Actewagl Llewellyn Series Piano
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Principal Partner 2 an ORCHESTRA LIKE NO OTHER Meet Southbank Sinfonia: 33 Outstanding Young Players Poised to Make a Significant Impact on the Music Profession
Principal partner 2 AN ORCHESTRA LIKE NO OTHER Meet Southbank Sinfonia: 33 outstanding young players poised to make a significant impact on the music profession. Every year we welcome an entirely new cohort of exceptional talents from all over the world and are fascinated to hear and see what they will achieve together. Let them guide you through a vast array of repertoire and invigorating collaborations with artists such as Antonio Pappano, Vladimir Ashkenazy and Guy Barker as well as venerable organisations like the Royal Opera House and Academy of St Martin in the Fields. Whatever events you can attend, you are sure to experience the immense energy and freshness the players bring to every performance. They make a blazing case for why orchestras still matter today, investing new life in a noble tradition and reminding us all what can be accomplished when dedicated individuals put their hearts and minds together. Join us on their remarkable journey, and be enlivened and inspired. Simon Over Music Director and Principal Conductor For the latest concert listings and to book tickets online, visit us at southbanksinfonia.co.uk All information in this Concert Diary was correct at the time of going to press, but Southbank Sinfonia reserves the right to vary programmes if necessary. 3 MEET THE PLAYERS Alina Hiltunen Karla Norton Anaïs Ponty Duncan Anderson Violin Violin Violin Viola Yena Choi Tamara Elias Rachel Gorman Kaya Kuwabara Cara Laskaris Colm O’Reilly Timothy Rathbone Violin Violin Violin Violin Violin Violin Violin Martha Lloyd Helen -
Press Information
PRESS INFORMATION 15 JULY – 10 SEPTEMBER 2016 Jamie Cullum Sakari Oramo Chloë Hanslip Bernard Haitink Jean-Baptiste Millot (Isserlis); © Michael Agel (Cullum); © Gerardo Gómez (Dudamel); Marco Borggreve (Hardenberger); Simon Fowler (Flórez); Adriano Heitman (Argerich); Adriano Heitman (Argerich); (Flórez); Simon Fowler Marco Borggreve (Hardenberger); © Gerardo Gómez (Dudamel); Agel (Cullum); © Michael Jean-Baptiste Millot (Isserlis); Steven Isserlis Katie Derham Gustavo Dudamel Sir Simon Rattle BBC/Chris Christodoulou (Barenboim); © BBC/Ray Burmiston/Matt Burlem (Derham); Vern Evans (Gražinyte˙-Tyla) Vern Burmiston/Matt © BBC/Ray BurlemBBC/Chris (Derham); Christodoulou (Barenboim); 15 JULY – 10 SEPTEMBER 2016 Sol Gabetta Roderick Williams Bryn Terfel Håkan Mirga Gražinyte˙-Tyla Hardenberger Alistair McGowan Daniel Barenboim Martha Argerich Juan Diego Flórez Quincy Jones David Bowie Marin Alsop Benjamin Ealovega (Oramo); Benjamin Ealovega (Hanslip); Todd Rosenberg (Haitink); Johann Sebastian Haenel (Rattle); BBC/Chris Christodoulou (Terfel); Adriane White (Alsop); White (Alsop); Adriane BBC/Chris Christodoulou (Terfel); Johann Sebastian Haenel (Rattle); Rosenberg (Haitink); Todd (Hanslip); Benjamin Ealovega (Oramo); Benjamin Ealovega (Williams) Benjamin Ealovega Arens (Gabetta); Uwe Images (Jones); © Edu Hawkins/Redferns/Getty (Bowie); Archive Bowie The David & Archive Duffy/Duffy 2 Full information available at bbc.co.uk/proms Full information available at bbc.co.uk/proms 3 CONTENTS SEASON AT A GLANCE The Royal Albert Hall has been home -
Proms 2016 Page 1 of 7
Proms 2016 Page 1 of 7 Prom 1: First Night of the Proms Valery Gergiev conductor Prom 10: Ten Pieces II 19:30 Friday 15 Jul 2016 ON TV 11:00 Saturday 23 Jul 2016 Royal Albert Hall Royal Albert Hall Prom 5: Beethoven ± Missa solemnis Pyotr Ilyich Tchaikovsky 18:30 Tuesday 19 Jul 2016 Johann Sebastian Bach Fantasy Overture ©Romeo and Juliet© (20 mins) Royal Albert Hall Toccata and Fugue in D minor Edward Elgar Leonard Bernstein Cello Concerto in E minor (29 mins) Ludwig van Beethoven Mambo (from West Side Story) Sergei Prokofiev Missa solemnis (90 mins) Georges Bizet Cantata ©Alexander Nevsky© (41 mins) Carmen Suite No 2 (Habanera) Camilla Nylund soprano Carmen Suite No 2 (Chanson du toréador) Sol Gabetta cello Birgit Remmert mezzo-soprano Anna Clyne Olga Borodina mezzo-soprano Stuart Skelton tenor Night Ferry BBC National Chorus of Wales Hanno Müller-Brachmann bass Joseph Haydn BBC Symphony Chorus Hallé Choir Trumpet Concerto (3rd mvt) BBC Symphony Orchestra Manchester Chamber Choir Gabriel Prokofiev Sakari Oramo conductor BBC Philharmonic Concerto for Turntables and Orchestra (5th mvt) Gianandrea Noseda conductor Dmitri Shostakovich Symphony No 10 in E minor (2nd mvt) Prom 2: Mussorgsky ± Boris Godunov Ralph Vaughan Williams 19:30 Saturday 16 Jul 2016 Prom 6: Gospel Prom The Lark Ascending Royal Albert Hall 22:15 Tuesday 19 Jul 2016 ON TV Giuseppe Verdi Royal Albert Hall Requiem (Dies irae) Modest Mussorgsky Requiem (Tuba mirum) Boris Godunov Israel J. Allen singer Richard Wagner concert performance; sung in Russian (121 mins) Tehila -
Conductor Jessica Cottis to Premiere Major New Works Leading Into 2019
CONDUCTOR JESSICA COTTIS TO PREMIERE MAJOR NEW WORKS LEADING INTO 2019 Jessica Cottis © Kaupo Kikkas 7 December 2018: World premieres of works by Mark Bowden and Colin Matthews w/ London SinFonietta, Purcell Room, Southbank Centre 17 – 20 January 2019: New commission by Errollyn Wallen with Royal Northern SinFonia, Darlington/Gateshead/Leeds/Kendal 21 February – 3 March 2019: World premiere of The Monstrous Child, Linbury Theatre, Royal Opera House "Precision, energy and elegance. Most impressive was the finale where Cottis chose a speed that highlighted Mozart's breathtaking plenitude of invention with exhilarating delight. We will hear more of her welcome talent." Sydney Morning Herald "The director was the extraordinary Jessica Cottis, Anglo-Australian conductor, who last night led the orchestra as a queen. Full of energy and verve, Cottis was repeatedly able to tear applause even in the middle of scenes." Rolling Stone The coming few months sees Australian-born, London based, conductor Jessica Cottis focus on one side of her musical life when she gives a series of world premieres of major new works leading up and into 2019. Cottis’s innate musicality, intellectual rigour and dynamism on the podium have gained her international attention with long-running relationships with some of the world’s leading orchestras and ensembles. Alongside her performances of core repertoire, Cottis has also devoted a great deal of time and energy to performing new music: "There's a particular thrill of working on a new score when the ink is barely dry on the page. Those first moments of looking through, starting to discover a work's beauty, complexities, and personality. -
Beethoven 'Choral' Symphony
Sunday 16 February 2020 7–9.25pm Barbican LSO SEASON CONCERT BEETHOVEN ‘CHORAL’ SYMPHONY Berg Lulu – Suite Interval Beethoven Symphony No 9, ‘Choral’ Sir Simon Rattle conductor Iwona Sobotka soprano Anna Stéphany mezzo-soprano Robert Murray tenor Florian Boesch baritone London Symphony Chorus Simon Halsey chorus director Part of Beethoven 250 at the Barbican Tonight’s concert is being filmed for broadcast by Mezzo Welcome Latest News On Our Blog the Orchestra is joined by the full force of SIX NEW COMPOSERS APPOINTED TO BEETHOVEN 250 TIMELINE the London Symphony Chorus, led by THE PANUFNIK COMPOSERS SCHEME Chorus Director Simon Halsey. Soloist Find out about the life and work of this Iwona Sobotka returns to the stage, From a record number of applications, musical titan, discover key moments in the alongside Anna Stéphany, Robert Murray we are delighted to announce six new world that Beethoven knew, and see how his and Florian Boesch, all of whom are composers have been appointed to the LSO legacy continues long after his death. coming back to the LSO after performances Panufnik Composers Scheme for 2020/21. across previous seasons. It is a pleasure to AN INTERVIEW WITH JAMES HOYLE welcome back this talented group of singers • lso.co.uk/more/news following Wednesday’s Half Six Fix concert Ahead of the world premiere of his piece here at the Barbican, and we look forward Thymiaterion on 27 February, previous warm welcome to this LSO concert to forthcoming performances on tour to Panufnik composer James Hoyle tells us at the Barbican, conducted by LSO Hamburg and Baden-Baden. -
Rtv Slovenia Symphony Orchestra
ECCO F E AT U R I N G THE RTV SLOVENIA SYMPHONY ORCHESTRA LJUBLJANA, 29 SEPTEMBER 2016 — MARJAN KOZINA HALL OF THE SLOVENIAN PHILHARMONIC — ABOUT ECCO THE EUROPEAN CONTEMPORARY COMPOSERS ORCHESTRA ECCO is an ECSA project dedicated to performing and promoting contemporary art music and to reaching new audiences. It operates as a network of active ensembles, orchestras and young professionals, supporting the creative dialogue between composers and performers and offering young professionals the opportunity to develop their skills with ensembles experienced in performing contemporary music on an international level. The ECCO concert, and other cultural projects organised by ECSA, are aimed at increasing the visibility of ECSA and all the issues connected to the status of contemporary music creators. Pieces are received via a call to all ECSA member societies and are carefully selected to reflect the cultural and aesthetical diversity of European art music in the 21st century. In 2015, ECCO presented two very successful concerts given by Sturm und Klang and the BBC Singers. At tonight’s concert, the RTV Slovenia Symphony Orchestra conducted by Jessica Cottis will perform six pieces by European composers selected by the ECCO Artistic Committee. The composers are: Benjamin de Murashkin (DK), Indra Riše (LT), Knut Vaage (NO), Ignacy Zalewski (PL), Jani Golob (SI) and John Casken (UK). The European Commission support for the production of this publication does not constitute endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. -
2013 Annual Report
Sydney Symphony Orchestra Annual Report 2013 Page | 1 Content – Annual Report 2013 Sydney Symphony Orchestra Musicians ........................................................... 3 The Year in Review ........................................................................................... 6 Chairman’s Review ........................................................................................... 9 Managing Director’s Report ........................................................................... 11 Community ..................................................................................................... 15 Supporters - Donors and Sponsors ................................................................ 26 Page | 2 Sydney Symphony Orchestra Musicians 2013 Vladimir Ashkenazy Patron Principal Conductor and Artistic Advisor Her Excellency Professor Marie Bashir AC CVO Sponsored by Emirates Governor of New South Wales Jessica Cottis Associate Conductor Supported by Premier Partner Credit Suisse and Symphony Services International Andrew Haveron Concertmaster Dene Olding Concertmaster 1st VIOLINS Sun Yi Associate Concertmaster Kirsten Williams Associate Concertmaster Lerida Delbridge Assistant Concertmaster Fiona Ziegler Assistant Concertmaster Julie Batty Jennifer Booth Marianne Broadfoot Brielle Clapson Sophie Cole Amber Davis Jennifer Hoy Georges Lentz Nicola Lewis Alexandra Mitchell Alexander Norton Léone Ziegler 2nd VIOLINS Marina Marsden Principal Kirsty Hilton Principal Corrs Chambers Westgarth Chair Vacancy Associate Principal -
Jessica Cottis Shell Prom Picnic Concert Moment in the History of Australian Music
NOTATIONS Autumn 2017 In this edition Australian Series, Companion Pieces Symphony in the Park Rediscovering Music 2017 Symphony by the River, Queanbeyan A trailblazing Meet the Conductor, Jessica Cottis Shell Prom Picnic Concert moment in the history of Australian music. IMAGE: TOMMY BALOGH Beacon 2015 photo-luminescent media on plexiglass, 125 x 245cm (detail). Photo by Sarah Walker The first concert, Companion Pieces, Coming up Australian Series, is on Thursday 2 March, and will be Companion Pieces performed by quintet Arcadia Winds- one ActewAGL of the rising stars in the Australian music The Canberra Symphony Orchestra’s scene. Following the one hour concert, Llewellyn Series, Australian Series at the National Portrait the audience is invited to merge the aural Gallery is a trailblazing moment in the experience of the Australian Series with the Piano history of Australian music. To say that it visual, in a private after-hours viewing of is a bold step to create an ongoing series the hugely successful NPG exhibition The Wednesday 29 March wholly made up of Australian composition is Popular Pet Show. Thursday 30 March not an understatement. Llewellyn Hall, ANU, 7.30pm Pre-concert talk 6.45pm The Australian Series has been conceived, and will be compered by eminent Australian Thursday 2 March, 6.30pm Conductor Jessica Cottis composer and Deputy Head of School at Piano Daniel de Borah Tickets to the Australian Series are the Sydney Conservatorium of Music, Dr $45 each, and include both the RAUTAVAARA Cantus Arcticus Matthew Hindson AM. concert and entry to the exhibition. (Concerto for Birds and Orchestra) Hindson will curate three concerts of bold, Tickets available at cso.org.au, or at the SHOSTAKOVICH Piano Concerto No.1 original, emotional and sometimes thought door on the night, from 5.30pm in C minor provoking music during the Australian Series; each of which will be paired with a Pre-concert drinks and light BEETHOVEN Symphony No.6 special exhibition at the National Portrait refreshments available from 5.30pm in F major (Pastoral) Gallery (NPG). -
SATURDAY Series Opera Gala CSO Season 2019 Support the CSO’S 2019 Tax Appeal
SATURDAY Series Opera Gala CSO Season 2019 Support the CSO’s 2019 Tax Appeal As the votes are counted from today’s federal election, one thing is certain: the CSO will strive to deliver our policy of thrilling musical experiences for you and the community. The CSO depends upon our fundraising activities to keep delivering great concerts and life-changing programs. They are a vital source of income, so we urge you to give generously to this year’s end of financial year campaign. Today, you’ve exercised your democratic duty. If you’ve not already done so, you could complete your civic duty with a tax deductable contribution. Look out for our newest additions to the fundraising team, ‘Tap to Donate’ portals, in the foyer or near the exits on level 4. Donate before June 30 by phone, online, or donation portals. 02 6247 9191 cso.org.au Program Saturday 18 May, 2019 Llewellyn Hall, ANU, 7.30pm Richard Gill AO In Memoriam Jessica Cottis Conductor Jacqueline Porter Soprano Jeremy Kleeman Bass-baritone ANU School of Music Chamber Choir MONTEVERDI Orfeo—Overture GLUCK Orfeo ed Euridice Che fiero momento GLUCK Orfeo ed Euridice Overture GLUCK Orfeo ed Euridice—Dance of the Blessed Spirits MOZART Le Nozze di Figaro Cinque, dieci, venti/ora si ch’io Se a caso Madama Se vuol ballare Dove sono Aprite un po’ BEETHOVEN Fidelio op. 72 Overture BEETHOVEN Fidelio, op. 72 O war itch schon BIZET Carmen—Prelude and Aragonaise BIZET Carmen—Intermezzo BIZET Carmen—Chanson de Toreador PUCCINI La Bohème—Vecchia zimara PUCCINI La Bohème—Donde lieta LEHAR Die lustige Witwe—Lippen schweigen COLE PORTER Kiss Me Kate —Wunderbar SONDHEIM Sunday in the Park with George—Sunday We acknowledge and celebrate the Estimated Durations: First Australians on whose traditional FIRST HALF 45 minutes lands we meet, and pay our respect to Interval 20 minutes the elders of the Ngunnawal people SECOND HALF 45 minutes past and present. -
Jessica Cottis Conductor Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation
7 November 2020 7.30pm Guildhall Symphony Orchestra Jessica Cottis Conductor Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild MBE JP Principal Lynne Williams AM Vice-Principal & Director of Music Jonathan Vaughan FGS DipRCM (Perf) DipRCM (Teach) Please visit our website at gsmd.ac.uk Guildhall School is part of Culture Mile: culturemile.london Guildhall School is provided by the City of London as part of its contribution to the cultural life of London and the nation. Missy Mazzoli Violent, Violent Sea Leoš Janáček Sinfonietta Jean Sibelius Symphony No 1 in E minor, Op 39 Guildhall Symphony Orchestra Jessica Cottis conductor Saturday 7 November 2020 7.30pm This concert was performed live across four venues at Guildhall School on Wednesday 4 November 2020. It was recorded and produced live by Guildhall School’s Recording & Audio Visual department. Missy Mazzoli (born 1980) Violent, Violent Sea (2011) – version for full orchestra The Chicago Symphony Orchestra’s Mead Composer-In-Residence, Missy Mazzoli has received relatively little exposure this side of the Atlantic, but major UK performances include two European premieres – of her orchestral piece Sinfonia (for Orbiting Spheres) at the BBC Proms, and of her second opera, Breaking the Waves (an adaptation of the Lars von Trier film), at last year’s Edinburgh International Festival. In March, just before lockdown, she appeared at nearby St Giles’ Cripplegate in tandem with fellow American composer and pianist Kelly Moran, performing some of her own material. Like Mazzoli herself, who also composes for her all-female art-pop band Victoire, Violent, Violent Sea looks simultaneously in opposite directions. -
9 Matilda Lloyd & Martin Cousin
Autumn Special Online from 16 September 2020, 8:00pm | Holy Trinity Church, Haddington Matilda Lloyd trumpet Martin Cousin piano Alessandro Marcello Concerto in D Minor Théo Charlier Solo de Concours George Gershwin Three Preludes Johannes Brahms Intermezzo in A Major Raymond Gallois-Montbrun Sarabande et finale Serge Rachmaninov Three Songs Deborah Pritchard Seven Halts on the Somme The Lammermuir Festival is a registered charity in Scotland SC049521 Bringing together a selection of music from the eighteenth to the twenty-first centuries, this mixed programme ably demonstrates the versatility of the trumpet. It features a series of works written both specifically for the instrument, as well a selection carefully adapted for it by Matilda, alongside a couple of gems for solo piano. Alessandro Marcello Concerto in D Minor 1. Andante e spiccato • 2. Adagio • 3. Presto Alessandro Marcello was born into one of Venice's leading families and became something of a polymath. He was highly regarded as a painter, writer and diplomat as well as a musician. His Concerto in D minor was originally intended to be performed by oboe and string orchestra, and J.S. Bach actually made an arrangement of it sometime around 1715 for harpsichord. However, its clarion-like solo line lends itself to the trumpet. Théo Charlier Solo de Concours Théo Charlier was a Belgian trumpet virtuoso and composer, whose 36 Études Transcendantes are to the trumpet what Paganini's Caprices are to the violin. Charlier was the first trumpeter in modern times to perform J.S. Bach's Brandenburg Concerto No. 2, with its notoriously fiendishly difficult trumpet part, and his own music draws together his innate understanding of the trumpet with a late-Romantic musical language. -
Chloë Hanslip Violin Danny Driver Piano Autumn Special
Autumn Special Online from 8 September 2020, 1:00pm | Holy Trinity Church, Haddington Chloë Hanslip violin Danny Driver piano Ludwig van Beethoven Violin Sonata No. 1 in D Major, Op. 12, No. 1 Sergey Prokofiev Five Melodies Ludwig van Beethoven Violin Sonata No. 10 in G Major, Op. 96 The Lammermuir Festival is a registered charity in Scotland SC049521 Ludwig van Beethoven Violin Sonata No. 1 in D Major, Op. 12, No. 1 1. Allegro con brio 2. Tema con variazioni: Andante con moto 3. Rondo: Allegro Beethoven’s first three violin sonatas were composed between 1797–98. Although they were dedicated to Antonio Salieri, with whom he might briefly have studied, they show the unmistakable influence Mozart made on Beethoven’s music at the time, as he acquired full fluency in the Viennese Classical style. And in the customary Classical style, they are indicated as sonatas ‘for pianoforte and violin’, with both instruments having a more or less equal role. While the Op. 12 violin sonatas are not necessarily as formally daring as the piano sonatas of the same period, they reveal Beethoven’s firm grasp of how to write idiomatically for the violin, as well as his increasing understanding of how to create a sonata style based on the apparent unification of two opposing forces. The opening movement begins with a bold unison figure, which quickly gives way to a sonorous first subject. In the central development section, rapid passages of semiquavers are passed between violin and piano in quick sequence, making for a vigorous dialogue. The middle movement takes the form of a theme and variations, the theme being audibly based on the opening figure of the previous movement.