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Pastel Pencils and Blocks

Signature • Artists Pencils • Studio Pencils • Pastel Pencils & Blocks • Watercolour Pencils • Aquatone • Metallic Pencils • Graphic Pencils • Graphitone • Natural Graphite Blocks • Sketching Pencils • Charcoal Pencils • Compressed Charcoal • Drawing Pencils • Start • Lakeland • Accessories • Commercial Pencils • Product Code No. 0700486

Acco UK Ltd Gatehouse Road Aylesbury Bucks HP19 8DT England www.acco.co.uk Pastel Pencils and Blocks 72 24 36 72 24 36 Box Box 12 Pastel Pencils 12 01B Zinc 48B May 01D Zinc Yellow 48D May Green erwent Pastel Pencils provide the colourful brilliance of D 01F Zinc Yellow 48F May Green the pastel medium in a convenient, easy to use woodcase. They 06B Deep Cadmium 51B Olive Green can be mixed and blended just like conventional pastels but offer 06D Deep Cadmium 51D Olive Green 06F Deep Cadmium 51F Olive Green greater control for more detailed work. Available in 90 stunning 11B Spectrum 74B Dark Olive colours, Derwent Pastel Pencils can be used wet or dry, and 11D Spectrum Orange 74D Dark Olive 11F Spectrum Orange 74F Dark Olive work beautifully with other media. 15B Geranium Lake 78B Green Umber 15D Geranium Lake 78D Green Umber Derwent Pastel Blocks offer the traditional beauty of pastels 15F Geranium Lake 78F Green Umber in a firm, smoothly textured pastel block. The square shape is 20B Lake 79B Umber 20D Crimson Lake 79D Umber ideal for creating broad, sweeping strokes or crisp lines, simply 20F Crimson Lake 79F Umber by using the pastel on its side or short edge. Produced in a range 22B 53B Sepia 22D Magenta 53D Sepia of 36 vibrant colours, Derwent Pastels are easy to mix and blend, 22F Magenta 53F Sepia especially with the unique 25B Dark 54B Burnt Umber 25D Dark Violet 54D Burnt Umber 32996 Derwent blender. 25F Dark Violet 54F Burnt Umber 29B Ultramarine 57B Ochre 0700307 29D Ultramarine 57D Brown Ochre 29F Ultramarine 57F Brown Ochre 32992 32B Spectrum 73B Orange Earth 32D Spectrum Blue 73D Orange Earth 32F Spectrum Blue 73F Orange Earth 35B 62B Burnt Sienna 35D Prussian Blue 62D Burnt Sienna 35F Prussian Blue 62F Burnt Sienna 36B 64B Terracotta 36D Indigo 64D Terracotta 36F Indigo 64F Terracotta 76B Forest Green 65B Burnt 32991 76D Forest Green 65D Burnt Carmine 76F Forest Green 65F Burnt Carmine 77B Terre Verte 66B Chocolate 77D Terre Verte 66D Chocolate 77F Terre Verte 66F Chocolate 75B Hooker’s Green 67B Ivory 75D Hooker’s Green 70B French 75F Hooker’s Green 70D French Grey 46B Emerald Green 70F French Grey 39009 46D Emerald Green 70H French Grey 46F Emerald Green 72B Chinese 24 36 24 36 12 Pastel Blocks 12 01B Zinc Yellow 78B Green Umber 06B Deep Cadmium 79B Umber 11B Spectrum Orange 53B Sepia 15B Geranium Lake 54B Burnt Umber 32999 36000 20B Crimson Lake 57B Brown Ochre 22B Magenta 57D Brown Ochre 36002 36001 25B Dark Violet 73B Orange Earth 29B Ultramarine 62B Burnt Sienna 32B Spectrum Blue 64B Terracotta 36003 35B Prussian Blue 65B Burnt Carmine 36B Indigo 66B Chocolate 76B Forest Green 67B Ivory Black 77B Terre Verte 70B French Grey 75B Hooker’s Green 70F French Grey 46B Emerald Green 70D French Grey 48B May Green 70H French Grey 36004 51B Olive Green 72B Chinese White 36005 Onion – Nick Haine 74B Dark Olive 72D Blending White

10 11 Pastel Pencils and Blocks 72 24 36 72 24 36 Box Box 12 Pastel Pencils 12 01B Zinc Yellow 48B May Green 01D Zinc Yellow 48D May Green erwent Pastel Pencils provide the colourful brilliance of D 01F Zinc Yellow 48F May Green the pastel medium in a convenient, easy to use woodcase. They 06B Deep Cadmium 51B Olive Green can be mixed and blended just like conventional pastels but offer 06D Deep Cadmium 51D Olive Green 06F Deep Cadmium 51F Olive Green greater control for more detailed work. Available in 90 stunning 11B Spectrum Orange 74B Dark Olive colours, Derwent Pastel Pencils can be used wet or dry, and 11D Spectrum Orange 74D Dark Olive 11F Spectrum Orange 74F Dark Olive work beautifully with other media. 15B Geranium Lake 78B Green Umber 15D Geranium Lake 78D Green Umber Derwent Pastel Blocks offer the traditional beauty of pastels 15F Geranium Lake 78F Green Umber in a firm, smoothly textured pastel block. The square shape is 20B Crimson Lake 79B Umber 20D Crimson Lake 79D Umber ideal for creating broad, sweeping strokes or crisp lines, simply 20F Crimson Lake 79F Umber by using the pastel on its side or short edge. Produced in a range 22B Magenta 53B Sepia 22D Magenta 53D Sepia of 36 vibrant colours, Derwent Pastels are easy to mix and blend, 22F Magenta 53F Sepia especially with the unique 25B Dark Violet 54B Burnt Umber 25D Dark Violet 54D Burnt Umber 32996 Derwent blender. 25F Dark Violet 54F Burnt Umber 29B Ultramarine 57B Brown Ochre 0700307 29D Ultramarine 57D Brown Ochre 29F Ultramarine 57F Brown Ochre 32992 32B Spectrum Blue 73B Orange Earth 32D Spectrum Blue 73D Orange Earth 32F Spectrum Blue 73F Orange Earth 35B Prussian Blue 62B Burnt Sienna 35D Prussian Blue 62D Burnt Sienna 35F Prussian Blue 62F Burnt Sienna 36B Indigo 64B Terracotta 36D Indigo 64D Terracotta 36F Indigo 64F Terracotta 76B Forest Green 65B Burnt Carmine 32991 76D Forest Green 65D Burnt Carmine 76F Forest Green 65F Burnt Carmine 77B Terre Verte 66B Chocolate 77D Terre Verte 66D Chocolate 77F Terre Verte 66F Chocolate 75B Hooker’s Green 67B Ivory Black 75D Hooker’s Green 70B French Grey 75F Hooker’s Green 70D French Grey 46B Emerald Green 70F French Grey 39009 46D Emerald Green 70H French Grey 46F Emerald Green 72B Chinese White 24 36 24 36 12 Pastel Blocks 12 01B Zinc Yellow 78B Green Umber 06B Deep Cadmium 79B Umber 11B Spectrum Orange 53B Sepia 15B Geranium Lake 54B Burnt Umber 32999 36000 20B Crimson Lake 57B Brown Ochre 22B Magenta 57D Brown Ochre 36002 36001 25B Dark Violet 73B Orange Earth 29B Ultramarine 62B Burnt Sienna 32B Spectrum Blue 64B Terracotta 36003 35B Prussian Blue 65B Burnt Carmine 36B Indigo 66B Chocolate 76B Forest Green 67B Ivory Black 77B Terre Verte 70B French Grey 75B Hooker’s Green 70F French Grey 46B Emerald Green 70D French Grey 48B May Green 70H French Grey 36004 51B Olive Green 72B Chinese White 36005 Onion – Nick Haine 74B Dark Olive 72D Blending White

10 11 Techniques using Derwent products

SCRAPING HATCHING GRADATIONS To add textural Draw a series of parallel lines These are smooth transitions interest to your closely together to create a tonal area. from a to a darker tone work scrape the To achieve greater depth, simply increase or from one colour to another. point of the pencil, the width and density of the lines. The density of colour achieved using FEATHERING will vary depending on a scalpel, CROSS HATCHING over a As with hatching, draw two In this technique, an the amount of pressure pre- or more sets of parallel area of tone or colour applied to the wetted lines crossing each other at is lightly drawn with pencil. area and an angle to create even greater short strokes over let the pieces density of tone which the same or of the strip fall and another colour can onto the wet colour. be used,still allowing the original strokes surface. Several to show through. colours can be added for effect.

FROTTAGE Lay a sheet of paper over a OVERLAYING textured surface BLENDING Lay colours on top of each such as wood, sandpaper, This is produced by laying other to create new colours stone or rough woven material, different colours on top and and . This technique can then rub over the surface with a varying the pressure of each produce considerable depth soft pencil until the texture to achieve an infinite range and richness of tone. shows through. of tints and tones. LINE AND WASH Use a pen or non-soluble pencil to outline your drawing and then colour in areas with a watersoluble pencil or apply with a soft brush to produce subtle areas of .

BRACELET SHADING POINTILLISM BURNISHING This method of shading follows To create a sparkling effect, the contours of the form being To burnish pigment together, rub either a draw dots of different sizes, tortillon or white coloured drawn, giving the illustration densities and colours. This can a 3D effect. pencil across the colours give the appearance of a single you have already laid colour when viewed from a down. This technique distance. An ideal technique allows you to for small drawings. blend as well as WASH EFFECTS lighten the To create washes, brush clean colours and is water over the surface of the ideal for precise paper. Then scrape minute and controlled particles from the pencil highlighting. strip with a knife into the water. Wash over with a large brush.

22 23 Techniques

SCRAPING HATCHING GRADATIONS To add textural Draw a series of parallel lines These are smooth transitions interest to your closely together to create a tonal area. from a light to a darker tone work scrape the To achieve greater depth, simply increase or from one colour to another. point of the pencil, the width and density of the lines. The density of colour achieved using FEATHERING will vary depending on a scalpel, CROSS HATCHING over a As with hatching, draw two In this technique, an the amount of pressure pre- or more sets of parallel area of tone or colour applied to the wetted lines crossing each other at is lightly drawn with pencil. area and an angle to create even greater short strokes over let the pieces density of tone which the same or of the strip fall and another colour can onto the wet colour. be used,still allowing the original strokes surface. Several to show through. colours can be added for effect.

FROTTAGE Lay a sheet of paper over a OVERLAYING textured surface BLENDING Lay colours on top of each such as wood, sandpaper, This is produced by laying other to create new colours stone or rough woven material, different colours on top and and hues. This technique can then rub over the surface with a varying the pressure of each produce considerable depth soft pencil until the texture to achieve an infinite range and richness of tone. shows through. of tints and tones. LINE AND WASH Use a pen or non-soluble pencil to outline your drawing and then colour in areas with a watersoluble pencil or apply with a soft brush to produce subtle areas of shading.

BRACELET SHADING POINTILLISM BURNISHING This method of shading follows To create a sparkling effect, the contours of the form being To burnish pigment together, rub either a draw dots of different sizes, tortillon or white coloured drawn, giving the illustration densities and colours. This can a 3D effect. pencil across the colours give the appearance of a single you have already laid colour when viewed from a down. This technique distance. An ideal technique allows you to for small drawings. blend as well as WASH EFFECTS lighten the To create washes, brush clean colours and is water over the surface of the ideal for precise paper. Then scrape minute and controlled particles from the pencil highlighting. strip with a knife into the water. Wash over with a large brush.

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