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Funk Soul Sister
20-21-679 AN:CULTURE 14/02/14 12:01 Page 20 Funk Soul Sister VOCABLE BY SHELLY DE VITO AND RONAN LANCELOT VOCABLE: How are you feeling right now? SHARON: knew was, from a little girl up, my mother It’s weird but I’m doing all right. I’ve got to bought me a toy drum, had toy organs and make sure I get this port out of my chest and I could play all these things. I used to sing get my exams before I get back out on with my two sisters too, and church the road. I’ve got to get the chemo has also been a part of me. I think out my system; and in February, that’s what strengthened my voice I’ll be ready to hit the road. Right and kept me going. I didn’t go to now I have to take it one day at a a concert in the 60s, I was just a RENCONTRE AVEC SHARON JONES Chanteuse (SJ KYLE DEAN REINFORD) (SJ KYLE time. I think this is the longest kid. You know, in ‘66 I was just ten I’ve ever not done anything. years old, but there was a lot of I’m staying with a nutri- stuff going about and we only Funk Soul Sister tionist up here, and had a couple of radio sta- I’m up in New York tions, so you heard every- upstate, so I’m thing Motown, Stacks, Réf. au titre de plusieurs compilations du label in fresh air, whatever regularly was BGP regroupant des artistes féminines de la every- out, they played it, and musique soul et funk we didn’t only listen to weird étrange, bizarre / port port à Cath thing I soul.. -
Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
The Cowl 2 MIDNIGHT MADNESS October 12,1995 Lady Friars: up to the Challenge?
Cowl 1919 The 1995 Special Issue Providence College - Providence, RI October 12,1995 LET THE MADNESS BEGIN Head Coach Pete Gillen "excited" about this year's team with class. After them Eric (Williams) handled it by Cory McGann '98 with class. Now I want to handle it with class.” Asst. Sports Editor Gillen has high hopes for his lone senior. “He is the heart and soul of our team and I’m counting on Head Coach Pete Gillen has his work cut out for him to be a leader for the team. For us, he is our him this year as he attempts to lead Providence Col anchor.” lege to the top of the BIG EAST Conference. The Croshere, a 6’9" power forward, spent the sum men in black have lost three starters, two of them to mer with USA Basketball playing with and against the NBA: center Troy Brown to the Atlanta Hawks some great basketball talent. He was also a team and power forward Eric Williams to the Boston mate of Georgetown’s Othela Harrington and Allen Celtics. Iverson, so he must be in great physical shape. Af Going Gillen’s way, however, is his stellar recruit ter showing flashes of absolute brilliance during his ing class. Dipping into the junior college, as well as sophomore year, the Los Angeles native truly came the high school, pool of talent, Gillen has come up into his own during the stretch run of the season with not only talented players, but guys who can play and during tournament time. -
The Suffolk Ournal
Suffolk University Digital Collections @ Suffolk Suffolk Journal Suffolk University Student Newspapers 2008 Newspaper- Suffolk Journal vol. 63, no. 3, 1/23/2008 Suffolk Journal Follow this and additional works at: https://dc.suffolk.edu/journal Recommended Citation Suffolk Journal, "Newspaper- Suffolk Journal vol. 63, no. 3, 1/23/2008" (2008). Suffolk Journal. 482. https://dc.suffolk.edu/journal/482 This Newspaper is brought to you for free and open access by the Suffolk University Student Newspapers at Digital Collections @ Suffolk. It has been accepted for inclusion in Suffolk Journal by an authorized administrator of Digital Collections @ Suffolk. For more information, please contact [email protected]. nTL EXT EDITIOTN: SUFFOLK UNIVERSIITY • BOSTON, MASSACHUSETTS r~-in OJlJlr ir Lr fii V THE SUFFOLK OURNAL -m VOLUME 63, NUMBER 3 WWW.SUFFOLKJOURNAL.NE I WEDNESDAY • JANUARY 23, 2008 Downtown Crossing dorm becomes Expansion Update new home for Suffolk Students Christine Adams Journal Staff Ben Paulin and Suffolk University Continuing with Journal Staff will have on each other. the recent trend of cam Construction "The vitality the students pus expansion, Suffolk workers, city officials, and will bring meansa lot [to University filed its in the Suffolk community the area]." stitutional master plan alike gathered on a chilly Nucci also saidthat 10 notification form with night to unveil Suffolk's West is a win-win for the city of Boston on Jan. newest dormitory, 10 the neighborhood, the 11. According to Gordon West, on Wednesday Jan. 9. university, and the city King, Senior Director of The glitzy social- , ' li' of Boston saying the new Facilities Planning and ites of the Suffolk com residents will be "kicking Management, "The mas munity, whose guest list off a Renaissance in this ter plancalls for a physi included Mayor Thomas area." cal expansion of the Uni Menino, used the time to Maureen Wark, versity to accommodate chitchat with one an Director of Residence • more residents, academic other over hors d'oeuvres. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Jazz Series Concert Features Saxophonist Donny Mccaslin Lawrence University
Lawrence University Lux Press Releases Communications 2-15-2011 Jazz Series Concert Features Saxophonist Donny McCaslin Lawrence University Follow this and additional works at: http://lux.lawrence.edu/pressreleases © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Jazz Series Concert Features Saxophonist Donny McCaslin" (2011). Press Releases. Paper 438. http://lux.lawrence.edu/pressreleases/438 This Press Release is brought to you for free and open access by the Communications at Lux. It has been accepted for inclusion in Press Releases by an authorized administrator of Lux. For more information, please contact [email protected]. Jazz Series Concert Features Saxophonist Donny McCaslin Posted on: February 15th, 2011 by Rick Peterson Critically acclaimed saxophonist and composer Donny McCaslin showcases his “roof-raising” talents Friday, February 25 at 8 p.m. at the Lawrence Memorial Chapel as part of the 2010-11 Lawrence University Jazz Series. McCaslin will be joined by the Lawrence Brass. Donny McCaslin “Donny McCaslin definitely belongs in any discussion of top jazz saxophonists like Chris Potter and others,” said tubist Marty Erickson, a member of the Lawrence Brass. “He is very comfortable playing hard funk and a kind of high-energy post- bebop, but he also can render a ballad with the best of them.” One of the pieces The Lawrence Brass will perform with McCaslin will be from his 2009 CD “Declarations,” which was ranked 12th on a list of favorite jazz CDs of 2009 by the website The Jazz Spectrum. Described by Jazz Times as a “versatile” musician who plays with a “fluidity and grace,” McCaslin first picked up the tenor saxophone at the age of 12 and!participated in the prestigious Monterey Jazz Festival’s California All-Star band while still in high school. -
Sharon Jones & the Dap-Kings
MARCH/APRIL 2010 ISSUE MMUSICMAG.COM Q&A Gabriel Roth, Fernando Velez, Homer Steinweiss , Thomas Brenneck, Sharon Jones, Neal Sugarman, Dave Guy, Laura Hanifi n Laura Hanifi Ian Hendrickson-Smith, Binky Griptite SHARON JONES & THE DAP-KINGS One of soul’s leading ladies brings the boys back home THE MASTER FUNKATEERS IN THE It’s been a few years since Winehouse Move on. If I’d lived my life listening to what Dap-Kings have earned mainstream borrowed the Dap-Kings for her people had to say—too big, too short, too fat, attention over the last several years back-up band. How do you look at once you pass 50 you’re too old—I wouldn’t for their work with big-name artists like that now? be where I’m at right now. Amy Winehouse and Jay-Z, but their one The whole thing took me a little by surprise. true leader is soul singer extraordinaire The Dap-Kings didn’t even know what In the 1980s you worked as a Sharon Jones. Their new album together was going on when Mark came to them. guard at New York’s notorious Rikers as Sharon Jones and the Dap-Kings, Actually while they were out with Amy, a Island. Anything from that experience I Learned the Hard Way, is the fourth of little opportunity came for me, the movie, affect your music? their almost decade-long collaboration so it all worked out. [Jones appeared in That just taught me to not be afraid. But and their fi rst since 2007’s critically acclaimed 2007’s The Great Debaters.] But I don’t it didn’t take jail to show me that, because 100 Days, 100 Nights. -
Sharon Jones & the Dap Kings
Jazz Collection: Sharon Jones & the Dap Kings Dienstag, 28.04.2020, 21.00 – 22.00 Uhr Radio SRF 2 Kultur Samstag, 02.05.2020, 17.06 – 18.30 Uhr (mit Bonustracks) Die Retro-Zauberformel Als Sharon Jones, die afroamerikanische Sängerin, vom weissen Bassisten Gabriel Roth entdeckt wurde, hatte sie die Idee einer echten Karriere eigentlich schon begraben. Aber Roths Vorstellung eines Retro-Sounds, aufgenommen mit Vintage-Instrumenten auf Band, passte perfekt zur Stimme von Sharon Jones. Und das gemeinsam gegründete Label Daptones mit der Hausband, den Dap Kings, wurde mit genau dieser Stimme zu einer regelrechten Zauberformel. Kaum eine andere Band tönt so satt und crèmig wie Sharon Jones & the Dap Kings. Kaum eine andere Band arrangiert und produziert so sorgfältig wie diese. Warum das so ist, und was der Vorteil ist, wenn man ein zehnköpfiges Ensemble auf engstem Raum mit nur wenigen Mikrophonen aufnimmt, das diskutiert der Musikredaktor Roman Hosek in der Jazz Collection mit Jodok Hess. Gast: Roman Hosek Redaktion und Moderation: Jodok Hess Interpret Titel Komponist Album / Label Sharon Jones & the Dap-Kings Got a Thing on My Mind Bosco Mann Got a Thing on My Mind / Daptone DAP-1001 Sharon Jones & the Dap-Kings The Dap Dip Bosco Mann Dap-Dippin' with Sharon Jones and The Dap-Kings / Daptone Sharon Jones & the Dap-Kings This Land Is Your Land Woody Guthrie Naturally / Daptone Sharon Jones & the Dap-Kings 100 days, 100 nights Bosco Mann 100 days, 100 nights / Daptone Sharon Jones & the Dap-Kings When the other foot Bosco Mann 110 days, 100 nights / Daptone drops, uncle Sharon Jones & the Dap-Kings Window shopping Wayne Gordon I Learned the Hard Way / Daptone / Lawrence Gordon / Derek Nievergelt Sharon Jones & the Dap-Kings Retreat! Bosco Mann Give the People What They Want / Daptone Sharon Jones & the Dap-Kings I’m Still Here Dap Kings Miss Sharon Jones. -
The Hot Club of Baltimore: Baltimore Discovers the Spirit of Django
FEB/MARCH 2014 The Hot Club of Baltimore: Baltimore Discovers the Spirit of Django . 1 Cold Spring Jazz Quartet – Night Songs: The Music of Film Noir . 3 BALTIMORE JAZZ ALLIANCE An Interview with Donny McCaslin . 4 Warren Wolf, Christian McBride and Friends . 6 Jazz Jam Sessions . 10 BJA Member Notes, Products and Discounts . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XI ISSUE II THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Baltimore Discovers the Spirit of Django The Hot Club A cold start to February’s Monday night ously sat in. On this particular night a Gypsy Jazz Jam didn’t prevent Balti - blend of accordion, violin, harmonica more’s Djangophiles from flocking to and four guitars kicked off the jam. of Baltimore Liam Flynn’s Ale House, an atmospheric, Swinging into action in the middle of welcoming, bare-bones pub on W. North the room, seated in the round and soloing Avenue, Baltimore. For nearly a year, in rotation, the musicians started with the under the leadership of guitarist Michael jazz standard “Coquette.” Harris’s open - Joseph Harris, whom many will know ing solo embellished the song with the through his band Bossalingo, the Mon - arpeggios and flourishes that typify the day night jam has been picking up acco - Django style. Arefin’s guitar picked up the lades and winning over fans. City Paper theme, building the rhythmic energy with recently declared the jam to be Best Mon - a more chordal solo before handing off to day Night in Baltimore. the liquid Wes Montgomery-style runs of Musicians from as far away as Jim Tisdall. -
Doctorella-Faz
SEITE 12 · MONTAG, 14. NOVEMBER 2016 · NR. 266 Musik FRANKFURTER ALLGEMEINE ZEITUNG Auch das noch Brillant, frisch, mit einem Schuss Lachen Als der Produzent Walter Legge 1946 in Wien für seine Firma „His Master’s Voice“ vielversprechende Künstler such- te, fand er eine junge Sängerin, die nach kurzer Zeit nicht nur seine Ehefrau, son- dern auch „Her Master’s Voice“ wurde: Eli- sabeth Schwarzkopf. Sie gab am 23. Ok- tober 1946 im Brahmssaal des Wiener Mu- sikvereins ihr Platten-Debüt: mit der Mar- tern-Arie der Konstanze aus Mozarts „Entführung“. Am Pult stand ein zweiter Star in spe: Herbert von Karajan. Es war die erste von knapp einhundert 78er Plat- ten aus der Zeit vor der Langspielplatte, die jetzt, erstmals vollständig veröffent- licht, die Begegnung mit einer Stimme er- möglichen, deren Klang Legge als ,,brilli- ant, fresh and shot with laughter“ be- schrieb (The Complete 78 RPM Recor- dings 1946–1952, Warner). Wie die bra- vourös gesungene Martern-Arie sind auch die Aufnahmen von Bachs „Jauchzet Gott“ (mit einem stupenden Trompeten- solo), Händels ,,L’allegro, il pensiero“ (ei- nem ebenso stupenden Flötensolo), Mo- zarts „L’amerò, sarò costante“ (mit einer sublimen Kadenz) Zeugnisse feinster Bel- canto-Kunst. Der Zauber ihrer mit vielen Farben malenden Stimme verdoppelt sich im Zusammenklang mit dem Samtsopran von Irmgard Seefried im Abendsegen aus „Hänsel und Gretel“. In den Liedern – Dowland, Arne, Schubert, Schumann, Der Witz am Blitz ist das Licht im Gesicht: Sandra (links) und Kerstin Grether von Doctorella wissen ganz genau, wie Hingucken aussieht. Foto Bohemian Strawberry Brahms, Wolf und Nikolai Medtner – ist die Empfindungstiefe der Jugend zu spü- ren und nichts von den Detailaffektatio- nen der ,reifen‘ Diva. -
Students and Faculty at the KU School of Music Have Been As Busy As
Students and faculty at the KU School of Music have been as busy as ever this February! We’ve included in this QuickNotes a variety of information about upcoming events as well as updates on our student and faculty achievements. As always, please visit us at http://music.ku.edu for a complete list of news and events! The renowned wind quintet, Imani Winds, will be in residency March 14-16, 2012, at the University of Kansas to present various master classes, presentations and performances. The Imani Winds Residency is sponsored by Reach Out Kansas, Inc.; The Law Offices of Smithyman & Zakoura Chartered; and the Zakoura Family Fund. Events open to the public include: • Wednesday, March 14: 1:00pm: Various Studio Classes, Murphy Hall • Wednesday, March 14: 5:30-8:30pm: Imani Winds to participate in chamber music coaching sessions, Swarthout Recital Hall • Thursday, March 15: 10am-“Thinking Outside the Box” presentation by Imani Winds, Swarthout Recital Hall • Thursday, March 15: 3:30-5pm: Coaching with the KU Symphony Orchestra, Murphy Hall, Room 118 • Friday, March 16: 9-10:30am: Imani Winds “Informance” in Swarthout Recital Hall • Friday, March 16: 11:00am: Presentation: The Business of Music, Swarthout Recital Hall The KU School of Music is pleased to present the 35th Annual KU Jazz Festival on March 2-3, 2012, featuring notable guest artists Donny McCaslin (saxophone) and Alex Sipiagin (trumpet). Evening concerts are open to the general public. On Friday, March 2 at 7:30 p.m. at Lawrence High School Auditorium, saxophonist Donny McCaslin will be featured with the KU Jazz Festival All-Star Big Band.