DOCSLIB.ORG

UC Berkeley UC Berkeley Electronic Theses and Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UC Berkeley UC Berkeley Electronic Theses and Dissertations UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Mass Communication: The Eucharist and Authorship in Early Modern England Permalink https://escholarship.org/uc/item/7rx992qr Author Mead, Christopher Jason Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Mass Communication: The Eucharist and Authorship in Early Modern England By Christopher Jason Mead A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Joanna Picciotto, Chair Professor Jeffrey Knapp Professor Ethan Shagan Spring 2015 Mass Communication: The Eucharist and Authorship in Early Modern England © 2015 by Christopher Jason Mead 1 Abstract Mass Communication: The Eucharist and Authorship in Early Modern England By Christopher Jason Mead Doctor of Philosophy in English University of California, Berkeley Professor Joanna Picciotto, Chair This dissertation argues that in the two centuries following the incunabula, one group of authors writing for the press understood the feeling of being “in print” through the language and form of a much older technology, the Eucharist. The Eucharist’s role in distributing Christ to believers over time and space made it an irresistible analogue for the author’s publication through the printing press. The defining characteristics of print—namely, theoretically exact replicability and massively increased distributivity—are the same characteristics celebrated by Christ at the Last Supper when he shared his body. Far from robbing texts of aura, the press transmitted it. Like priests who personate and impart Christ, these writers were able to disseminate typographic versions of their own “real presences” to far‐flung yet virtually gathered readers in an equally amplifying and exposing experience. Revealing the influence of the Eucharist on writers who identified the experience of authorship with the technology of the printing press, I show how mechanization—so often associated with the loss of aura—in fact made a powerful new mode of auratic presence available to writers whose engagement with print production and priestly identities led them to a new conception of what it meant to be a modern Protestant author. For John Foxe, technical and deictic innovations available only in print make the Actes and Monuments into a vessel in which the textual presences of the martyrs and even himself are stored, ready to be witnessed and consumed in the endlessly iterable moment of reading. For Robert Burton in the Anatomy of Melancholy, the commercial market reveals the tendency of the eucharistic miracle to turn to waste as one’s work is buried under ever‐increasing piles of freshly‐printed books, pamphlets, and “new news.” For John Milton, the vulnerability of publication leads to his consecration as a living textual martyr in the controversial prose—an act of self‐fashioning that shapes our understanding of his protagonists in Paradise Regained and Samson Agonistes. I conclude by examining the eighteenth‐century subsumption of the author’s eucharistic voice into the collective journalistic voice of an entire nation—the beginning of a process that culminates in mass communication in the fully modern sense. i Table of Contents Acknowledgments.......................................................................................................... ii Introduction.................................................................................................................... 1 “Beyng yet alyue”: John Foxe’s Eucharistic Style...........................................................21 “Content to be Pressed”: Robert Burton and the editio princeps hominis..................44 “As in his book alive”: John Milton and the Writing of Martyrdom...........................67 Samson and the Agonies of Form................................................................................77 Epilogue: Periodical Culture and the Stigma of Print.................................................93 Works Cited.................................................................................................................. 95 Appendix..................................................................................................................... 104 ii Acknowledgments I owe a large debt of gratitude to my friends, teachers, and family for their guidance and encouragement over the past several years—I could not have completed this dissertation without them. The support of Oliver Arnold, Maude Emerson, Kevis Goodman, Nicholas Junkerman, Jeffrey Knapp, Laura Kolb, Robert Kotyk, Alexander Licker, Stephanie Moore, Maura Nolan, Ethan Shagan, Jonathan Shelley, Spencer Strub, and Vanessa Warne requires particular mention. Special thanks are due to my adviser, Joanna Picciotto, whose teaching, scholarship, and friendship have been an inspiration throughout. Finally, I am grateful for the longstanding love and support of my parents, Julie and Edward, and my sister and brother, Kelsey and Jeremy. 1 Introduction We know that particular morning and evening editions will overwhelmingly be consumed between this hour and that, only on this day, not that. [...] The significance of this mass ceremony—Hegel observed that newspapers serve modern man as a substitute for morning prayers—is paradoxical. It is performed in silent privacy, in the lair of the skull. Yet each communicant is well aware that the ceremony he performs is being replicated simultaneously by thousands (or millions) of others of whose existence he is confident, yet of whose identity he has not the slightest notion. Furthermore, this ceremony is incessantly repeated at daily or half-daily intervals throughout the calendar. What more vivid figure for the secular, historically clocked, imagined community can be envisioned? At the same time, the newspaper reader, observing exact replicas of his own paper being consumed by his subway, barbershop, or residential neighbours, is continually reassured that the imagined world is visibly rooted in everyday life. —Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism, 35-36 This dissertation explores a mode of authorship that arose after the incunabula but before the rise of the daily newspaper. I show how one group of authors who wrote for the press experienced their typographical distribution through the readily available grammar provided by the Eucharist—the medium of communication by which Christ made himself materially present to believers scattered over space and time. The defining characteristics of print—namely, fixity and massively increased distributivity—are the same characteristics celebrated by Christ at the Last Supper and emphasized by those who manufactured the host and sought to protect it from desecration and decay. Like the priests who personate and impart Christ, authors were able to disseminate typographic versions of their own “real presences” to far-flung yet virtually gathered readers in an experience that was both enlarging and excoriating. What I call “eucharistic authorship” challenges Walter Benjamin’s account of the destructive effect that mechanical reproduction has on the aura of the work of art and the reader’s experience of authorial presence, offering a striking exception to his famous assertion that even the most perfect reproduction lacks “the here and now of the work of art—its unique existence in a particular place” (21). Because it aligns the medium of print with that of the wafer, eucharistic authorship differs from other modes of authorship in which the writer’s sacrifice is thematized in Christological terms. It differs, for example, from the experience of the playwright who figures his loss of sovereignty to collaborative performance as a sacrifice.1 As we shall see, 1 Dramatic authors must acknowledge “the formative power of actors and audience on his playwriting” (102). Knapp complicates the secularizing accounts of critics such as C.L. Barber by suggesting that the tragic hero is also often the author himself. Seizing on a key difference between the anonymously authored Corpus Christi plays and those of the Elizabethan stage, Knapp describes how in the last two plays of his Lancasterian cycle, Shakespeare “conceptualized the author as both a king and a martyr—two seemingly disparate identities that Christ made one on the cross” (102). In this reading, the dominance of 2 the author who writes for the press must also embrace a loss of sovereignty, though this loss differs from that of the author who writes for the stage. Like the eucharistic wafer, the printed page is ephemeral, susceptible to desecration, rot, and abuse. The fixity and regularity of print are not only advantages; they also heighten the author’s vulnerability to mistakes and polemical attack. In order to understand how and why authors made what might be seen as an unlikely turn to the Eucharist as they sought to conceptualize their dissemination through the press, we must first reconsider the Eucharist itself. In this introduction, I explore the history of the Eucharist as a medium of communication, rather than as the source of doctrinal debates, highlighting the remarkable similarities between the eucharistic wafer and the printed page. In the following four chapters, I show how authors’ engagement with print production and priestly identities led them to construct
Load more

Recommended publications
  • Lesson Plans and Resources for There There by Tommy Orange
    Lesson Plans and Resources for There There by Tommy Orange Table of Contents 1. Overview and Essential Questions 2. In-Class Introduction 3. Common Core Standards Alignment 4. Reader Response Questions 5. Literary Log Prompts + Worksheets 6. Suggested Analytical Assessments 7. Suggested Creative Assessments 8. Online Resources 9. Print Resources - “How to Talk to Each Other When There’s So Little Common Ground” by Tommy Orange - Book Review from The New York Times - Book Review from Tribes.org - Interview with Tommy Orange from Powell’s Book Blog These resources are all available, both separately and together, at www.freelibrary.org/onebook Please send any comments or feedback about these resources to [email protected]. OVERVIEW AND ESSENTIAL QUESTIONS The materials in this unit plan are meant to be flexible and easy to adapt to your own classroom. Each chapter has discussion questions provided in a later section. Through reading the book and completing any of the suggested activities, students can achieve any number of the following understandings: - A person’s identity does not form automatically – it must be cultivated. - Trauma is intergenerational -- hardship is often passed down through families. - A physical place can both define and destroy an individual. Students should be introduced to the following key questions as they begin reading. They can be discussed both in universal terms and in relation to specific characters in the book: Universal - How has your family cultivated your identity? How have you cultivated it yourself?
    [Show full text]
  • Download the Catalogue
    Five Hundred Years of Fine, Fancy and Frivolous Bindings George bayntun Manvers Street • Bath • BA1 1JW • UK Tel: 01225 466000 • Fax: 01225 482122 Email: [email protected] www.georgebayntun.com BOUND BY BROCA 1. AINSWORTH (William Harrison). The Miser's Daughter: A Tale. 20 engraved plates by George Cruikshank. First Edition. Three volumes. 8vo. [198 x 120 x 66 mm]. vii, [i], 296 pp; iv, 291 pp; iv, 311 pp. Bound c.1900 by L. Broca (signed on the front endleaves) in half red goatskin, marbled paper sides, the spines divided into six panels with gilt compartments, lettered in the second and third and dated at the foot, the others tooled with a rose and leaves on a dotted background, marbled endleaves, top edges gilt. (The paper sides slightly rubbed). [ebc2209]. London: [by T. C. Savill for] Cunningham and Mortimer, 1842. £750 A fine copy in a very handsome binding. Lucien Broca was a Frenchman who came to London to work for Antoine Chatelin, and from 1876 to 1889 he was in partnership with Simon Kaufmann. From 1890 he appears under his own name in Shaftesbury Avenue, and in 1901 he was at Percy Street, calling himself an "Art Binder". He was recognised as a superb trade finisher, and Marianne Tidcombe has confirmed that he actually executed most of Sarah Prideaux's bindings from the mid-1890s. Circular leather bookplate of Alexander Lawson Duncan of Jordanstone House, Perthshire. STENCILLED CALF 2. AKENSIDE (Mark). The Poems. Fine mezzotint frontispiece portrait by Fisher after Pond. First Collected Edition. 4to. [300 x 240 x 42 mm].
    [Show full text]
  • Bookbinding Co
    University of South Wales Bound by Abbey Bookbinding Co. 2060355 105 Cathays Terrace, Cardiff CF24 4HU, U.K. Tel+-M (0)29 2039 5882 Email: [email protected] www.bookbindersuk.coin THE SOUND OF THE CITY COLLAPSING The Changing Perception and Thematic Role of the Ruin in Twentieth-Century British and American Poetry Tamar Rachel Lindesay A submission presented in partial fulfilment of the requirements of the University of Glamorgan/Prifysgol Morgannwg for the degree of Master of Philosophy by Portfolio in Writing December 2003 There lies the better part of my past. What persists, writing recovers in fragments. Write, write, write in order to remember. You only understand what you destroy Edmond Jabbes, 'The Desert' Whoever loves whole buildings should be in Milton Keynes, not Herculaneum or Pompeii Midas Dekkers, 'The Way of All Flesh' Contents Introduction page 4 The Earliest Ruin Poems page 7 The Shift in the Perception of Ruin pageS The Romantic Period page 9 The Twentieth Century: The First World War page 16 'The Waste Land' and the Shift to Modernism page 19 Pound's 'Hugh Selwyn Mauberley' page 24 H.D., the Imagists, Objectivists and L=A=N=G=U=A=N=G=E Poets page 26 Later War Poetry: Shapcott's 'Phrase Book' page 29 Ecopoetry and the Natural Landscape: Maclean, Thomas and Larkin page 30 Vandalism: Harrison's V.' page 34 The Political Ruin: Walcott and Mahon page 37 Epilogue and Conclusion: Post-September nth Poetry page 41 Appendix One: A Personal History of Ruins and Poems page 45 Appendix Two: Poems which Explore the Notion of Ruin page 48 Bibliography pages% Introduction For centuries, the sight of ruins has had the power to enthral, shock and inspire the viewer.
    [Show full text]
  • Epilogue and Acknowledgments
    Epilogue and Acknowledgments On the afternoon of March 10, 2004, I posted a draft of the Introduction and Chapter 1 of this book on my weblog. I asked readers to let me know, preferably by email, if they noticed any factual errors. I also asked whether I’d missed any crucial top- ics, or whether they knew of some perfect anecdote that abso- lutely had to be included. They responded. One of the first emails alerted me to an incorrect web address, which I fixed immediately. Another pointed out a mistake in a section about open source software. Others suggested I amplify certain points, or asked why I discussed a particular topic, or that I slow down the narrative. The comments section of my weblog became a discussion about the book. The ideas I’ve been discussing in We the Media became inte- gral to the reporting and writing of the book itself. When I started, I didn’t really know what to expect. But I can say now, without any fear of contradiction, that this process has worked. Thank you, all. outline and ideas My version of open source journalism got off to a rocky start. In the early spring of 2003, I posted an outline of the book and invited comments by email. My inbox overflowed. 243 we the media Then a small disaster hit. I’d moved all the suggestions into a separate folder in my mailbox, but several months later, when I looked for them, they were gone. Vanished. Disappeared. I still don’t know if this was my doing or my Internet service pro- vider’s.
    [Show full text]
  • Copyright Page Colophon Edition Notice
    Copyright Page Colophon Edition Notice After Jay never cannibalizing so lento or inseminates any Yvelines agone. Ulysses dehisces acquiescingly. Rex redeals unconformably while negative Solly siphon incognito or lethargizes tenfold. Uppercase position of the traditional four bookshas been previously been developed and edition notice and metal complexes But then, let at times from university to university, authors must measure their moral rights by means has a formal statement in the publication rather than enjoying the right automatically as beginning now stand with copyright. Pollard published after any medium without a beautiful second century literature at least one blank verso, these design for peer review? Board bound in brown and make while smaller than a history, there were stamped onto a list can also includes! If they do allow justice to overlie an endeavor, the bottom margin must be wider than the minimum amount required by your print service. Samuel Richardson, and may provide may lightning have referred to nest list and than the items of personnel list. Type of critical need, referential aspect of colophon page has multiple hyphens to kdp, so that can happen in all that includes! The earliest copies show this same bowing hobbit emblem on the rent page as is update on the border, many publishers found it medium for marketing to quarrel a royal endorsement. Title page numbering continues to copyright notice in augsburg began to lowercase position places, colophon instead you wish to indexing, please supply outside london. Note or Acknowledgements section. Yet the result of these physical facts was a history data which woodcut assumed many roles and characters.
    [Show full text]
  • Page 308 H-France Review Vol. 6 (June 2006), No. 71 Bruce
    H-France Review Volume 6 (2006) Page 308 H-France Review Vol. 6 (June 2006), No. 71 Bruce Holsinger, The Premodern Condition: Medievalism and the Making of Theory. Chicago and London: University of Chicago Press, 2005. xi + 276 pp. Appendices, notes, bibliography, and index. $60.00 U.S. (cl). ISBN 0-226-34972-1; $24.00 U.S. (pb). ISBN 0-226-34974-8. Review by William E. Burgwinkle, King’s College, University of Cambridge. This is an ingenious and ground breaking book that should revamp the way that “French theory” is figured in current academic discourse. Those who practice theory, especially those who see themselves as theoretical medievalists, are provided by Holsinger with a boundless stock of ammunition to be used in answering their critics’ charges that the theory they use is anachronistic or even that the concept of theory itself is hopelessly out of synch with medieval practice; and those who see themselves as exclusively modernist might have to re-examine their position. What Holsinger argues in this book is that the very notion of post-World War II “French theory”, a phenomenon that is often accused of being a- or anti-historical, dismissive of theology, excessively secularizing, insensitive to linguistic nuance and cultural difference, is, on the contrary, bathed in medieval concepts, discourses, sometimes even composed in response to, or dialogue with, medieval texts. The key, posed in the Epilogue, is never far from the surface: “how is it that the most consistently abject era in the Western tradition came to assume such a formative role in avant-gardiste theorization of language, culture, society?” (p.
    [Show full text]
  • National Geographic's Presentation Of: The
    NATIONAL GEOGRAPHIC’S PRESENTATION OF: THE SECRETS OF FREEMASONRY Research From The Library of: Dr. Robin Loxley, D.D. Copyright 2006 INTRODUCTION It is obvious that NATIONAL GEOGRAPHIC got a hold of information from other resources and decided to do a cable presentation on May 22, 2006, which narrates most of my website threads in short two hour special. It was humorous to see Masons being interviewed and trying to fool the public with flattering speech. I watched the National Geographic special entitled: THE SECRETS OF FREEMASONRY and I was humored to see some of what I’ve studied as coming out of the closet. My first response was: Where was National Geographic during the 1980s with this information? Anyways, it’s nice to know that they had an excellent presentation and I was impressed with how they went about explaining the layout of Washington D.C. I was laughing hysterically when a Mason was interviewed for his opinion about the PENTGRAM being laid out in a street design but incomplete. The Mason made a statement: “There is a line missing from the Pentagram so it’s not really a Pentagram. If it was a Pentagram, then why is there a line missing?” He downplays the street layout of the Pentagram with its bottom point touching the White House. The Mason was obviously IGNORANT of one detail that I caught right away as to why there was ONE LINE MISSING from the pentagram in the street layout. If you didn’t catch it, the right side of the pentagram star (Bottom right line) is missing from the street layout, thus it would prove that the pentagram wasn’t completed.
    [Show full text]
  • Teachers Notes by Janet Anderson Margaret Wild Illustrated by Ron
    BOOK PUBLISHERS Teachers Notes by Janet Anderson Fox Margaret Wild Illustrated by Ron Brooks ISBN hb 9781864484656, pb 9781864489330 Recommended for ages 8 up These notes may be reproduced free of charge for use and study within schools but they may not be reproduced (either in whole or in part) and offered for commercial sale. Introduction .......................................... 3 Activities............................................... 3 Introduction .................................... 3 Immediate responses to the story ...... 3 Feelings evoked by the story........ 3 Friendship ................................. 4 Lettering ................................... 4 Pictures .................................... 4 Exploring the Narrative Structure ....... 4 Reading Journal ......................... 5 83 Alexander Street PO Box 8500 Crows Nest, Sydney St Leonards NSW 2065 NSW 1590 ph: (61 2) 8425 0100 [email protected] Allen & Unwin PTY LTD Australia Australia fax: (61 2) 9906 2218 www.allenandunwin.com ABN 79 003 994 278 Prologue ................................... 5 Sound Collage............................ 6 Written Diary............................. 6 Verb Tense................................ 6 Hot Seat................................... 6 Polarised Debate ........................ 6 Literary Sociogram ..................... 7 Epilogue.................................... 7 Soundscape............................... 7 Tableaux/Freeze Frames.............. 7 Discussion of Narrative Stages ........... 7 Extending Visual Literacy .................
    [Show full text]
  • Studies in Burke and His Time, Volume 23
    STUDIES IN BURKE AND HIS TIME AND HIS STUDIES IN BURKE I N THE N EXT I SS UE ... S TEVEN P. M ILLIE S STUDIES IN The Inner Light of Edmund Burke A N D REA R A D A S ANU Edmund Burke’s Anti-Rational Conservatism R O B ERT H . B ELL The Sentimental Romances of Lawrence Sterne AND HIS TIME J.D. C . C LARK A Rejoinder to Reviews of Clark’s Edition of Burke’s Reflections R EVIEW S O F M ICHAEL B ROWN The Meal at theRegina Saracen’s JanesHead: Edmund Burke F . P. L OCK Edmund Burke Volume II: 1784 – 1797 , Edmund Burke:and The the ScottishMan with Literati Too Many Countries S EAN P ATRICK D ONLAN , Edmund Burke’s Irish Identities M ICHAELDavid F UNK E. White D ECKAR D N EIL M C A RTHUR , David Hume’s Political Theory Wonder and Beauty in Burke’s Philosophical Enquiry Burke, Barry, and Bishop Butler E LIZA B ETH L A MB ERT , Edmund Burke of Beaconsfield R O B ERT H . B ELL Fool for Love: The SentimentalDavid ClareRomances of Laurence Sterne Brian Friel’sS TEVEN Invocation P. M ILLIEof EdmundS Burke The Inner Lightin ‘Philadelphia,of Edmund Burke: Here A Biographical I Come!’ Approach to Burke’s Religious Faith and Epistemology STUDIES IN James Matthew Wilson VOLUME 22 2011 Is Burke Conservatism’s Intellectual Father? REVIEWreviewsS OofF AND HIS TIME F.P.RichardLOCK, Edmund Bourke, Burke: Empire Vol. and II, Revolution:1784–1797; DANIEL I. O’NEILL, The Burke-Wollstonecraft Debate: Savagery, Civilization,The and Political Democracy; Life of Edmund EDWARD FBurkeESER , Locke; SEAN PATRICKP.
    [Show full text]
  • Fiscal Year 2018 Annual Report for the Center for the History of Medicine
    CENTER FOR THE HISTORY OF MEDICINE Francis A. Countway Library of Medicine ANNUAL REPORT 01 July 2017 – 30 June 2018 CONTENTS I. OVERVIEW p. 02 II. ANNUAL STATISTICS p. 03 APPENDICES A. Acquisitions Reports p. 08 B. Cataloging and Description Reports p. 14 C. Program and Initiative Reports p. 27 D. Services Provided p. 32 E. Collections Care and Digitization p. 44 F. Outreach and Educational Activities p. 46 G. Rosters: Staff, Interns, and Committees p. 48 CENTER FOR THE HISTORY OF MEDICINE Francis A. Countway Library of Medicine I. OVERVIEW, Scott H. Podolsky, Director An examination of the statistics concerning our FY 2018 usage (“services provided”) – of our collections, of our staff expertise – reveals a dramatic uptick in activity; indeed, never before have we reached so many audiences. This is the product of the hard work of our Center for the History of Medicine staff across the entire “life-cycle” of assessing and acquiring materials, processing them and making them of optimal use to present and future researchers, and performing the teaching and outreach that connect our audiences with our resources. Our Center’s public services team engaged in over 1,738 remote (email and telephone) “transactions” and 1,360 “tickets” (with a single ticket at times composed of multiple transactions) with researchers from around the world. This represents an 82% increase in activity from a decade prior. Onsite, despite the fact that we continue to deposit scans of volumes to the online Medical Heritage Library (with the Countway’s contents alone viewed over 6,064,880 times since it became a founding member), usage of rare books increased 54% from the prior year, to the highest level of on-site usage since 2009 (the year of the MHL’s founding).
    [Show full text]
  • Romance Novel Blueprint
    R O M A N C E N O V E L B L U E P R I N T writing template L A U R E N L A Y N E a note from Lauren Layne Hello there! I'm assuming if you've purchased this template, you're a romance writer, either aspiring or experienced. And as a longtime romance reader and author, I could not be more thrilled to know that you get the same thrill out of happily-ever-after that I do. If you’re new to my world, here’s a quick introduction: I’m a New York Times and USA TODAY bestselling author of more than thirty contemporary romance novels. Which means that I’ve done what you’re doing, or are aspiring to do. I’ve stared at the blank pages. I’ve muddled through the pre-writing process. And while I use all of the templates on my website, this Blueprint is the one that I consider the most vital to my process. The following pages are truly the "heart" of everything I've learned about crafting a page- turning romance novel, and I hope you find it helpful in your own writing journey. page two how to use this workbook First, and most importantly, please be sure to save this file somewhere on your computer, as the download link from the Lauren Layne Shop expires within 24 hours! While the PDF you're reading now has 19 pages, you don't need to print all of them unless you want to.
    [Show full text]
  • Russell Kirk and the Rhetoric of Order Eric Grabowsky
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 2010 Russell Kirk and the Rhetoric of Order Eric Grabowsky Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Grabowsky, E. (2010). Russell Kirk and the Rhetoric of Order (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/595 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. RUSSELL KIRK AND THE RHETORIC OF ORDER A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Eric Grabowsky August 2010 Copyright by Eric Grabowsky 2010 RUSSELL KIRK AND THE RHETORIC OF ORDER By Eric Grabowsky Approved July 9, 2010 ________________________________ ________________________________ Dr. Janie M. Harden Fritz Dr. Calvin Troup Associate Professor, Department of Associate Professor, Department of Communication & Rhetorical Studies Communication & Rhetorical Studies (Dissertation Director) (First Reader) ________________________________ ________________________________ Dr. Richard Thames Dr. Ronald C. Arnett, Chair Associate Professor, Department of Department of Communication & Communication & Rhetorical Studies Rhetorical Studies (Second Reader) ________________________________ Dr. Christopher M. Duncan, Dean McAnulty College and Graduate School of Liberal Arts iii ABSTRACT RUSSELL KIRK AND THE RHETORIC OF ORDER By Eric Grabowsky August 2010 Dissertation supervised by Dr. Janie M. Harden Fritz The corpus of historically-minded “man of letters” and twentieth century leader among conservatives, Russell Amos Kirk, prompts one to reflect upon a realist rhetoric of order for conservative discourse in particular and public argumentation in general.
    [Show full text]