DOCSLIB.ORG

Nirvana - with the Lights out Charles Peterson and Ian Tilton

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nirvana - with the Lights out Charles Peterson and Ian Tilton Nirvana - With the Lights Out Charles Peterson and Ian Tilton CP00015 CP00024 Kurt Cobain, Commodore Ballroom, Vancou- Nirvana backstage with Sonic Youth, Seattle ver B.C, 1991, Charles Peterson Center Coliseum, 1991, Charles Peterson Size: 16” x 20” Size: 16” x 20” £625 ex VAT £625 ex VAT CP00032 CP0007 Nirvana audience, HUB Ballroom, Seattle 1990, Stage in Seattle Center Coliseum, 1992, Charles Peterson Charles Peterson Size: 20” x 24” Size:16” x 20” £750 ex VAT £625 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton CP0019 CP00020 Nirvana, HUB Ballroom, Seattle 1989, Charles Kurt Cobain, HUB Ballroom, Seattle 1989, Peterson Charles Peterson Size: 16” x 20” Size: 16” x 20” £625 ex VAT £625 ex VAT CP00018 CP00026 Kurt and Krist, BeehiveRecords, Seattle 1991, Krist and Kurt, Commodore Ballroom, Vancou- Charles Peterson ver 1991, Charles Peterson Size:16” x 20” Size:16” x 20” £625 ex VAT £625 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton CP00016 CP00029 Kurt Cobain, Commodore Ballroom, Vancou- Kurt at Raji's, Los Angeles, 1990, Charles Pe- ver 1991, Charles Peterson terson Size:16” x 20” Size: 20” x 24” £625 ex VAT £750 ex VAT CP00021 CP00031 Nirvana, Annex Theatre, Seattle, Charles Pe- Kurt Cobain, HUB Ballroom, Seattle1989, terson Charles Peterson Size:16” x 20” Size:20” x 24” £625 ex VAT £750 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton CP00014 CP00017A Kurt Cobain, Bel- Krist Novoselic, Mo- lingham, Charles torsports Garage, Peterson Seattle 1990, Charles Peterson Size: 16” x 20” Size: 16” x 20” £625 ex VAT £625 ex VAT CP0001 CP00025 Kurt Cobain, Mo- Nirvana, COCA, torsports Garage, Seattle 1989, Seattle 1990, Charles Peterson Charles Peterson Size:16” x 20” Size: 16” x 20” £625 ex VAT £625 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton CP00023 CP00024 Dave Grohl, Seat- Kurt and Courtney, tle Center Coli- Bellingham WA 1992, seum, Charles Charles Peterson Peterson Size: 16” x 20” Size: 11” x 14” £625 ex VAT £450 ex VAT CP0004 CP00025 Kurt Cobain, Kurt Cobain, Moore Crocodile Café, Theater, Seattle Seattle1992, 1991, Charles Pe- Charles Peterson terson Size: 16” x 20” Size: 11”x 14” £450.00 ex VAT £450 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton CP00027 CP00034 Kurt Cobain and Kurt in a Wheelchair, Kim Gordon, Seat- Reading Festi- tle Center Coli- val,1991, Charles seum 1991, Peterson Charles Peterson Size: 11” x 14” Size: 16” x 20” £450 ex VAT £625 ex VAT CP0006 CP00028 Kurt Cobain, 1993, Kurt,Francis and Charles Peterson Courtney, Seattle, 1993, Charles Peter- son Size: 16” x 20” Size: 13” x 19” £625 ex VAT £450 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton CP00022 CP00033 Kurt Cobain, Kurt Cobain, Read- Beehive Re- ing Festival, Au- cords, Seattle gust 1992, Charles 1991, Charles Peterson Peterson Size:16” x 20” Size:16” x 20” £625 ex VAT £625 ex VAT CP00017 Nirvana, Seattle Centre Coliseum, 1992, Charles Peterson Size: 16” x 20” £625 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton CP00010 CP00028 Nirvana, Seattle 1990, Charles Peterson Nirvana, Seattle 1990, Charles Peterson Size:16” x 20” Size:16” x 20” £625 ex VAT £625 ex VAT CP0008 CP0009 Nirvana, Seattle 1993, Charles Peterson Kurt Cobain, New Years Day, 1993, Charles Peterson Size:16” x 20” Size:16” x 20” £625 ex VAT £625 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton IT0008 IT00011 Nirvana Live at Nirvana, Seattle Maxwells, Hoboken, Motorsport 1990, New Jersey 1989, Ian Tilton Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT IT00014 IT00012 Nirvana, Hoboken, Nirvana, Hoboken, New Jersey July New Jersey July 1989, Ian Tilton 1989, Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton IT000A IT000B Nirvana, Hobo- Nirvana, Hoboken, ken, New Jersey New Jersey 1989, 1989, Ian Tilton Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT IT0001 IT000C Kurt Cobain, Ho- Kurt alone, Back- boken, New Jer- stage at Seattle sey 1989, Ian Motorsport Ga- Tilton rage, 1990, Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton IT0007 IT0002 Nirvana, Seattle Backstage Seattle Motorsport, Sep- Motorsport, Septem- tember 1990, ber 1990, Ian Tilton Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT IT00013 IT00013A Nirvana, Seat- Nirvana, Seattle,1990, tle,1990, Ian Tilton Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton IT000D IT0003 Nirvana, Seattle Kurt Cobain, Seattle 1990, Ian Tilton 1990, Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT IT0004 IT0006 Nirvana, Seattle Nirvana, Seattle Motorsport 1990, Motorsport 1990, Ian Tilton Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton IT0005 Nirvana, Seattle Motorsport 1990, Ian Tilton Size: 16” x 20” £ 260,00 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton IT00018A IT00018 Kurt Cobain, Seattle 1990, Ian Tilton Kurt Cobain, Seattle 1990, Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT IT00016A IT00016 Nirvana, Seattle 1990, Ian Tilton Nirvana, Seattle 1990, Ian Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton IT00019 Seattle, September 1990, Ian Tilton Size: 16” x 20” £ 260,00 ex VAT IT00022 Nirvana, Seattle 1990, Ian Tilton Size: 16” x 20” £ 260,00 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton IT00020 IT00017 Nirvana and Tad, Manhattan Apartment, July Nirvana, Hoboken, New Jersey, July 1989, Ian 1989, Ian Tilton Tilton Size: 16” x 20” Size: 16” x 20” £ 260,00 ex VAT £ 260,00 ex VAT IT00015 Nirvana, Manhattan Skyline, July 1989, Ian Tilton Size: 16” x 20” £ 260,00 ex VAT Nirvana - Steve Double SDA SDB Kurt Cobain, Nir- Kurt Cobain, Nir- vana vana Steve Double Steve Double Size: 16” x 20” Size: 16” x 20” £ 450,00 ex VAT £ 450,00 ex VAT SDC SDD Kurt Cobain, Nir- Kurt in Dress, vana Steve Double Steve Double Size: 16” x 20” Size: 16” x 20” £ 450,00 ex VAT £ 450,00 ex VAT Nirvana - Steve Double SDE Kurt Cobain, Steve Double Size: 16” x 20” £ 450,00 ex VAT Nirvana - With the Lights Out Charles Peterson and Ian Tilton All prints are accompanied by a certificate of authenticity signed by the photographer and the gallery director. All prints are available framed for an additional fee. No charge applies for the delivery of prints within London; delivery further afield is subject to additional fees. All prices exclude VAT. Proud Publishing Ltd. reserves the right to change any pricing or information within this catalogue at any point Proud Publishing Ltd., 32 John Adam Street, London, WC2N 6BP Proud Camden, The Horse Hospital, Chalk Farm Road, London, NW1 8AH Proud Chelsea, 161 King’s Road, Chelsea, London, SW3 5XP .
Load more

Recommended publications
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
    [Show full text]
  • ANSAMBL ( [email protected] ) Umelec
    ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol.
    [Show full text]
  • Smells Like Teen Spirit Appears in Rock & Pop 2018
    ACCESS ALL AREAS... SMELLS LIKE TEEN SPIRIT APPEARS IN ROCK & POP 2018 Released: 1991 Album: Nevermind Label: DGC Records ABOUT THE SONG Nirvana’s Kurt Cobain was attempting to write the ‘ultimate pop song’ when he came up with the guitar riff that would become ‘Smells Like Teen Spirit’. He WITH THE LIGHTS OUT, wanted to write a song in the style of The Pixies, telling Rolling Stone in 1994: ‘I was basically trying to rip off The Pixies. I have to admit it.’ The title came IT’S LESS DANGEROUS after Kathleen Hanna, lead singer of Bikini Kill, spray- painted ‘Kurt smells like Teen Spirit’ on his bedroom “ wall. Teen Spirit was actually a brand of deodorant. HERE WE ARE NOW, The first single from Nirvana’s second album Nevermind, ‘Smells Like Teen Spirit’ was a surprise hit. The label had anticipated that ‘Come As You Are’, the follow-up single, would be the song to cross over to a mainstream audience. ‘Smells Like Teen Spirit’ ENTERTAIN US was first played on college radio before rock stations and MTV picked it up. It is widely praised as one of I FEEL STUPID AND CONTAGIOUS the greatest songs in the history of rock music. RECORDING AND PRODUCTION Cobain began writing ‘Smells Like Teen Spirit’ a few weeks before Nirvana were due in the studio to record Nevermind. After presenting the main riff and melody of the chorus to the rest of the band, they jammed around the riff for an hour and a half. Bassist Krist Novoselic slowed the verse down and drummer Dave Grohl created a drum beat and as a result, ‘Smells Like Teen Spirit’ is the only song on Nevermind to give songwriting credits to all three band members.
    [Show full text]
  • The 586, an Inkblot Train by Devon Dozlaw for Most of Us in Utero
    The 586, an Inkblot Train by Devon Dozlaw For most of us In utero refers to a specific stage early in our development, A stage of waiting But for Kurt this term refers to a late stage in development See Kurt was comfortable on the stage, but only with the lights out Here we are now, entertain us, but turn the damn lights out I don't want to be in the limelight Most of us spend our lives waiting for the train, writing shitty blues songs about waiting for trains The difference is, we aren't all waiting for the same train For some the train is an elusive yet comfortable bed, “I can't go out tonight, I need to get to bed” Well I can understand wanting to dream but you don't need a bed for that, nor do you need sleep My train is the one with the 586 word poem that stretches out across the cars in ornate yet vicious graffiti My train is the one that people are happy to have to stop for in the city because it takes them out of their mundane grind and it's a beautiful moving canvas As the train cars go by it's like flipping through the amateur motion picture exercise that I sketched into a friend's agenda while in high school; in utero, to the lay person This poem, like all poems, is an ink blot piece For those of you tuning in at home, you can create your own ink blot by eating the most self-indulgent meal possible, then wiping your mouth with a napkin, then unfolding the napkin and interpreting it My inkblot smear perpetually changed like the doodles or the message conveyed by the train art Any time I thought I could see something in the stain
    [Show full text]
  • Nirvana S in Utero > UAH5ZKUE2WGH
    YRFJXMZSRXQM \ Doc » Nirvana s in Utero Nirvana s in Utero Filesize: 8.09 MB Reviews Merely no phrases to describe. Better then never, though i am quite late in start reading this one. Its been written in an extremely easy way which is merely following i finished reading this publication through which in fact transformed me, change the way in my opinion. (Pedro Renner) DISCLAIMER | DMCA BUNRUITTSZVW « Doc \ Nirvana s in Utero NIRVANA S IN UTERO To read Nirvana s in Utero eBook, you should refer to the button below and download the ebook or gain access to additional information which are highly relevant to NIRVANA S IN UTERO ebook. Audible Studios on Brilliance, 2017. CD-Audio. Condition: New. Unabridged. Language: English . Brand New. The record was replete with references to babies, childbirth, and reproduction (the album s very title means in the womb ), witch hunts, the loss of privacy, illness and disease, and ambivalence about fame. The songs expressed a heartfelt anguish that would later cause some to interpret the entire album as a cry for help, but even at the time of its release In Utero could easily be read as an album focused on physical and spiritual sickness. Rather than being overwhelmed by circumstances, however, Cobain s songs on In Utero show him - for the most part - still able and willing to fight back. As such, among Nirvana s recorded eorts, it stands as Cobain s most personal work.Instead of sticking to the grunge pop formula that made Nevermind so palatable to the mainstream, with In Utero Nirvana chose instead to challenge their audience, producing an album that truly matched Kurt Cobain s vision of what he had always wanted the band to sound like.
    [Show full text]
  • College Voice Vol. 32 No. 11
    Connecticut College Digital Commons @ Connecticut College 2007-2008 Student Newspapers 12-7-2007 College Voice Vol. 32 No. 11 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2007_2008 Recommended Citation Connecticut College, "College Voice Vol. 32 No. 11" (2007). 2007-2008. 10. https://digitalcommons.conncoll.edu/ccnews_2007_2008/10 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2007-2008 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. ..-------" First Class U.S. Postage PAID THE COLLEGE VOICE Permit #35 New London, CT PUBLISHED WEEKLY BY THE STUDENTS OF CONNECTICUT COUEGE VOLUME XXXII -ISSUE 11 FRIDAY, DECEMBER 7, 2007 CONNECTICUT COLLEGE, NEW LONDON, CT Connecticut College Explores Post- Cultural Revolution Poetry BY KASEY LUM '11 described the evening as a "four-part play" where the poetry switched from Cbinese to English and the readings staff writer switched between students and poets. A mixed audience of students, facul- Students from Professor Huang's fresh- ty, and New London residents quickly man seminar and Chinese language filled the Charles Chu Asian Art Reading classes started the event by reading Room of Shain Library last Thursday, poems written by the Mystic Poets. As eagerly awaiting the appearance of two Professor Huang described, at the time well-known Chinese poets, Bei Lin and of the Revolution "China was starved for Wang Jiaxin. In a lengthy reading and new voices," and the people looked up to dialogue moderated by Connecticut these grouodbreaking poets who were College's Associate Professor of expressing all the feelings that came Chinese, Professor Yibing Huang, the from the Cultural Revolution.
    [Show full text]
  • Telling Stories on Culturally Responsive Artificial Intelligence 19 Stories
    Telling Stories On Culturally Responsive Artificial Intelligence 19 Stories EDITED BY: Ryan Calo, Batya Friedman, Tadayoshi Kohno, Hannah Almeter and Nick Logler 2 Telling Stories: On Culturally Responsive Artificial Intelligence Telling Stories: On Culturally Responsive Artificial Intelligence 19 Stories Edited by Ryan Calo, Batya Friedman, Tadayoshi Kohno, Hannah Almeter and Nick Logler University of Washington Tech Policy Lab, Seattle Copyright © 2020 by University of Washington Tech Policy Lab. All rights reserved. For information about permission to reproduce selections from this book, contact: University of Washington Tech Policy Lab 4293 Memorial Way NE Seattle, WA 98195. Printed by The Tech Policy Lab, USA. First edition. ISBN: 978-1-7361480-0-6 (ebook) Library of Congress Control Number: 2020924819 Book design by Patrick Holderfield, Holdereaux Studio www.holdereauxstudio.com Illustrations by: Tim Corey, Colibri Facilitation: pgs - 22, 24, 28, 29, 40, 41, 43, 45, 48 Akira Ohiso: pgs - 18, 26, 27, 36, 42, 44, 50, 51, 52, 53 Elena Ponte: pgs - 20, 30, 31, 34, 38, 46, 47, 54 Free digital copy available at https://techpolicylab.uw.edu/ About the Global Summit on Culturally Responsive Artificial Intelligence The Global Summit on Culturally Responsive AI is part of the Tech Policy Lab’s Global Summit Initiative (2016-present). Our Global Summits convene twenty to thirty thought leaders from around the world representing design, ethics, governance, policy, and technology. Summits aim to frame and begin progress on pressing grand challenges for tech policy, providing opportunities for collaboration on global and local issues. The 2018 Global Summit structured conversation around grand challenges for developing and disseminating artificial intelligence technologies that maintain respect for and enhance culture and diversity of worldview.
    [Show full text]
  • Prof. Doutora Maria Antónia Carreiras
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositório do ISPA “THANK YOU FOR TRAGEDY, I NEED IT FOR MY ART” – O SOFRIMENTO COMO MOTOR DA OBRA E A OBRA COMO MEIO DE SOBREVIVÊNCIA PSÍQUICA Soraia Vitória Rodrigues Bento Morais Orientador de Dissertação: PROF. DOUTORA MARIA ANTÓNIA CARREIRAS Coordenador do Seminário de Dissertação: PROF. DOUTORA MARIA ANTÓNIA CARREIRAS DISSERTAÇÃO submetida como Requisito Parcial para Obtenção do Grau de: MESTRE EM PSICOLOGIA Especialidade em Psicologia Clínica 2016 Dissertação de Mestrado realizada sob a orientação de Professora Doutora Maria Antónia Carreiras, apresentada no ISPA – Instituto Universitário para obtenção do grau de Mestre na especialidade de clínica conforme o despacho da DGES, n.º 19673 / 2006 publicado em Diário da Republica 2ª série de 26 de Setembro, 2006. II A obra é a criança que lhe é devida, que lhe é dedicada e que ao mesmo tempo serve para lhe demonstrar do que ele é capaz, mas que contudo lhe pede a confirmação incondicional que garante antecipadamente a legitimidade do trabalho. (M’Uzan, 1977) Preocupo-me mais com a vida do que com a morte. (Coimbra de Matos, 2010) A relação está antes da substância; é a Origem do mundo. (Coimbra de Matos, 2012) III AGRADECIMENTOS “Eu penso, logo existo”, já dizia Descartes. Pensar é algo inerente ao ser Humano, um dom divino. Partilhar o que se pensa, é um luxo nos dias de hoje. Ter alguém que nos oiça, é raro. Ter alguém que nos compreenda, é um privilégio. Os pensamentos podem ser megalómanos.
    [Show full text]
  • The Rhapsodist
    The Rhapsodist Spring 2020 Asheville-Buncombe Technical Community College Asheville, NC Editors Barbie Byrd Molly Howard Ben Latter Erik Moellering Readers Kenet Adamson Jennifer Browning Maggie Poist Beverly Williamson Lisa York Design/Layout The Rhapsodist Editors with assistance from Porscha Orndorf & Dave Kareken 2 rhapsodist, n. Pronunciation: Brit. /’rapsěd ist/ , U.S. /’ræpsědist/ Etymology: < rhapsody n. + -ist suffix. Compare French rhapso- diste ... 1. A collector of miscellaneous literary pieces. Now hist. and rare. This issue made possible by the generous support of A-B Tech’s Student Services Department 3 Editors' Note: “Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.” -Groucho Marx _____________________________ Dear Reader, As A-B Tech’s primary venue for literature and fine art,The Rhapsodist showcases the best examples of creative expression from our college’s diverse population. We are excited to share a journal filled with imagination and candor—work that inspires both out- side and inside of a dog. Thank you for your continued support of The Rhapsodist. Enjoy... _____________________________ Marx, Groucho. The Essential Groucho Marx: Writings by, for, and about Groucho Marx, edited by Stefan Kanfer, Vintage, 2000. 4 Contents poetry The Restoration Depot Elizabeth Helmich ....................................................................... 8 Sick Ximena Guadalupe ...................................................................... 16 Adoration Morgen Lance .............................................................................
    [Show full text]
  • List: 44 When Your Heart Stops Beating ...And You Will Know Us By
    List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T.
    [Show full text]
  • Arbiter, December 2 Students of Boise State University
    Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 12-2-2004 Arbiter, December 2 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. THE YEAR IN PHOTOS {Pictures of Perfection} SPORTS - PAGE 5 UOLUME 17 THE INDEPENDENT STUDENT UOICE OF BOISE STATE SINCE IS33 ISSUE 30 T HUll S D II Y D E CE M BEll I! I! 0 D 'I FIRST ISSU~ FREE .- Student Senate votes against Taco Bell resolution graduate in the Taco Bell Arena ready taken a lot of grief [from do- and that spring graduation will BY MoNICR PRICE agreement. The resolution has nors forJ what the Faculty Senate be held in the Bronco Stadium. Newe Editor .been in committee for almost three months. did." He also said he would like to The Faculty Senate passed a bill In last Tuesday's ASBSU sen- President Kustra told senators work with the Faculty Senate and in late October asking Kustra to PreSident ate meeting students, faculty and that people are free to disagree in Student Senate to create renam- dissolve the contract with Taco Kustre ing procedures to make sure ev- administrators revisited the mer- a democratic society.
    [Show full text]
  • Dark Slivers: Seeing Nirvana in the Shards of Incesticide by Nick Soulsby Table of Contents
    Dark Slivers: Seeing Nirvana in the Shards of Incesticide By Nick Soulsby Table of Contents Foreword ..................................................................... 3 1.0 The Greatest Gift .............................................. 7 2.0 (MIA) The Complete Anthology ...................... 19 3.0 Two Nuns and a Pack Mule ............................ 31 4.0 The Rich Man’s Eight Track Tape..................... 43 5.0 My War ........................................................... 57 6.0 Double Nickels on the Dime ........................... 69 7.0 Project Mersh ................................................. 85 8.0 Post-Mersh ................................................... 101 9.0 Hairway to Steven ........................................ 115 10.0 Big Black Songs About… ............................... 131 11.0 Over the Edge ............................................... 143 12.0 Family Man ................................................... 155 13.0 Songs the Lord Taught Us ............................. 177 14.0 Dry as a Bone ............................................... 205 15.0 Coda ............................................................. 221 Reading Nirvana: A Bibliographical Note ................. 243 Acknowledgements ................................................. 258 1 Dry as a Bone 205 14.0 Dry as a Bone Incesticide was sandwiched between two major studio album releases— Nevermind and In Utero—and with fans also able to go purchase Nirvana’s newly reissued first studio album, Bleach, Incesticide has been
    [Show full text]