World Theatre Shines in Monaco the Mondial Du Théâtre 2013 Exceeded Expectations

Total Page:16

File Type:pdf, Size:1020Kb

World Theatre Shines in Monaco the Mondial Du Théâtre 2013 Exceeded Expectations spotlightNovember/December 2013 $2.50 World Theatre Shines in Monaco The Mondial du Théâtre 2013 Exceeded Expectations The Mondial du Théâtre 2013 Festival and Congress from Austria. Delegates further approved the venue for the next are now a part of history, but the memories of great theatre, World Festival and Congress, which will be held in Westouter, exciting meetings, and new friends made will live on in our Flanders, Belgium July 3 – 12, 2015. Norbert Radermacher memory banks for years. and Helle Hauger made announcements of the 2014 Lingen, Germany Children’s Festival and the 2016 Children’s Festival, The festival began on August 19 with the parade of Stratford, Ontario, Canada. flags of the participating countries and exciting performances by Belgium, Denmark, and China. Roberto Kalifa Tuesday’s performances were from Spain, Ireland, and Lithuania at the Princess Grace Theatre. The evening was highlighted with the attendance of HSH Prince Albert of Monaco who presented AITA/IATA President Merja Laaksovirta with the Chevalier in the Order of Cultural Merit. Wednesday performances were from France, Israel, and Germany, followed by Thursday’s performances from Japan, Italy, and the United Kingdom. Each morning following the performances, from 10:00 AM to 12:30 PM colloquies brought together theatergoers and members of the three companies that presented the previous evening. Richard Finch of South Africa and Jozef Krasula from Slovakia moderated these talks. They centered around the history of the presenting companies, discussions of the process of the production, the cultural context of the company in A unique interpretation of Romeo and Juliet by William Shakespeare titled Why Love? their country, and how the company was selected presented by Youth Theatre Arlekinas of Lithuania. Directed by Tatjana Timko. to represent their country at the festival. Friday, August 23 and Saturday August 24, the World Friday evening was the Red and White Friendship Dinner at Congress convened. During the opening ceremony, to celebrate the Monaco Sporting Club. This evening was highlighted by a the 15th Mondial du Théâtre, awards were presented to the five splendid dinner and enjoyable entertainment for all. countries that have performed at each Mondial du Théâtre. These countries are Belgium, France, Great Britain, Italy, Saturday, August 24th continued with performances by and the USA. USA delegate Frank Peot accepted the award Switzerland, Singapore, and Slovakia, followed on Sunday by on behalf of AACT. President Merja Laaksovirta opened the performances from Morocco, Rumania, and Austria. During the General Assembly and the business of AITA/IATA. The General afternoon of August 24th delegates attended a presentation on Assembly elected Rob Van Genechten of Belgium as President the European Forum for Amateur Theatre, which aims to better Elect. Villy Dall of Denmark was elected Treasurer, with Beatrice co-ordinate information between the three European Regions Cellario of Monaco elected French Speaking Secretary, and of AITA/IATA. Sunday included a special session in which Vice Jorge Crespi of Spain elected Spanish Speaking Secretary. Elected as Coordinator of Children and Youth was Josef Hollos continued on page 11 November/December 2013 American Association of Community Theatre “FUN-LOVING MUSICAL THEATER” - New York Times THE WINNING musical A SPLASHY, ZIPPY, FUN NEW MUSICAL COMEDY! - The Minneapolis Star-Tribune EXTREMELY FUNNY AND WHIMSICAL! REALLY FUN! - Associated Press - Newsday PERFORMANCE RIGHTS AVAILABLE FOR MORE INFORMATION VISIT THROUGH SAMUEL FRENCH, INC. WWW.BINGOTHEMUSICAL.COM WWW.SAMUELFRENCH.COM OR EMAIL ERIN PARKER AT ACCOMPANIMENT TRACKS AVAILABLE [email protected] 2 AACT Spotlight November/December 2013 President’s Letter President’s Gary Walker AACT President 2013-2015 Even though I’m writing this in mid-September, the weather committee meeting one additional time, it is always like a has turned cold in Michigan and it is a grey and rainy day. homecoming. Friends we have made through our many This change in weather makes it so much easier to shift projects and hard work become one more family. myself forward to the holidays (November/December) when you will be reading this note. This holiday season is a little harder than usual because we have lost one of our family – Ross Rowland. Others will The holidays mean many different things to different people enumerate the many accomplishments that Ross achieved – shopping, parties, dinners, gift giving (and receiving), over his life, but I remember Ross as a generous member of generosity towards our fellow men and women. Certainly the family who welcomed me to AACT many years ago. Ross for those in community theatre it is often thoughts of large was always quick to share his expertise as an attorney, as an holiday productions. Productions that come with huge sets, adjudicator, and as a leader. He was always a cheerleader huge casts, huge costs and, hopefully, huge revenues. Not for AACT and community theatre throughout the world. Ross was one of a kind and a good and trusted friend. We’ve said it so many times So while we miss our friend, Ross, we wish happy and but being trite doesn’t make it successful holidays and SRO shows to all. That’s what Ross would have wanted. any less true – we all have theatre families. to be too callous about it, the holidays also bring thoughts of family and traditions. It is family that exemplifies the season. And for those in theatre, that family is more than mother/father, aunts/ uncles, cousins/nieces/nephews, and in-laws (or in some case outlaws). We’ve said it so many times, but being trite doesn’t make it any less true – we all have theatre families. Every show cast quickly becomes a family; sometimes a family of harmony and joy, sometimes of strife, but just like our own families always with that special relationship that makes a family. I’ve personally been in shows where punches were thrown in the dressing room and others where best friends were made. Regardless, it was a family. I can remember children’s shows where the youngsters who are now grown adults still have warm hugs for their former cast members. In AACT that family spirit is strong. Although the full board only meets in person twice a year with the executive November/December 2013 AACT Spotlight 3 November/December 2013 In This issue In contents Features News Mondial du Théâtre 2013 AACT on the Road 26 1 International Festival and Congress offered performances, Announcements 7 connections, and honors for AACT members Friends We'll Miss 19 AACTWorldFest 2014 Mort Clark Award Presentation 13 12 Planning continues for AACT's international festival, with ten New AACT Website 20 participating companies announced New Roles 29 Broken Arrow Travels to Canada Spotlight Award 24 14 Broken Arrow (OK) Community Playhouse participes in the 6th Festival International de Théâtre de Mont-Laurier. How to Raise Money for Festival Travel 16 Rachel Fennell of Burlington Players, Burlington, MA shares the company's successful methods for raising Networking money to attend AACTFest Advertisers 29 AACT Member Benefits Artie’s Advocacy Tip 28 21 Membership brings lots of discounts, including ones from some of our strongest supporters, such as Elite and Basic Calendar 30 Commercial Members. Insurance Points 8 Networking Helps 22 New Play Contests 22 Opportunities and Resources 25 President’s Letter 3 Spotlight on Boards 27 The award presented to the U.S.A. for Find AACT on Facebook participating in all 15 Mondial du Théâtre festivals. Follow us on Twitter 4 AACT Spotlight November/December 2013 November/December 2013 AACT Spotlight 5 6 AACT Spotlight November/December 2013 Announcements AACT Board Upcoming AACT Meetings Gary Walker, President AACT Executive Committee Meeting Grand Rapids, MI (2015) Murray Chase, Executive VP November 23, 2013 Venice, FL (2015) Madison, WI Eugene Irby, VP Planning/Development Hosted by the University of Wisconsin - Madison Artesia, NM (2014) Scott Bloom, VP Membership Meetings are open. Contact the AACT office for details. Silver Spring, MD (2014) Sue Ellen Gerrells, VP Public Relations Upcoming Conferences Alabaster, AL (2015) Kay Armstrong, VP Festivals National Community Theatre Managing Directors Conference Dallas, TX (2015) November 23-26, 2013 Penelope Notter, VP Education Grand Rapids, MI (2014) Madison, WI Frank Peot, Secretary Co-sponsored by AACT and the University of Wisconsin - Madison Sun Prairie, WI (2014) For details: www.DirectorsConference.org Tim Jebsen, Treasurer Midland, TX (2015) Linda M. Lee, Past President Thanks Fort Worth, TX (2015) to the NARA Representative to IATA Kathie Maldonado, IATA Vice Members at Large President Roger Ellis and the six delegates to the IATA Congress: Ron Cameron-Lewis Frank Peot, Lori Chase, Murray Chase, Bevie Lord, Tim Jebsen, and Ontario, Canada (2016) Lisa Jebsen. Michael Fox West Valley City, UT (2015) Yvonne Johnson Thanks also to the following volunteers for assisting with our Short Hills, NJ (2015) membership renewal campaign: Frieda Austin, Susan Austin, Rick Kerby Bradenton, FL (2014) Ed Bassett, Joanne Berry, Ryan Briggs, Jim Carver, Rich Gannon, Sarah Phoenix Kristofer Gedde, Susan Harrington, Rick Kerby, JoAnne Nissen, Tulsa, OK (2016) Dotti Peek, Roger Strauss, Kay Weaver, and Pat White Joline Powell Tomah, WI (2015) Chris Serface Tacoma, WA (2014) You can download the AACT logo, including a “Proud Member Michael Spicer Did you of” version from the website? Simply visit www.aact.org,
Recommended publications
  • Lntertextuality in AMERICAN DRAMA Critical Essays on Eugene 0 'Neill, Susan Glaspell, Thornton Wilder, -~Arthur Miller and Other Playwrights
    lNTERTEXTUALITY IN AMERICAN DRAMA Critical Essays on Eugene 0 'Neill, Susan Glaspell, Thornton Wilder, -~Arthur Miller and Other Playwrights Edited by Drew Eisenhauer and Brenda Murphy McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Table of Contents Introduction: What Is "'ntertextuality" and Why Is the Term Important Today? DREW EISENHAUER .......................... 1 Part I: Literary Intertextuality LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA SECTION ONE: PoETS Intertextuality in American drama : critical essays on Eugene O'Neill, Susan Glaspell, Thornton Wilder, Arthur Miller The Ancient Mariner and O'Neill's Intertextual Epiphany and other playwrights I edited by Drew Eisenhauer and (Herman Daniel Farrell III) ............................... 10 Brenda Murphy. p. em. "Deep in my silent sea": Eugene O'Neill's Extended Includes bibliographical references and index. Adaptation of Coleridge's The Ancient Mariner ISBN 978-0-7864-6391-6 (Rupendra Guha Majumdar) ............................... 25 softcover : acid free paper § A Multi-Faceted Moon: Shakespearean and Keatsian Echoes 1. American drama- 20th century- History in Eugene O'Neill's A Moon for the Misbegotten and criticism. 2. O'Neill, Eugene, 1888-1953- (Aurelie Sanchez) ........................................ 36 Criticism and interpretation. 3. Glaspell, Susan, 1876-1948- Criticism and interpretation. Trailing Clouds of Glory: Glaspell, Romantic Ideology 4. Wilder, Thornton, 1897-1975- Criticism and Cultural Conflict in Modern American Literature and interpretation. 5. Miller, Arthur, 1915-2005- Criticism and interpretation. 6. Intertextuality. (Michael Winetsky) ...................................... 52 I. Eisenhauer, Drew. II. Murphy, Brenda, 1950- On Closets and Graves: Intertextualities in Susan Glaspell's PS350.I58 2013 Alison's House and Emily Dickinson's Poetry 812'.509-dc23 2012038662 (Noelia Hernando-Real) .................................
    [Show full text]
  • Undergraduate Play Reading List
    UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M.
    [Show full text]
  • Our-Town-Study-Guide.Pdf
    STUDY GUIDE TABLE OF CONTENTS PERFORMANCE INFORMATION PAGE 3 TORNTON WILDER PAGE 4 THORNTON WILDER CHRONOLOGY PAGE 5 OUR TOWN: A BRIEF HISTORY PAGE 6 PLAY SYNOPSIS PAGE 7 CAST OF CHARACTERS PAGE 10 THE PULITZER PRIZE PAGE 11 OUR TOWN: A HISTORICAL TIMELINE PAGE 12 THE TIMES THEY ARE A-CHANGING PAGE 16 THEMES OF OUR TOWN PAGE 17 NEW HAMPSHIRE PAGE 18 SCENIC DESIGN PAGE 19 PROMPTS FOR DISCUSSION PAGE 21 AUDIENCE ETIQUETTE PAGE 22 STUDENT EVALUATION PAGE 23 TEACHER EVALUATION PAGE 24 New Stage Theatre Presents OUR TOWN by Thornton Wilder Directed by Francine Thomas Reynolds Sponsored by Sanderson Farms Stage Manager Lighting Designer Scenic Designer Elise McDonald Brent Lefavor Dex Edwards Costume Designer Technical Director/Properties Lesley Raybon Richard Lawrence There will be one 10-minute intermission THE CAST Cast (in order of appearance) STAGE MANAGER Sharon Miles DR. GIBBS Larry Wells HOWIE NEWSOME Christan McLaurine JOE CROWELL, JR. Ben Sanders MRS. GIBBS Malaika Quarterman MRS. WEBB Kerri Sanders GEORGE GIBBS Cliff Miller * REBECCA GIBBS Mary Frances Dean WALLY WEBB Jeffrey Cornelius EMILY WEBB Devon Caraway* PROFESSOR WILLARD Amanda Dear MR. WEBB Yohance Myles* WOMAN #1 LaSharron Purvis SIMON STIMSON Jeff Raab WOMAN #2 Hope Prybylski WOMAN #3 Ashanti Alexander CONSTABLE WARREN Chris Roebuck MRS. SOAMES Joy Amerson SI CROWELL Alex Forbes SAM CRAIG Jake Bell JOE STODDARD James Anderson FARMER MCCARTY Peter James VIOLINIST Miranda Kunk *The actor appears through the courtesy of Actors’ Equity Association, the Union of Profes- sional Actors and Stage Managers in the United States. THORNTON WILDER Thornton Wilder was born in Madison, Wisconsin on April 17, 1897.
    [Show full text]
  • Plays to Read for Furman Theatre Arts Majors
    1 PLAYS TO READ FOR FURMAN THEATRE ARTS MAJORS Aeschylus Agamemnon Greek 458 BCE Euripides Medea Greek 431 BCE Sophocles Oedipus Rex Greek 429 BCE Aristophanes Lysistrata Greek 411 BCE Terence The Brothers Roman 160 BCE Kan-ami Matsukaze Japanese c 1300 anonymous Everyman Medieval 1495 Wakefield master The Second Shepherds' Play Medieval c 1500 Shakespeare, William Hamlet Elizabethan 1599 Shakespeare, William Twelfth Night Elizabethan 1601 Marlowe, Christopher Doctor Faustus Jacobean 1604 Jonson, Ben Volpone Jacobean 1606 Webster, John The Duchess of Malfi Jacobean 1612 Calderon, Pedro Life is a Dream Spanish Golden Age 1635 Moliere Tartuffe French Neoclassicism 1664 Wycherley, William The Country Wife Restoration 1675 Racine, Jean Baptiste Phedra French Neoclassicism 1677 Centlivre, Susanna A Bold Stroke for a Wife English 18th century 1717 Goldoni, Carlo The Servant of Two Masters Italian 18th century 1753 Gogol, Nikolai The Inspector General Russian 1842 Ibsen, Henrik A Doll's House Modern 1879 Strindberg, August Miss Julie Modern 1888 Shaw, George Bernard Mrs. Warren's Profession Modern Irish 1893 Wilde, Oscar The Importance of Being Earnest Modern Irish 1895 Chekhov, Anton The Cherry Orchard Russian 1904 Pirandello, Luigi Six Characters in Search of an Author Italian 20th century 1921 Wilder, Thorton Our Town Modern 1938 Brecht, Bertolt Mother Courage and Her Children Epic Theatre 1939 Rodgers, Richard & Oscar Hammerstein Oklahoma! Musical 1943 Sartre, Jean-Paul No Exit Anti-realism 1944 Williams, Tennessee The Glass Menagerie Modern
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • The Lived Experiences of Our Community: Stories & Data From
    The Lived Experiences of Our Community: Stories & Data from Needham, MA September 2020 Updated Version (10.23.20) Submitted by The Lived Experiences Project, Needham, MA Acknowledgments The Lived Experiences Project (LEP) would like to gratefully acknowledge the time and emotional effort invested by every LEP survey respondent to date. Thank you for entrusting us with your stories, but also for exhibiting courage and resilience, and for speaking up to make our town a place of belonging and equity. We hear you. We see you. Additionally, LEP would like to thank the Needham High School alumni network for offering their survey data for inclusion in this analysis. LEP is also grateful to the Needham Diversity Initiative and Equal Justice in Needham for their survey respondent outreach, and to Over Zero, a nonprofit in Washington DC that works with communities to build resilience to identity-based violence, for its encouragement and support. This report was conceived, researched and written by local residents of diverse backgrounds and disciplines who wish to see their town become a true home of inclusion and equity. Dr. Nichole Argo served as the report’s primary author (and takes full responsibility for any errors within), with support from Sophie Schaffer, who cleaned and organized the survey data, and Lauren Mullady, who helped to produce data visualizations. The report was reviewed by The Lived Experiences Project (LEP) Review Committee, which provided feedback on the write-up as well as earlier input on the survey design input and methodology. The Review Committee includes: Caitryn Lynch (anthropology), Lakshmi Balachandra (economics), Smriti Rao (economics), Rebecca Young (social work), Jenn Scheck-Kahn (writing), Christina Matthews (public health), Beth Pinals (education), and Anna Giraldo-Kerr (inclusive leadership).
    [Show full text]
  • Meeting No. 3 Hamburg Town Board Meeting S-6100 South Park Avenue Hamburg, New York 14075
    Meeting No. 3 Hamburg Town Board Meeting S-6100 South Park Avenue Hamburg, New York 14075 Supervisor Walters calls the meeting to order at 7:00 p.m. Roll Call: Steven J. Walters Supervisor D. Mark Cavalcoli Councilman Kathleen C. Hochul Councilwoman Joan A. Kesner Councilwoman Thomas Quatroche, Jr. Councilman Also Present: Catherine Rybczynski Town Clerk Richard Boehm Deputy Town Attorney James Spute Finance Director Gerard Kapsiak Town Engineer James Connolly Highway Superintendent Robert Hutchison Town Assessor Christopher Hull Director of Community Development Drew Reilly Planning Consultant Carmen Kesner Assistant Police Chief Marty Denecke Director of Recreation Kurt Allen Supervising Code Enforcement Officer Tim Ellis Traffic Safety Consultant The Pledge of Allegiance was recited. Information on Fire Exits was provided. Supervisor Walters comments that yesterday something very special occurred. One of our Town Police Officers found two men in a burning vehicle and put his own life at risk to get them out. In that regard, they have a proclamation that he would like to present to him as follows: Councilwoman Hochul comments that the Town was awarded by Sports Illustrated as a “Good Sports Community” finalist out of 1,300 communities that submitted nominations for this award. The Town of Hamburg came in the top seventeen and that is an incredible tribute to our Recreation Department and Mr. Denecke and his incredible team of professionals and Councilman Quatroche, who was the liaison up until this past January when she took over. 7:00 p.m. Public Hearing for an amendment to said Zoning Code for properties located at 4962 South Park Avenue; 4954 South Park Avenue; 4950 South Park Avenue; 4215 Howard Road and 4227 Howard Road and the contiguous water tank property to be rezoned from C-2 to NC.
    [Show full text]
  • Our Town Theatre Celebrating Community Through the Arts
    8 m o u n t a i n d i s c o v e r i e s Our Town Theatre Celebrating Community Through the Arts Written by: Mary Reisinger Photography by: Lance C. Bell unless otherwise noted Our Town Theatre 121 E. Center Street, Oakland, MD 21550 Inset: Our Town Theatre founder, Jane Avery After its earlier uses as a church hall, an armory, and a to conduct research on community theaters around the museum, an unassuming red brick building on Center country, she did it in her own fashion, taking an extensive Street in Oakland, Maryland, now houses Our Town road trip with her friend Maxie the Wonder Dog. Theatre, a community theater that presents popular play Jane had already collaborated with other arts organizations readings and fully staged plays, musical performances, and in Garrett County. Through her experience with other open mic nights (without microphones because of the local theaters around the United States, she developed an excellent acoustic quality of the hall) throughout the year. appreciation for the significant role that performing arts This group resulted from the vision of the late Jane Avery groups play in the community. In addition to providing (1947-2016), who summered in Garrett County as a child entertainment, Our Town Theatre addresses through per- and who moved here as a young adult, teaching children formance such issues as domestic violence, bullying, and of all ages, but known mostly for her English and theater the sense of being alone that can arise when people confront classes at Southern High School.
    [Show full text]
  • Our Town by Thornton Wilder
    The Guide A Theatergoer’s Resource Our Town By Thornton Wilder Education & Community Programs Staff Kelsey Tyler Education & Community Programs Director Clara Hillier Education Programs Coordinator RJ Hodde Community Programs Coordinator Matthew B. Zrebski Resident Teaching Artist Resource Guide Contributors Benjamin Fainstein Literary Manager Mary Blair Production Dramaturg & Literary Associate Nicholas Kessler Stage Door Teaching Artist Table of Contents Mikey Mann Synopsis . 2 Graphic Designer By the Numbers. 2 PCS’s 2015–16 Education & Community Programs are Overview . 2 generously supported by: Characters . 3 Profoundly Populist: Our Town History . 5 Questions . 5 Biography of the Playwright. 7 In His Own Words . 7 Contemporaries: Stella Adler On Thornton Wilder . 8 Writing Exercises . 9 PCS’s education programs are supported in part by a grant from the Performance Exercises . 9 Oregon Arts Commission and the National Endowment for the Arts. Stage Door Program . 10-12 with additional support from Craig & Y. Lynne Johnston Holzman Foundation Mentor Graphics Foundation Juan Young Trust Autzen Foundation and other generous donors. 1 “The life of a village against the life of the stars.” - Thornton Wilder describing Our Town Synopsis A meditation on small-town life, Our Town celebrates the marvel of everyday existence through the fictional citizens of one New England community at the beginning of the twentieth century. The play is conducted by it’s narrator, the Stage Manager of a theater in which the story is performed. It is divided into three distinct acts, covering commonplace and milestone moments in the lives of its characters: daily life, love and marriage, death and dying. Setting 42 degrees 40 minutes north latitude and 70 degrees 37 minutes west longitude Time May 7, 1901 (Act I) • July 7, 1904 (Act II) • Summer 1913 (Act III) Context 76 m.
    [Show full text]
  • TWS Newsletter Sampler
    Vol. 1, #1, Fall 2002 THE THORNTON WILDER SOCIETY NEWSLETTER FEATURES I NTERVIEW Tappan Wilder and John McIntyre WORK IN PROGRESS Penelope Niven on the progress of her Wilder biography FEATURED WORK Our Town: Rare letters, reviews, photographs and flyers about the play’s opening night WILDER REVEALED Photographs, journal entries and a play from United States Postal Service the youthful Wilder, Flamingo Red 1997 postage stamp honoring Thornton Wilder on the centennial of his birth. The stamp was designed by Michael Deas, who also designed COMMENTARY stamps honoring Marilyn Monroe and James Dean, and is based on a photograph by renowned photographer Gisele Freund. The background J. D. McClatchy on Wilder’s fiction landscape in the stamp depicts an idealized Our Town. PUBLICATIONS Edward Burns on Wilder’s correspondence INTERVIEW TAPPAN WILDER TALKS WITH JOHN MCINTYRE PART I: AN OLD-FASHIONED STORYTELLER WORK IN PROGRESS JPM: I’d like to start by asking you to comment on your uncle’s legacy. ATW: I see Thornton’s chief legacy as his capacity to identify questions about life and living, then to write stories about them, stories that still speak to us today. If this sounds terribly simplistic, Thornton Wilder, well, there you are. At a very deep level, the entertainer and the fabulist meet in Wilder, and they still work for readers and audiences in many parts of the world. For this reason, I enjoy describ- So Far ing him as an old-fashioned storyteller. JPM: Since your uncle had such a complete life, do we stop there? Penelope Niven ATW: No, no.
    [Show full text]
  • Our Town 20406 Ch02.Qxd 8/13/03 1:19 PM Page 113
    20406_ch00.fm.i-vi_PBK.qxd 8/13/03 1:09 PM Page i OuR ToWN 20406_ch02.qxd 8/13/03 1:19 PM Page 113 Afterword k Overview Thornton Wilder, Pulitzer Prize–winning, internationally acclaimed novelist, entered the decade of the 1930s deter- mined to achieve still another great distinction: playwright in full Broadway standing. He appeared to have achieved this dream on Friday evening, February 4, 1938, at Henry Miller’s Theatre on Forty-third Street, when Frank Craven, the admired character actor, played the part of the Stage Man- ager in the premiere of Our Town, directed and produced by the legendary Jed Harris. The play concluded with the lan- guage used in this production: “They’re resting in Grover’s Corners. Tomorrow’s going to be another day. Good night to you, too. Good night. Get a good rest.” After a short, stunned silence, broken by audible sniffles in the house, the audience offered an ovation. The next day, the phone rang off the hook with good news at the author’s home ninety miles away in Hamden, Connecticut. A particularly informative call came from 20406_ch02.qxd 8/13/03 1:19 PM Page 114 114 k Afterword Wilder’s greatest actor friend, Ruth Gordon, then starring as Nora in Wilder’s translation of Ibsen’s Doll’s House, also play- ing on Broadway and also directed by Harris. (It is forgotten that Wilder had two shows running in New York City at the same time in 1938.) Wilder reported the highlights of Gor- don’s call (especially the detail about tears in the eyes of a Hollywood mogul) to Dwight Dana, his attorney, confidant, and keeper of Wilder’s exchequer during the Great Depres- sion.
    [Show full text]
  • THE POLITICS of THORNTON WILDER's DRAMA by Wesley
    “IMPORTANT THINGS TO GIVE EACH OTHER”: THE POLITICS OF THORNTON WILDER’S DRAMA By Wesley Stewart Longacre B.A., Baylor University, 2004 M.A., Wake Forest University, 2013 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2017 This thesis entitled: “Important Things to Give Each Other”: The Politics of Thornton Wilder’s Drama has been approved for the Department of Theatre and Dance Dr. Oliver Gerland Dr. Beth Osnes Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation ABSTRACT Longacre, Wesley (Ph.D., Theatre) “Important Things to Give Each Other”: The Politics of Thornton Wilder’s Drama Thesis directed by Associate Professor Oliver Gerland Thornton Wilder (1897-1975) was one of the most celebrated U.S. authors of the 20th century. As a dramatist, he wrote one of the most frequently produced plays in American dramatic history, Our Town. Given his fame, it is surprising that very little has been written about Wilder’s dramatic works from a political perspective. My dissertation aims to address this oversight by unearthing a family-based social and political ethic in his dramatic works. Through close study of his plays, interviews, letters, influences, and other writings, I have found that he promotes a democratic ethic through his drama. He creates the utopia that he longed to see in our global political climate and imagines what the world would look like if we truly ascribed to democratic ideals.
    [Show full text]