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Classic Posters - Antones Blues Club
Classic Posters - Antones Blues Club Classic Posters - Antones Blues Club by Michael Erlewine [email protected] Right up there with the Armadillo is probably the best blues club in the southwest, Antones in Austin, Texas. Classic Antone's Poster Antone's also recorded and release a number of albums under Antone's Records by blues greats like James Cotton, Ronnie Earl, Memphis Slim, and Matt "Guitar" Murphy and younger players like Angela Strehli and Marcia Classic Antone's Poster Ball. Antone's blues club in Austin may is the best-known blues venue in the southwest, and maybe in the whole country. Started by Clifford Antone in 1975, this blues venue has hosted all the great blues players, everyone from Jimmy Reed, Fats Domino, Big Walter Horton, Jimmy Reed to John Lee Hooker and Percy Mayfield. Younger blues artists like Stevie Ray Vaughan, The Fabulous Thunderbirds (the house band for years), Lou Ann Barton, and others frequented Antone's and learned their craft. Classic Antone's Poster Antone's posters and flyers feature Texas artists like Guy Juke, Sam Yeates, and most of all the wonderful work of Danny Garrett. Antone's has always been vigorously collected by a small group, but in recent years more and more collectors are getting into this Classic Posters - Antones Blues Club great venue and the prices for Antone's items have been inching up. Antone's has been a steady source for great music for decades. That history is reflected in the many fine posters and handbills for that venue, some of them stunning like this large handbill for John Lee Hooker. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career. -
COLIN LINDEN from Canada to Nashville
The Phenomenal RUTHIE FOSTER HADDEN SAYERS Breaking Free ANSON FUNDERBURGH Is Back COLIN LINDEN From Canada To Nashville NUMBER ONE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © SCOTT ALLEN / VIVIDPIX 4 BLUE NOTES NUMBER ONE From The Publisher 5 RIFFS & GROOVES 6 RUTHIE FOSTER From The Editor-In-Chief Timeless Voice by Tim Parsons 20 DELTA JOURNEYS “Rock Stars” 11 HADDEN SAYERS 22 AROUND THE WORLD Back To The Blues “Good Night, Ann Rabson” by Phil Reser 24 Q&A 14 The Many Facets Of with Michael Hill ANSON FUNDERBURGH by Grant Britt 27 BLUES ALIVE! Damon Fowler 17 COLIN LINDEN Ronnie Earl Guitar Master 30 REVIEWS by Larry Nager New Releases and Box Sets 70 LEGACIES 72 DOWN THE ROAD A S P A L S R A G I A © Y H P A R G O T O H P PHONE TOLL-FREE 866-702-7778 EMAIL [email protected] WEB bluesmusicmagazine.com GuitarDMasterEEP ROOTS COLIN LINDEN’S Journey from Howlin’ Wolf to Hollywood by Larry Nager WHO YOU THINK sideman deluxe flying under the radar for pre-war blues to his eerie recreation Colin Linden is depends on which side in his trademark black hat and shades. of Skip James’ “Hard Time Killing Floor.” of the border you call home. In his native Specializing in the bluesier side of He toured arenas with the O Brother Canada, he’s long been known as one Americana, he can be heard on spinoff tour Down From The Mountain of the world’s premier blues and roots wide-ranging, high profile projects and put in a year backing Country Music guitarists and producers, lending his including the O Brother Where Art Thou? Hall of Famer Emmylou Harris. -
Blueink Newsletter April 2016
B L U E I N K APRIL 2016 Gator By the Bay Brings Musicians Together in Exciting Pairings Now in its 15th year, Gator By the Bay, May 5-8, 2016, has become a wildly popular San Diego festival tradition known for presenting an eclectic mix of musical styles and a fun- filled atmosphere. Wander among the festival’s seven stages and you can listen to everything from authentic Louisiana Cajun and Zydeco music to Chicago and West Coast Blues, from Latin to Rockabilly and Swing. In recent years, Gator By the Bay has also earned a stand-out reputation for bringing together stellar combinations of musicians in innovative mash-up performances, presenting musical groupings you won’t hear anywhere else. This year is no exception. On Saturday, May 7, San Diego’s own multiple gold guitarist Johnny Vernazza will share the Mardi Gras Stage with blues greats Roy Rogers and John Németh. Often lauded as the “Master of the Slide Guitar”, Roy Rogers’ distinctive style is instantly recognizable. He’s shared duets with such greats as John Lee Hooker and Allen Toussaint, and teamed up with the likes of Norton Buffalo and Ray Manzarek. Harmonica virtuoso, vocalist and songwriter John Németh has multiple Blues Music Awards nominations to his name, and his album, ‘Memphis Grease’, won Best Soul Blues Album at the 2015 Blues Music Awards. He has been nominated for the Blues Music Awards 2016 B.B. King Entertainer of the Year Award, to be given out on May 5. Other notable combined artists’ performances include Sugaray Rayford, Alabama Mike & the Drop Ins with harmonica master Rick Estrin and harmonica and guitar whiz-kid Jon Atkinson on Friday evening, May 6, and Jon Atkinson with Rick Estrin and Fabulous Thunderbird alumna Kim Wilson on Saturday, May 7. -
By David Kunian, 2013 All Rights Reserved Table of Contents
Copyright by David Kunian, 2013 All Rights Reserved Table of Contents Chapter INTRODUCTION ....................................................................................... 1 1. JAZZ AND JAZZ IN NEW ORLEANS: A BACKGROUND ................ 3 2. ECONOMICS AND POPULARITY OF MODERN JAZZ IN NEW ORLEANS 8 3. MODERN JAZZ RECORDINGS IN NEW ORLEANS …..................... 22 4. ALL FOR ONE RECORDS AND HAROLD BATTISTE: A CASE STUDY …................................................................................................................. 38 CONCLUSION …........................................................................................ 48 BIBLIOGRAPHY ….................................................................................... 50 i 1 Introduction Modern jazz has always been artistically alive and creative in New Orleans, even if it is not as well known or commercially successful as traditional jazz. Both outsiders coming to New Orleans such as Ornette Coleman and Cannonball Adderley and locally born musicians such as Alvin Battiste, Ellis Marsalis, and James Black have contributed to this music. These musicians have influenced later players like Steve Masakowski, Shannon Powell, and Johnny Vidacovich up to more current musicians like Terence Blanchard, Donald Harrison, and Christian Scott. There are multiple reasons why New Orleans modern jazz has not had a greater profile. Some of these reasons relate to the economic considerations of modern jazz. It is difficult for anyone involved in modern jazz, whether musicians, record -
Bio Ronnie Earl & the Broadcasters
Bio Ronnie Earl & The Broadcasters Please bill as Ronnie Earl & The Broadcasters Ronnie Earl, Guitar Legendary Blues guitarist Ronnie Earl is a three time Blues Music Award winner as Guitar Player of the Year, most recently receiving the award on May 8, 2014 in Memphis. He has served as an Associate Professor of Guitar at Berklee College of Music, and has taught at the National Guitar summer workshop in Connecticut. In 1995 Ronnie released Ronnie Earl: Blues Guitar with Soul, an instructional VHS tape that was then rereleased in DVD format in 2005. Earl’s discography includes acclaimed albums on Stony Plain Records, Black Top, Bullseye Blues, Verve, and Telarc. His 1996 Bullseye Blues release, Grateful Heart: Blues and Ballads, won Downbeat Magazine’s Blues Album of the Year, and in 2004 Earl’s Hey José won the Best Blues/R&B Song at the 3rd Annual Independent Music Awards. In 2014, Ronnie Earl and the Broadcasters celebrated 26 years as a band. The last three releases by Ronnie Earl and the Broadcasters, Spread the Love (2010), Just for Today (2013), and Good News (2014), all debuted on the top ten Billboard Blues charts and received wide critical acclaim. Ronnie Earl has played alongside such legends as Hubert Sumlin, Otis Rush, Earl King, Muddy Waters, Junior Wells, Kim Wilson and the Fabulous Thunderbirds, Jimmie Vaughan, Stevie Ray Vaughan, Carlos Santana, Eric Clapton, The Allman Brothers Band and many others, including, B.B. King, who said about Ronnie, “I feel the respect and affection for him that a father feels for his son. -
2021 Regular Session ENROLLED SENATE RESOLUTION NO. 75 by SENATORS PRICE and SMITH a RESOLUTION to Express the Sincere Condolenc
2021 Regular Session ENROLLED SENATE RESOLUTION NO. 75 BY SENATORS PRICE AND SMITH A RESOLUTION To express the sincere condolences of the Senate of the Legislature of Louisiana upon the death of Lloyd Price, American Rhythm and Blues artist. WHEREAS, it is with deep regret and profound sorrow that the members of the Senate of the Legislature of Louisiana have learned of the passing of Lloyd Price on May 3, 2021, at the age of eighty-eight; and WHEREAS, Lloyd Price, while a resident of Westchester County, New York, was born on March 9, 1933, and raised in Kenner, Louisiana; his mother, Beatrice Price, owned the Fish 'n' Fry Restaurant where he picked up lifelong interests in business and food from her; and WHEREAS, he received formal training on the trumpet and piano, sang in his church's gospel choir, and was a member of a combo in high school; and WHEREAS, Lloyd Price helped draw national attention to New Orleans' unique and burgeoning Rhythm and Blues (R&B) sound when he recorded his first No. 1 R&B 1952 hit "Lawdy Miss Clawdy"; and WHEREAS, he followed up with singles such as "Oooh-Oooh-Oooh", "Ain't It a Shame", and "Tell Me Pretty Baby", which reached Top 10 R&B between 1952-53; and WHEREAS, due to a stint in the United States Army in Korea, Lloyd Price didn't return to the charts until 1957 with the release of "Just Because" which reached Number three in R&B and became his first pop crossover at no. 29; this was the first release through Price's own KRC Records; and WHEREAS, with distribution through ABC Records, KRC issued several more Price classics: 1958's million-selling no. -
Capitol Oyster
fans but for blues fans from around the world. The roster of performing artists has included the Holmes Brothers, C.J. Chenier, Louisiana Red, Hubert Sumlin, Johnny Rawls, Cephas & Wiggins, Joe Louis Walker, Sue Foley, Curtis Salgado, James Cotton, Lurrie Bell, Johnny Winter, Guitar Shorty, Shemekia Copeland, Nikki Hill, Maria Muldaur, Billy Branch, Lucky Peterson, Mark Hummel, Anson Funderburgh, Otis Taylor, Rick Estrin, th celebrating our 15 anniversary Walter Wolfman Washington, John of representing the best of Németh, Mike Zito, Warren Haynes, blues & roots music! Kenny Wayne Shepherd, Samantha Fish, Otis Taylor, and many more. Beginning six- teen years ago, the festival added a final performance in Chorzow, Poland, to fur- aleXis p. suter ther expand its reach. On this special bernarD allison group weekend in November each year, fans blues caravan bobby rush from around the world come together to bonerama celebrate the blues. christie lenÉe c. J. chenier & the reD hot louisiana banD corey harris cyril neville Capitol Oyster Bar Damon foWler Dana fuchs eleKtric vooDoo heaD for the hills henhouse proWlers hot buttereD rum JareKus singleton Joe louis WalKer Jonathon long Jonn Del toro richarDson (europe) michelle malone miKe Zito neW monsoon neW riDers of the purple sage Since 1996, Lewis Mashburn’s Capitol otis taylor Oyster Bar in Montgomery, Alabama, has roD piaZZa & the mighty flyers been a dedicated supporter of live blues. steaDy rollin’ bob margolin strung liKe a horse The club is one of the premier venues in tab benoit the South to experience and support top the apocalypse blues revue blues artists from across the United the DrunKen hearts States. -
JERRY LEE LEWIS September 29Th, 1935 Ferriday, Louisiana
JERRY LEE LEW IS September 29th, 1935 Ferriday, Louisiana Thé mere titles of his tunes confirmed that Jerry Show in the summer of 1957, it swept the nation. The Lee Lewis had the stuff of rock & roB legend. “Whole song peaked at Number Three on the pop chart and Lotta Shaldn’ Coin’ On,” “Great Balls of Fire” and hit Number One on both the C&W and R&B charts. “Breathless” succinctly describe the man and his mu Although overwhelming notoriety chased him off sic. Audacious and arrogant, rollicking and rowdy, the pop charts within a year of his initial break Jerry Lee Lewis took spontaneity to the brink of dan through, Lewis made an impressive comeback ten ger. He was an unrepentent, wild example for the years later as a country artist on Smash/Mercury, top naysayers to use when they spoke out against what ping the charts in 1968 with “To Make Love Sweeter even Lewis himself called “the Devil’s music.” for You.” Lewis had been raised on country, along In 1956, after cutting country-oriented demos at with the gospel and blues he’d heard as a youth in Sun Records in Memphis with owner Sam Phillips’ as Texas, and he’d cite Jimmie Rodgers as a major early sistant, Jack Clement, Lewis was instructed to “go influence. But “the Killer” courted controversy even learn some rock and roll.” Upon his return to Sun, he in the world of country. In 1973, before his first ap recorded his debut single, the regionally successful pearance on the Grand Ole Opry, Lewis was advised “Crazy Arms,” and, at the end of a session to record a to stick to country and avoid obscenities. -
PROGRAM-BOOK1.Pdf
LUMBER LAW 9TH ST 8TH ST 6TH ST 7TH ST TRANS CENTER MORNING 7/29 CALL BLDNG 7/29 LINDEN ST STRATA STRATA EAST F URO STRATA BAUM SCHOOL ARENA DECK CITY OF ART SPIRAL CENTER SYMPHONY DECK ARTSWALK ARTHAUS ON MEZZ DOWNTOWN RENAISSANCE BLENDED 7/29 ALLENTOWN MILLER ARTS PARK MARKET BLENDED STAGE SYMPHONY HALL COURT ST BRÜ HOTEL PPL ARTSWALK ART ALLEY DADDY’S FRUTTA BOWLS POCKET FARR CENTER PARK AIR PRODUCTS LOT STAGE TH E MAIN HAMILTON TWO STAGE CITY KIDS BEER CENTER TENT LVHN THE DIME ARTHAUS ART ZONE THREE RE:FIND PPL ONE CITY AMERICUS CITY TOWER GRAND PLAZA BEER CENTER HOTEL CENTER MONUMENT HAMILTON ST MISHKA MISHKA VENNY’S PIZZA BREW W MO’S EATERY BEER GARDEN BRÜ DADDY’S TOWER 6 L MUSEUM BELL HALL TACOS Y TEQUILA CITYPLACE IBERTY BELL BUTZ FIVE LCCC BEER & 520 APTS CORPORATE CITY HAMILTON 702 EVENT PLAZA ORKS CENTER LOFTS HAMILTON INFO TOWER BUILDING 6TH ST MAPLE BELL HALL 9TH ST 8TH ST FEGLEY’S 7TH ST 8TH & STAGE BIERGARTEN WALNUT STAGE GARAGE CENTER SQUARE CHURCH LOFTS EAST COMMUNITY GROSS MCGINLEY DECK CENTER SQUARE LOFTS WALNUT ST WEST 7/29 COMMONS WALNUT ST #BLUES2021 @DWNTWNALLENTOWN UPCOMING EVENTS OPENING WEEKEND PHANTOMSHOCKEY.COM AUG 16 experienceallentown.com | #experienceallentown FREE PARKING @ 8TH & WALNUT DECK SEPTEMBER 9 We’ll get through 2 tour times 5:30PM this together. 6:30PM Find out what we’re doing to help our community. Visit CapitalBlueCross.com Capital BlueCross is an Independent Licensee of the BlueCross BlueShield Association For More Information: www.actionpartyrentals.com Phone: 610-435-8900 #BLUES2021 @DWNTWNALLENTOWN Shemekia King Solomon Copeland Hicks Downtown Allentown is proud King Solomon Hicks, the 26-year-old guitar to present the “Queen of phenom from Harlem, New York is an the Blues”, Shemekia American guitarist, songwriter, and composer, Copeland as the who is fast becoming a household name. -
Biography -- Printable Version
Biography -- Printable Version Peter Wolf's Historical Biography Written & Researched by Bryan Wiser, and Sheila Warren with Mimi Fox. Born in New York City, Peter grew up in the Bronx during the mid-1950's in a small, three-room apartment where he lived with his parents, older sister, two cats, dog and parakeet. For some time, Peter lived with his grandmother, an actress in New York City's Yiddish Theater. She and Peter had a strong bond, and she affectionately named him "Little Wolf" for his energetic and rambunctious ways. His father was a musician, vaudevillian and singer of light opera. Like Peter did years later, his father left home at age fourteen to join the Schubert Theater Touring Company with which he traveled the country performing light operas such as The Student Prince and Merry Widow. He had his own radio show called The Boy Baritone, which featured new songs from Tin Pan Alley, and was a member of the Robert Shaw Chorale. As a result of such artistic pursuits, Peter's father underwent long periods of unemployment that created a struggle to make financial ends meet. Peter's mother was an elegant and attractive woman who taught inner-city children in the South Bronx for 27 years. A political activist, union organizer and staunch civil rights advocate, she supported racial equality by attending many of the southern "freedom rides" and marches. Peter's older sister was also a teacher as well as a photographer who now works as an advocate for persons with disabilities. She continues her mother's tradition, often marching on Washington to support the rights of the disabled.