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Mormon Studies Review Volume 4 Mormon Studies Review
Mormon Studies Review Volume 4 | Number 1 Article 25 1-1-2017 Mormon Studies Review Volume 4 Mormon Studies Review Follow this and additional works at: https://scholarsarchive.byu.edu/msr2 Part of the Mormon Studies Commons BYU ScholarsArchive Citation Review, Mormon Studies (2017) "Mormon Studies Review Volume 4," Mormon Studies Review: Vol. 4 : No. 1 , Article 25. Available at: https://scholarsarchive.byu.edu/msr2/vol4/iss1/25 This Full Issue is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Mormon Studies Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Review: <em>Mormon Studies Review</em> Volume 4 2017 MORMON Volume 4 STUDIES Neal A. Maxwell Institute for Religious Scholarship REVIEW Brigham Young University Editor-in-chief J. Spencer Fluhman, Brigham Young University MANAGING EDITOR D. Morgan Davis, Brigham Young University ASSOCIATE EDITORS Melissa Wei-Tsing Inouye, University of Auckland Benjamin E. Park, Sam Houston State University EDITORIAL ADVISORY BOARD Michael Austin, Executive Vice President for Academic Affairs, University of Evansville Philip L. Barlow, Leonard J. Arrington Chair of Mormon History and Culture, Utah State University Eric A. Eliason, Professor of English, Brigham Young University Kathleen Flake, Richard L. Bushman Chair of Mormon Studies, University of Virginia Terryl L. Givens, James A. Bostwick Chair of English and Professor of Literature and Religion, University of Richmond Matthew J. Grow, Director of Publications, Church History Department, The Church of Jesus Christ of Latter-day Saints Grant Hardy, Professor of History and Religious Studies, University of North Carolina–Asheville David F. -
WILLIAM M. MAJOR: Brigham Young, Mary Ann Angel Young and Family HASELTINE: Mormons and the Visual Arts/25
JOHN HAFEN: Pasture WILLIAM M. MAJOR: Brigham Young, Mary Ann Angel Young and Family HASELTINE: Mormons and the Visual Arts/25 Fine Arts Center at Brigham Young University. Art thrives by its separate dignity, not by being made part of an open lobby. When art is finally liberated from the society and entertainment sections of newspapers, and when it comes off the walls of converted tearooms, top floors, or basements of other structures and is installed in a properly designed, humidity-controlled, air-conditioned, properly lighted modern museum, then shall we have come of age in the arts. And then, we can hope, the rich collections of Brigham Young University will have the professional attention — documentation, interpretation, exhibition, and conservation — they deserve. It is all very well to say that art should be integrated with life. That it should. But the scholarly responsibilities must be met if the culture is to be more than a superficial or transitory one. The quixotic remark of the contemporary American painter, Ad Reinhardt, "Art is art and everything else is everything else," has much relevance. Another hinderance to the full development of art in Utah, one which has most likely been influenced by Mormon attitudes, is the denial of the use of the nude model in all but one of the art depart- ments of our institutions of higher learning, although other educa- tional institutions have sporadically employed nude models, for instance, Brigham Young University, for a brief period in the late 1930's. How preposterous such proscription can be is best illustrated by a recent student exhibition of figure drawings, arranged by an art professor in one of Utah's universities. -
Jill Mulvay Derr, Carol Cornwall Madsen, Kate Holbrook, and Matthew J
Mormon Studies Review Volume 4 Number 1 Article 7 1-1-2017 Jill Mulvay Derr, Carol Cornwall Madsen, Kate Holbrook, and Matthew J. Grow, eds., The First Fifty Years of Relief Society: Key Documents in Latter-day Saint Women's History Reviewed by Dave Hall, Susanna Morrill, Catherine A. Brekus [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/msr2 Part of the Mormon Studies Commons BYU ScholarsArchive Citation Catherine A. Brekus, Reviewed by Dave Hall, Susanna Morrill, (2017) "Jill Mulvay Derr, Carol Cornwall Madsen, Kate Holbrook, and Matthew J. Grow, eds., The First Fifty Years of Relief Society: Key Documents in Latter-day Saint Women's History," Mormon Studies Review: Vol. 4 : No. 1 , Article 7. Available at: https://scholarsarchive.byu.edu/msr2/vol4/iss1/7 This Review is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Mormon Studies Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Catherine A. Brekus: Jill Mulvay Derr, Carol Cornwall Madsen, Kate Holbrook, and Matth Review Panel Jill Mulvay Derr, Carol Cornwall Madsen, Kate Holbrook, and Matthew J. Grow, eds. The First Fifty Years of Relief Society: Key Documents in Latter-day Saint Women’s History. Salt Lake City: Church Historian’s Press, 2016. Reviewed by Dave Hall, Susanna Morrill, and Catherine A. Brekus DAVE HALL: This work gathers in one useful volume documents piv- otal to understanding the early history of Mormon women. Adding to its value is the wealth of knowledge contributed by its editorial team, headed by experienced scholars Jill Derr, Carol Madsen, Kate Holbrook, and Matthew Grow. -
Park Assistant Professor of History, Sam Houston State University
Benjamin E. Park Assistant Professor of History, Sam Houston State University Mailing Address: Contact Information: Department of History email: [email protected] Box 2239 phone: (505) 573-0509 Sam Houston State University website: benjaminepark.com Huntsville, TX 77341 twitter: @BenjaminEPark EDUCATION 2014 Ph.D., History, University of Cambridge 2011 M.Phil., Political Thought and Intellectual History, University of Cambridge -with distinction 2010 M.Sc., Historical Theology, University of Edinburgh -with distinction 2009 B.A., English and History, Brigham Young University RESEARCH INTERESTS 18th and 19th Century US history, intersections of culture with religion and politics, intellectual history, history of gender, religious studies, slavery and antislavery, Atlantic history. ACADEMIC APPOINTMENTS 2016- Assistant Professor of History, Sam Houston State University HIST 1301: United States History to 1876 HIST 3360: American Religious History HIST 3377: America in Mid-Passage, 1773-1876 HIST 3378: Emergence of Modern America, 1877-1945 HIST 5371: Revolutionary America (Grad Seminar) HIST 5378: American Cultural and Religious History (Grad Seminar) 2014-2016 Kinder Postdoctoral Fellow, Department of History, University of Missouri HIST 1100: United States History to The Civil War HIST 4000: The Age of Jefferson HIST 4004: 18th Century Revolutions: America, France, Haiti HIST 4972: Religion and Politics in American History 2012-2014 Lecturer and Supervisor, Faculty of History, University of Cambridge Paper 22: American History through 1865 PUBLICATIONS Books American Nationalisms: Imagining Union in the Age of Revolutions, 1783-1833 (Cambridge University Press, January 2018). Benjamin Park C.V. Peer-Reviewed Articles “The Angel of Nullification: Imagining Disunion in an Era Before Secession,” Journal of the Early Republic 37:3 (Fall 2017): 507-536. -
Dialogue Summer 2010.Vp
DIALOGUEa journal of mormon thought is an independent quarterly established to express Mormon culture and to examine the relevance of religion to secular life. It is edited by Latter-day Saints who wish to bring their faith into dialogue with the larger stream of world religious thought and with human experience as a whole and to foster artistic and scholarly achievement based on their cultural heritage. The journal encour- ages a variety of viewpoints; although every effort is made to ensure accurate scholarship and responsible judgment, the views express- ed are those of the individual authors and are not necessarily those of the Church of Jesus Christ of Latter-day Saints or of the editors. ii DIALOGUE: AJOURNAL OF MORMON THOUGHT, 43, no. 2 (Summer 2010) Dialogue: A Journal of Mormon Thought is published quarterly by the Dialogue Foundation. Dialogue has no official connection with the Church of Jesus Christ of Latter-day Saints. Contents copyright by the Dialogue Foundation. ISSN 0012– 2157. Dialogue is available in full text in electronic form by EBSCO MetaPress, www.dialoguejournal.metapress.com; and is archived by the University of Utah Marriott Library Special Collections, available online at: www.lib.utah.edu/portal /site/marriottlibrary. Dialogue is also available on microforms through University Microfilms International, www.umi.com. Submissions: Dialogue welcomes articles, essays, poetry, notes, fiction, letters to the editor, and art. Submissions should follow the Chicago Manual of Style, 15th edi- tion. Electronic submissions are preferred. Send attachments in Word to edi- [email protected]. Please provide mailing address and phone number. For submissions of visual art, consult the editor for specifications at editor@ dialoguejournal.com. -
Eliza R. Snow the Complete Poetry Documents in Latter-Day Saint History an Imprint of BYU Studies and Brigham Young University Provo, Utah Eliza R
Eliza R. Snow The Complete Poetry Documents in Latter-day Saint History An imprint of BYU Studies and Brigham Young University Provo, Utah Eliza R. Snow The Complete Poetry Compiled and Edited by Jill Mulvay Derr Karen Lynn Davidson Brigham Young University Press Provo, Utah and University of Utah Press Salt Lake City Distributed to the academic trade and libraries by University of Utah Press, www.UofUpress.com This volume is part of the BYU Studies series Documents in Latter-day Saint History Other volumes in this series: Opening the Heavens: Accounts of Divine Manifestations, 1820–1844 Exemplary Elder: The Life and Missionary Diaries of Perrigrine Sessions, 1814–1893 The Personal Writings of Joseph Smith, rev. ed. © 2009 Brigham Young University. All rights reserved. Cover and jacket design by Catharine Verhaaren Gruver Cover image Eliza R. Snow, portrait by Lewis A. Ramsey, oil on canvas, 1909, courtesy Museum of Church History and Art, Salt Lake City Jacket flap image Eliza R. Snow, daguerreotype, ca. 1850s or 1860s, courtesy Church History Library Opinions expressed in this publication are the opinions of the editors and the poet and their views should not necessarily be attributed to The Church of Jesus Christ of Latter-day Saints, Brigham Young University, BYU Studies, or University of Utah. All reve nues from this book will help fund future publications. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, digital, mechanical or other means, now known or hereafter invented, including photocopying and recording or in an information storage or retrieval system, without permission in writing from the publisher. -
The Life and Thought of Mormon Apostle Parley Parker Pratt
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Spring 7-22-2013 The Life and Thought of Mormon Apostle Parley Parker Pratt Andrew James Morse Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the History of Religion Commons, History of Religions of Western Origin Commons, and the Other Religion Commons Let us know how access to this document benefits ou.y Recommended Citation Morse, Andrew James, "The Life and Thought of Mormon Apostle Parley Parker Pratt" (2013). Dissertations and Theses. Paper 1084. https://doi.org/10.15760/etd.1084 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. The Life and Thought of Mormon Apostle Parley Parker Pratt by Andrew James Morse A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: David Johnson, Chair John Ott David Horowitz Natan Meir Portland State University 2013 © 2013 Andrew James Morse i ABSTRACT In 1855 Parley P. Pratt, a Mormon missionary and member of the Quorum of the Twelve, published Key to the Science of Theology . It was the culmination of over twenty years of intellectual engagement with the young religious movement of Mormonism. The book was also the first attempt by any Mormon at writing a comprehensive summary of the religion’s theological ideas. Pratt covered topics ranging from the origins of theology in ancient Judaism, the apostasy of early Christianity, the restoration of correct theology with nineteenth century Mormonism, dreams, polygamy, and communication with beings on other planets. -
“With God's Assistance I Will Someday Be an Artist”
“With God’s Assistance I Will Someday Be an Artist” John B. Fairbanks’s Account of the Paris Art Mission Rachel Cope n the late nineteenth century, Paris was the unchallenged capital of West- I ern art; as a result, budding artists aspired to study there. Included in this group was John B. Fairbanks of Payson, Utah, who, through the sponsorship of The Church of Jesus Christ of Latter-day Saints, fulfilled his goal by serving as an art missionary from 1890 to 1892. While studying with other LDS art missionaries at the Académie Julian in Paris, Fairbanks corresponded regu- larly with his wife, Lillie, and their then-seven children. Many of Fairbanks’s letters have been preserved in the Church History Library in Salt Lake City, Utah;1 this article presents an important selection of them below. Fairbanks never received a prize or honor for his artwork in Paris, but the account he left behind is valuable not only as a record of the art mission, but also because it is raw and real; his story is meaningful because it is so human. His letters describe his surroundings and detail his experiences as an artist in training, but, more poignantly, they depict his reactions to foreign places and events, express the tender love and concern (financial, spiritual, and emotional) he felt for his young family, note his longing to be reunited with his wife and children, discuss events then taking place in Utah (including the Manifesto issued by Wilford Woodruff in 1890), share the depths of his frustration as he failed to attain his goals in the 1. -
Utah History Encyclopedia
PAINTING AND SCULPTURE IN UTAH Avard Fairbanks with models for "Pony Express" William W. Major (1804-1854) was the first Mormon painter to arrive in Utah (in 1848). From Great Britain, he spent five years headquartered in Great Salt Lake City painting portraits and making visits to various locations in the surrounding area in order to paint both landscapes and the faces of other settlers as well as of leaders among the indigenous Native American tribes. Meanwhile, virtually everything in the city of Salt Lake that could be in any way called sculpture was created by either the British woodcarver Ralph Ramsay (1824-1905) or the British stonecarver William Ward (1827-93). The three most significant pioneer painters were Danquart Weggeland (1827-1918), a Norwegian; C.C.A. Christensen (1831-1912), a Dane; and George M. Ottinger (1833-1917), originally from Pennsylvania. Christensen′s greatest achievement was the painting of numerous somewhat awkward but charming scenes showing episodes either from early Mormon history or from the Book of Mormon. Like Christensen, neither Ottinger nor Weggeland had much formal artistic training, but each produced a few somewhat more sophisticated figure and landscape paintings and advised their students to go east where they could study in Paris. Certainly, that is what Deseret′s young sculpture students would do; Parisian training played a major role in the artistic evolution of famed romantic realist bronze sculptor Cyrus E. Dallin (1861-1944), of Springville, Utah, as well as in that of Mt. Rushmore′s sculptor, Gutzun Borglum (1867-1941) and his talented brother, Solon Borglum (1868 1922), both of Ogden, Utah. -
Persecution, Memory, and the West As a Mormon Refuge
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2008-08-15 Memoirs of the Persecuted: Persecution, Memory, and the West as a Mormon Refuge David W. Grua Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the History Commons BYU ScholarsArchive Citation Grua, David W., "Memoirs of the Persecuted: Persecution, Memory, and the West as a Mormon Refuge" (2008). Theses and Dissertations. 1550. https://scholarsarchive.byu.edu/etd/1550 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. MEMOIRS OF THE PERSECUTED: PERSECUTION, MEMORY, AND THE WEST AS A MORMON REFUGE by David W. Grua A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of History Brigham Young University December 2008 Copyright © David W. Grua All Rights Reserved. BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by David W. Grua This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. _______________________________ ____________________________________ Date Brian Q. Cannon, Chair _______________________________ ____________________________________ Date J. Spencer Fluhman -
Mormons and the Visual Arts.” Dialogue: a Journal of Mormon Thought, Vol
James L. Haseltine, “Mormons and the Visual Arts.” Dialogue: A Journal of Mormon Thought, Vol. 1 No. 2 (1966): 17–34. Copyright © 2012 Dialogue Foundation. All Rights Reserved • A JOURNAL OF dialogue• MORMON THOUGHT MORMONS AND THE VISUAL ARTS James L. Haseltine This essay is the third in a continuing series, "An Assessment of Mormon Culture." The author, himself not a Mormon, examines the influence of the L.D.S. Church on the visual arts in Utah from pioneer times. Mr. Haseltine is Director of the Salt Lake Art Center and the author of numerous reviews and articles for professional journals; he recently produced a retrospective exhibit of Utah painting at the Art Center and did much of the research used in this essay in preparing the exhibition catalogue, "100 Years of Utah Painting." It seems curious to ask, "What support has the C h u r c h of Jesus Christ of Latter-day Saints given to the v i s u a l arts in Utah?" One would hardly consider as fields for fruitful exploration Baptist sup- port of the a r t s in Mississippi, Lutheran encouragement in Oregon, or Methodist patronage in Kansas. Yet in Utah perhaps such a ques- tion can b e asked, for seldom has o n e religion been so intertwined with other aspects of life. There is little doubt that Brigham Young felt a need for artists in the Salt Lake Valley very soon after the arrival of t h e first pioneers. By the mid-1850's he was instructing missionaries in foreign lands to devote special attention to t h e conversion of s k i l l e d artists, artisans, and architects. -
Mormon Missiology: an Introduction and Guide to the Sources
Mormon Missiology: An Introduction and Guide to the Sources David J. Whittaker Introduction Missionary work has been a central concern of members of the Church of Jesus Christ of Latter-day Saints (commonly called Mormons) since their beginnings in 1830. The visions of Joseph Smith proclaimed the opening of a new dispensation in which the gospel of Jesus Christ would go forth to all nations. In their study of the Bible, particularly the New Testament, Latter-day Saint leaders identied with early Christian missionaries who were commissioned by the Master to “go ye therefore, and teach all nations” (Matthew 28:19). Latter-day Saint scriptures emphasized and reinforced this missionary outlook. Many passages in the Book of Mormon and the Doctrine and Covenants described the world as a “eld . white already to harvest” (D&C 4:4; 6:3; 11:3; 12:3; 31:4; etc.), and the faithful were assured that no joy would be greater than that which came as a result of successful missionary work. They understood that once they heard the “good news,” they had a desire and an obligation to inform their neighbors (see D&C 88:81). These same scriptures told the stories and described the qualities of good missionaries (see, for example, Alma 17–26, 29; D&C 4). Early in the history of the church, missionaries were commanded to assemble “the elect” from throughout the world (D&C 29:7–8; compare D&C 110:11). Their work centered on the concept of the “gathering,” a two-phase process. First, missionaries were to preach the restored gospel of Jesus Christ to the honest in heart and then to administer the saving priesthood ordinances (beginning with baptism by immersion and the laying on of hands to receive the gift of the Holy Ghost) to those who accepted their message.