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CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
A Student Companion To
A Student Companion To With the generous support of Jane Pauley and Garry Trudeau The Raymond Foundation Contents section 1: The Book and Its Context page 2 Who Was John Steinbeck? | Ellen MacKay page 3What Was the Dust Bowl? | Ellen MacKay page 6 Primary Sources Steinbeck Investigates the Migrant Laborer Camps Ellen MacKay: Dorothea Lange’s “Migrant Mother” and the Look of the Dust Bowl The Novel’s Reception The Wider Impact of The Grapes of Wrath page 10 What Makes The Grapes of Wrath Endure? Jonathan Elmer: Steinbeck’s Mythic Novel George Hutchinson: Hearing The Grapes of Wrath Christoph Irmscher: Teaching The Grapes of Wrath section 2: Sustainability, Bloomington, and the World of The Grapes of Wrath page 14 What Does Literature Have to Do with Sustainability? | Ellen MacKay page 15 Nature Writing Now: An Interview with Scott Russell Sanders An Excerpt from A Conservationist Manifesto | Scott Russell Sanders page 18 What Can Be Done?: Sustainablilty Then and Now Michael Hamburger Sara Pryor Matthew Auer Tom Evans page 22 Primary Access: The 1930s in Our Midst Ellen MacKay: Thomas Hart Benton, the Indiana Murals, and The Grapes of Wrath Nan Brewer: The Farm Security Administration Photographs: A Treasure of the IU Art Museum Christoph Irmscher: “The Toto Picture”: Writers on Sustainability at the Lilly Library section 3: The Theatrical Event of The Grapes of Wrath page 26 How Did The Grapes of Wrath Become a Play? | Ellen MacKay page 27 The Sound of The Grapes of Wrath: Ed Comentale: Woody Guthrie, Dust Bowl Ballads, and the Art and Science of Migratin’ Guthrie Tells Steinbeck’s Story: The Ballad of “The Joads” page 31 Another Look at the Joads’ Odyssey: Guthrie’s Illustrations. -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
Download the Annual Report
2019 Annual Report A driving force for health equity OCHIN Headquarters 1881 SW Naito Parkway Portland, Oregon 97201 503.943.2500 www.ochin.org Dear Members and Colleagues, 2019 was another exceptional year for the OCHIN Collaborative. You grow increasingly sophisticated and are adopting more tools and driving for improved outcomes faster than ever in communities that need it the most. Supporting you in these efforts is critical, and I am proud to work alongside you. As the Collaborative continues to expand, national awareness of OCHIN is increasing, and our impact is being felt in more communities across the U.S. Fourteen new organizations went live on our hosted EHR during the fiscal year, and 10 more are contracted to go live in the coming months, bringing our first hosted members in several new states. Additionally, we are now the largest Health Center Controlled Network in the country. Our growth is important because it allows us to deliver our mission to more communities and help improve access and care for more people who need it. The larger we are as a Collaborative, the stronger our collective voice on national policy; the more resources we can bring to bear to help you support your patients; the more power we have to drive down costs; and the better we are positioned to lead the path toward a nation that cares for everyone. We are serving more patients, and we continue to push boundaries and innovate in service to the Triple Aim. We are using technology for good, moving and using data to improve care and outcomes. -
The Aging Audience
________________________________________________________________________________________________ Walrus Research The Aging Audience Spring 2009 Reality has a way of eventually getting your attention GENERATIONAL COHORTS Garrison Keillor, who does his show in front of a live audience, has observed Listeners are highly that each year he sees more balding grey heads out there. concentrated among the Baby Boomer population, and are Yet if Terry Gross, Robert Siegel, Scott Simon or Tom and Ray Magliozzi could much more educated than the have seen their listeners over the years, they would have observed the same average U.S. citizen, with process. The public radio audience continues to age. 69% having a college degree. Demographers use the term cohort to mean a set of people who were born at These factors in turn drive a the same time and go through formative experiences together. In a pure cohort level of household income phenomenon, such as a high school class reunion, the median age increases one that is also well above the national average. year each year. The number of attendees can only decrease. NPR Audience Handbook The most famous generational cohort is the Baby Boomers, born 1946 – 1964, October 2009 who came of age during the years of Vietnam, hippies and underground FM radio. The audience for National Public Radio has long been dominated by highly educated Boomers. On January 1, 2010, the oldest Boomer will turn 64 years old. Walrus Research 2 DESIGN Research Questions • At what rate is the public radio audience aging? AudiGraphics • Does aging differ among public radio formats? To answer the research questions, we used AudiGraphics. -
Georgian Court University Fall/Winter 2018 Magazine
Volume 16 | Number 1 Fall/Winter 2018 Georgian Court University Magazine President’s Annual Report & Honor Roll of Donors 2017–2018 Georgian Court–Hackensack Meridian Health School of Nursing Celebrates 10 Years From the President Dear Alumni, Donors, Students, and Friends: Happy New Year! The holiday season is behind us, but the activities and accolades of 2018 still give us to plenty to celebrate. That is why this edition of GCU Magazine is packed with examples of good news worth sharing—with you and with those you know. First, the Georgian Court–Hackensack Meridian Health School of Nursing is celebrating its 10-year anniversary. Our first decade has produced successful health care professionals serving patients from coast to coast, and the program is among the fastest growing at GCU. In this issue of the magazine, I’d like you to meet two unforgettable alumni. Florence “Riccie” Riccobono Johnson ’45 (pp. 28–29) has worked at CBS for more than six decades and reflects on her time at 60 Minutes, where she’s been employed since 1968. Gemma Brennan ’84, ’93 (pp. 6–9), a longtime teacher, principal, and part-time GCU professor, is sharing her passion in unique ways. Likewise, our newest honorary degree recipient, His Royal Highness The Prince Edward, Earl of Wessex, shared his passion for court tennis during a September visit to GCU (p. 13). Georgian Court was at its absolute finest as the prince met students, faculty, staff, and coaches, and played several matches in the Casino. A few weeks later, I was proud to see alumni join in the fun of Reunion and Homecoming Weekend 2018 (p. -
Tim Russell 31 the Explanation for Everything the Ludwig Conspiracy Latino Americans
HIGHBRIDGEHIGHBRIDGE AUDIOAUDIO Fall 2013 HIGHBRIDGEHIGHBRIDGE AUDIOAUDIO FallFall 20132013 COMING THIS FALL FROM HIGHBRIDGE CONTENTS NOW AVAILABLE BRINGING MULLIGAN HOME Fall 2013 ARTFUL NEW RELEASES 2 JUNIUS AND ALBERT’s aDVENTURES in THE CONFEDERACY DIGITAL CLASSICS 46 KILL ANYTHING THAT MOVES HER RECENT TITLES 50 THE PHILADELPHIA CHROMOSOME RENDEZVOUS INDEX 52 INSIDE THE BOX PERMANENT PRESENT TENSE IN TIMES OF FADING LIGHT DETROIT JULY 27 THE LONGEST ROAD AUGUST AMAZING GRACIE THE ESPERANZA FIRE THE CHAOS IMPERATIVE THE INTROVERT ADVANTAGE THE ROAD FROM GAP CREEK NPR AMERICAN CHRONICLES: EXPLORING SPACE THE TIME FETCH 19 IF YOU COULD BE MINE SEPTEMBER SOMEBODY UP THERE HATES YOU EVIL EYE TIM RUSSELL 31 THE EXPLANATION FOR EVERYTHING THE LUDWIG CONSPIRACY LATINO AMERICANS OCTOBER ANTON AND CECIL: CATS AT SEA 21 THE STAR OF ISTANBUL NPR MORE TINSEL TALES SURVIVAL LESSONS GUESTS ON EARTH TIES THAT BIND NOVEMBER YOU ARE NOT FORGOTTEN THE HUNTER AND OTHER STORIES PURGATORY 37 THE TELL JANUARY RED 1-2-3 24 REAL HAPPINESS AT WORK FEBRUARY LION PLAYS ROUGH © 2013 HighBridge Company Cover photograph © Getty Images. AVAILABLE NOW Bringing Mulligan Home THE OTHER SIDE OF THE GOOD WAR Dale Maharidge Read by Pete Larkin A son’s quest to find the members of his father’s Marine company leads to a deeper understanding of the devastating Pacific battles of WWII, and the haunted men who came home. Sgt. Steve Maharidge, like many of his generation, hardly Simultaneous release with ever talked about the war. The only sign he’d served in it PublicAffairs hardcover 9781586489991 was a single black-and-white photograph of himself and n Of appeal to veterans, history buffs, another soldier tacked to the wall of his basement, where and those interested in the effects of he would grind steel. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy. -
Speaker Reporter Sue Nielsen Nielsen) Charolais Breeding Beef Operation Near Earlton
1C THE TEMISKAMINGWEDNESDAY,AUGUST 15, 2018 SPEAKER Farm fun A Day In Farm Country was a moo-ving experience Sue Nielsen and horticulture. Speaker Reporter Leon and Donna Kramer opened up her family’s dairy DISTRICT — The second annu- farm operation called Shady al A Day In Farm Country held Brook Meadows in Kerns Saturday, August 11, intended Township to visitors interest- to bridge the gap between ed in learning about how milk town and country, providing is produced. The farm has 50 visitors with an educational Holstein dairy cows as well as experience about farm life. heifers and calves. The free self-guided tour Visitors were buzzing with From the left greeting visitors at Potter’s Golden Meadow Farm in Earlton are volunteers with A Day In was opened up to different excitement as they toured a Farm Country Vearta Parent, Sally Potter and Mariah Caron. (Staff photo by Sue Nielsen) farming operations making honey making facility at Lilley- each tour a unique experience. During the event, hosted by Bee Apiaries in Earlton. the Northern Ontario Farm In- High V-ewe Sheep Farms of- novation Alliance (NOFIA) and fered visitors an inside look at various local farmers, visitors sheep farming as they have had a chance to learn about upwards of 80 of the animals the food they eat and the di- on the farm, which is expand- versity of agriculture in South ing to reach the farm’s goal of Temiskaming. having 500 sheep by 2020. “It went well. Our numbers The 80-acre Shalom Farms were up for lunch at 300 peo- in Kenabeek was a pleasant ple, and between 350 and 400 visual for vegetable and fl ower people visited the farm loca- transplant operations. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 449 105 SO 032 503 TITLE Maryland Women Who Dare: Paving the Way to the New Millennium. Maryland Women's History Display Kit 2000. INSTITUTION Maryland'State Dept. of Education, Baltimore. SPONS AGENCY Maryland State Dept. of Human Resources, Baltimore.; Maryland State Commission for Women, Baltimore. PUB DATE 2000-00-00 NOTE 160p.; This kit contains a booklet of activities and a packet of black and white photographs of notable Maryland women with profiles of their lives. AVAILABLE FROM Equity Assurance and Compliance Branch, Maryland State Department of Education, 200 West Baltimore Street, Baltimore, MD 21201. Tel: 410-767-0433. PUB TYPE Historical Materials (060) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS *Community Involvement; *Females; *Leaders; *Leadership; Leadership Qualities; *Recognition (Achievement); Secondary Education; Social Studies; State History; *Womens History IDENTIFIERS Biodata; *Maryland ABSTRACT This resource packet highlights over 30 contemporary Maryland women who reveal motivating stories from diverse backgrounds and occupations. The purpose of the packet is to recognize representative women of achievement and to ensure that teachers have the necessary tools to illustrate the extensive leadership and community involvement of Maryland women. The resource packet has three components:(1) display photographs of contemporary Maryland women;(2) descriptive captions to accompany each photograph; and (3)a resource booklet which contains a brief biographical profile of each woman pictured; personal reflections; suggested activities; and a resource directory. (BT) Reproductions supplied_by_EDRS are_the_best that can_be made from the original document. Maryland Women Who Dare: Paving the Way to the New Millennium. Maryland Women's History Display Kit 2000. Maryland State Dept. -
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Rj[-Y rA]|tr,, TOlIl. ffiACHOIII : GEf sl;n[LI!,AUIO,O$fllIRS|H, :OEAR IlilIII ilUT$AilDlBOITF CAN TAIK , \. h E\ -,"*lf*XK ,\'\ f,".' l"Every cor eventuolly ends up in o iunkyord, no motter how well you toke core of it " soys Tom, right, next to Roy. lJ he voice isn't speaking in the hushed. simply a laugh. The Tappet Brothers-in but they couldn't find the problem. I chamber-music tones lamiliar to Na- real life, Tom and Ray Magliozzi-will Ray: "I'm gonna make the noise for tional Public Radio listeners. "Though supply all three during the hour to come. you. Woooooooo." your relatives wouldn't approve, you are In a weekly program reaching an estimat- Joanne says thal's the noise. in fact listening to us, Click and Clack, ed I million listeners, Tom,52, and Ray, Ray: "It's a bad front-wheel bearing. the Tappet Brothers," the voice cackles 40, fleld questions dealing with every- But let's not assume it's in the front. happily over the airwaves. "Don't touch thing from engine noise to bumper rust. Noises can fool you. It can easily be the that dial oryour dipstickwill fall out!" A There is no script; every line is off-the- rear-wheel bearing as well." chorus of ha-ha-has follows, then the cuff, and many are off-the-wall. Almost A woman named Bertha complains strains of hoedown banjo music. all are right on target. about a year-old Toyota "with a lot of That's Car Talkyou're listening to, Na- A woman named Joanne phones about noise coming from the back." tional Public Radio's callin show for auto a Pontiac that makes a roaring noise. -
Siriusxm Launches Daily Block of Legendary "Car Talk" Public Radio Show for the Afternoon Commute
SiriusXM Launches Daily Block of Legendary "Car Talk" Public Radio Show for the Afternoon Commute From the mechanics of cars to the mechanics of life, the Peabody award-winning Magliozzi Brothers offer advice, wit and wisdom Special Thanksgiving Day "Car Talk" marathon kicks off new Sirius XM Public Radio schedule—offers millions of listeners the perfect holiday driving companion NEW YORK, Nov. 19, 2012 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) today announced that beginning November 23, it will air three back-to-back daily episodes from the 25 year collection of Car Talk— the hilarious, uninhibited, thoroughly unrehearsed show hosted by Tom and Ray Magliozzi, aka Click and Clack, the Tappet Brothers—weekdays on its SiriusXM Public Radio channel. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO) To celebrate the expansion of this beloved show to its daily lineup, SiriusXM will air a Thanksgiving Day Car Talk marathon on SiriusXM Public Radio beginning November 22 at 9:00 am ET until November 23 at 5:00 am ET featuring favorite shows such as Tom and Ray's special Thanksgiving Show. Beginning November 23, Car Talk will air Monday — Friday from 3:00 — 6:00 pm ET and 9:00 pm — midnight ET on SiriusXM Public Radio, XM channel 121 and Sirius channel 205 with Sirius Premier, giving drivers nationwide the opportunity to ride home every afternoon with Car Talk. SiriusXM will also air Car Talk on Saturdays 7:00 — 8:00 am and 1:00 — 2:00 pm and Sundays from 6:00 — 7:00 am, 12:00 — 1:00 pm and midnight — 1:00 am (all times ET) on SiriusXM Public Radio.