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Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
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Advances in Economics, Business and Management Research, volume 70 International Conference on Economy, Management and Entrepreneurship(ICOEME 2018) Discussion on the Reform of the "North Hankou" International Commodity Exhibition and Trading Center in Wuhan, Hubei Province and Circulation Mode Xiaojun Zhang Modern Service Trade Research Center Wuhan Technology and Business University Wuhan, China Abstract—As a new mode of trade circulation industry in highway, water transportation and aviation are all round, so Wuhan, "North Hankou" is not only a rising growth pole of it is one of the hub cities in the country. The establishment of regional economic development, but also a special area for the "North Hankou" International Commodity Exhibition and development of Wuhan's open economy. Therefore, it is helpful Trading Center coincides with the time. However, since the for Wuhan to build an international trade city and promote establishment of the "North Hankou", it has a deep influence Hubei province to take the lead in the rise of the central region. on the traditional business model, and its development pace In this paper, the significance, effect and corresponding is not fast, and its due advantages are far from being brought countermeasures are analyzed based on the development goals into play. The main reasons are as follows: of the construction of Wuhan "North Hankou" international commodity exhibition center, trading center, distribution "North Hankou" lacks new business format. By the end center and the largest inland trade and investment expo center. of 2013, "North Hankou" had started to build 9 professional markets, including 6 markets for business operation, 2 Keywords—Wuhan; "North Hankou"; import commodities; building material industrial parks, 2 logistics parks and 5 circulation mode; internationalization large municipal facilities. -
The Comintern in China
The Comintern in China Chair: Taylor Gosk Co-Chair: Vinayak Grover Crisis Director: Hannah Olmstead Co-Crisis Director: Payton Tysinger University of North Carolina Model United Nations Conference November 2 - 4, 2018 University of North Carolina 2 Table of Contents Letter from the Crisis Director 3 Introduction 5 Sun Yat-sen and the Kuomintang 7 The Mission of the Comintern 10 Relations between the Soviets and the Kuomintang 11 Positions 16 3 Letter from the Crisis Director Dear Delegates, Welcome to UNCMUNC X! My name is Hannah Olmstead, and I am a sophomore at the University of North Carolina at Chapel Hill. I am double majoring in Public Policy and Economics, with a minor in Arabic Studies. I was born in the United States but was raised in China, where I graduated from high school in Chengdu. In addition to being a student, I am the Director-General of UNC’s high school Model UN conference, MUNCH. I also work as a Resident Advisor at UNC and am involved in Refugee Community Partnership here in Chapel Hill. Since I’ll be in the Crisis room with my good friend and co-director Payton Tysinger, you’ll be interacting primarily with Chair Taylor Gosk and co-chair Vinayak Grover. Taylor is a sophomore as well, and she is majoring in Public Policy and Environmental Studies. I have her to thank for teaching me that Starbucks will, in fact, fill up my thermos with their delightfully bitter coffee. When she’s not saving the environment one plastic cup at a time, you can find her working as the Secretary General of MUNCH or refereeing a whole range of athletic events here at UNC. -
China's 1911 Revolution
www.hoddereducation.co.uk/historyreview Volume 23, Number 1, September 2020 Revision China’s 1911 Revolution Nicholas Fellows Test your knowledge of the 1911 Revolution in China and the events preceding it with these multiple-choice questions. Answers on the final page Questions 1 When did the First Opium War start? 1837 1838 1839 1840 2 What term was used to describe the agreements China was forced to sign with the West following its defeat? Unfair Treaties Unequal Treaties Concession Treaties Compromise Treaties 3 Which dynasty ruled china at the time of the Opium Wars? Ming Qing Yuan Song 4 When did the Second Opium War start? 1856 1857 1858 1859 5 What event started the war? Macartney incident Beijing affair Dagu Fort clash Arrow Incident 6 Which country destroyed a Chinese fleet in Fuzhou in 1884? Britain Germany France Spain 7 Which country took Korea from China in 1894? France Japan Britain Russia 8 Which country occupied much of Manchuria? Russia Japan Britain France 9 Which country took the port of Weihaiwei? Russia Japan Britain France 10 When did the Boxer rising start? 1899 1900 1901 1902 11 What provoked the start of the Boxer Rising? Loss of land Increase in the opium trade Western missionaries Development of railways Hodder & Stoughton © 2019 www.hoddereducation.co.uk/historyreview www.hoddereducation.co.uk/historyreview 12 Whose ambassador was shot at the start of the rising? German French British Russian 13 Who wrote 'The Revolutionary Army' in 1903 Sun Yat-sen Zou Rong Li Hongzhang Lu Xun 14 Who organised the Revolutionary -
Imperial China and the West Part I, 1815–1881
China and the Modern World: Imperial China and the West Part I, 1815–1881 The East India Company’s steamship Nemesis and other British ships engaging Chinese junks in the Second Battle of Chuenpi, 7 January 1841, during the first opium war. (British Library) ABOUT THE ARCHIVE China and the Modern World: Imperial China and the West Part I, 1815–1881 is digitised from the FO 17 series of British Foreign Office Files—Foreign Office: Political and Other Departments: General Correspondence before 1906, China— held at the National Archives, UK, providing a vast and significant primary source for researching every aspect of Chinese-British relations during the nineteenth century, ranging from diplomacy to trade, economics, politics, warfare, emigration, translation and law. This first part includes all content from FO 17 volumes 1–872. Source Library Number of Images The National Archives, UK Approximately 532,000 CONTENT From Lord Amherst’s mission at the start of the nineteenth century, through the trading monopoly of the Canton System, and the Opium Wars of 1839–1842 and 1856–1860, Britain and other foreign powers gradually gained commercial, legal, and territorial rights in China. Imperial China and the West provides correspondence from the Factories of Canton (modern Guangzhou) and from the missionaries and diplomats who entered China in the early nineteenth century, as well as from the envoys and missions sent to China from Britain and the later legation and consulates. The documents comprising this collection include communications to and from the British legation, first at Hong Kong and later at Peking, and British consuls at Shanghai, Amoy (Xiamen), Swatow (Shantou), Hankow (Hankou), Newchwang (Yingkou), Chefoo (Yantai), Formosa (Taiwan), and more. -
Sino-US Relations and Ulysses S. Grant's Mediation
Looking for a Friend: Sino-U.S. Relations and Ulysses S. Grant’s Mediation in the Ryukyu/Liuqiu 琉球 Dispute of 1879 Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Chad Michael Berry Graduate Program in East Asian Studies The Ohio State University 2014 Thesis Committee: Christopher A. Reed, Advisor Robert J. McMahon Ying Zhang Copyright by Chad Michael Berry 2014 Abstract In March 1879, Japan announced the end of the Ryukyu (Liuqiu) Kingdom and the establishment of Okinawa Prefecture in its place. For the previous 250 years, Ryukyu had been a quasi-independent tribute-sending state to Japan and China. Following the arrival of Western imperialism to East Asia in the 19th century, Japan reacted to the changing international situation by adopting Western legal standards and clarifying its borders in frontier areas such as the Ryukyu Islands. China protested Japanese actions in Ryukyu, though Qing Dynasty (1644-1912) leaders were not willing to go to war over the islands. Instead, Qing leaders such as Li Hongzhang (1823-1901) and Prince Gong (1833-1898) sought to resolve the dispute through diplomatic means, including appeals to international law, rousing global public opinion against Japan, and, most significantly, requesting the mediation of the United States and former U.S. President Ulysses S. Grant (1822-1885). Initially, China hoped Grant’s mediation would lead to a restoration of the previous arrangement of Ryukyu being a dually subordinate kingdom to China and Japan. In later negotiations, China sought a three-way division of the islands among China, Japan, and Ryukyu. -
Moscow's Sun Yat-Sen University
Moscow’s Sun Yat-sen University On 12 March 1925, Sun Yat-sen, pioneer of the Chinese Revolution, died in Beijing, leaving China and the Chinese people in turmoil. Just before dying, he signed a number of documents. The best-known were his testament, drafted by Wang Jingwei, and a letter to the Central Executive of the Soviet Socialist Republic, drafted by Eugene Chen. The letter read: Dear Comrades, I have firm confidence in the reliable support you have given my country to this day. In bidding you farewell, dear comrades, allow me to express the hope that the day will soon come when the Soviet Union will be able to greet a friend and ally in the shape of a powerful and free China, and that the two united countries will march hand in hand in the great strug- gle for the emancipation of the oppressed peoples of the world. I leave behind a Party that, as has always been my wish, will be bound with you in the historic work of the final liberation from the imperialist order of China and other exploited nations. By the will of fate, I must leave my work unfinished and hand it over to those who, remaining true to the Party’s principles and teachings, will show themselves to be my true followers. Sun Yat-sen This was Soviet Russia and the Chinese revolutionaries’ honeymoon period. However, the love-affair went through difficult times. In July 1912, after the 1911 Revolution, Lenin read Sun Yat-sen’s ‘On the Social Meaning of the Chinese Revolution’ and wrote ‘Democracy and Narodnism in China’, in which he expressed infinite respect for Sun and China in the wake of the Revolution: In China, the Asiatic provisional President of the Republic is a revolu- tionary democrat, endowed with the nobility and heroism of a class that is rising, not declining, a class that does not dread the future, but believes in it and fights for it selflessly, a class that does not cling to main- tenance and restoration of the past to safeguard its privileges, but hates the past and knows how to cast off its dead and stifling decay. -
A Contemporary Witness' Journal Account of the 1941 Invading
ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 11, No. 9, 2015, pp. 9-13 www.cscanada.net DOI:10.3968/7524 www.cscanada.org A Contemporary Witness’ Journal Account of the 1941 Invading Japanese Army’s Fatigue Bombing of Chongqing GUO Chuan[a],* [a]Associate Professor, College of Historic Culture & College of in The Chongqing Bombing: “Of the The Army, Navy, Nationalities, Southwest University, China. and Airforce coordinated implementation of Operation *Corresponding author. 100 (1939), Operation 101 (1940), and Operation 102 Received 8 June 2015; accepted 5 August 2015 (1941), Operations 101 and 102 in particular reduced Published online 26 September 2015 the old downtown area of Chongqing to ashes. As the Japanese army and navy planes continuously bombed the Abstract citizens of Chongqing, they simply could not leave their In 1941, on the basis of Operation 101, the Japanese bomb shelters. This kind of bombing was called “fatigue Army continued carrying out Operation 102, a deliberate bombing” and continued until Autumn of 1941. The kind “fatigue bombardment” against Chongqing civilian of fatigue bombing was only relieved until the eve of war targets, in an attempt to cause popular confusion at the between Japan and the US (Maeda, 1989). rear of the war, disintegrate the wartime morale of the From July 27 to August 31, 1941, the Japanese Army, soldiers and civilians, so as to achieve the establishment on the basis of the 1940 Operation 101, continuously of a beachhead. However, the army and civilians of implemented Operation 102. However, the plan was then Chongqing endured suffering during the bombing, aborted due to the transfer of Japanese naval aviation exhibiting the spirit of total war. -
From Trinidad to Beijing Dai Ailian and the Beginnings of Chinese Dance
1 From Trinidad to Beijing Dai Ailian and the Beginnings of Chinese Dance Dong d-dong, dong d-dong. A gong sounds as the camera fixes on an empty stage set with an arched footbridge and blossoming tree branch. Dai Ailian emerges dressed in a folkloric costume of red balloon pants and a rose-colored silk jacket, a ring of red flowers in her hair and shoes topped with red pom-poms. Puppetlike, two false legs kick out from under the back of Dai’s jacket, while the false torso and head of an old man hunch forward in front of her chest, creating the illusion of two characters: an old man carrying his young wife on his back. This dance is Dai’s adaptation of “The Mute Carries the Cripple” (Yazi bei feng), a comic sketch performed in several regional variations of xiqu, or Chinese traditional theater (video 1). This particular version is derived from Gui opera(Guiju), a type of xiqu specific to Guangxi Autonomous Region in south China. Dai demonstrates her dance skill by isolating her upper body and lower body, so that her pelvis and legs convincingly portray the movements of an old man while her torso, arms, and head those of a young woman. As the man, Dai takes wide sweeping steps, kicking, squatting, and balancing with her feet flexed and knees bent between steps, occa- sionally lurching forward as if struggling to balance under the weight of the female rider. As the woman, Dai grips the old husband’s shoulders with one hand while she lets her head bob from side to side, her eyes sparkling as she uses her free hand to twirl a fan, point to things in her environment, and dab the old man’s forehead with a handkerchief. -
Research on Traditional Theatre's Form of Jiangxi-Huguang-Sichuan Area's Emigration Route During Ming to Qing Dynasty
International Journal of Environmental Science and Development, Vol. 5, No. 1, February 2014 Research on Traditional Theatre's Form of Jiangxi-Huguang-Sichuan Area's Emigration Route during Ming to Qing Dynasty Xiaofeng Li and Shenglan Wu region cohesive force and met to partake in each joys at Abstract—This article researches the development and every festival. According to statistics, Sichuan had over character of emigration route in Ming and Qing period forming 1400. The mainly of north-south axis was not front and an axis of Jiangxi-Hunan-Hubei-Sichuan area, a new pattern of back corridors, just placed the central axis line, but in migration had emerged and transformed by principal migrate regions of complex topography, it should proceed from from north to south of settlers originated in Chin and Han dynasties. Research shows the erection of theatrical building is reality local conditions, even the public section must be most activity of immigration climax, rich history and condensed kept separate from the principal, as in Chongqing (Fig. 3 culture, makes an important part of private communal and Fig. 4). The basic principle hadn't changed much, recreations, so thousands of theatrical building are built in that still more dominant while the courtyard was an amalgam time correspondingly, still features design and diversified styles of all three part of balcony, stage platform which on both are extensively distributed. With physical carrier of culture, the sides spiritual core is revealed, the study of architectural history is filled through the deeply for the theater buildings. 3) House Theater: Few buildings fellow a consistent pattern inner the house, most performs in the hall or Index Terms—Emigration route, traditional theatre, courtyard [3]. -
Osaka University Knowledge Archive : OUKA
Title 1940年代中国史年表 Author(s) 田中, 仁 Citation Issue Date 1995-03-31 Text Version publisher URL http://hdl.handle.net/11094/75544 DOI rights Note Osaka University Knowledge Archive : OUKA https://ir.library.osaka-u.ac.jp/ Osaka University CHINA Before 1940 Oct.1938 21 Japanese troops occupied Guangzhou. (15) 27 Japanese troops occupied Wuhan. (15) 28 The 2nd meeting of the 1st People"s Political Council was held in Chongqing. (15) Nov.1938 3 (Japan) Prime Minister Konoye Fumimaro announced the establishment of an East Asian New Order. (6) 6 The Chinese Communist Party (CCP) adjourned the 6th Plenum of the 6th Congress. (21) 7 (Japan) North China Development Co. Ltd. and Central China Promotion Co. Ltd. were established. (16) 12 The Changsha Conflagration (90% of the entire city was burned down) . (15) 17 The National Government announced that the number of areas engaged in war by October was 796 counties in 9 provinces; and of those counties, 59 were unable to exercise the administrative power. (8) 25 The National Government Military Commanding Department held a military conference in Nanyue. [19] 30 (Japan) The Imperial Conference adopted the "Policy to Coordinate the New Relations between Japan and China ... [16) Dec.1938 6 (Japan) The Ministry of Army decided to discontinue the invasion operation, and to alter the policy into the one of the protrac- tion of the war. (6] 15 A $25-million loan agreement was reached between China and the Unaited States (US) (the Palm Oil Loan) . (20] 16 Japan founded the Koa-in (the Asian Development Authority) in order to coordinate the policy toward China. -
The Politics of Music and Identity
Yang: The Politics of Music and Identity 523 dieKunst kontrolliert, begrenzt undgearbeitetist,umsofreier istsie.«5 DarüberwirD mansichkaumwundern,wennman an andere vergleichbare FälleinStravinskijskomposi- torischemSchaffen denkt.(DieseEinstellungist eher im letztenamerikanischen Schaffen auffällig. In denpräkompositorischen Phasen isteinestrenge serielle Richtliniezuerken- nen, dieerstspätervom ›Handwerker‹frei behandeltwirDDurch Entscheidungen,die sich vor allem nach dem Hören richten.) DieIdee, nach bestimmten aufMetronombasis errechnetenZeitverhältnissenzukompo- nieren, diedamit in Minutenund Sekunden übertragbar sind,ist einVerfahren,das unsere Ohren zunächst kaum wahrnehmen: Im Schaffen ausder Zeit des Concerto weisen lediglichdie Symphonies eine vergleichbare Genauigkeitauf.Mit der Zeit wird aber dasInteressedes Kom- ponistenfür dasTimingimmer intensiver unDDie Abweichungenvon einergenauen Be- rechnung seltener,sodassder Komponistmit immerkomplexeren Proportionen arbeitet.Die formaleZeitgliederunginden oben erläutertenBeispielenbleibtzwarein paradigmatischer Fall fürdie Ordnung, dieStravinskij im Kompositionsprozess anstrebt.Analogzudem pro- minenterenFall der Symphonies belegt dasVorhandensein dieser Rechnungen eine generelle Tendenzvon Stravinskijs musikalischenUntersuchungender 1920er Jahre. Dieseund noch andere Faktoren erlauben uns, einaltes,aberimmer noch anzutreffendes Vorurteilzuüber- winden,und zwar dieVorstellung, Stravinskijs Musikder Zeit seilediglichein bloßer Rück- griffauf alte Modelle,formaldiskontinuierlich undaus