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Dan Flavin (1933 – 1996) came, like , who was the subject of a retrospective at the Kunsthalle Dan Flavin Bielefeld in autumn 2012 celebrating his one hundredth birthday, from the tradition of abstract Drawing . However, he is really known for his made of fluorescent lights, which he began 16 12 12 making in 1963. Instead of using color for painting, 03 03 13 Flavin employed it as an intangible material for his work. His light installations, made of white and colored neon tubes, can be seen in the most important Press-Preview: museums in the world. For the first time in a long Thu, 13 12 12 / 11.30 h while drawings from Flavin’s estate are now available Opening: for an extensive exhibition, attesting to his roots in Sun, 16 12 12 / 11.30 h painting. From an early study of a Rembrandt drawing, to abstract expressionist images and writing, to Isabelle Dervaux, who curated construction drawings for his installations, the the exhibition in ,will drawings also include practically unknown sketches of be present. landscapes, sailboats, and caricature-like portrait sketches. Flavin’s works are supplemented by a variety of drawings by other artists (including Hans Arp, , and ) from Flavin’s collection. There are also drawings from the , which Flavin acquired for the , raising awareness of the artist’s close ties to a tradition that goes back to the nineteenth century. This is the first monographic exhibition of drawings by Dan Flavin since 1974; it was prepared by the Morgan Library & Museum in New York, where it was on display the last month. This exhibition of rare drawings, sketches, and notes is accompanied by some of Flavin’s light sculptures, which illuminate the architecture of the Kunsthalle building by . For instance, «untitled (for Philip Johnson)», from 1964, or «for Donald Judd, colorist» (1987) refer to the 1960s avant-garde that conquered the world from New York.

The show will be accompanied by a catalog titled «Dan Flavin: Zeichnen»; the catalogue for the exhibition in New York, Morgan Library & Museum, and the Kunsthalle Bielefeld. Edited by Isabelle Dervaux and Friedrich Meschede. Museum price: 28,90 €; retail edition: 39.90 €. Funding for the exhibition comes from the Stiftung der Sparkasse Bielefeld.

The installation of the light sculptures is made possible by the Staff Stiftung Lemgo.

Further Information: Christiane Heuwinkel Kunsthalle Bielefeld Curator of communication 0049 (0)521 329995017 [email protected]