Parody, Popular Culture, and the Narrative of Javier Tomeo
PARODY, POPULAR CULTURE, AND THE NARRATIVE OF JAVIER TOMEO by MARK W. PLEISS B.A., Simpson College, 2007 M.A., University of Colorado at Boulder, 2009 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Spanish and Portuguese 2015 This thesis entitled: Parody, Popular Culture, and the Narrative of Javier Tomeo written by Mark W. Pleiss has been approved for the Department of Spanish and Portuguese __________________________________________________ Dr. Nina L. Molinaro __________________________________________________ Dr. Juan Herrero-Senés __________________________________________________ Dr. Tania Martuscelli __________________________________________________ Dr. Andrés Prieto __________________________________________________ Dr. Robert Buffington Date __________________________________ The final copy of this thesis has been examined by the signatories, and We find that both the content and the form meet acceptable presentation standards of scholarly work in the abovementioned discipline. iii Pleiss, Mark W. (Ph.D. Spanish Literature, Department of Spanish and Portuguese) Parody, Popular Culture, and the Narrative of Javier Tomeo Dissertation Director: Professor Nina L. Molinaro My thesis sketches a constellation of parodic Works Within the contemporary Spanish author Javier Tomeo's (1932-2013) immense literary universe. These novels include El discutido testamento de Gastón de Puyparlier (1990), Preparativos de viaje (1996), La noche del lobo (2006), Constructores de monstruos (2013), El cazador de leones (1987), and Los amantes de silicona (2008). It is my contention that the Aragonese author repeatedly incorporates and reconfigures the conventions of genres and sub-genres of popular literature and film in order to critique the proliferation of mass culture in Spain during his career as a writer.
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