Christopher Mas's Profile and Production Credits | Staff Me Up
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Creating change for good ITV Responsibility Corporate Responsibility Summary Report 2017 Contents About us As an integrated producer broadcaster, we create, own and distribute high quality entertainment on multiple platforms globally. Since our first broadcast in 1955, we’ve grown into an integrated About us 1 producer broadcaster with an increasingly global and diversified How we do business 2 operating footprint. We run the largest commercial family of channels in the UK, as well as deliver programmes on demand through numerous Our Corporate Responsibility Strategy 3 platforms directly and on the ITV Hub. 2017 highlights and achievements 4 Our global production business, ITV Studios, creates and sells Did you programmes and formats from offices in the UK, US, Australia, France, People Germany, the Netherlands, the Nordics and Italy. It’s the largest and most successful commercial production company in the UK, and a know… Our commitments 6 leading unscripted independent producer in the US and Europe. In 2017, 54% of ITV Studios revenue was from outside the UK. ITV Studios Global Our website Case studies 7 Entertainment is a leading international distribution business, offering a Find out more on what we do at catalogue of over 45,000 hours of world-class television and film. In 2017, our itvresponsibility.com, including: Planet We reach 80% of the UK’s TV-watching population each week. group external Our commitments 8 Internationally, we’ve continued to grow with operations in 11 countries Reports and more than 6,300 colleagues based across the globe. revenue was over Policies Case studies 9 Toolkits In 2017, we continued to build significant scale in key creative markets £3.1 billion Latest news around the world, creating and producing programmes and formats Partnerships that return and travel, namely drama, entertainment and factual Our commitments 10 entertainment. -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
'!Flewiwjk HAR 1 4 Lofl in the Matter of ) Comcast Cable Communications, LLC, ) on Behalf of Its Subsidiaries and Affiliates ) ) Csrno
STAMP & RETURN Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 '!FleWIWJK HAR 1 4 lOfl In the Matter of ) Comcast Cable Communications, LLC, ) on behalf of its subsidiaries and affiliates ) ) CSRNo. ____ For Determination of Effective Competition in: ) 15 Pennsylvania-Area Franchise Areas ) To: Chief, Media Bureau PETITION FOR SPECIAL RELIEF Comcast Cable Communications, LLC, on behalf of its subsidiaries and affiliates ("Comcast"), pursuant to Sections 76.7 and 76.907 of the Commission's ~Ies/ requests that the Commission find that it faces "effective competition" in 15 Pennsylvania franchise areas (the "Franchise Areas")? The Communications Act of 1934, as amended (the "Act"), and the Commission's rules provide that cable television rates may be regulated only in the absence of effective competition.3 Cable operators are entitled to demonstrate that effective competition exists on a franchise-by- franchise basis.4 When a cable operator demonstrates that effective competition exists within a franchise area, cable rates in the affected area are no longer subject to regulation.s 147 C.F.R. §§ 76.7 and 76.907. 2 See Exhibit 1. 347 U.S.C. § 543(a)(2); 47 C.F.R. § 76.905(a). 447 C.F.R. § 76.907. S See Implementation ofSections (Jf the Cable Television Consumer Protection and Competition Act of 1992, Rate Regulation, 8 FCC Red. 5631, 5664-5665 (1993) ("Rate Order"). DWT 19129514vl 0107080-000008 Under the "competing provider" test set forth in Section 623(1)(1)(B) of the Act and Section 76.905(b)(2) ofthe Commission's rules (the "Competing Provider Test"), a cable system will be deemed subject to effective competition if: (i) the franchise area is served by at least two unaffiliated multichannel video programming distributors ("MVPDs"), each of which offers comparable programming to at least 50 percent of the households in the franchise area; and (ii) the number of households subscribing to multichannel video programming other than the largest MVPD exceeds 15 percent of the households in the franchise area. -
Press Release MIPCOM DIVERSIFY TV EXCELLENCE AWARDS
15-18 October 2018, Palais des Festivals, Cannes, France Press Release MIPCOM DIVERSIFY TV EXCELLENCE AWARDS NOMINEES UNVEILED PART OF A RICH LINE-UP OF EVENTS TO PROMOTE DIVERSITY AND INCLUSION ON THE SMALL SCREEN Paris, 4 October 2018 – Reed MIDEM today announces the 21 nominees for the MIPCOM Diversify TV Excellence Awards 2018 and details of the MIPCOM Diversity and Inclusion programme. Dedicated to championing and promoting diversity and inclusion in all forms across the international television industry, the second edition of the MIPCOM Diversify TV Excellence Awards will take place on Tuesday 16 October 2018 in the Grand Salon of the Intercontinental Carlton Hotel, Cannes, France, during the global entertainment content market, MIPCOM. The awards reward new and worthy shows launched in the past twelve months or with a season presenting a marked change to the storyline embracing representation and contributing to the evolution of diversity and inclusion on all screens. The 21 nominees have been chosen by a Jury composed of members of the MIP Markets Diversity Advisory Board and Reed MIDEM’s editorial team. The winning programmes will be chosen by charitable organisations and specialised publications that campaign for equality and inclusion including Gadim, Gay Star News, GLAAD, Minority Rights Group International, Race Equality Foundation, and Scope. They will be announced during a ceremony hosted by British TV presenter Ria Hebden. The first award will be presented by MIPCOM Personality of the Year Issa Rae. The MIPCOM Diversify TV Excellence Awards ceremony is an invitation-only event for some 200 leading TV executives, supported by Diversify TV and A+E Networks. -
Make Caldor Your 10Y Store!
20 - EVENING HERALD. Fri.. Nov. 16,197» Experts Say Solar Power Is Efficient HARTFORD (UPI) - Putting the sun to work is an ef The] ubllc has been very receptive to the idea of aolar should expect a return in about five to 10 years. ficient and economically feasible way to tackle the power but needs to learn more of the facts, Ms. Friedland "The real issue is out of pocket expenses. In a very current energy crisis, specialists told a solar power said. short period of time it’s costing you less and less every workshop for the financial community Thursday. "I think the whole issue of ‘heating or eathig' in this month to pay your beat,” Hollander said. Luggage Consultants with a federally funded solar research and part of the country will raise the consciousness about solar,” she said. information group also said the long-term advantages of LooMm to r e AMT The Nr Tari solar power will far outweigh the initial investment as A hot water heating system is the moat practical and learryai the cost of fuel increases. economical solar system an average family can install in DENTIST? ■Mi iM), MMMe, I “Solar power is a pretty simple technology. It’s func an existing home, Hollander said. The type of system Try ut for the poraonal touohl SamnL tional now. It works now. And it la economically depends on the location and construction of &e home, and Our modern office Is conveniently located In East rinl Fw feasible,” said Gayle Friedland, a financial analyst for and W to 120 gallon Unk can cost from $1,000 to $4 000. -
Limitations on Copyright Protection for Format Ideas in Reality Television Programming
For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers. -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
Gary Stadden AMPS MIBS
Mobile: 07970 667937 / Films@59: 0117 9064334 [email protected] / [email protected] www.garystadden.com / www.filmsat59.com/people/gary-stadden Various Production Credits: Programme Client Broadcaster Format Entertainment: Turn Back Time: The High Street Wall To Wall BBC1 XDCam The Restaurant (1, 2 & 3) BBC BBC2 Hi Def 60 Minute Makeover (1 to 11) ITV Productions ITV1 Digi Beta Rosemary Shrager`s School For Cooks (1 & 2) RDF Media West ITV1 DVCam Dickinson’s Real Deal (3 to 10) RDF Media West ITV1 DVCam Live n Deadly BBC Bristol CBBC / BBC2 DVCam Sorcerer’s Apprentice Twenty Twenty BBC2 / CBBC DVCam James May’s Toy Stories Plum Pictures BBC2 Digi Beta Red or Black Syco ITV1 XDCam Come Dine With Me Granada London Channel 4 DVCam The X Factor / Xtra Factor Talkback Thames / Syco ITV1 / ITV2 Digi Beta Deal Or No Deal: Live Endemol West Channel 4 DVCam The Biggest Loser Shine TV ITV1 XDCam Grand Designs Talkback Thames Channel 4 XDCam Great Welsh Adventure With Griff Rhys Jones Modern Television ITV1 F5 / SD664 Homes Under The Hammer Lion Television BBC1 Digi Beta Dogs: Their Secret Lives (1 & 2) Arrow Media Channel 4 C300/SD664 Time Team Videotext Communications Channel 4 Digi Beta Ade In Britain Shiver ITV1 XDCam Dancing On Ice ITV Productions ITV1 Digi Beta Naomi’s Nightmares Of Nature BBC Bristol CBBC XDCam Escape To The Country Talkback Thames BBC2 DVCam The Apprentice (1 & 2) Talkback Thames BBC2 Digi Beta Britain’s Got Talent Talkback Thames / Syco ITV1 Digi Beta Celebrity Wedding Planner Renegade Picture Channel 5 XDCam Homes -
FOR IMMEDIATE RELEASE CONTACT: Kristin Brown, 240-662-5415 August 1, 2016 Kristin [email protected] INVESTIGATION DISCOVERY A
FOR IMMEDIATE RELEASE CONTACT: Kristin Brown, 240-662-5415 August 1, 2016 [email protected] INVESTIGATION DISCOVERY AND AMERICAN MEDIA, INC., PARTNER TO INVESTIGATE ONE OF MODERN HISTORY’S COLDEST CASES IN JONBENÉT: AN AMERICAN MURDER MYSTERY (wt) -- ID’s Special Three-Part Series Produced With Weinstein Television and Jupiter Entertainment Debuts Monday, September 12 at 10/9c, Showcasing Newly Revealed Evidence, Exclusive Interviews and Archival Materials from AMI’s Extensive Media Coverage of the Case -- (Beverly Hills, Calif.) – It was the crime that gripped the nation—a bright, beaming, 6-year old beauty queen is mysteriously murdered in her very own home the day after Christmas in 1996. Investigators navigated false leads, a heavily compromised crime scene and a maze of finger-pointing. But now, 20 years later, Investigation Discovery (ID) in an unprecedented partnership with Weinstein Television, Jupiter Entertainment and American Media, Inc. (AMI)—parent company to RadarOnline and The National ENQUIRER, who have closely followed every lead and every step of the case—sheds new light on the still-unsolved case of who killed JonBenét Ramsey. In a three-night television event beginning Monday, September 12 at 10/9c, ID rips this cold case open with JONBENÉT: AN AMERICAN MURDER MYSTERY (wt), chronologically reexamining the evidence to challenge long-held beliefs at the center of this enduring mystery. The series will also premiere within Discovery Networks International's portfolio of factual and lifestyle channels in more than 220 countries and territories this fall. “Provocative, investigative programming is what ID does best – and there is no better case for us to take on than the two-decade long, agonizing mystery of what happened to JonBenét Ramsey,” said Henry Schleiff, Group President, Investigation Discovery, American Heroes Channel and Destination America. -
Current Affairs Documentary – Entertainment
Adam Wood DUBBING MIXER 1 Springvale Terrace, W14 0AE 37 -38 Newman Street, W1T 1QA 44 -48 Bloomsbury Street, London, WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama and Drama Documentary Nazi Mega Structures 4 x 60' Darlow Smithson for National Geographic Would I Lie to You 4 x 60' Raw TV for Discovery Millionaire made here 6 x 60' Nutopia for Smithsonian Gospel of Jesus's Wife 1 x 60' Blink Films for BBC Worldwide/Discovery Little Deaths 120’ Almost Midnight Productions Dog City (Dialogue Editor) 120’ Dia4 Films Girl Number 9 6 x 5’ Magician Films Documentary – Current Affairs Human Rights Gone Wrong 1 x 60' BBC Current Affairs for BBC Two Dispatches: Let Our Dad Die 1 x 30' Blakeway Productions for Channel 4 Dispatches: Murdered in Tenerife 1 x 30’ CTVC for Channel 4 Documentary – Entertainment I Bought a Rainforest 3 x 60’ Keo Films for BBC Two All Things Sweet 8 x30' Liverpool Street Productions for the Food Channel Travel Man 1 x 30' North 1 for Channel 4 Animal Fight Night 3 x 60’ Arrow Media for National Geographic Food Inspectors 6 x 60’ Betty TV for BBC One Storage Flog The Lot 3 x 60' RDF for Channel 5 Animal Saints and Sinners 5 x 60’ Flame for BBC One The Business of Comedy 1 x 60' BBC Comedy for BBC Two Come Fly with Me – The Story of Pan Am 1 x 60' BBC Vision for BBC Two Bear Grylls: Extreme Survival Caught On Camera 8 x 30’ Betty TV for Discovery Man Up 3 x 60’ Betty TV for Fox River Cottage - Baking 1 x 120' Keo Films for DVD Bill’s Kitchen 4 x 30’ BBC for BBC Worldwide Valentine Warner Eats Scandinavia 4 x 30’ -
First Name Last Name Title Company Country Anouk Florencia Aaron Warner Bros
First Name Last Name Title Company Country Anouk Florencia Aaron Warner Bros. International Television United States Carlos Abascal Director, Ole Communications Ole Communications United States Kelly Abcarian SVP, Product Leadership Nielsen United States Mike Abend Director, Business Development New Form Digital United States Friday Abernethy SVP, Content Distribution Univision Communications Inc United States Jack Abernethy Twentieth Television United States Salua Abisambra Manager Salabi Colombia Rafael Aboy Account Executive Newsline Report Argentina Cori Abraham SVP of Development and International Oxygen Network United States Mo Abraham Camera Man VIP Television United States Cris Abrego Endemol Shine Group Netherlands Cris Abrego Chairman, Endemol Shine Americas and CEO, Endemol Shine North EndemolAmerica Shine North America United States Steve Abrego Endemol Shine North America United States Patrícia Abreu Dirctor Upstar Comunicações SA Portugal Manuel Abud TV Azteca SAB de CV Mexico Rafael Abudo VIP 2000 TV United States Abraham Aburman LIVE IT PRODUCTIONS Francine Acevedo NATPE United States Hulda Acevedo Programming Acquisitions Executive A+E Networks Latin America United States Kristine Acevedo All3Media International Ric Acevedo Executive Producer North Atlantic Media LLC United States Ronald Acha Univision United States David Acosta Senior Vice President City National Bank United States Jorge Acosta General Manager NTC TV Colombia Juan Acosta EVP, COO Viacom International Media Networks United States Mauricio Acosta President and CEO MAZDOC Colombia Raul Acosta CEO Global Media Federation United States Viviana Acosta-Rubio Telemundo Internacional United States Camilo Acuña Caracol Internacional Colombia Andrea Adams Director of Sales FilmTrack United States Barbara Adams Founder Broken To Reign TV United States Robin C. Adams Executive In Charge of Content and Production Endavo Media and Communications, Inc. -
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