Artus Excalibur Rollenbeschreibung
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A Comparison of the Piano and Guitar Versions of Isaac Albéniz's Spanish Suite Op
A COMPARISON OF THE PIANO AND GUITAR VERSIONS OF ISAAC ALBÉNIZ'S SPANISH SUITE OP. 47 by YI-YIN CHIEN A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts November 2016 2 “A Comparison of the Piano and Guitar Versions of Isaac Albéniz’s Spanish Suite, Op. 47’’ a document prepared by Yi-Yin Chien in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This document has been approved and accepted by: Jack Boss, Chair of the Examining Committee Date: November 20th, 2016 Committee in Charge: Dr. Jack Boss, Chair Dr. Juan Eduardo Wolf Dr. Dean Kramer Accepted by: Director of Graduate Studies, School of Music and Dance © 2016 Yi-Yin Chien 3 CURRICULUM VITAE NAME OF AUTHOR: Yi-Yin Chien PLACE OF BIRTH: Taiwan DATE OF BIRTH: November 02, 1986 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon, School of Music and Dance Peabody Institute of the Johns Hopkins University Tainan National University of Arts DEGREES AWARDED: Doctor of Musical Arts, 2016, University of Oregon Master of Music, 2011, Peabody Institute of the Johns Hopkins University Bachelor of Music, 2009, Tainan National University of Arts AREAS OF SPECIAL INTEREST: Piano Pedagogy Music Theory PROFESSIONAL EXPERIENCE: College Piano Teaching, University of Oregon, School of Music and Dance, 09/2014 - 06/2015 Taught piano lessons for music major and non-major college students Graduate Teaching -
Camelot the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Camelot The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Anne Newhall (left) as Billie Dawn and Craig Spidle as Harry Brock in Born Yesterday, 2003. Contents InformationCamelot on the Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play A Pygmalion Tale, but So Much More 8 Well in Advance of Its Time 10 Utah Shakespeare Festival 3 8FTU$FOUFS4USFFUr $FEBS$JUZ 6UBIr Synopsis: Camelot On a frosty morning centuries ago in the magical kingdom of Camelot, King Arthur prepares to greet his promised bride, Guenevere. Merlyn the magician, the king’s lifelong mentor, finds Arthur, a reluctant king and even a more reluctant suitor, hiding in a tree. -
Camelot: Rules
Original Game Design: Tom Jolly Additional Game Design: Aldo Ghiozzi C a m e l o t : V a r i a t i o n R u l e s Playing Piece Art & Box Cover Art: The Fraim Brothers Game Board Art: Thomas Denmark Graphic Design & Box Bottom Art: Alvin Helms Playtesters: Rick Cunningham, Dan Andoetoe, Mike Murphy, A C C O U T R E M E N T S O F K I N G S H I P T H E G U A R D I A N S O F T H E S W O R D Dave Johnson, Pat Stapleton, Kristen Davis, Ray Lee, Nick Endsley, Nate Endsley, Mathew Tippets, Geoff Grigsby, Instead of playing to capture Excalibur, you can play In this version, put aside one of the 6 sets of tokens (or © 2005 by Tom Jolly Allan Sugarbaker, Matt Stipicevich, Mark Pentek and Aldo Ghiozzi to capture the Accoutrements of Kingship (hereafter make 2 new tokens for this purpose). Take two of the referred to as "Items") from the rest of the castle, Knights (Lancelots) from that set and place them efore there was King Arthur, there was… well, same time. Each player controls a small army of 15 returning the collected loot to your Entry. If you can within 2 spaces of Excalibur before the game starts. Arthur was a pretty common name back then, pieces, attempting to grab Excalibur from the claim any 2 of the 4 Items (the Crown, the Scepter, During the game, any player may move and attack with B since every mother wanted their little Arthur to center of the game board and return it to their the Robe, the Throne) one or both of these Knights, or use one of these be king, and frankly nobody really knew who "the real starting location. -
My Fair Lady
The Lincoln Center Theater Production of TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Characters . 2 The Story . 2 The Writers, Alan Jay Lerner and Frederick Loewe . 5 The Adaptation of Pygmalion . 6 Classroom Activities . 7 THE BACKDROP . 9 Historical Context . 9 Glossary of Terms . 9 Language and Dialects in Musical Theater . 10 Classroom Activities…………… . 10 THE FORM . 13 Glossary of Musical Theater Terms . 13 Types of Songs in My Fair Lady . 14 The Structure of a Standard Verse-Chorus Song . 15 Classroom Activities . 17 EXPLORING THE THEMES . 18 BEHIND THE SCENES . 20 Interview with Jordan Donica . 20 Classroom Activities . 21 Resources . 22 INTRODUCTION Welcome to the teacher resource guide for My Fair Lady, a musical play in two acts with book and lyrics by Alan Jay Lerner and music by Frederick Loewe, directed by Bartlett Sher. My Fair Lady is a musical adaptation of George Bernard Shaw’s play Pygmalion, itself an adaptation of an ancient Greek myth. My Fair Lady is the story of Eliza Doolittle, a penniless flower girl living in London in 1912. Eliza becomes the unwitting object of a bet between two upper-class men, phonetics professor Henry Higgins and linguist Colonel Pickering. Higgins bets that he can pass Eliza off as a lady at an upcoming high-society social event, but their relationship quickly becomes more complicated. In My Fair Lady, Lerner and Loewe explore topics of class discrimination, sexism, linguistic profiling, and social identity; issues that are still very much present in our world today. -
Excalibur Avalon Restaurant Menu
Excalibur Avalon Restaurant Menu Transforming medieval recipes into products to tickle twenty-first century taste buds is an exciting challenge, and this is where the fusion between past and present really happens. The Avalon Restaurant combines modern technology with medieval flavours to create a surprisingly happy pairing. Medieval food was seasonal, sustainable, and often dairy-free. What’s not to love! Recreating medieval dishes is an adventure. Medieval cookbooks only detail the food of the elite, and it’s unlikely that any were written by the cooks themselves! Like incomplete puzzles, the recipes rarely mention quantities, or temperatures, and give few instructions. We have sensitively reconstructed, with a dose of creative license, truly unique and tantalizing dishes to transport your culinary senses on a true journey of discovery. NOTES Kindly inform the hotel staff of any allergies prior to placing an order (All food may contain traces of nuts) Consuming raw or undercooked meat, seafood or egg products can increase your risk of food borne illness. Please allow 35 minutes for your order, 45 minutes if “Well Done” to be served, tables with large number of guests please allow a longer waiting time A 10% Service charge will be added to tables of 10 and more. PLEASE NOTE NO PERSON IS ALLOWED TO PLAY ON THE FOUNTAIN OR IN THE WATER FOR THEIR OWN SAFETY BREAKFAST SERVED FROM 08H00 – 11H00 All our Breakfast items are served with a glass of fruit juice or a cup of coffee/tea. Squires Breakfast R49 Two eggs (fried, poached, boiled or scrambled), grilled bacon, grilled tomato and one slice of white or brown toast. -
Monty Python's SPAMALOT
Monty Python’s Spamalot CHARACTERS Please note that the ages listed just serve as a guide. All roles are available and casting is open, and newcomers are welcome and encouraged. Also, character doublings are only suggested here and may be changed based on audition results and production needs. KING ARTHUR (Baritone, Late 30s-60s) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer. THE LADY OF THE LAKE (Alto with large range, 20s-40s) – A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily. SIR ROBIN (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for the singing and dancing. Also plays GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover. SIR LANCELOT (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent. -
Camelot* Fungicide / Bactericide
® Prescription Treatment brand Camelot* Fungicide / Bactericide ACTIVE INGREDIENT: Copper salts of fatty and rosin acids† . 58.0% INERT INGREDIENTS: . 42.0% Contains petroleum distillates, xylene or xylene range aromatic solvent. TOTAL 100.0% † Metallic Copper Equivalent 5.14%) * Camelot is a registered Trademark of Griffin Corporation. EPA Reg. No. 1812-381-499 KEEP OUT OF REACH OF CHILDREN CAUTION PRECAUTIONARY STATEMENTS USER SAFETY RECOMMENDATIONS Users should: FIRST AID • Wash hands before eating, drinking, chewing gum, using tobacco or using the toilet. IF ON SKIN OR CLOTHING: Take off contaminated clothing. Rinse skin immediately • Remove clothing immediately if pesticide gets inside. Then wash thoroughly and put on with plenty of water for 15 to 20 minutes. Call a poison control center or doctor for treat- clean clothing. ment advice. IF SWALLOWED: Immediately call a poison control center or doctor. Do not induce ENVIRONMENTAL HAZARDS vomiting unless told to do so by a poison control center or doctor. Do not give any liquid This pesticide is toxic to fish and aquatic organisms. Do not apply directly to water, or to areas to the person. Do not give anything by mouth to an unconscious person. where surface water is present or to intertidal areas below the mean high water mark. Do not IF INHALED: Move person to fresh air. If person is not breathing, call 911 or an ambu- contaminate water when disposing of equipment washwaters. lance, then give artificial respiration, preferably mouth-to-mouth, if possible. Call a poison control center or doctor for further treatment advice. PHYSICAL OR CHEMICAL HAZARDS IF IN EYES: Hold eye open and rinse slowly and gently with water for 15 to 20 minutes. -
Lancelot, the Knight of the Cart by Chrétien De Troyes
Lancelot, The Knight of the Cart by Chrétien de Troyes Translated by W. W. Comfort For your convenience, this text has been compiled into this PDF document by Camelot On-line. Please visit us on-line at: http://www.heroofcamelot.com/ Lancelot, the Knight of the Cart Table of Contents Acknowledgments......................................................................................................................................3 PREPARER'S NOTE: ...............................................................................................................................4 SELECTED BIBLIOGRAPHY: ...............................................................................................................4 The Translation..........................................................................................................................................5 Part I: Vv. 1 - Vv. 1840..........................................................................................................................5 Part II: Vv. 1841 - Vv. 3684................................................................................................................25 Part III: Vv. 3685 - Vv. 5594...............................................................................................................45 Part IV: Vv. 5595 - Vv. 7134...............................................................................................................67 Endnotes...................................................................................................................................................84 -
The Arthurian Legend Now and Then a Comparative Thesis on Malory's Le Morte D'arthur and BBC's Merlin Bachelor Thesis Engl
The Arthurian Legend Now and Then A Comparative Thesis on Malory’s Le Morte D’Arthur and BBC’s Merlin Bachelor Thesis English Language and Culture, Utrecht University Student: Saskia van Beek Student Number: 3953440 Supervisor: Dr. Marcelle Cole Second Reader: Dr. Roselinde Supheert Date of Completion: February 2016 Total Word Count: 6000 Index page Introduction 1 Adaptation Theories 4 Adaptation of Male Characters 7 Adaptation of Female Characters 13 Conclusion 21 Bibliography 23 van Beek 1 Introduction In Britain’s literary history there is one figure who looms largest: Arthur. Many different stories have been written about the quests of the legendary king of Britain and his Knights of the Round Table, and as a result many modern adaptations have been made from varying perspectives. The Cambridge Companion to the Arthurian Legend traces the evolution of the story and begins by asking the question “whether or not there ever was an Arthur, and if so, who, what, where and when.” (Archibald and Putter, 1). The victory over the Anglo-Saxons at Mount Badon in the fifth century was attributed to Arthur by Geoffrey of Monmouth (Monmouth), but according to the sixth century monk Gildas, this victory belonged to Ambrosius Aurelianus, a fifth century Romano-British soldier, and the figure of Arthur was merely inspired by this warrior (Giles). Despite this, more events have been attributed to Arthur and he remains popular to write about to date, and because of that there is scope for analytic and comparative research on all these stories (Archibald and Putter). The legend of Arthur, king of the Britains, flourished with Geoffrey of Monmouth’s The History of the Kings of Britain (Monmouth). -
Die Fledermaus by JOHANN STRAUSS September 14 - 29, 2019 PRESS KIT
Opera SAN JOSÉ 2019 | 2020 SEASON Die Fledermaus BY JOHANN STRAUSS September 14 - 29, 2019 PRESS KIT Die Fledermaus OPERETTA IN THREE ACTS MUSIC by Johann Strauss LIBRETTO by Karl Haffner and Richard Genée First performed April 5, 1874 in Vienna SUNG IN GERMAN WITH ENGLISH DIALOGUE AND ENGLISH SUPERTITLES. Performances of Die Fledermaus are made possible in part by a Cultural Affairs grant from the City of San José. PERFORMANCE SPONSORS 9/14: Michael & Laurie Warner 9/22: Jeanne L. McCann PRESS CONTACT Chris Jalufka Communications Manager Box Office (408) 437-4450 Direct (408) 638-8706 [email protected] OPERASJ.ORG For additional information go to https://www.operasj.org/about-us/press-room/ CAST Adele Elena Galván Rosalinde Maria Natale Alfredo Alexander Boyer von Eisenstein Eugene Brancoveanu Dr. Blind Mason Gates Dr. Falke Brian James Myer Frank Nathan Stark Ida Ellen Leslie Prince Orlofsky Stephanie Sanchez Frosch Jesse Merlin COVERS Amy Goymerac, Adele Jesse Merlin, Frank Marc Khuri-Yakub, Alfredo Melissa Sondhi, Ida Andrew Metzger, von Eisenstein Anna Yelizarova, Prince Orlofsky Jeremy Ryan, Dr. Blind Lance LaShelle, Frosch J. T. Williams, Dr. Falke *Casting subject to change without notice 4 Opera San José CHORUS SOPRANOS ALTOS Jannika Dahlfort Megan D'Andrea Rose Taylor Taylor Dunye Angela Jarosz Amy Worden Deanna Payne Anna Yelizarova Melissa Sondhi TENORS BASS Nicolas Gerst Carter Dougherty Marc Khuri-Yakub Michael Kuo Andrew Metzger James Schindler AJ Rodriguez J. T. Williams Jeremy Ryan SUPERNUMERARIES Torie Charvez Samuel Hoffman Hannah Fuerst Chris Tucker DANCERS Lance LaShelle AJ Rodriguez Deanna Payne Alysa Grace Reinhardt courtesy of The New Ballet Company Sally Virgilo Emmett Rodriguez courtesy of The New Ballet Company Die Fledermaus Press Kit 5 ARTISTIC TEAM CONDUCTORS Michael Morgan Christopher James Ray (conducts 9/19 & 9/22) STAGE DIRECTOR Marc Jacobs ASSISTANT STAGE DIRECTOR Tara Branham SET DESIGNER Charlie Smith COSTUME DESIGNER Cathleen Edwards LIGHTING DESIGNER Pamila Z. -
LEGENDS of the ROUND TABLE by JEFF POSSON
LEGENDS OF THE ROUND TABLE by JEFF POSSON 2 LEGENDS OF THE ROUND TABLE SETTING The forests of England in the Middle Ages. A Lake with magic in its waters. CHARACTERS Merlin – A wizard Morgan Le Fay – An enchantress who likes to make fun of Merlin King Arthur- A king, Morgan Le Fey’s brother Sir Bedivere- A knight The Black Knight- A knight, a bit of a bully Sir Gawain- A knight The Green Knight- A knight, has a magical talent Sir Galahad- A knight The Lady of the Lake- A mystical goddess of the water Villager- Running from a dragon Scene 1 MERLIN Oh a legend is sung! Of when England was young And Knights were brave and.... (MORGAN runs on because she is tired of MERLIN’S singing.) MORGAN STOP! MERLIN What? MORGAN !Stop singing! I’m trying to cast a spell and it is INCREDIBLY distracting. MERLIN! Oh come now Morgan, it is not that distracting. MORGAN! It is, it really is. You may be the most famous wizard in history, Merlin, but your pitch is all over the place. MERLIN! 3 Fine, I’ll stop.... wait, what spell are you casting, Morgan Le Fey? Are you up to mischief again? MORGAN Oh yes, without a doubt. Mischief is what I do. MERLIN Well, you should stop it. ! MORGAN Pardon me? Do youth think I need your permission to do anything? MERLIN Well... no but...! MORGAN! No buts Merlin. This is my island you’re currently sitting on. Avalon, the isle of Apples. My island, my rules, I can do what I want. -
Arthurian Legend
Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1.