DOCSLIB.ORG

SATURDAY Series Opera Gala CSO Season 2019 Support the CSO’S 2019 Tax Appeal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SATURDAY Series Opera Gala CSO Season 2019 Support the CSO’S 2019 Tax Appeal SATURDAY Series Opera Gala CSO Season 2019 Support the CSO’s 2019 Tax Appeal As the votes are counted from today’s federal election, one thing is certain: the CSO will strive to deliver our policy of thrilling musical experiences for you and the community. The CSO depends upon our fundraising activities to keep delivering great concerts and life-changing programs. They are a vital source of income, so we urge you to give generously to this year’s end of financial year campaign. Today, you’ve exercised your democratic duty. If you’ve not already done so, you could complete your civic duty with a tax deductable contribution. Look out for our newest additions to the fundraising team, ‘Tap to Donate’ portals, in the foyer or near the exits on level 4. Donate before June 30 by phone, online, or donation portals. 02 6247 9191 cso.org.au Program Saturday 18 May, 2019 Llewellyn Hall, ANU, 7.30pm Richard Gill AO In Memoriam Jessica Cottis Conductor Jacqueline Porter Soprano Jeremy Kleeman Bass-baritone ANU School of Music Chamber Choir MONTEVERDI Orfeo—Overture GLUCK Orfeo ed Euridice Che fiero momento GLUCK Orfeo ed Euridice Overture GLUCK Orfeo ed Euridice—Dance of the Blessed Spirits MOZART Le Nozze di Figaro Cinque, dieci, venti/ora si ch’io Se a caso Madama Se vuol ballare Dove sono Aprite un po’ BEETHOVEN Fidelio op. 72 Overture BEETHOVEN Fidelio, op. 72 O war itch schon BIZET Carmen—Prelude and Aragonaise BIZET Carmen—Intermezzo BIZET Carmen—Chanson de Toreador PUCCINI La Bohème—Vecchia zimara PUCCINI La Bohème—Donde lieta LEHAR Die lustige Witwe—Lippen schweigen COLE PORTER Kiss Me Kate —Wunderbar SONDHEIM Sunday in the Park with George—Sunday We acknowledge and celebrate the Estimated Durations: First Australians on whose traditional FIRST HALF 45 minutes lands we meet, and pay our respect to Interval 20 minutes the elders of the Ngunnawal people SECOND HALF 45 minutes past and present. — Program notes by Angus McPherson © 2019 Angus is Deputy Editor at Limelight Magazine OUR GOVERNMENT PARTNERS SATURDAY The CSO is assisted by the Commonwealth Goverment through the Australia Council, its arts funding and advisory body Series Canberra Symphony Orchestra Season 2019 3 Opera Gala New Combination “Bean” Lorry No.341 commissioned 31st December 1925. 117 YEARS OF POWERING PROGRESS TOGETHER Since 1901, Shell has invested in large projects which have contributed to the prosperity of the Australian economy. We value our partnerships with communities, governments and industry. And celebrate our longstanding partnership with the Canberra Symphony Orchestra. shell.com.au Photograph courtesy of The University of Melbourne Archives 2008.0045.0601 SHA3112_CSO_245x172.indd 1 19/01/2018 11:11 AM Welcome The CSO has launched its annual tax appeal. It’s your advocacy, by way of donation (big or small), that makes new musical partnerships and technically-demanding performance opportunities possible. More shared experiences for our part-time professional orchestra will result in stronger performances and artistic cohesion that will sustain our audiences into the future. You can donate online, or by calling Welcome back to Llewellyn the CSO office. The CSO’s beloved Richard Hall for the Canberra We are always looking Gill AO was to have Symphony Orchestra’s for ways to make giving conducted this opera Opera Gala. to the CSO easier. After gala. Until the very end, Tonight, two of receiving terrific feedback he held on to the hope opera’s most exciting young from some of our audience that this would be his last stars—Jacqueline Porter who wanted to give a small performance with the CSO. and Jeremy Kleeman join amount more regularly, we He programmed it exactly the CSO for an evening of now have two tap to donate as it will be heard, and I passion and drama as we portals. Each tap will had the pleasure to have present an opera program donate five dollars to the many conversations with created by the late Richard CSO. I encourage you to him about his ideas for this Gill AO and beautifully tap your card as many concert. The CSO would illustrated for you tonight times as you like! not exist in its present New Combination “Bean” Lorry No.341 commissioned 31st December 1925. by conductor Jessica Cottis. As ever, we sincerely form were it not for the Off the stage, the thank the ACT Government, love and dedication that CSO proudly offered four the Australia Council and all Richard poured into our organisation, and we mourn scholarships through of our partners and donors its Rediscovering Music for their generous support his loss deeply. This Opera program for people with in 2019. Also, the CSO Gala will be a moving 117 YEARS OF POWERING hearing loss. Two adult and applauds you, our patrons, tribute to the great man. two children in the hearing for your continued support It will be conducted by the PROGRESS TOGETHER impaired community can of the CSO. remarkable Jessica Cottis, learn an instrument of their — one of the few conductors choice with a CSO musician. Rachel Thomas who can approach Since 1901, Shell has invested in large projects which have contributed to the prosperity of Thank you to Kristen Chief Executive Officer Richard’s unique level of the Australian economy. We value our partnerships with communities, governments and Sutcliffe for directing this (Acting) eloquence as both musician industry. And celebrate our longstanding partnership with the Canberra Symphony Orchestra. important program in our and as an advocate for community. inspirational musical connections. — Dr Nicholas Milton AM Artistic Patronage ActewAGL Chief Conductor and Artistic Director shell.com.au Canberra Symphony Orchestra Season 2019 Photograph courtesy of The University of Melbourne Archives 2008.0045.0601 5 WELCOME SHA3112_CSO_245x172.indd 1 19/01/2018 11:11 AM Conductor as debuts with Houston the Sydney Symphony Symphony Orchestra, Orchestra where she London Symphony conducted over thirty Orchestra, Malmö concerts per year with the Symphony Orchestra, orchestra, being lauded Orquestra Simfònica de in the Australian press as Barcelona i Nacional de “one of the big hopes for Catalunya, Gavle Symphony change”. Orchestra, Royal Liverpool Born in Australia and Philharmonic Orchestra and a dual British-Australian Malaysian Philharmonic citizen, Jessica Cottis among others. was awarded a first class In the upcoming honours degree in organ, 2018-19 season, Jessica piano and musicology from will perform in her Los the Australian National Angeles Philharmonic University and continued Hailed in the UK music Orchestra debut, as well as her studies as an organist press as “one to watch”, revisiting the City of London with Marie-Claire Alain in Jessica Cottis possesses Sinfonia, Scottish Chamber Paris, winning awards from intellectual rigour, Orchestra, London’s Royal the Royal Philharmonic innate musicality and Philharmonic Orchestra, Society and Royal College an easy authority; she is laVerdi in Milan, and the OBC of Organists. A wrist injury a charismatic figure on in Barcelona. She will return subsequently halted her the podium who brings to work for the Royal Opera playing career and, after dynamism, intensity and House in London again, reading Law, she began clarity of vision to all her conducting the premieres of conducting studies in 2006, performances. two significant new opera studying with Colin Metters Frequently in demand commissions. She will return and Sir Colin Davis on the as guest conductor, also to her native Australia postgraduate conducting highlights of recent seasons to conduct Canberra course at the Royal include performances with Symphony Orchestra, as Academy of Music. the Sydney Symphony well as Monash Academy A gifted communicator, Orchestra, London Orchestra in Melbourne. Jessica Cottis is already Philharmonic Orchestra, Her international career acting as an inspiration to Royal Philharmonic was launched through the younger generation. Orchestra, BBC Symphony close working relationships She has filmed projects for Orchestra, BBC National with mentors including Play School (ABC Australia), Orchestra of Wales, Vladimir Ashkenazy and CBeebies (BBC) and the BBC Concert Orchestra, Donald Runnicles. From Royal Opera House, has L’Orchestra Sinfonica di 2009 to 2011 she was conducted projects with Milano Giuseppe Verdi Assistant Conductor at the organisations such as the (laVerdi), l’Orchestre BBC Scottish Symphony National Youth Orchestra of Philharmonique de Monte Orchestra and Fellow in Great Britain and Sistema Carlo, New Zealand Conducting at the Royal Scotland, and led courses Symphony Orchestra, Conservatoire of Scotland, for female conductors and recording with the and from 2012 to 2014 with London’s Royal BBC Scottish Symphony Assistant Conductor of Philharmonic Society. Orchestra. The 2017-18 season marked a return – after the success of her debut in 2016 – to the prestigious BBC Proms in July, as well CONDUCTOR Canberra Symphony Orchestra Season 2019 7 Jessica Cottis TAKING SOLAR ENERGY TO NEW HEIGHTS ActewAGL Solar. An energy cost saving solution plus complete peace of mind. 100+ years’ experience in the region’s energy arena. Innovative solar + battery + smart meter solutions. High quality components. 5-year whole-of-system warranty. Exceptional support – before, during and after installation. Competitive feed-in tariff offer. Various payment options including $0 upfront and interest free plans. actewagl.com.au/solar ActewAGL Retail ABN 46 221 314 841 a partnership of AGL ACT Retail Investments Pty Ltd ABN 53 093 631 586 and Icon Retail Investments Limited ABN 23 074 371 207 ACTEW_50651_AA_CSO_Solar_Press_Ad_1_Opera_Gala_FA.indd 1 15/4/19 1:57 pm Featured Artists Jacqueline has Recent performances performed Mahler have included the role of Symphony No. 4 with both the Princess in Respighi’s Melbourne Symphony The Sleeping Beauty for Orchestra conducted Victorian Opera, (also TAKING SOLAR by Sir Andrew Davis performed at Dark Mofo, and Adelaide Symphony Hobart) performances Orchestra; Mozart’s “Litany with the Melbourne of the Blessed Sacrament” Symphony Orchestra for Sydney Symphony (Exsultate Jubilate, Thaïs ENERGY TO Orchestra; Fauré Requiem and Beethoven’s Symphony and Beethoven’s Mass in No.
Load more

Recommended publications
  • Actewagl Llewellyn Series Piano
    ACTEWAGL LLEWELLYN SERIES PIANO The CSO is assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body New Combination “Bean” Lorry No.341 commissioned 31st December 1925. 115 YEARS OF POWERING PROGRESS TOGETHER Since 1901, Shell has invested in large projects which have contributed to the prosperity of the Australian economy. We value our partnerships with communities, governments and industry. And celebrate our longstanding partnership with the Canberra Symphony Orchestra. shell.com.au Photograph courtesy of The University of Melbourne Archives 2008.0045.0601 SHA3106__CSO_245x172_V3.indd 1 20/09/2016 2:53 PM ACTEWAGL LLEWELLYN SERIES PIANO Wednesday 29 March & Thursday 30 March, 2017 Llewellyn Hall, ANU 7.30pm Conductor Jessica Cottis Soloist Daniel de Borah Trumpet Rainer Saville ----- RAUTAVAARA: Cantus Arctucus op. 61 (Concerto for Birds and Orchestra) 1. Suo (The Marsh) 6' 2. Melankolia (Melancholy) 4' 3. Joutsenet muuttavat (Swans Migrating) 6' SHOSTAKOVICH: Piano concerto No.1 in C minor, op.35 1. Allegro moderato 6' 2. Lento 8' 3. Moderato – Allegro con brio 8' INTERMISSION BEETHOVEN: Symphony No. 6 in F major op.68 (Pastoral) 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of cheerful feelings upon arrival in the countryside): Allegro ma non troppo 9' 2. Szene am Bach (Scene by the brook): Andante molto mosso 12' 3. Lustiges Zusammensein der Landleute (Merry gathering of country folk): Allegro 5' 4. Gewitter, Sturm (Thunder. Storm): Allegro 4' 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; cheerful and thankful feelings after the storm): Allegretto 9' Please note: this program is correct at time of printing, however it is subject to change without notice.
    [Show full text]
  • Opera Australia's 60Th Anniversary Costume and Memorabilia
    MEDIA RELEASE Own a piece of opera history: Opera Australia’s 60th anniversary costume and memorabilia exhibition and auction Exhibition | Saturday 24 – Thursday 29 June 2017 | The Opera Centre, Surry Hills, Sydney Auction | Friday 30 June – Saturday 1 July 2017 | The Opera Centre, Surry Hills, Sydney Opera Australia is diving into sixty years of costumes, accessories, artworks and memorabilia in an anniversary exhibition at The Opera Centre. The week-long event will culminate in an auction where the public can bid for an exclusive piece of Australia’s operatic story. This is the first time Opera Australia has opened its vaults to give thousands of opera fans the opportunity to get up close to over 2,000 items costumes, accessories, artworks and memorabilia worn and inspired by their idols. Highlights of the exhibition and auction include: Costumes from Baz Luhrmann’s famous 1990 production of La Bohème Dame Kiri Te Kanawa ONZ DBE AC’s costume for the role as ‘Violetta’ in the 1978 production of La Traviata Yvonne Kenny AM’s costume for the roles of ‘Sylva Varescu’ in the 2001 production of The Gypsy Princess, ‘Hanna’ in the 2004 production of The Merry Widow and ‘Armida’ in the 1999 production of Rinaldo Sigrid Thornton’s costume for the role of Desirée in 2009 production of A Little Night Music. Dame Heather Begg DNZM OBE’s costume for the role of ‘The Countess Di Coigny’ in the 2001 production of Andrea Chénier Cheryl Barker AO’s costume for the role of ‘Lauretta’ in 2007 production of Gianni Schicchi Opera Australia CEO Craig Hassall explained the motivation behind the historic move.
    [Show full text]
  • Principal Partner 2 an ORCHESTRA LIKE NO OTHER Meet Southbank Sinfonia: 33 Outstanding Young Players Poised to Make a Significant Impact on the Music Profession
    Principal partner 2 AN ORCHESTRA LIKE NO OTHER Meet Southbank Sinfonia: 33 outstanding young players poised to make a significant impact on the music profession. Every year we welcome an entirely new cohort of exceptional talents from all over the world and are fascinated to hear and see what they will achieve together. Let them guide you through a vast array of repertoire and invigorating collaborations with artists such as Antonio Pappano, Vladimir Ashkenazy and Guy Barker as well as venerable organisations like the Royal Opera House and Academy of St Martin in the Fields. Whatever events you can attend, you are sure to experience the immense energy and freshness the players bring to every performance. They make a blazing case for why orchestras still matter today, investing new life in a noble tradition and reminding us all what can be accomplished when dedicated individuals put their hearts and minds together. Join us on their remarkable journey, and be enlivened and inspired. Simon Over Music Director and Principal Conductor For the latest concert listings and to book tickets online, visit us at southbanksinfonia.co.uk All information in this Concert Diary was correct at the time of going to press, but Southbank Sinfonia reserves the right to vary programmes if necessary. 3 MEET THE PLAYERS Alina Hiltunen Karla Norton Anaïs Ponty Duncan Anderson Violin Violin Violin Viola Yena Choi Tamara Elias Rachel Gorman Kaya Kuwabara Cara Laskaris Colm O’Reilly Timothy Rathbone Violin Violin Violin Violin Violin Violin Violin Martha Lloyd Helen
    [Show full text]
  • Carmen Carmen
    CARMEN CARMEN Saturday 12 August 7.30pm Federation Concert Hall Hobart Marko Letonja Conductor Teddy Tahu Rhodes Escamillo Elena Schwarz Assistant Conductor Emma Pearson Micaëla June Tyzack Chorusmaster Shane Lowrencev Zuniga 4 SPECIAL HOBART Elizabeth Hill Staging Samuel Dundas Moralès/Le Dancaïre Ingrid Rahlén Stage Manager Kathryn Radcliffe Frasquita Phoebe Briggs Music Preparation Sally-Anne Russell Mercédès With a long and rich Elena Maximova Carmen Jonathan Abernethy Le Remendado relationship spanning Marcelo Puente Don José TSO Chorus more than a decade, The20 are proud to be Opéra comique in Four Acts by Georges Bizet to a libretto by Henri Meilhac and Ludovic Helévy, after Prosper Mérimée’s novel. First performed at the creative collaborators Opéra-Comique, Paris, 3 March 1875. with the cultural icon Act I Act III that is the Tasmanian A public square in Seville; a tobacco A rocky place near Seville at night. Symphony Orchestra. factory on the right faces a guardroom on Duration 36 mins the left with a covered gallery in front. Duration 47 mins Act IV Outside the bullring in Seville. Act II Duration 21 mins Lillas Pastia’s tavern. Duration 36 mins INTERVAL Performed in French with surtitles. Duration 20 mins This concert will end at approximately 10.30pm. Presented in association with Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic FM. We would appreciate your cooperation the20.com.au Cover image: Elena Maximova as Carmen © ROH. Photographer Catherine Ashmore in keeping coughing to a minimum. Please ensure that your mobile phone is switched off.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Press Information
    PRESS INFORMATION 15 JULY – 10 SEPTEMBER 2016 Jamie Cullum Sakari Oramo Chloë Hanslip Bernard Haitink Jean-Baptiste Millot (Isserlis); © Michael Agel (Cullum); © Gerardo Gómez (Dudamel); Marco Borggreve (Hardenberger); Simon Fowler (Flórez); Adriano Heitman (Argerich); Adriano Heitman (Argerich); (Flórez); Simon Fowler Marco Borggreve (Hardenberger); © Gerardo Gómez (Dudamel); Agel (Cullum); © Michael Jean-Baptiste Millot (Isserlis); Steven Isserlis Katie Derham Gustavo Dudamel Sir Simon Rattle BBC/Chris Christodoulou (Barenboim); © BBC/Ray Burmiston/Matt Burlem (Derham); Vern Evans (Gražinyte˙-Tyla) Vern Burmiston/Matt © BBC/Ray BurlemBBC/Chris (Derham); Christodoulou (Barenboim); 15 JULY – 10 SEPTEMBER 2016 Sol Gabetta Roderick Williams Bryn Terfel Håkan Mirga Gražinyte˙-Tyla Hardenberger Alistair McGowan Daniel Barenboim Martha Argerich Juan Diego Flórez Quincy Jones David Bowie Marin Alsop Benjamin Ealovega (Oramo); Benjamin Ealovega (Hanslip); Todd Rosenberg (Haitink); Johann Sebastian Haenel (Rattle); BBC/Chris Christodoulou (Terfel); Adriane White (Alsop); White (Alsop); Adriane BBC/Chris Christodoulou (Terfel); Johann Sebastian Haenel (Rattle); Rosenberg (Haitink); Todd (Hanslip); Benjamin Ealovega (Oramo); Benjamin Ealovega (Williams) Benjamin Ealovega Arens (Gabetta); Uwe Images (Jones); © Edu Hawkins/Redferns/Getty (Bowie); Archive Bowie The David & Archive Duffy/Duffy 2 Full information available at bbc.co.uk/proms Full information available at bbc.co.uk/proms 3 CONTENTS SEASON AT A GLANCE The Royal Albert Hall has been home
    [Show full text]
  • Sir Colin Davis Discography
    1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.
    [Show full text]
  • September 2017
    AUGUST - SEPTEMBER 2017 คณะกรรมการบริหารสถานีวิทยุแห่ง ประวัติรายการดนตรีคลาสสิก จุฬาลงกรณ์มหาวิทยาลัย ทีป รึกษา รายการดนตรีคลาสสิกของสถานีวิทยุจุฬาฯ ดําเนินการมา อย่างต่อเนืองเป็นเวลาเกือบ 50 ปี โดยเริมออกอากาศ ผู้ช่วยศาสตราจารย์ขวัญเรือน กิติวัฒน์ หลังจากสถานีวิทยุจุฬาฯก่อตงไั ด้ไม่นาน ประธาน (สถานีวิทยุจุฬาฯ ก่อตังเมือปี พ.ศ. 2508) ผู้ช่วยศาสตราจารย์ ดร.พิรงรอง รามสูต รองอธิการบดี ผู้จัดทํารายการในระยะแรก คือ คณาจารย์จุฬาฯ และ อาจารย์ดนตรีทีมีใจรักดนตรีคลาสสิก อาทิ ศาสตราจารย์ กรรมการ ดร.กําธร สนิทวงศ์ ณ อยุธยา ศาสตราจารย์ ไขแสง ศุขะ- ศาสตราจารย์ ดร.ปาริชาต สถาปิตานนท์ วัฒนะ ผู้ช่วยศาสตราจารย์ สมัยสารท สนิทวงศ์ ณ อาจารย์สุภาพร โพธิแก้ว อยุธยา และอาจารย์ ปิยะพันธ์ สนิทวงศ์ เป็นต้น ผู้ช่วยศาสตราจารย์ ดร.ณัฐชานนท์ โกมุทพุฒิพงศ์ อาจารย์ ดร.อลงกรณ์ ปริวุฒิพงศ์ ตังแต่ปี พ.ศ.2511 อาจารย์ ชัชวาลย์ ทาสุคนธ์ และ นางสาวอรนุช อนุศักดิเสถียร อาจารย์ สมโภช รอดบุญ ซึงเป็นเจ้าหน้าทีประจําของ นายณรงค์ สุทธิรักษ์ สถานีรับช่วงดําเนินรายการต่อมา อาจารย์ สมโภช ถึงแก่ กรรมในปี พ.ศ.2531 และทางสถานีได้ดําเนินงานต่อมา โดยได้ รับความร่วมมือจากบุคลากรผู้ทรงคุณวุฒิหลาย ท่านของจุฬาฯ จุลสารรายสองเดือน Music of the Masters เป็นของ สถานีวิทยุแห่งจุฬาลงกรณ์มหาวิทยาลัย (FM 101.5 ตังแต่ปี พ.ศ. 2533 สีส้ ม เอียมสรรพางค์ และ สดับพิณ MHz) บทความทีตีพิมพ์ในจุลสารและบทวิทยุของ รัตนเรือง รับช่วงดําเนินงานต่อมาจนถึงปัจจุบัน และตังแต่ รายการดนตรีคลาสสิกเป็นลิขสิทธิของผู้ จัดทํา ห้ามผใดู้ ปี พ.ศ.2536 เป็ นต้นมา รายการดนตรีคลาสสิกออก นําไปตีพิมพ์หรือเผยแพร่ซาในํ ทุกๆ ส่วน อากาศทุกคืน ระหว่างเวลา 21:35-23:55 น. ผ้จู ัดทํา : สดับพิณ รัตนเรือง ปลายปี พ.ศ.2538 ทางรายการเปิดรับสมัครสมาชิกราย
    [Show full text]
  • WILLIAM TELL Armando Noguera (William Tell) VICTORIAN OPERA PRESENTS WILLIAM TELL
    GIOACHINO ROSSINI WILLIAM TELL Armando Noguera (William Tell) VICTORIAN OPERA PRESENTS WILLIAM TELL Composer Gioachino Rossini Librettists V.J Etienne de Jouy and H.L.F. Bis Conductor Richard Mills AM Director Rodula Gaitanou Set and Lighting Designer Simon Corder Costume Designer Esther Marie Hayes Assistant Director Meg Deyell CAST Guillaume Tell Armando Noguera Rodolphe Paul Biencourt Arnold Melcthal Carlos E. Bárcenas Ruodi Timothy Reynolds Walter Furst Jeremy Kleeman Leuthold Jerzy Kozlowski Melcthal Teddy Tahu Rhodes Mathilde Gisela Stille Jemmy Alexandra Flood Hedwige Liane Keegan Gesler Paolo Pecchioli* Orchestra Victoria 14, 17 and 19 JULY 2018 Palais Theatre, St Kilda Original premiere 3 August 1829, Paris Opera Running Time is 3 hours and 15 minutes, including interval Sung in French with English surtitles *Paolo Pecchioli appears with the support of the Faculty of Fine Arts and Music, University of Melbourne. 3 PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Marina Milankovic Deputy Stage Manager Meg Deyell Assistant Stage Manager Jessica Frost Assistant Stage Manager Luke Hales Wardrobe Supervisor Kate Glenn-Smith MUSIC STAFF Principal Repetiteur Phoebe Briggs Chorus Preparation Richard Mills, Phoebe Briggs Repetiteur Phillipa Safey CHORUS Soprano Jordan Auld*, Kirilie Blythman, Jesika Clark*, Rosie Cocklin*, Alexandra Ioan, Millie Leaver*, Rebecca Rashleigh, Diana Simpson, Emily Uhlrich, Nicole Wallace Mezzo Soprano Kerrie Bolton, Shakira Dugan, Jessie Eastwood*, Kristina Fekonja*, Hannah Kostros*,
    [Show full text]
  • President's Letter
    PRESIDENT’S LETTER February 2021 Dear Friends, Happy New Year! And welcome to our 35th year assisting the performing arts in Australia. 35th ANNIVERSARY Together, for three and a half decades, we have succeeded in honouring and strengthening Dr Seaborn’s generous and multifaceted legacy. We plan to celebrate this significant milestone with two special events - a daytime gathering (October 7th) and a Gala Fundraising Dinner (October 14th). We all hope that the COVID situation will be under control by then so that we can proceed with these events without restricting guest numbers. More details will be included in our future Newsletters. In the meantime, we have been planning a 35th Anniversary monthly WORDS & MUSIC series to be held throughout the year in our Seaborn Library. Each event will commence with morning tea at 10.30 am followed by entertainment at 11 am. Because of the early date and reduced numbers due to physical distance concerns, the first event on Feb 4th, With a Song in My Heart featuring Foundation Friend and jazz singer Evie Pikler, could not be widely publicised but will, we hope, be repeated later in the year and Friends should register their interest, by ringing Carol Martin on 99555444. On 4th March sensational young tenor Brad Cooper accompanied by Bev Kennedy will present MUSIC IN THE STRAND; on April 15th well-loved actor Peter Carroll will share some of Les Murray’s poetry arranged by John Senzcuk and on May 6th brilliant actress Sandy Gore will read from the letters of composers Alma Mahler and Clara Schumann with piano interludes provided by multi-talented singer, teacher, pianist Donna Balson.
    [Show full text]
  • Proms 2016 Page 1 of 7
    Proms 2016 Page 1 of 7 Prom 1: First Night of the Proms Valery Gergiev conductor Prom 10: Ten Pieces II 19:30 Friday 15 Jul 2016 ON TV 11:00 Saturday 23 Jul 2016 Royal Albert Hall Royal Albert Hall Prom 5: Beethoven ± Missa solemnis Pyotr Ilyich Tchaikovsky 18:30 Tuesday 19 Jul 2016 Johann Sebastian Bach Fantasy Overture ©Romeo and Juliet© (20 mins) Royal Albert Hall Toccata and Fugue in D minor Edward Elgar Leonard Bernstein Cello Concerto in E minor (29 mins) Ludwig van Beethoven Mambo (from West Side Story) Sergei Prokofiev Missa solemnis (90 mins) Georges Bizet Cantata ©Alexander Nevsky© (41 mins) Carmen Suite No 2 (Habanera) Camilla Nylund soprano Carmen Suite No 2 (Chanson du toréador) Sol Gabetta cello Birgit Remmert mezzo-soprano Anna Clyne Olga Borodina mezzo-soprano Stuart Skelton tenor Night Ferry BBC National Chorus of Wales Hanno Müller-Brachmann bass Joseph Haydn BBC Symphony Chorus Hallé Choir Trumpet Concerto (3rd mvt) BBC Symphony Orchestra Manchester Chamber Choir Gabriel Prokofiev Sakari Oramo conductor BBC Philharmonic Concerto for Turntables and Orchestra (5th mvt) Gianandrea Noseda conductor Dmitri Shostakovich Symphony No 10 in E minor (2nd mvt) Prom 2: Mussorgsky ± Boris Godunov Ralph Vaughan Williams 19:30 Saturday 16 Jul 2016 Prom 6: Gospel Prom The Lark Ascending Royal Albert Hall 22:15 Tuesday 19 Jul 2016 ON TV Giuseppe Verdi Royal Albert Hall Requiem (Dies irae) Modest Mussorgsky Requiem (Tuba mirum) Boris Godunov Israel J. Allen singer Richard Wagner concert performance; sung in Russian (121 mins) Tehila
    [Show full text]
  • Saturday 20 October 7.30Pm Federation Concert Hall Hobart Marko Letonja Elena Schwarz
    Saturday 20 October 7.30pm Federation Concert Hall Hobart Marko Letonja Elena Schwarz Opéra in Five Acts by Charles-François Gounod to a libretto by Jules Barbier and Michel Carré, after William Shakespeare’s play. First performed at the Théâtre Lyrique, Paris, 27 April 1867. Marko Letonja Conductor ACT I Elena Schwarz Assistant Conductor A masked ball at the Capulet residence. Swiss-Australian conductor Elena Schwarz June Tyzack Chorusmaster Duration 38 mins Marko Letonja is Chief Conductor Libby Hill Staging and Artistic Director of the Tasmanian was the Tasmanian Symphony Orchestra’s first Symphony Orchestra, Music Director ever Assistant Conductor in 2017 and will take Ingrid Rahlén Stage Manager ACT II of the Orchestre Philharmonique de up the position of Associate Conductor from Phoebe Briggs Music Preparation The Capulet garden by night. Strasbourg and Music Director of the the start of 2019. She is currently Assistant Jennifer Marten-Smith Répétiteur Duration 24 mins Bremen Philharmonic Orchestra from Conductor to Mikko Franck at the Orchestre Robert Pechanec Répétiteur/ the start of the 2018-19 season. Born Philharmonique de Radio France. Recent Vocal Coach ACT III in Slovenia, he studied at the Academy engagements include ‘Portrait’ concerts Brian Harris Lighting The cell of Frère Laurent; daybreak. A street in of Music in Ljubljana and the Vienna with the Orchestre Philharmonique de Radio Adriana Kučerová Juliette front of the Capulet house. Academy of Music. He was Music France (Nicolas Bacri), and the Lucerne Festival Director of the Slovenian Philharmonic Academy (Olga Neuwirth), concerts with the Duration 33 mins Pavol Breslik Roméo Orchestra from 1991 to 2003 and Music Trondheim Symphony Orchestra, Sinfonietta David Parkin Frère Laurent Director and Chief Conductor of both de Lausanne, Orchestre de Cannes and the Samuel Dundas Mercutio INTERVAL the Symphony Orchestra and the Opera 2016 Martha Argerich Festival in Lugano, Sally-Anne Russell Stéphano in Basel from 2003 to 2006.
    [Show full text]