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Australian Music Calendar South Australia 2011
australian music calendar South Australia 2011 The Australian Music Calendar lists events from around Australia which feature music by one or more Australian composers, sound artists or improvisers. Events are sorted by state and further information on each event can be found online at http://www.australianmusiccentre.com.au/calendar * denotes World premiere ; ** denotes Australian premiere SOUTH AUSTRALIA 26 February 2011 - Australian String Quartet : Performance in Campbell Park Venue: Campbell Park Station - Lake Albert, Meningie, 7pm Program: Graeme Koehne - Shaker dances. Also: Glazunov, Boccherini. Performers: Australian String Quartet. Tickets: $70. Phone number for further information: 1800 040 444. 10 March 2011 - Australian String Quartet: Shaker Dances Venue: Adelaide Town Hall - 128 King William St, Adelaide, 7pm Program: Graeme Koehne - String quartet no. 2. Also: Boccerini, Shostakovich, Glazunov. Performers: Australian String Quartet. Tickets: Adult $57 / Concession $43 / Student $22 (service fee applies). 20 March 2011 - Masquerade : Kegelstatt Ensemble Venue: Pilgrim Church - 12 Flinders St, Adelaide, 3.00pm Program: Paul Stanhope - Shadow dancing, Brett Dean - Night window. Also: Kurtag; Mozart. Performers: Leigh Harold, Kegelstatt Ensemble, Stephanie Wake-Dyster, Anna Webb, Kegelstatt Ensemble. Tickets: $25/$18. 27 March 2011 - AdYO: Beginnings Venue: Elder Hall - Elder Conservatorium of Music, University of Adelaide, Adelaide, 6.30pm Program: Natalie Williams - Fourth alarm. Also: Respighi, Sejourne. Performers: Adelaide Youth Orchestra, Keith Crellin. Tickets: Adults: $25 | Concession: $20 | Students: $10 | Group (8+): $22 | Family: $60. Phone number for further information: 131246 (Tickets). 1 April 2011 - Adelaide Symphony Orchestra: Grandage premiere Venue: Adelaide Town Hall - 128 King William St, Adelaide, 8pm Program: Iain Grandage - Spindle*. Also: Lalo, Dvorak, Tchaikovsky, Elgar. -
Tivoli Dances
476 6502 GRAEME KOEHNE tivoli dances TASMANIAN SYMPHONY ORCHESTRA The selection of pieces recorded here forms a on-stage by a piano quintet. The ballet explored survey, ranging across 20 years, of Graeme themes of the continuities between the past Koehne’s engagement with an aesthetic of the and the present, and Murphy called it Old ‘lighter touch’. Graeme’s turn towards ‘lightness’ Friends, New Friends. Graeme (Koehne) chose began in the early 1980s, when he moved from to write in a ‘Palm Court’ style both because it Adelaide to the university town of Armidale in suited the ensemble and had an appropriately New South Wales. Here he encountered, on the nostalgic quality – hence the title Palm Court Graeme Koehne b. 1956 one hand, a withdrawal from the support Suite when the work appears without dancers. Tivoli Dances [20’39] network of Adelaide’s then thriving ‘new music’ The piece was the surprise success of the 1 I. Santa Ana Freeway 4’46 scene; and on the other, a small, close-knit but program and Murphy decided to expand it into a 2 II. Forgotten Waltz (Tivoli Memories) 5’52 musically active community. The change of social full evening work called Nearly Beloved, which 3 III. Salvation Hymn and Whistling Song 5’10 environment prompted Graeme to re-evaluate his has had several seasons, including at the Créteil 4 IV. Vamp ’Til Ready 4’51 aesthetic priorities, leading progressively to his Maison des Arts. rejection of the ideology of ‘heroic’ modernism Shaker Dances [21’14] The return to simplicity and vernacular musical in favour of a new, more modest aim of 5 I. -
Artist Biographies
ARTIST BIOGRAPHIES Richard Gill AO | Artistic Director & Conductor in March 2019 Australian conductor and educator, Richard Gill, one of Australia's best-known and best-loved musical figures, is a significant and vital key member of ARCO. His career has taken him from teaching music in Sydney's western suburbs to Music Director of the Victorian Opera, Artistic Director of the Sydney Symphony Education Program, and along the way an involvement with almost every major opera company and orchestra in Australia. He is one of this country's pre-eminent conductors and a passionate advocate of music education. He specialises in opera, music theatre and vocal and choral training and his work in developing young musicians and creating opportunities for them is recognised world-wide. His appearances on the ABC’s “Spicks and Specks” and “Q&A” have made him a household name within and beyond Australia’s musical world. What truly distinguishes Richard is his passion and enthusiasm for spreading not just the joy of music, but its myriad benefits. He is Australia’s greatest musical educator, and many say one of the best in the world. His life's work - alongside his other roles - has been advocating music in our education system, and furthering the development of those who have gone on to choose music as a vocation. He brings music to life, and his knowledge and deep enjoyment of his subject is as inspiring and enlightening to a class of primary school students as it is to the cast of a major opera. The majority of Australia’s young contemporary professional musicians count Richard as a powerful influence on their musical development. -
HARP LEGENDS Simone Young Conducts
HARP LEGENDS Simone Young Conducts THURSDAY AFTERNOON SYMPHONY Thursday 24 July 2014 EMIRATES METRO SERIES Friday 25 July 2014 MONDAYS @ 7 Monday 28 July 2014 concert diary CLASSICAL Jandamarra Meet the Music Wed 16 Jul 6.30pm HOLST A Fugal Overture Thu 17 Jul 6.30pm VAUGHAN WILLIAMS Oboe Concerto ^Tea & Symphony STANHOPE & HAWKE^ Fri 18 Jul 11am premiere Jandamarra – Sing for the Country complimentary morning tea from 10am Brett Weymark conductor Major Partner Kimberley Diamond Diana Doherty oboe Pre-concert talk Simon Lobelson baritone by Vincent Plush Yilimbirri Ensemble – singers and dancers (Wed, Thu only) Members of Gondwana Choirs Thursday Afternoon Symphony Harp Legends Thu 24 Jul 1.30pm LISZT Orpheus Emirates Metro Series RODRIGO Concierto serenata for harp Fri 25 Jul 8pm BRACEGIRDLE Legends of the Old Castle – Mondays @ 7 Harp Concertino AUSTrALiAN premiere Mon 28 Jul 7pm ZEMLINSKY The Mermaid Pre-concert talk Simone Young conductor by Yvonne Frindle Louise Johnson harp (Bracegirdle) Sivan Magen harp (Rodrigo) Harpists of the World Harp Congress Special Event Pepe Romero Premier Partner Credit Suisse ROSSINI The Barber of Seville: Overture Fri 1 Aug 8pm RODRIGO Concierto de Aranjuez Sat 2 Aug 8pm VIVALDI Concerto in D, RV 93 Pre-concert talk BEETHOVEN Symphony No.8 45 minutes before Tito Muñoz conductor each performance Pepe Romero guitar APT Master Series Four Last Songs Wed 13 Aug 8pm GLANERT Frenesia AUSTrALiAN premiere Fri 15 Aug 8pm R STRAUSS Four Last Songs Sat 16 Aug 8pm BRAHMS Symphony No.2 Pre-concert talk David Robertson -
Nigel Westlake
NIGEL WESTLAKE SELECTED CREDITS ALI’S WEDDING (2017) PAPER PLANES (2014) MISS POTER (2006) (Nigel won APRA MusiC Award, nominated for IFMCA Award & World SoundtraCk Award) THE NUGGET(2002) (Nigel won SCreen MusiC Award) BIOGRAPHY Nigel Westlake's Career in musiC has spanned more than four deCades. As a Composer for the sCreen, his film Credits inClude the feature film ‘Ali’s Wedding’, ‘Paper Planes’, ‘Miss Potter’, ‘Babe’, ‘Babe: Pig in the CitY’, ‘Children of the Revolution’, ‘The Nugget’, plus the Imax films ‘AntarCtiCa’, ‘Imagine’, ‘The Edge and Solarmax’ and numerous others. His television Credits include doCumentaries, telemovies, news themes and station idents. His Compositions have earned numerous aCColades, inCluding the Gold Medal at the New York International Radio Festival and 15 APRA awards (Australasian Performing Right assoC.) in the sCreen & art musiC Categories. The feature film ‘Babe’ won the Golden Globe Award in 1996 for Best Feature MusiCal/ ComedY. He studied the Clarinet with his father, Donald Westlake, and left sChool earlY to pursue a performanCe Career in musiC. His earlY Career as a freelanCe clarinettist, bass clarinettist and saxophonist was spent touring Australia and the world performing with ballet companies, a circus troupe, Chamber musiC ensembles, fusion bands and orChestras. Nigel’s interest in Composition dates from the late 1970s, when he formed a Classical / jazz-roCk / world-musiC / fusion band to perform original Compositions. During this time he started to reCeive offers to Compose for radio, CirCus, TV & film. In 1983 he furthered his studies of ContemporarY music in the Netherlands, studYing bass Clarinet with HarrY SparnaaY and Composition with Theo Leovendie. -
Actewagl Llewellyn Series Piano
ACTEWAGL LLEWELLYN SERIES PIANO The CSO is assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body New Combination “Bean” Lorry No.341 commissioned 31st December 1925. 115 YEARS OF POWERING PROGRESS TOGETHER Since 1901, Shell has invested in large projects which have contributed to the prosperity of the Australian economy. We value our partnerships with communities, governments and industry. And celebrate our longstanding partnership with the Canberra Symphony Orchestra. shell.com.au Photograph courtesy of The University of Melbourne Archives 2008.0045.0601 SHA3106__CSO_245x172_V3.indd 1 20/09/2016 2:53 PM ACTEWAGL LLEWELLYN SERIES PIANO Wednesday 29 March & Thursday 30 March, 2017 Llewellyn Hall, ANU 7.30pm Conductor Jessica Cottis Soloist Daniel de Borah Trumpet Rainer Saville ----- RAUTAVAARA: Cantus Arctucus op. 61 (Concerto for Birds and Orchestra) 1. Suo (The Marsh) 6' 2. Melankolia (Melancholy) 4' 3. Joutsenet muuttavat (Swans Migrating) 6' SHOSTAKOVICH: Piano concerto No.1 in C minor, op.35 1. Allegro moderato 6' 2. Lento 8' 3. Moderato – Allegro con brio 8' INTERMISSION BEETHOVEN: Symphony No. 6 in F major op.68 (Pastoral) 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of cheerful feelings upon arrival in the countryside): Allegro ma non troppo 9' 2. Szene am Bach (Scene by the brook): Andante molto mosso 12' 3. Lustiges Zusammensein der Landleute (Merry gathering of country folk): Allegro 5' 4. Gewitter, Sturm (Thunder. Storm): Allegro 4' 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; cheerful and thankful feelings after the storm): Allegretto 9' Please note: this program is correct at time of printing, however it is subject to change without notice. -
City Recital Hall Limited
ANNUAL REPORT 2018-19 CITY RECITAL HALL LIMITED 1 CONTENTS 3 STRATEGIC FRAMEWORK Concert: Man of Constant Sorrow: A tribute to the music 4 ACTIVITY HIGHLIGHTS of ‘O Brother Where art Thou?’ Photo: Tim da-RIn 5 CHAIR’S MESSAGE 6 CEO’S MESSAGE 7 PRESENTING PARTNERS AND HIRERS 8 APPEARING ON OUR STAGE 10 VISITOR EXPERIENCE 11 SUPPORT FOR THE SECTOR 12 COMMUNITY ENGAGEMENT 14 CITY RECITAL HALL PRESENTS 17 KEY PRESENTERS 18 VENUE HIRERS 19 PARTNERS AND SUPPORTERS 20 GIVING 21 MEMBERSHIP 22 CORPORATE GOVERNANCE 23 BOARD 26 STAFF 2 STRATEGIC FRAMEWORK Concert: Man of Constant Sorrow: A tribute to the music of ‘O Brother Where art Thou?’ Photo: Tim da-RIn VISION OUR GUIDING PRINCIPLES STRATEGIC GOALS To be one of the ‘must visit’ cultural AND VALUES BRAND destinations in Australia. • Progressive thinking and creative City Recital Hall is a place that offers excellence underpin everything we do. “music and more” to a wide audience MISSION We think outside the square to deliver unique and creative experiences for PLACE To unlock the cultural, social and our artists, partners and audiences. The beating cultural heart of the economic value of City Recital Hall. Sydney CBD • Democratic and diverse - Everyone We will do this by: plays an important part, every voice is QUALITY heard, everyone is respected. If it’s on at City Recital Hall, it must be • producing, promoting, presenting, We champion diversity by engaging good encouraging and facilitating excellent with all genres, all peoples, all ideas. cultural events; We are proud to be open, transparent SERVICE and inclusive. -
Mozart and Brahms I Contents Welcome 1
Music to soothe your soul Mozartand Brahms 28 + 29 MAY 2021 CONCERT HALL, QPAC PROGRAM | MOZART AND BRAHMS I CONTENTS WELCOME 1 IF YOU'RE NEW TO THE ORCHESTRA 2 FOR YOUNGER EARS 4 DEFINTION OF TERMS 8 LISTENING GUIDE 10 ARTIST BIOGRAPHIES 14 SUPPORTING YOUR ORCHESTRA 24 MUSICIANS AND MANAGEMENT 26 II PROGRAM | MOZART AND BRAHMS WELCOME Today we are very privileged to welcome back to the QPAC stage one of the world's greatest oboists - Diana Doherty. The oboe is a notoriously tricky instrument with several parameters that make it hard to master, none more so than the temperamental double reed at the top. These are hand- made by the oboist from a weed similar to bamboo (Arundo Donax for those playing at home). There are but a handful of oboists in the world who are invited to perform as soloists outside of their country, and Diana is one of them. One of my first trips to see the Sydney Symphony Orchestra as a teenager was to witness Diana perform the Richard Strauss Oboe Concerto. I marvelled at her gloriously resonant oboe sound, especially as she was 37 weeks pregnant! Nearly a decade later I watched Diana premiere Ross Edwards' Oboe Concerto, dressed (as instructed by the composer) as a wild bird, whilst undertaking dance choreography. I can’t think of any other oboist in the world who can pull off these jaw-dropping feats. Today, Diana performs the most famous work from the oboe repertoire - Mozart's Oboe Concerto in C. Diana is one of those oboists who makes the instrument sound like a human voice, and I have no doubt that you will enjoy her breathtaking rendition of this charming yet virtuosic concerto. -
Mahler's Klagende Lied
Mahler’s Klagende Lied SIMONE YOUNG’S VISIONS OF VIENNA 4 – 7 DECEMBER SYDNEY OPERA HOUSE CONCERT DIARY FEBRUARY 2020 The 1950s Latin Lounge Wed 5 Feb, 7pm Thu 6 Feb, 7pm Program includes: Sat 8 Feb, 7pm GERSHWIN Cuban Overture Sydney Town Hall MARQUEZ Danzón No.2 BERNSTEIN West Side Story – Mambo Guy Noble conductor Imogen Kelly dancer Ali McGregor soprano The Rite of Spring Symphony Hour Wed 19 Feb, 7pm RIOT AT THE BALLET Thu 20 Feb, 7pm WAGNER Die Meistersinger – Prelude Sydney Town Hall STRAVINSKY The Rite of Spring Pietari Inkinen conductor Abercrombie & Kent Debussy and Ravel Masters Series THE GREAT IMPRESSIONISTS Wed 26 Feb, 8pm RAVEL Piano Concerto in G Fri 28 Feb, 8pm MENDELSSOHN The Hebrides Sat 29 Feb, 8pm DEBUSSY La mer Thursday Afternoon Symphony Jun Märkl conductor Thu 27 Feb, 1.30pm Alexandra Dariescu piano Great Classics Sat 29 Feb, 2pm Sydney Town Hall MARCH 2020 Ben Folds Sydney Symphony Presents Fri 6 Mar, 8pm THE SYMPHONIC TOUR Sat 7 Mar, 8pm Pop icon and music innovator Ben Folds Sydney Town Hall returns to Sydney following his last sold- out shows with the Sydney Symphony. Ben Folds Nicholas Buc conductor Scheherazade Symphony Hour Wed 11 Mar, 7pm HYPNOTIC AND SUBLIME Thu 12 Mar, 7pm DEBUSSY Prelude to the Afternoon of a Faun Tea & Symphony RIMSKY-KORSAKOV Scheherazade Fri 13 Mar, 11am Alexander Shelley conductor Sydney Town Hall Debussy, Mozart and Rimsky-Korsakov Emirates Metro Series Fri 13 Mar, 8pm SENSE AND SENSUALITY Sydney Town Hall DEBUSSY Prelude to the Afternoon of a Faun MOZART Sinfonia Concertante, K.364 RIMSKY-KORSAKOV Scheherazade Alexander Shelley conductor Harry Bennetts violin Tobias Breider viola Abercrombie & Kent Beethoven Missa Solemnis Masters Series MUSIC OF INSPIRATION Wed 18 Mar, 8pm BEETHOVEN Missa Solemnis Fri 20 Mar, 8pm Sat 21 Mar, 8pm Donald Runnicles conductor Siobhan Stagg soprano Sydney Town Hall Vasilisa Berzhanskaya mezzo-soprano Samuel Sakker tenor Derek Welton bass Sydney Philharmonia Choirs Cats 240x150.indd 1 2/9/19 16:40 WELCOME Welcome to the Abercrombie & Kent Masters Series. -
Compassion Booklet
481 0678 Compassion – Symphony of Songs Song cycle for voice and orchestra by Lior and Nigel Westlake based on a collection of ancient Hebrew and Arabic texts 1 Sim Shalom – Grant Peace 7’28 2 Eize Hu Chacham? – Who is Wise? 5’25 3 La Yu’minu – Until You Love Your Brother 4’18 4 Inna Rifqa – The Beauty Within 4’55 5 Al Takshu L’vavchem – Don’t Harden Your Hearts 4’45 6 Ma Wadani Ahadun – Until the End of Time 7’57 7 Avinu Malkeinu – Hymn of Compassion 5’57 Total Playing Time 40’46 Lior vocals Sydney Symphony Orchestra Nigel Westlake conductor Compassion was commissioned by the Sydney Symphony Orchestra, for the SSO and the other Australian symphony orchestras, with the support of Symphony Services International. 3 The Genesis of Compassion In stark contrast to what had preceded, here was another side to Lior’s artistry, his keening and emotionally charged voice allowing us an intimate glimpse into the rich vein of middle eastern heritage The catalyst for Compassion can be traced to a single watershed moment: the occurrence of my first that is his birthright. Lior concert. It was the winter of 2009 in the tiny rural village of St Albans NSW, the occasion being the inaugural fundraising event for the Smugglers of Light, a foundation formed by our family in The power and spirituality of the song struck a deep resonance amongst the crowd, all of whom were memory of my son Eli. captivated in spellbound rapture. For my own part, I had just experienced a small taste of a tantalising and exotic sound world and was overcome by a strange yearning to be a part of it. -
2012 Annual Report
SYDNEY SYMPHONY ANNUAL REPORT 2012 B sydney symphony 2012 annual report annual sydney symphony 2012 1 THE STORY OF THE SYDNEY SYMPHONY ONCE AGAIN DEMONSTRATES THE COMPANY’S ABILITY TO ADAPT, STAY RELEVANT AND CONTINUE TO FLOURISH. Kees Boersma, Principal Double Bass with student at Playerlink Albury. 2 SYDNEY SYMPHONY 2012 ANNUAL REPORT IN ITS 80TH ANNIVERSARY YEAR THE SYDNEY SYMPHONY CELEBRATES SUCCESS, RESILIENCE & GROWTH Sydney Symphony 4 Musicians 2012 6 Year in Review Chairman’s 8 Review Managing 9 Director’s Review Clockwise from top left: Sydney Five Year Symphony schools concert at the 11 Performance ABC, Ultimo; Carolyn Harris, Tutti Flute, digital Playerlink presentation Summary to Albury at the Telstra Experience Centre, Sydney; Vladimir Ashkenazy, Message from Anne-Sophie Mutter and the Sydney 12 Vladimir Ashkenazy Symphony at the Sydney Opera House; Mahler Symphony No. 2 CD cover with Vladimir Ashkenazy; Cellist Jian Wang performs with the Sydney 14 Community Symphony in Shanghai; Sydney Symphony brass section celebrate the 80 year anniversary of the Sydney Harbour Bridge. Supporters – 18 Donors & Sponsors 4 SYDNEY SYMPHONY MUSICIANS 2012 CONDUCTOR Vladimir Ashkenazy Principal Conductor & Artistic Advisor Sponsored by Emirates PATRON ASSISTANT CONDUCTOR CONCERTMASTER Her Excellency Professor Jessica Cottis Dene Olding Marie Bashir AC CVO Supported by Premier Partner Credit Suisse and Symphony Services International FIRST VIOLINS VIOLAS HARP HORNS Sun Yi Roger Benedict Louise Johnson Robert Johnson Associate Concertmaster Principal -
Principal Partner 2 an ORCHESTRA LIKE NO OTHER Meet Southbank Sinfonia: 33 Outstanding Young Players Poised to Make a Significant Impact on the Music Profession
Principal partner 2 AN ORCHESTRA LIKE NO OTHER Meet Southbank Sinfonia: 33 outstanding young players poised to make a significant impact on the music profession. Every year we welcome an entirely new cohort of exceptional talents from all over the world and are fascinated to hear and see what they will achieve together. Let them guide you through a vast array of repertoire and invigorating collaborations with artists such as Antonio Pappano, Vladimir Ashkenazy and Guy Barker as well as venerable organisations like the Royal Opera House and Academy of St Martin in the Fields. Whatever events you can attend, you are sure to experience the immense energy and freshness the players bring to every performance. They make a blazing case for why orchestras still matter today, investing new life in a noble tradition and reminding us all what can be accomplished when dedicated individuals put their hearts and minds together. Join us on their remarkable journey, and be enlivened and inspired. Simon Over Music Director and Principal Conductor For the latest concert listings and to book tickets online, visit us at southbanksinfonia.co.uk All information in this Concert Diary was correct at the time of going to press, but Southbank Sinfonia reserves the right to vary programmes if necessary. 3 MEET THE PLAYERS Alina Hiltunen Karla Norton Anaïs Ponty Duncan Anderson Violin Violin Violin Viola Yena Choi Tamara Elias Rachel Gorman Kaya Kuwabara Cara Laskaris Colm O’Reilly Timothy Rathbone Violin Violin Violin Violin Violin Violin Violin Martha Lloyd Helen