2005 Next Wave Festival

Total Page:16

File Type:pdf, Size:1020Kb

2005 Next Wave Festival October 2005 2005 Next Wave Festival Mary Heilmann, Last Chance for Gas Study (delail), 2005 BAM 2005 Next Wave Festival is sponsored by: The PerformingNeonEArts Magazine Altria 2005 ~ext Wave FeslliLaL Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Raise the Red Lantern Approxi mate BAM Howard Gilman Opera House running time: Oct 11-15, 2005 at 7:30pm 2 hours, one interm ission National Ballet of China Directed by Zhang Yimou Composed by Chen Qigang Choreographed by Wang Xinpeng and Wang Yuanyuan Stage design by Zeng Li Costume design by Jerome Kaplan Lighting design by Zhang Yimou Producer Zhao Ruheng World Premiere: May 2, 2001, Beijing By arrangement with Boosey & Hawkes, Inc., Sole Agent in the US, Canada and Mexico, for Durand S.A. Editions Musicales, a BMG Editions Company, publisher and copyright owner. BAM 2005 Next Wave Festival is sponsored by Altria Group, Inc. Raise the Red Lantern is part of Diverse Voices at BAM presented by Time Warner, Inc. Delta Air Lines is the official airline for BAM Dance, which also receives major support from The Harkness Foundation for Dance. Additional BAM Dance support is provided by the Mertz Gilmore Foundation, Mary L. Griggs & Mary Griggs Burke Foundation, and Capezio/Ba//et Makers Dance Foundation. Additional support for Raise the Red Lantern is provided by the Asian Cultural Council. Support for the opening night reception is provided by Partnership for New York City and Independence Community Bank. Artistic Director Zhao Ruheng Principals Zhu Van - Zhang Jian - Wang Qimin - Meng Ningning Sun Jie - Li Jun - Yu Bo Soloists Jin Jia - Wang Qi Huang Zhen - Hou Qingfeng - Yang Lei - Zhou Zhaohui - Hao Bin Coryphees Lu Na - Wen Fang - Hu Tiantian - Zhang Man - Ma Yini Deng Mi - Wang Yitong - Li Yiran Wu Van - Jiang Wei - Li Ke - Zhang Xiangyuan Wang Hao - Cui Kai - Li Nan - Hu Dayong Corps de Ballet Zhou Wen - Song Xiaoxiao - Wang Lei - Wu Shuming Suo Pei - Yang Chunhui - Yang Zi - Li Jing - Liu Yang - Shang Jiaojiao Liu Qi - Wang Bingjie - Yu Yang - Wang Ye Hou Pengfei - Wang Wei - Zhang Kai - Chen Xi - Du Jichao Li Ming - Ji Mo - Liu Shi - Wang Hongbo Peking Opera Performers Zhang Yi - Yu Lei - Gao Chen - Yin Songtao Musicians Li Jinping (drums) - Xu Jinzhong (large gong) Guo Yi (small gong) - Wang Qingrong (large gong) The National Ballet of China's international travel and shipping is courtesy of the JF Kennedy Festival of China and the Chinese Ministry of Culture Casting-Raise the Red Lantern (subject to change) Oct 11 Oct 12 Oct 13 Oct 14 Oct 15 Second concubine Zhu Yan Zhang Jian Wang Qimin Zhu Yan Wang Qimin First concubine Meng Ningning Jin Jia Ming Ningning Meng Ningning Zhu Yan Peki ng opera actor Sun Jie Hou Qingfeng Li Jun Sun Jie Li Jun Master Huang Zhen Yang Lei Yang Lei Huang Zhen Huang Zhen Wife Jin Jia Lu Na Lu Na Jin Jia Jin Jia Synop~si~s _ Prologue Act III 1930s, China. In a quiet courtyard a young girl is The two lovers continue their love affair in secret. forced into a bridal palanquin. She is going to be The first concubine tells the master about their the second concubine of the Master of the house. affair. The master catches the two lovers who Before getting into the palanquin, she remembers bravely confess without hesitation. The first concu­ her childhood lover-a young actor from a Peking bine tries to use this occasion to renew her favor Opera group (Xi Ban). with the master. However, she receives a heavy slap on the face from the master instead. Driven Act I by depression, she grabs the lighting stick, which In the happy and joyful atmosphere of the wed­ symbolizes the master's power over his household ding, the wife and the first concubine welcome the and lights all the red lanterns hanging in her yard. second concu bi ne of the master of the house into With great fury, the master orders his minions to the family, with complex emotional undertones. execute the first concubine who dares to break his The night of the wedding, despite her desperate house law. resistance, the bride is finally overcome by her tragic desti ny. Epilogue The two lovers and the first concubine are taken Act II to the execution ground. Facing death, they forget The master passes ti me with his wives by watch­ their hostilities, and reconcile with each other. In ing Peking Operas and playing mah-jongg. The tolerance and affection, they embrace. Feudalism second concubine sneaks out for a while to meet strangles their young lives and beautiful love. her former lover. But their secret is discovered by the first concubine who has ulterior motives. Who's Wb o _ The National Ballet of China (NBC), the only Chi­ the NBC has over 80 professional ballet dancers, nese national ballet, was founded on December teachers, and regisseurs. Many of its dancers 31, 1959. Originally known as the Experimental have won gold, silver, and bronze medals at major Ballet Company of the Beijing Dance School-lithe international ballet competitions. cradle of dancers"-it quickly grew under the influence of numerous Russian masters. During its The NBC's artistic mission is twofold: firstly, to formative years from 1954 to 1963, Pyotr Gusev introduce Chinese audiences to Western classi- and other Russian artists brought the Ballet train­ cal ballets and contemporary ballet works and ing typical of the Russian School and assimilated secondly, to explore the unique fusion possible it into the Chinese training program. In collabo­ between classical ballet and Chinese culture. This ration, the Russians and Chinese successfully fusion was achieved by choreographing and creat­ staged a number of classical ballets including ing its own ballets. The NBC's repertoire includes Swan Lake, Le Corsaire, and Giselle from 1958 many such fusion Chinese ballets, which repre­ to 1960. This first generation of Chinese classical sent Chinese characteristics-The Red Detach­ ballet dancers and other artists would go on to ment of Women, Ode to the Yimeng Mountains, help build the company's classical ballet repertoire The Son and Daughter of the Grassland, The and lay a solid foundation for the development New Year's Sacrifice, Lin Daiyu, The Yellow River, of the National Ballet of China. Over the past 45 Butterfly Lovers, The Nutcracker, and Raise the years, the company has attached great impor­ Red Lantern. A number of other contemporary tance to the exploration and the accumulation of ballets have won international acclaim, such as ballet knowledge. Today the NBC has an extensive Coppelia, Fate, Rainbow of the Night, The Chair­ repertoire and has successfully trained many man Dances, Rite of Spring, and Swan Lake (new generations of outstanding artists. This winning version). Each of these ballets is an exploration of combination has attracted the attention and praise the blending between Chinese culture and history of the international world of ballet. At present, with more classical Western elements. Who's Wb~o _ Continuing its education through cultural Red Sorghum, a tragic tale revolving around an exchange, the NBC has worked with a variety arranged marriage, which immediately garnered of foreign ballet masters and choreographers, him much attention in China and abroad. Since including renowned artists Anton Dolin and Rudolf then he has directed the films Operation Cougar Nureyev, to stage classical ballet works including Ju Dou, Raise the Red Lantern, The Story of Qiu Pas de Quatre, Variations for Four, Don Quixote, Ju, To Live, Keep Cool, Shanghai Triad, Not 0n.e La Sylphide of the Bournonville School, Sleeping Less, The Road Home, Happy Times, Hero, and Beauty, Ben Stevenson's Fountain of Tears, and House of Flying Daggers. His films have won him Lycette Darsonval's Sylvia from the Paris Opera international praise at festivals in the U.S., Japan, Ballet. Included are also George Balanchine's Germany, Australia, Belgium, France, and Italy, Neo-Classical ballets, including Serenade, and among other countries. He is the first Chinese ever other contemporary works such as Rudy van to be nominated for an Academy Award; it was for Dantzig's The Four Last Songs. Over the last ten Ju Dou as Best Foreign Film at the 63rd Annual years, Director Zhao Ruheng and all members of Academy Awards in 1991. He received nomina­ the NBC have been inspired by the spirit of the tions again for Raise the Red Lantern and Hero. company's slogan, "Struggle arduously, keep unit­ Raise the Red Lantern went on to receive the ed and down to earth." They have been diligently "best foreign film" award from the British Acad­ contributing toward their goal of "expansion and emy Awards and the New York Critics Circle. For furtherance of the art of ballet" through numerous live performance, Zhang has directed the opera performances and collaborations. Turandot and created a ballet version of Raise the Red Lantern. Currently, Zhang has just finished The company is further enhanced by the reputa­ production of Lonely Ride over a Long Distance tion of its orchestra. The National Ballet of China and preparing for his next film, a musical entitled Symphony Orchestra consists of 60 classically Impression Lijiang. trained musicians and is the only orchestra in China to specialize in ballet accompaniment. Zhao Ruheng (producer and supervisor), execu­ Also in-house is NBC's experienced house stage tive director and artistic director of the National production team that make all of the exquisite Ballet of China, began her career with the com­ costumes, scenery, props, head-dresses, and pany as a dancer in 1961, after graduating with ballet shoes.
Recommended publications
  • Nutcracker Three Hundred Sixty-Seventh Program of the 2012-13 Season ______Indiana University Ballet Theater Presents
    2012/2013 Peter Ilyich Tchaikovsky NutcrackerThe Three Hundred Sixty-Seventh Program of the 2012-13 Season _______________________ Indiana University Ballet Theater presents its 54th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story, “The Nutcracker and the Mouse King” by E. T. A. Hoffmann Michael Vernon, Choreography Andrea Quinn, Conductor C. David Higgins, Set and Costume Designer Patrick Mero, Lighting Designer Gregory J. Geehern, Chorus Master The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. _________________ Musical Arts Center Friday Evening, November Thirtieth, Eight O’Clock Saturday Afternoon, December First, Two O’Clock Saturday Evening, December First, Eight O’Clock Sunday Afternoon, December Second, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Doricha Sales, Ballet Mistress Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Phillip Broomhead, Guest Coach Doricha Sales, Children’s Ballet Mistress The children in The Nutcracker are from the Jacobs School of Music’s Pre-College Ballet Program. Act I Party Scene (In order of appearance) Urchins . Chloe Dekydtspotter and David Baumann Passersby . Emily Parker with Sophie Scheiber and Azro Akimoto (Nov. 30 & Dec. 1 eve.) Maura Bell with Eve Brooks and Simon Brooks (Dec. 1 mat. & Dec. 2) Maids. .Bethany Green and Liara Lovett (Nov. 30 & Dec. 1 eve.) Carly Hammond and Melissa Meng (Dec. 1 mat. & Dec. 2) Tradesperson . Shaina Rovenstine Herr Drosselmeyer . .Matthew Rusk (Nov. 30 & Dec. 1 eve.) Gregory Tyndall (Dec. 1 mat.) Iver Johnson (Dec.
    [Show full text]
  • 2013| 2014 Community Programs Atlanta Ballet's
    2013| 2014 COMMUNITY PROGRAMS ATLANTA BALLET’S NUTCRACKER STUDY GUIDE PRESENTED BY DEAR EDUCATOR Atlanta Ballet and Atlanta Ballet Centre for Dance Education are committed to bringing you and your students the highest quality educational programs available. We continually strive to meet the ever-growing needs of students and the educational community. Please take a moment, after viewing the ballet and using the study guide, to complete the survey enclosed at the end of this guide. Your feedback is the only way we can continue to deliver high quality programs. This study guide was designed to acquaint both you and your students with Atlanta Ballet’s Nutcracker, as well as provide an interdisciplinary approach to teaching your existing curriculum and skills. This study guide was prepared by Atlanta Ballet staff members with educational backgrounds. Every attempt was made to ensure that this study guide can be used to enhance your existing curriculum. We hope both you and your students enjoy the educational experience of Atlanta Ballet and have fun along the way! Sharon Story Nicole Kedaroe Dean, Centre for Dance Education Community Division Manager TABLE OF CONTENTS Background Information and Teacher Resources Suggested Resources 4 Curriculum Connections 5 Synopsis of the Ballet 6 The Composer 7 The Choreographer 8 Choreographer History 9 History of the Nutcracker 10 History of Atlanta Ballet 11-12 History of Ballet 13 History of the Fox 14 Who’s Who in the Ballet 15 Nutcracker Vocabulary 16 Student Activities Creating a Ballet 17 Pantomime 18* Answer This 19 Who am I? 20 Extra, Extra 21 Character Education 22-23 Nutcracker Matching Quiz 24 Word Search 25 Drawing Activities 26 *This page is from the Ballet Workbook Series The Nutcracker and the Mouse King, E.T.A.
    [Show full text]
  • A Dance “Festival Within a Festival” at the Fringe
    A dance “festival within a festival” at The Fringe www.bookingdance.com SEE 7 DYNAMIC DANCE COMPANIES FROM AMERICA IN ONE SHOW WED, AUG 12 - SUN, AUG 16 Cover and inside cover photo:Lois Greenfield WORLD PREMIERES ABOUT BOOKING DANCE FESTIVALS ALL COMPANIES DEBUTING IN EDINBURGH FOR THE FIRST TIME The Booking DANCE FESTIVAL is the brainchild of Producer Jodi Kaplan, born with the intention of creating a cultural exchange between performing artists and international communities. The Festival occurs Welcome! annually at different locations around the globe, continually bridging dance artists and audiences worldwide. It is the long-term vision of Booking DANCE FESTIVAL to return annually to the Edinburgh Fringe for a full Booking DANCE FESTIVAL Edinburgh 2009 is the first dance “festival within a festival” three week run while additionally producing showcases in a third-world country every two years and the presented by Producer Jodi Kaplan / BookingDance at the Edinburgh Fringe. summer Olympics every four years. Booking DANCE FESTIVAL Edinburgh 2009 is a continuation of a cultural exchange between performing You will see seven of the best USA Dance Companies performing at The Fringe for the first time. artists and communities on a global scale. Last summer, coinciding with the Beijing Olympics, Jodi Kaplan Ranging stylistically from classical modern to traditional dance from around the globe, this & Associates produced Booking DANCE FESTIVAL Beijing 2008 as the first of its international productions. diverse program showcases seven innovative
    [Show full text]
  • Nutcracker 5 Three Hundred Eighty-Second Program of the 2013-14 Season ______
    2013/2014 5 The Nutcracker Peter Ilyich Tchaikovsky Three Hundred Eighty-Second Program of the 2013-14 Season _______________________ Indiana University Ballet Theater as its 55th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story “The Nutcracker and the Mouse King” by E. T. A. Hoffman Michael Vernon, Choreography Philip Ellis, Conductor C. David Higgins, Set and Costume Design Patrick Mero, Lighting Design The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. ____________ Musical Arts Center Thursday vening,E December Fifth, Seven O’Clock Friday Evening, December Sixth, Eight O’Clock Saturday Afternoon, December Seventh, Two O’Clock Saturday Evening, December Seventh, Eight O’Clock Sunday Afternoon, December Eighth, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Doricha Sales, Ballet Mistress & Children’s Ballet Mistress The children performing in The Nutcracker are from the Jacobs School of Music Pre-College Ballet Program. MENAHEM PRESSLER th 90BIRTHDAY CELEBRATION Friday, Dec. 13 8pm | Musical Arts Center | $10 Students $20 Regular The Jacobs School of Music will celebrate the 90th birthday of Distinguished Professor Menahem Pressler with a concert that includes performances by violinist Daniel Hope, cellist David Finckel, pianist Wu Han, the Emerson String Quartet, and the master himself! Chat online with the legendary pianist! Thursday, Dec. 12 | 8pm music.indiana.edu/celebrate-pressler For concert tickets, visit the Musical Arts Center Box Office: (812) 855-7433, or go online to music.indiana.edu/boxoffice.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Goh Ballet Bayview Your Dance Journey Starts with Us
    Goh Ballet Bayview Your Dance Journey Starts With Us GohBallet.com/Bayview Ballet Ballet Recognized to be a combination of intricate choreography, scenic design, atmospheric lighting, accentuated costuming, graceful movements and a personification of music,Ballet is a dance like no other. It can be used to express our deepest emotions or to tell the most profound stories and has been globally influential, defining the foundational techniques used in many other dance genres and cultures. In Canada, Goh Ballet was established over forty years ago by Choo Chiat and Lin Yee Goh, and has since grown into one of the most illustrious private dance schools in the world. Now under the directorship of Chan Hon Goh, former Principal Dancer of The National Ballet of Canada, Goh Ballet Academy is flourishing in the renaissance of a global arts community in Canada. We are looking to the future with agility, strength and poise. Dancers of Goh Ballet will be empowered to take the international stage with assurance. Polished holistic training programs are grounded by Goh Ballet’s core values: innovation for advancement, respect for the art-form, and care for balance and teamwork. Passionately mentored by a dedicated faculty, each dancer’s artistic versatility is allowed to shine at every level. An art form that touches human emotions beyond that of anything else, dance speaks to the soul. Goh Ballet cherishes and exudes beauty, grace and elegance by encouraging and introducing people to lead creatively inspired lives. The Arts are meant to be shared and Goh Ballet gives the highest level of care based upon principles of building and evolving perfection, inspiring possibilities and propelling motivation.
    [Show full text]
  • Too Hot to Handel Cincinnati Ballet's the Nutcracker Les Ballets
    Too Hot to Handel November 29, 30 2003 Cincinnati Ballet's The Nutcracker December 5-14 2003 Les Ballets Africains February 27 2003 Dance Theatre of Harlem March 4-7, 2003 DETROIT Home of Michigan Opera Theatre David DiChiera, General Director DAIMLERCHRYSLER DaimlerChrysler Corporation Fund Copyright 2010,2003-04 Michigan Dance Series Opera Theatre No one can guarantee success. But knowing how to rehearse for it certainly helps. With over 250 relationship managers dedicated to one-on -one service, a full array of the latest financial products, and an emphasis on helping local businesses succeed, the Standard Federal Commercial Banking team makes sure your needs are always front and center. For more information, call 1-248-822-5402 or visit standardfede ralbank.c om . True Possibility. Standard Federal Bank ABN AMRO standardfederalbank.com ©2003 Standard Federal BankNA Copyright 2010, Michigan Opera Theatre Sur ender to Love DETROIT OPERA HOUSE . HOME OF MICHIGAN OPERA THEATRE ]B~VO 2003-2004 The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Winer CONTRIBUTORS Dr. David DiChiera, General Director Matthew S. Birman, Editor Laura Wyss cason Michigan Opera Theatre Staff PUBLISHER ON STAGE Live Publishing Company TOO HOT TO HANDEL. .4 Frank Cucciarre, Design and Art Direction Program ............ .5 Blink Concept &: Design, Inc. Production Artist Profiles .................. ... ...... .6 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Rackham Symphony Choir ..... .. .............. .7 Marygrove College Chorale and Soulful Expressions Ensemble 7 Physicians' service provided by Henry Ford Medical Center. Too Hot to Handel Orchestra ... .... .... ........ 7 THE NUTCRACKER .9 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House.
    [Show full text]
  • A Study on the Gender Imbalance Among Professional Choreographers Working in the Fields of Classical Ballet and Contemporary Dance
    Where are the female choreographers? A study on the gender imbalance among professional choreographers working in the fields of classical ballet and contemporary dance. Jessica Teague August 2016 This Dissertation is submitted to City University as part of the requirements for the award of MA Culture, Policy and Management 1 Abstract The dissertation investigates the lack of women working as professional choreographers in both the UK and the wider international dance sector. Although dance as an art form within western cultures is often perceived as ‘the art of women,’ it is predominately men who are conceptualising the works and choreographing the movement. This study focuses on understanding the phenomenon that leads female choreographers to be less likely to produce works for leading dance companies and venues than their male counterparts. The research investigates the current scope of the gender imbalance in the professional choreographic field, the reasons for the imbalance and provides theories as to why the imbalance is more pronounced in the classical ballet sector compared to the contemporary dance field. The research draws together experiences and statistical evidence from two significant branches of the artistic process; the choreographers involved in creating dance and the Gatekeepers and organisations that commission them. Key issues surrounding the problem are identified and assessed through qualitative data drawn from interviews with nine professional female choreographers. A statistical analysis of the repertoire choices of 32 leading international dance companies quantifies and compares the severity of the gender imbalance at the highest professional level. The data indicates that the scope of the phenomenon affects not only the UK but also the majority of the Western world.
    [Show full text]
  • Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
    http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world.
    [Show full text]
  • Choose Your Favorite Series! [Order Early to Get the Best Seats and Save] Akram Khancompany |National Ballet of China %!&'()&(*)(+*,!-!!%!Northrop#Umn#Edu!
    Wayne McGregor | Random Dance Random | McGregor Wayne !"#$%&#%'&%(')"*""!"northrop+umn+edu"* NORTHROP UNIVERSITY!OF!MINNESOTA "#$!NORTHROP %&!CHURCH!STREET!SE MINNEAPOLIS'!MN!((&(()#*#* Choose your favorite series! [order early to get the best seats and save] Akram Khan Company | National Ballet of China of Ballet |National KhanCompany Akram %!&'()&(*)(+*,!-!!%!northrop#umn#edu!- Wayne McGregor | Random Dance ENTITY British!multi"award!winning!choreographer!Wayne!McGregor!sets! Friday!"September"##!"$%&&"pm" “it looks like the!tone!of!the!season!with!his!groundbreaking!project#!Entity#! Northrop combining!neuroscience#!physically"testing!choreography#!and! nothing else technology$!Based!on!collaborative!research!with!psychologists#! *+,#!*+-#!*./#!*00 neuroscientists#!and!so%ware!engineers#!Entity!breathtakingly! on earth.” portrays!the!relationship!between!the!brain!and!the!moving!body$ ------------------------------- Funding!provided!in!part!by!a!grant!from!the!Minnesota!State!Arts! Board"!through!an!appropriation!by!the!Minnesota!State!Legislature"!a! The Independent Known!for!their!fierce!and!visceral!movement#!ten!of!McGregor’s! grant!from!the!National!Endowment!for!the!Arts!and!private!funders# hyper"limber!dancers!move!to!the!beat!of!two!of!the!ho&est!new! Funded!in!part!by!the!National!Dance!Project!of!the!New! musical!talents!working!today!'!Jon!Hopkins!and!Joby!Talbot$! England!Foundation!for!the!Arts"!with!lead!funding!from!the! Doris!Duke!Charitable!Foundation!and!additional!funding!from! Talbot!(The!Divine!Comedy#!Chroma)!has!wri&en!a!propulsive!
    [Show full text]
  • Global Resident Choreographer Survey 2021 Limitations and Notes
    Global Resident Choreographer Survey 2021 Limitations and Notes Title Hierarchy Dance Data Project®’s annual Global Resident Choreographer Survey this year examined rosters of 126 domestic and international ballet companies. DDP recorded 61 total equivalent positions, which had a total of 15 different titles between them: 1. Resident Choreographer and Artistic Advisor 2. Choreographer in Residence 3. Artist in Residence 4. Director and Choreographer 5. Permanent Choreographer 6. Resident Choreographer 7. Associate Choreographer 8. Principal Guest Choreographer 9. Choreographer-director 10. Director/Choreographer 11. Choreographic Associate 12. Resident Choreographer 13. Chief Choreographer 14. Artistic Advisor and Choreographer 15. Artistic Director and Chief Choreographer At three companies, titles differed between multiple individuals hired to choreographic positions: 1. Het Nationale Ballet: a. Director and Choreographer: Ted Brandsen (male) b. Permanent Choreographer: Hans Van Manen (male) 2. National Ballet of Canada: a. Choreographic Associate, Creative Producer, CreativAction: Robert Binet (male) b. Choreographic Associate: Guillaume Côté (male), Alysa Pires (female) 3. The Royal Ballet*: a. Resident Choreographer: Wayne McGregor (male) b. Artistic Associate: Christopher Wheeldon (male) *The Royal Ballet previously employed an artist in residence, whose contract was terminated in 2020 (Liam Scarlet, male). Comparison of 2020 and 2021 Surveys All Companies 2020 Survey 2021 Survey Male Female Male Female 31 10 46 18 76% 24% 72% 28% Total of 41 Resident Choreographer Total of 64 Resident Choreographer Positions Positions United States 2020 Survey 2021 Survey Male Female Male Female 16 6 23 11 73% 27% 68% 32% Total of 22 Resident Choreographer Total of 34 Resident Choreographer Positions Positions International 2020 Survey 2021 Survey Male Female Male Female 15 4 23 7 79% 21% 77% 23% Total of 19 Resident Choreographer Total of 30 Resident Choreographer Positions Positions Company Sample Comparisons DDP added the following companies to the survey in 2021.
    [Show full text]
  • Hua Fang Zhang
    Hua Fang Zhang Guest Ballet Teacher, Guest Ballet Mistress Born in 1959, Shanghai, China, HuaFang received her ballet training at Beijing Academy of Dance from 1972 to 1978. After graduation, she joined National Ballet of China in 1980 as First Soloist for six years and then moved to Hong Kong where she served as Principal Dancer between 1987 and 1989 in Hong Kong Ballet. In 1989, she became Principal Dancer of Les Ballet Jazz de Montréal and danced with them till 1998. As a teacher and ballet mistress, she has taught all over the world and coached numerous students. Since 1998, she served as ballet mistress Les Ballet Jazz de Montréal, LaLaLa Human Steps, National Ballet of China and English National Ballet. She has been a guest teacher at schools and companies in China, England, Canada, and Mexico. The students she coached have won gold medals and grand prix in several prestigious competitions, such as Helsinki International Ballet Competition, USA International Ballet Competition Jackson Mississippi and Beijing International Ballet and Choreography Competition. HuaFang was also the rehearsal director for Amelia, a film by Édouard Lock Professional career 2019-February Guest Ballet Mistress / Teacher 2012-September 2019-January English National Ballet: Ballet Mistress 2005-November 2010-June National Ballet of China; Ballet Mistress 2001-2005 LaLaLa Human Steps; Ballet Mistress 1998-2001 Les Ballet Jazz de Montréal ; Ballet Mistress 1989-1998 Les Ballet Jazz de Montréal ; Principal Dancer 1987-1989 Hong Kong Ballet; Principal Dancer 1980-1986 National Ballet of China; First Soloist 1978-1980 Beijing Academy of Dance Achievements Beijing International Ballet and Choreography Competition 2019 Artistic Director for Opening and Closing Gala performances Guest teacher Beijing International Ballet Competition 2013 Coached a dancer from English National Ballet, Gold medal - female Beijing International Ballet Competition 2011 Coached two dancers from National Ballet of China.
    [Show full text]