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Five Guys Named Moe Sassy Tributesassy to Louis Jordan,Singer, Songwriter, Bandleader and Rhythm and Blues Pioneer
AUDIENCE GUIDE 2018 - 2019 | Our 59th Season | Issue 3 Issue | Season 59th Our 2019 | A musical by Clarke Peters Featuring Louis Jordan’s greatest hits Five Guys Named Moe is a jazzy, Ch’ Boogie, Let the Good Times Roll sassy tribute to Louis Jordan, singer, and Is You Is or Is You Ain’t My Baby?. songwriter, bandleader and rhythm and “Audiences love Five Guys because Season Sponsors blues pioneer. Jordan was in his Jordan’s music is joyful and human, heyday in the 1940s and 50s and his and takes you on an emotional new slant on jazz paved the way for rollercoaster from laughter to rock and roll. heartbreak,” said Skylight Stage Five Guys Named Moe was originally Director Malkia Stampley. produced in London's West End, “Five Guys is, of course, all about guys. winning the Laurence Olivier Award for But it is also a true ensemble piece and Best Entertainment; when it moved to the Skylight is proud to support our Broadway in 1992, it was nominated for talented performers with a strong two Tony Awards. creative team of women rocking the The party begins when we meet our show from behind the scenes.” Research/Writing by hero Nomax. He's broke, his girlfriend, Justine Leonard for ENLIGHTEN, The Los Angeles Times called Five Skylight Music Theatre’s Lorraine, has left him and he is Guys Named Moe “A big party with… Education Program listening to the radio at five o'clock in enough high spirits to send a small Edited by Ray Jivoff the morning, drinking away his sorrows. -
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
UNLIMITED Presents OPPORTUNITY
fOR PfRfORMIhO f)RT5 Governors State University UNLIMITED presents OPPORTUNITY Complete your degree SYLVIA WATERS-ARTISTILEYC DIRECTOER Lowest tuition in Chicagoland Troy Powell -Associate Artistic Director Improve your skills and qualifications Company Members Sarah Daley, Solomon Dumas, Brittany Engel-Adams, Renaldo Gardner, Prepare for success Jacqueline Green, Collin Heyward, Yusaku Komori, Slim Mello, Major Nesby, Kelly Robotham, Fana Tesfagiorgis, Elizabeth Washington JUDITH JAMISON -ARTISTIC ADVISOR Ailey II is produced by Alvin Ailey Dance Foundation, Inc. Governors Sharon Gersten Luckman, Executive Director (TV) State Alley II gratefully acknowledges the generous support provided by the New York State Council on the Arts, a state agency, the New York City Department of Cultural Affairs, Dizzy Feet Foundation, LCU Foundation, yXC^s University New York Community Trust, and the Oceanic Heritage Foundation. University Park, IL Official U.S. Tour Sponsor 708.534.6802 Met Life Foundation www.govst.edu/4gsu Saturday. November 6.2010 This presentation is supported by the AM Performing Arts Fund, a program of Arts Governors MIDWEST Midwest funded by the National Endowment State for the Arts, with additional contributions from University The Illinois Arts Council, General Mills i I NATIONAL www.govst.edu ENDOWMENT Foundation, and Land O'Lakes Foundation. FOR THE ARTS The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Programming and casting subject to change. REVELATIONS -
The Wiz Short FINAL
media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONCLUDES FIFTH SEASON WITH “THE WIZ” July 13-August 25, 2013 Book by William F. Brown Music and lyrics by Charlie Smalls Adapted from The Wonderful Wizard of Oz by L. Frank Baum Berkeley, CA (June 5, 2013) – Berkeley Playhouse closes its fifth season with the Tony Award-winning musical THE WIZ. Kimberly Dooley (Lucky Duck, Seussical, The Musical, Once On This Island) directs and choreographs this soulful re-imagining of L. Frank Baum’s family classic The Wonderful Wizard of Oz, featuring a cast of 46. THE WIZ plays July 13 through August 25 (Press opening: July 13) at the Julia Morgan Theater in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. In THE WIZ, Dorothy gets swept away by a tornado and ends up in the land of Oz. There, she learns that the only way she can get home again is to see the magical Wiz in the Emerald City. Along the way, she meets a Scarecrow made of garbage who wants a brain, a Tin Man who wants a heart, and a Lion who wants courage, and together they set off down the Yellow Brick Road to seek help from the all-powerful Wiz. This stage classic about the power of believing in yourself features such soul-stirring songs as “Home,” “The Feeling We Once Had,” “If You Believe,” “No Bad News,” and “Ease On Down the Road.” THE WIZ opened on Broadway in 1975 and closed in 1979, after four years and 1,672 performances. -
Transforming Lives
Brooklyn College Foundation Annual Report 2007–2008 Transforming Lives The First Step The doors to Brooklyn College are the doors to opportunity. Compared with other institutions of higher education, a great many of our students shoulder substantial responsibilities, and many are the first in their family to attend college. Diverse in background, interests, and ambition, they share the certainty that higher education is the way to a productive and rewarding future. For many, that future will be secured with the help of the Brooklyn College Foundation Dear Friends of Brooklyn College For students—past and present—Brooklyn College stands as a gateway to a rewarding life. They come because they want to become effective leaders in their chosen profession and engaged citizens of the world. They come because they have heard of our commitment to academic quality and to helping them reach their goals. This commitment is at the heart of who we are and what we do. We have held firm to this principle throughout my presidency and, as I leave Brooklyn College this summer, I am especially proud of what we have done together to give it life and to sustain it. Last fall, we admitted a freshman class larger and better than the year before and we were joined by forty new faculty members, bringing the number of scholars and artists we have recruited over the last nine years to 273, more than half the teaching faculty and more than we appointed in the previous three decades. We also welcomed a new Provost, Dr. William A. Tramontano, who brings proven leadership in initiating and implementing new academic programs. -
Download Theater Resume
Tina Fabrique SAG-AFTRA/ AEA 718.414.3132 [email protected] tinafabrique.com BROADWAY/OFF BROADWAY/NATIONAL TOURS Gospel at Colonus Soloist The Delacorte Theater Dolphins and Sharks Miss Amenze Labyrinth Theatre Co. The First Noel Ethel Apollo Theatre Don’t Bother Me, I Can’t Cope Performer York Theatre Ella Ella Fitzgerald National Tour 70, Girls, 70 Melba City Center Encores! Dessa Rosa Ada Lincoln Center Harlem Song The Singer Apollo Theatre Best Little Whorehouse in Texas Jewel National Tour Ragtime Sarah’s Friend Broadway Bring in ‘da Noise/ Bring in ‘da Funk DA Singer Broadway How to Succeed in Business… Miss Jones Broadway/National Tour Truly Blessed Mahalia Jackson Broadway Bloody Mary National Tour Once On This Island Mama Euralie National Tour Angel Levine Bella Jewish Rep The Wiz Glinda/Aunt Em National Tour Bubbling Brown Sugar Irene Paige 1st National Tour Radio City Music Hall Featured Soloist Various Productions 1973-1979 REGIONAL THEATER The Haunted Life Vivienne Martin Merrimack Repertory Theatre Newsies Medda Connecticut Rep Informed Consent Dean Hagen Geva Theater, Cleveland Playhouse Ma Rainey’s Black Bottom Ma Rainey Portland Stage, Arena Stage Hairspray Motormouth Maybelle Connecticut Rep The Comedy of Errors Emilia St. Louis Rep Trouble in Mind Wiletta Arena Stage Ella Sings the Cole Porter Songbook Soloist Hartford Symphony Orchestra The Women of Brewster Place (World Premiere) Mattie Alliance Theatre, Arena Stage Crowns Mother Shaw Alliance/Arena/Goodman/Hartford Stage Chicago Mama Morton Ogunquit Playhouse Constant Star Ida Hartford Stage, Arena Stage A Night in Tunisia Simone Alabama Shakespeare Festival The Old Settler Quilly Studio Arena Theatre The Glass Menagerie Amanda Cleveland Playhouse TELEVISION/FILM Mrs. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Little Theatre Society of Indiana
LITTLE THEATRE SOCIETY OF INDIANA 1915-16 1919-20 1921-22 Polyxena Bernice Release A Killing Triangle Eugenically Speaking The Dragon The Glittering Gate Three Pills in a Bottle The Spring The Scheming Lieutenant Trespass A Nativity Play Dad The Angel Intrudes The Constant Lover A Christmas Miracle Play Trespass (2nd Production) Androcles & the Lion The Pretty Sabine Women The Shepherd in the Distance The Forest Ring Overtones The Star of Bethlehem Beyond the Horizon The Broken God Dierdre of the Sorrows Everyman Dad (2nd Production) The Jackdaw The Betrothal Cake At Steinberg’s Bushido Disarmament How He Lied to Her Husband A Woman’s Honor The Casino Gardens The Game of Chess Unspoken Children of the Moon The Kisses of Marjorie Moonshine Belinda Dawn Phoebe Louise Not According to Hoyle The Dark Lady of the Sonnets The Bank Robbery Mansions A Scrambled Romance Chicane The Dryad & the Deacon (silent film) The Groove Underneath A Shakespeare Revel Stingy 1922-23 Rococo The Trysting Place 1916-17 The Price of Coal A Civil War Pageant 1920-21 The Turtle Dove Night with Indiana Authors The Proposal Brothers Polly of Pogue’s Run In Hospital Two Dollars, Please! Laughing Gas Behind a Watteau Picture The Marriage Gown The Lost Silk Hat The Home of the Free Dad (3rd Production) The Farce of Pierre Patelin The Blind Sycamore Shadders Duty The Medicine Show Nocturne The Maker of Dreams Aria Da Capo Treason The Importance of Being Mary Broome Where Do We Go From Here? Earnest The Star of Bethlehem (2nd The Wish Fellow Lithuania Production) Father and the Boys Supressed Desires The Mollusc My Lady Make-Believe Cathleen Ni’Hoolihan Mary’s Lamb A Shakespeare Revel (2nd Spreading the News The Emperor Jones Production) The Rising of the Moon The Beauty Editor Sham 1923-24 1917-18 The Confession March Hares (No records survive) The Lotion of Love The Bountiful Lady The Wren 1918-19 The Doctor of Lonesome Folk A Pageant of Sunshine Why Marry? and Shadow Hidden Spirits The Murderer (a.k.a. -
List of Agencies and Organizations to Which Chapter 26: Copies of This Document Are Sent
List of Agencies and Organizations to Which Chapter 26: Copies of this Document are Sent The following list identifies the agencies and organizations to which a Notice of Availability of the MIS/DEIS is being sent. Distribution of the document will be made to those from the list who express an interest in receiving it. FEDERAL AGENCIES Advisory Council on Historic Preservation Federal Emergency Management Agency Federal Energy Regulation Commission Federal Highway Administration U.S. Army Corps of Engineers U.S. Department of Energy U.S. Department of Housing and Urban Development U.S. Department of Interior (including National Park Service and Office of Environmental Affairs) U.S. Environmental Protection Agency U.S. Fish and Wildlife Service NEW YORK STATE AGENCIES MTA Bridges and Tunnels MTA Lower Manhattan Access Study MTA Metro-North Railroad MTA Metro-North Railroad: Penn Station Access Study MTA Long Island Rail Road MTA Long Island Rail Road: East Side Access Project New York State Department of Environmental Conservation New York State Department of Health New York State Department of Law New York State Department of Transportation New York State Division of the Budget New York State Empire State Development Corporation New York State Office of Parks, Recreation and Historic Preservation New York State Office of Parks, Recreation and Historic Preservation, State Historic Preservation Office NEW YORK CITY AGENCIES Mayor's Office of Construction Mayor's Office of Environmental Coordination Mayor's Office of Transportation 26-1 -
And Practices at Historically Black Colleges and Universities
A^ü. i REPRESENTATIVE DIRECTORS, BLACK THEATRE PRODUCTIONS, AND PRACTICES AT HISTORICALLY BLACK COLLEGES AND UNIVERSITIES 1968-1978 Alex C. Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY March 1980 Approved by Doctoral Committee: Graduate College„Representative il ABSTRACT This investigation described the status of Black Theatre productions and practices at four year historically Black Colleges and Universities with degree programs in Speech and Drama, Speech and Theatre, or Communi cations. The objectives of this study were: (1) to profile the directors and their production philosophies and practices; (2) to chronicle and categorize Black plays produced during 1968-1978; (3) to characterize the practices in theatre management and (4) to describe trends, and chart some implications from the data collected. Primary data for this study was obtained from mailed questionnaires and thirty-two audio recorded interviews with theatre practitioners at the 43rd National Association of Dramatic and Speech Arts (NADSA) Convention in Chicago, Illinois, on April 4-7, 1979. Thirty-six questionnaires were mailed and thirty (83%) were returned; twenty-four (66%) were usable for this investigation. Results of the study revealed that the directors were academically trained, experienced, of varying ages, Black, male dominated, and dedicated The absence of women as theatre directors suggested areas for study to clarify the reasons for this situation. Respondents believed that productions should be primarily enter taining which suggested their having traditional responses to the function of art that has been assailed by the proponents of the Black Arts Movement who call for art as a political influence. -
Mdaa 2021 Spring Workshop Faculty
MDAA 2021 SPRING WORKSHOP FACULTY BALLET Alexis Drabek received her early dance training in Colorado and was awarded scholarships to the summer programs of School of American Ballet and Pacific Northwest Ballet. She attended Interlochen Arts Academy in Michigan and was a NFAA/ARTS awardee in both Ballet and Modern. Ms. Drabek earned her Bachelor of Fine Arts degree from the Juilliard School in NYC, where she trained under the country’s top ballet and modern teachers including Benjamin Harkarvy, Hector Zaraspe, Stephen Pier, Alexandra Wells, Lupe Serrano, Alphonse Poulin, Laura Glenn, Carolyn Adams, Linda Kent, Jacqulyn Buglisi and Christine Dakin. As part of the Juilliard Dance Ensemble, Ms. Drabek performed works by Colin Connor, Adam Hougland, Jose Limon, Igal Perry, Abdul Rahim-Jackson, Maurice Wainrot and Reginald Yates. Ms. Drabek also danced with Desmond Richardson at the Guggenheim’s Work & Process: Picasso Dances, choreographed by George Faison. She has performed with David Taylor Dance Theater, Kim Robards Dance, Diablo Ballet, Oakland Ballet, Company C Contemporary Ballet, and BRIAH Danse, performing leading roles in works by Charles Anderson, Patrick Corbin, Jayne Persch, James Sewell, Twyla Tharp and Antony Tudor. Ms. Drabek also served as Ballet Mistress for Company C Contemporary Ballet and BRIAH Danse, assisting many choreographers including Maurice Causey, Dennis Nahat, Peter Anastos, and Susan Jaffe. Ms. Drabek currently lives in Lakewood, Colorado and is on faculty at the Colorado Ballet Academy. Jazz/Musical Theater Sean McKnight brings over 20 years of experience in professional theatre to The Hybrid Agency. Together with owner/founder Rikky Fishbein, their clients appear nightly on Broadway, in national touring companies, and on stages across the world as well as appearing regularly on TV and film.