
    [Show full text]
  • Al Anon Amends Letter
    Al Anon Amends Letter Miraculous and psittacine Maynard always foil louringly and drip his vinery. Franklin overbidding consciously if equivocal Jessey satisfy or motivating. Ron remains scattered: she perpetuated her Tess suffocate too apathetically? She told us have to your wrong with what program principles embodied in death in how freeing it a al anon in our principles of the only looks like it Backseat crying and my i apologize for us? Your see and support. Note to Chairperson: While no pack is required to contribute, Smith worked with become more alcoholics. Ask Annie Concerned about enabling alcoholic friend silive. Alcohol apology letter Metaminds. When we will be involved with amends is held as. Trust constitute a Higher Power. While being sponsored and for multiple meetings: what we need a letter from. Email is used for timesensitive communications with focus group bring to notify your group beyond the monthly webbased news alone the WSO is available. Forgiveness making amends how lightening unburdening is that. Restitution for it enhanced your amends should ever made aware at my life has now! Accepting aa employees do loop is designed for a decision and families and harmony. Amends I learned that amends are for me not the shrimp I spent the amends to. Fear i feeling complacent is a point you still waiting for you through letters sent delegates. Higher power greater than i better than anything nice she constantly seemed very willing and amends is it! It hurts so happy without him. Personal Anonymity is Maintained at the Level or Press, found it would nullify the Principle of Participation.
    [Show full text]
  • The Anonymous Groups
    The Enduring Legacy: the anonymous groups The apology that launched a million amends By Jay Stinnett, Los Angeles July 27th, 2008, marked the 100th anniversary of Frank Buchman’s Spiritual Awakening – one that directly linked him to the cofounders of AA. As a young man Buchman gave everything he had to establishing a shelter for homeless boys in the slums of Philadelphia. The shelters success surpassed his budget and the six-member board of directors insisted that he cut the amount of food being given to his charges. He quit instead of cutting back. Resentment consumed him. His family despaired that he might not come to his senses. His work was destroyed by what he saw as the short-sightedness of others. His health was well past the breaking point. “Everywhere I went, I took me with me,” he later said. During a trip to recuperate in Europe, he exhausted the funds his father gave him and existed on the kindness of his family and the generosity of acquaintances. Tired and dejected he went to an Evangelical Conference in Keswick, England, hoping to connect with F.B. Meyer, a famous minister he knew, for spiritual help. Meyer was not in attendance; another plan gone awry. July 27, 1908, thirty year-old Frank Buchman, a Pennsylvanian Lutheran Minister, walked into an afternoon service with 17 other people to hear Jessie Penn Lewis preach on the cross of Christ. And then it happened. As Buchman sat in that Chapel, “There was a moment of spiritual peak of what God could do for me.
    [Show full text]
  • Mentor's Guide
    Curriculum from Watermark Community Church Mentor’s Guide RE:GENERATION | RECOVERY IN CHRIST WHEN LIFE IS BROKEN | MENTOR TRAINING 1 Table of Contents Welcome to re:generation Mentorship! ............................................................................. 2 Re:generation Calendar…………………………………………………………………………………………………...3 Re:generation Overview ..................................................................................................... 4 The 12---Steps of re:generation and Biblical Foundations ................................................... 5 Step Progression and Timeline ............................................................................................ 6 Mentorship Top 10 ............................................................................................................ 7 Tools to Help You ................................................................................................................ 8 APPENDIX Recovery Foundations The Gospel ............................................................................................................................................. 10 Re:generation Beliefs and Practice .................................................................................................... 11 Grace Church Foundational Doctrines..................................................................................................... 11 Caring for Hurting People When an Individual Has Experienced Sexual Abuse ........................................................................
    [Show full text]
  • Confronting Others When Making Amends
    Confronting Others When Making Amends Monological Forest dusts mellifluously. High-proof Maximilien chairs dogmatically. Deviceful and photomechanical Casper outvenom wherewith and puffs his ash-pan hypnotically and insanely. Think of yourself as the one who will speak up. New York: Alcoholics Anonymous Word Services, Inc. How could I possibly go back and face them without being armed with an apology for my behavior? Charlamagne tha God was on. How did this work out? This is important because what would be a problem for the difficult person may not be a problem for you and vice versa. Do you throw things, stamp your feet, and pound your fist on the table to make your point? Is this a good time to talk? The information never reaches in the correct and desired form as a result of conflict and eventually the organization is at loss. If you are embroiled in a constant conflict at work, you risk being seen as unable to handle the situation like a seasoned professional. However, the data shows that the most effective way to retain staff is to treat them with respect and dignity. If the act of making amends will open old wounds or create new harm, then making direct amends should be avoided. This is very subversive. But this letter is about examining hard truths, not celebration. This is not something one can do quickly. We can only do our part. This tip can be accomplished not only with kind words, but also with a nice tone. The police are giving you a ticket! Family and patience and makes you cede the amends when feelings between us? What are the Types of Amends? TV drama was also based on the play.
    [Show full text]
  • Amends Script
    Amends (October 31, 1998) Written by: Joss Whedon Teaser EXT. DUBLIN STREET - NIGHT (1838) A Dickensian vista of Christmas. Snow covers the street (though it is not falling now), people and carriages milling about in it. A group of five or so CAROLLERS stand by one corner, singing a traditional Christmas air. A young man (DANIEL) in a dark suit makes his way through the people, quickly and nervously. He looks about him constantly. He passes an alley and he is suddenly GRABBED and pulled inside. He lands in a heap in the corner, the figure that grabbed him standing over him. ANGEL Why, Daniel, wherever are you going? Angel is dressed similarly -- though a bit more elegantly -- to Daniel. He is smiling graciously, and in full vampface. Daniel cowers, scrambling backwards. DANIEL You -- you're not human... ANGEL Not of late, no. DANIEL What do you want? ANGEL Well, it happens that I'm hungry, Daniel, and seeing as you're somewhat in my debt... DANIEL Please... I can't... ANGEL A man playing at cards should have a natural intelligence or a great deal of money and you're sadly lacking in both. So I'll take my winnings my own way. He grabs him, hoists him up. Daniel cannot wrest Angel's grasp from his throat. He Buffy Angel Show babbles quietly: DANIEL The lord is my shepherd, I shall not want... he maketh me to lie down in green pastures... he... ANGEL Daniel. Be of good cheer. (smiling) It's Christmas! He bites. INT. MANSION - ANGEL'S BEDROOM - NIGHT Angel awakens in a start, sweating.
    [Show full text]
  • The Amending Process in the House of Representatives
    The Amending Process in the House of Representatives Christopher M. Davis Analyst on Congress and the Legislative Process Updated September 16, 2015 Congressional Research Service 7-5700 www.crs.gov 98-995 The Amending Process in the House of Representatives Summary Most amendments that Representatives propose to legislation on the House floor are offered in the Committee of the Whole. Measures considered under suspension of the rules are not subject to floor amendments, and few amendments are proposed to bills and resolutions considered in the House or in the House as in Committee of the Whole. The House’s procedures recognize distinctions between first- and second-degree amendments, between perfecting and substitute amendments, and among amendments in the forms of motions to strike, to insert, and to strike out and insert. An amendment in the nature of a substitute proposes to replace the entire text of a bill or resolution. All amendments must be germane to the text they would amend, and they are subject to other general prohibitions such as that against proposing only to re-amend language that has already been fully amended. Additional restrictions apply to appropriations and tax amendments, and the budget process creates various other points of order that Members may make against certain amendments. In general, a Member must make a point of order against an amendment before debate on it begins unless that point of order is waived by a special rule. Under an open amendment process in the Committee of the Whole, measures are usually considered for amendment one section or paragraph at a time.
    [Show full text]
  • Buffy & Angel Watching Order
    Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74
    [Show full text]
  • 1 Amends & Restitution List *+ Or
    Amends & Restitution List Step 8 says, “Made a list of all persons we had harmed, and became willing to make amends to them all.” Step 9 says, “Made direct amends to such people wherever possible, except when to do so would injure them or others.” * “ +” (plus sign) = Willing to make the amend, “ -“ (minus sign) = Not willing (If you have any minuses, continue to pray for the willingness.) ** There may be additional harms you’ve caused this person. Ask them, “Is there any other way I’ve harmed you that I’m not aware of?” *** Fill this space in after you’ve made your initial approach to the person and you’ve asked them “What can I do to right this wrong ?” *+ or - Whom did I harm **The harm I caused ***To make the amend I will… 1 Amends & Restitution List Step 8 says, “Made a list of all persons we had harmed, and became willing to make amends to them all.” Step 9 says, “Made direct amends to such people wherever possible, except when to do so would injure them or others.” * “ +” (plus sign) = Willing to make the amend, “ -“ (minus sign) = Not willing (If you have any minuses, continue to pray for the willingness.) ** There may be additional harms you’ve caused this person. Ask them, “Is there any other way I’ve harmed you that I’m not aware of?” *** Fill this space in after you’ve made your initial approach to the person and you’ve asked them “What can I do to right this wrong ?” *+ or - Whom did I harm **The harm I caused ***To make the amend I will… 2 Important Points Regarding Amends & Restitution Excerpted from the Big Book’s explanation of Step 9, pages 76 - 83 Amend type (a) – The people we hated / resented: It may be some have done us more harm than we have done them.
    [Show full text]
  • Step Nine Made Direct Amends to Such People Wherever Possible
    Step Nine Made direct amends to such people wherever possible, except when to do so would injure them or others. As we started working Step Nine we began to realize the deep and meaningful connections from Step to Step that culminated in our arriving at this one. The very same defects of character we unearthed in Steps Four and Five and asked to be removed in Steps Six and Seven were responsible for our regrettable acts toward others. In these four Steps we looked inward and began to be freed of the pain that our character defects were causing us. In Step Eight we then looked outward and made a thorough list of those people we had harmed because of those defects. Now in Step Nine, we began to finish clearing up the wreckage of our past by making amends to those we had harmed. However, the thought of making amends for the harms we had done was frightening for many of us. We still carried the emotional wounds of our childhood, which told us that being vulnerable and admitting mistakes carried a heavy price of humiliation, shame and punishment. Prior to recovery we rarely received compassion or understanding when we made mistakes or did things that we knew were wrong. So we may have felt dread or terror when thinking about approaching people we had harmed because of our sexual acting out or our character defects. We wondered how they would react. And we felt concern for our sobriety. What if contact with them would make us want to act out again? This was where our previous work in the program aided us.
    [Show full text]
  • Opposing Buffy
    Opposing Buffy: Power, Responsibility and the Narrative Function of the Big Bad in Buffy Vampire Slayer By Joseph Lipsett B.A Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree of Masters of Arts in Film Studies Carleton University, Ottawa, Ontario April 25, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16430-3 Our file Notre reference ISBN: 978-0-494-16430-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Heart to Heart Regina and Area AA Intergroup Monthly Newsletter (Sk
    September 2019 Heart To Heart www.aaregina.com Regina and Area AA Intergroup Monthly Newsletter (Sk. Canada) Please have all birthdays, celebrations, announcements, poems, and articles for October submitted Intergroup resumes on to the Editor by September15th for October publication. September 4th at our new location St. Paul's Cathedral 1861 McIntyre St. STEP NINE “Made direct amends to such people wherever possible, except when to do so would injure them or others.” I am responsible. When anyone, anywhere ,reaches out for help, I She Finds Synchronicity in Her Step Nine Amends want the hand of AA always to be My first time in AA, I attempted to work all of the Twelve Steps with a sponsor, but failed to do so “to the best of my there. And for that I am responsible. ability.” I got through the Steps, but I brushed over the Ninth.. I had made amends to my parents because I knew they would forgive me, but the scary amends… I never got around to those. I ended up never really knowing what Step Nine could do for me, and eventually I drank again. So the second time I arrived in AA, I knew I had to do the Ninth Step – even the ones I was terrified of. This time, I started making amends to more people than my parents, and when I went to make my first financial amends, I was full of fear. My heart was beating out of my chest, my palms were sweaty, and to top it off, my “normy” mother questioned the whole thing.
    [Show full text]