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DAMIÁN ORTEGA Born 1967 Mexico City Lives and Works in Mexico City and Berlin
DAMIÁN ORTEGA Born 1967 Mexico City Lives and works in Mexico City and Berlin Awards & Grants 2007 Preis Der Nationalgalerie fur junge kunst nominee, Hamburger Bahnhof, Berlin 2006 DAAD German Academic Exchange Service Residency Program, Berlin 2005 Colecção Teixeira de Freitas, Lisbon Hugo Boss Prize nominee, New York Solo Exhibitions 2019 ICA Miami Garden, Miami "Estridentopolis" Adrian Rosenfeld Gallery, San Francisco “Porous Sculptures,” Gladstone Gallery, New York 2018 “The Modern Garden,” Garage Museum of Contemporary Art, Moscow 2017 “Play Time,” White Cube, London 2016 “Textile,” Gladstone Gallery, Brussels “Damián Ortega,” The Fruitmarket Gallery, Edinburgh, United Kingdom “El cohete y el abismo,” Palacio de Cristal-Museo Reina Sofia, Madrid, Spain 2015 “O Fim da Matéria,” Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro “Casino,” HangarBicocca, Milan, [traveled to Malmö Art Museum, Malmö, Sweden (2016)] “Damián Ortega,” Galeria Fortes Vilaca, São Paulo, Brazil 2014 “Reading Landscapes,” Kukje Gallery, Seoul 2013 “Cosmogonia Doméstica,” Museo Jumex, Mexico “Damián Ortega,” Gladstone Gallery, New York “Apestraction,” The Freud Museum, London “Damián Ortega: The Blast and Other Embers,” The Cleveland Museum of Art, Cleveland 2012 "Belo Horizonte Project," Savannah College of Art and Design Museum of Art, Savannah, Georgia “Traces of gravity,” White Cube, London 2011 “Damián Ortega,” Kurimanzutto, Mexico City “Tool Bit,” Pinchuk Art Center, Kiev 2010 “The Independent,” The Curve, The Barbican, London ”New Balance,” Art Basel -
Zen for Film
UvA-DARE (Digital Academic Repository) Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations Hölling, H.B. Publication date 2013 Link to publication Citation for published version (APA): Hölling, H. B. (2013). Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations. Boxpress. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:23 Sep 2021 CHAPTER 4 . ZEN FOR FILM 4 .1 . Zen in Three Episodes No .1 In a slightly darkened museum room I am standing in front of a white screen that fills a rectangular wall with a proportional cinematic rectangle. The image seems to diffuse towards its edges, its contour soft, its corners slightly curved. -
A Guide for Holders of the International Association of Art Card Prepared with Contributions from the Slovak Union of Visual Arts (Slovenská Výtvarná Únia) 2017
A guide for holders of the International Association of Art card Prepared with contributions from the Slovak Union of Visual Arts (Slovenská výtvarná únia) 2017 The International Association of Art (IAA/AIAP) is a non-governmental organization working in official partnership with UNESCO. Its objectives are to stimulate international cooperation among visual artists of all countries, nations or peoples, to improve the socio-economic position of artists nationally and internationally, and to defend their material and moral rights. The IAA issues identity cards to professional visual artists. This card allows free or discounted admission to many galleries and museums in countries around the world. The card is a tool for the lifelong education of artists in their professional artistic research. These institutions, large or small, recognize the benefit they gain from enabling the artists, like art critics and journalists, to visit exhibitions, art events and collections of art, to carry on research, and to gain inspiration. As a member within the IAA network, CARFAC National issues IAA cards exclusively to Canadian professional artists that are members of CARFAC upon request. Only National Committees of the IAA may issue the card. Where to use the IAA card This document includes a chart detailing selected institutions that offer free or discounted admission prices, or other perks to IAA card holders while travelling abroad. This information was obtained from surveying recent users of the card and IAA National Committees worldwide, and is updated regularly – most recently in 2017 by the Slovak Union of Visual Arts (SUVA). Users will find that different areas in Europe are more receptive to the card than others. -
Die Brücke Der Blaue Reiter Expressionists
THE SAVAGES OF GERMANY DIE BRÜCKE DER BLAUE REITER EXPRESSIONISTS 22.09.2017– 14.01.2018 The exhibition The Savages of Germany. Die Brücke and Der DIE BRÜCKE (“The Bridge” in English) was a German artistic group founded in Blaue Reiter Expressionists offers a unique chance to view the most outstanding works of art of two pivotal art groups of 1905 in Dresden. The artists of Die Brücke abandoned visual impressions and the early 20th century. Through the oeuvre of Ernst Ludwig idyllic subject matter (typical of impressionism), wishing to describe the human Kirchner, Emil Nolde, Wassily Kandinsky, August Macke, Franz Marc, Alexej von Jawlensky and others, the exhibition inner world, full of controversies, fears and hopes. Colours in their paintings tend focuses on the innovations introduced to the art scene by to be contrastive and intense, the shapes deformed, and the details enlarged. expressionists. Expressionists dedicated themselves to the Besides the various scenes of city life, another common theme in Die Brücke’s study of major universal themes, such as the relationship between man and the universe, via various deeply personal oeuvre was scenery: when travelling through the countryside, the artists saw an artistic means. opportunity to depict man’s emotional states through nature. The group disbanded In addition to showing the works of the main authors of German expressionism, the exhibition attempts to shed light in 1913. on expressionism as an influential artistic movement of the early 20th century which left its imprint on the Estonian art DER BLAUE REITER (“The Blue Rider” in English) was another expressionist of the post-World War I era. -
THOMAS STRUTH Born in Geldern, Germany in 1954 Lives and Works in Berlin (Germany) and New York (United States)
THOMAS STRUTH Born in Geldern, Germany in 1954 Lives and works in Berlin (Germany) and New York (United States) Thomas Struth is regarded as one of the world’s foremost contemporary artists. From 1973 to 1980, Struth studied at the State Academy of Art in Düsseldorf. In 1977 he was the first student to receive a scholarship from the Düs- seldorf Academy to live and work in New York. There he created a series of black-and-white urban landscapes, which he showed in his first solo exhibition at P.S.1, New York, in 1978. In the mid-1980s, he started on a series of portraits of individuals and families illustrating his vision of photography as a science-derived tool for psychological investigation. This continuing work examines the personal and cultural dynamics that condition our self-image, exploring how this self-image will influence our individual and collective identities. From 1989 to 2005, Struth developed his best-known series, the Museum Photographs, in which he captures individuals and crowds looking at iconic works of Western art in the great museums of the world. Over the last fifteen years, Struth has steadily expanded his repertoire with other themes. These include New Pictures from Paradise (1998–2007), gathering places for religious believers or tourists (from 1998), and, beginning in 2007, images from the fields of science and research, industrial production and technology, which show how our faith in progress can be visually represented as a process of group dynamics. SELECTED SOLO EXHIBITIONS 2013 Thomas Struth, Stiftung zur Förderung zeitgenössischer Kunst in Weidingen, Weidingen, Germany 2012 St. -
VISITOR FIGURES 2015 the Grand Totals: Exhibition and Museum Attendance Numbers Worldwide
SPECIAL REPORT VISITOR FIGURES2015 The grand totals: exhibition and museum attendance numbers worldwide VISITOR FIGURES 2015 The grand totals: exhibition and museum attendance numbers worldwide THE DIRECTORS THE ARTISTS They tell us about their unlikely Six artists on the exhibitions blockbusters and surprise flops that made their careers U. ALLEMANDI & CO. PUBLISHING LTD. EVENTS, POLITICS AND ECONOMICS MONTHLY. EST. 1983, VOL. XXV, NO. 278, APRIL 2016 II THE ART NEWSPAPER SPECIAL REPORT Number 278, April 2016 SPECIAL REPORT VISITOR FIGURES 2015 Exhibition & museum attendance survey JEFF KOONS is the toast of Paris and Bilbao But Taipei tops our annual attendance survey, with a show of works by the 20th-century artist Chen Cheng-po atisse cut-outs in New attracted more than 9,500 visitors a day to Rio de York, Monet land- Janeiro’s Centro Cultural Banco do Brasil. Despite scapes in Tokyo and Brazil’s economic crisis, the deep-pocketed bank’s Picasso paintings in foundation continued to organise high-profile, free Rio de Janeiro were exhibitions. Works by Kandinsky from the State overshadowed in 2015 Russian Museum in St Petersburg also packed the by attendance at nine punters in Brasilia, Rio, São Paulo and Belo Hori- shows organised by the zonte; more than one million people saw the show National Palace Museum in Taipei. The eclectic on its Brazilian tour. Mgroup of exhibitions topped our annual survey Bernard Arnault’s new Fondation Louis Vuitton despite the fact that the Taiwanese national muse- used its ample resources to organise a loan show um’s total attendance fell slightly during its 90th that any public museum would envy. -
Allan Kaprow
ALLAN KAPROW Born 1927 Atlantic City, NJ Died 2006 Encinitas, CA EDUCATION 1945-1949 New York University, New York 1947-1948 Hans Hofmann School of Fine Arts, New York 1950-1952 Columbia University, New York 1957-1958 New School for Social Research, New York FELLOWSHIPS AND AWARDS 1967 John Simon Guggenheim Memorial Foundation Fellowship, New York 1962 William and Noma Copley Foundation Award, Chicago SELECTED SOLO EXHIBITIONS 2017 Allan Kaprow: Yard, Lévy Gorvy at SALON, Saatchi Gallery, London Allan Kaprow – Painting 1946-1957 – A Survey, Villa Merkel, Esslingen 2015 Allan Kaprow. Yard, NP3 (location M0Bi), Groningen Fluids, Staatliche Museen zu Berlin, Berlin; also traveled to: Hamburger Bahnhof and Museum für Gegenwart, Berlin 2014 Allan Kaprow: Yard, The Hepworth Wakefield, Wakefield Sohm Display Window II. From Painting to Life: Allan Kaprow’s Happenings, Staatsgalerie Stuttgart, Stuttgart Allan Kaprow. Altres Maneres, Fundació Antoni Tàpies, Barcelona 2013 Allan Kaprow. Time Pieces, NBK Neuer Berliner Kunstverein, Berlin Allan Kaprow Stockroom, Sammlung Friedrichshof, Zurndorf Allan Kaprow Project, Sammlung Friedrichshof, Zurndorf Allan Kaprow Books and Posters, Christophe Daviet- Thery Livres et Editions d’ Artistes, Paris Fluids: A Happening by Allan Kaprow Reinvented by Art Theory & Practice, Mary and Leigh Block Museum of Art, Northwestern University, Evanston 2011 Allan Kaprow in Deutschland: Wärme- und Kälteeinheiten, Zentralarchiv des internationalen Kunsthandels ZADIK, Cologne 2009 Allan Kaprow. Yard, Hauser & Wirth, New -
Marianne Boesky Gallery Frank Stella
MARIANNE BOESKY GALLERY NEW YORK | ASPEN FRANK STELLA BIOGRAPHY 1936 Born in Malden, MA Lives and works in New York, NY EDUCATION 1950 – 1954 Phillips Academy (studied painting under Patrick Morgan), Andover, MA 1954 – 1958 Princeton University (studied History and Art History under Stephen Greene and William Seitz), Princeton, NJ SELECTED SOLO AND TWO-PERSON EXHIBITIONS 2021 Brussels, Belgium, Charles Riva Collection, Frank Stella & Josh Sperling, curated by Matt Black September 8 – November 20, 2021 [two-person exhibition] 2020 Ridgefield, CT, Aldrich Contemporary Art Museum, Frank Stella’s Stars, A Survey, September 21, 2020 – September 6, 2021 Tampa, FL, Tampa Museum of Art, Frank Stella: What You See, April 2 – September 27, 2020 Tampa, FL, Tampa Museum of Art, Frank Stella: Illustrations After El Lissitzky’s Had Gadya, April 2 – September 27, 2020 Stockholm, Sweeden, Wetterling Gallery, Frank Stella, March 19 – August 22, 2020 2019 Los Angeles, CA, Los Angeles County Museum of Art, Frank Stella: Selection from the Permanent Collection, May 5 – September 15, 2019 New York, NY, Marianne Boesky Gallery, Frank Stella: Recent Work, April 25 – June 22, 2019 Eindhoven, The Netherlands, Van Abbemuseum, Tracking Frank Stella: Registering viewing profiles with eye-tracking, February 9 – April 7, 2019 2018 Tuttlingen, Germany, Galerie der Stadt Tuttlingen, FRANK STELLA – Abstract Narration, October 6 – November 25, 2018 Los Angeles, CA, Sprüth Magers, Frank Stella: Recent Work, September 14 – October 26, 2018 Princeton, NJ, Princeton University -
Photographs Gathered by William T. Hillman
PRESS RELEASE | NEW YORK | 9 MARCH 2015 | FOR IMMEDIATE RELEASE CHRISTIE’S PRESENTS LEAVES OF LIGHT AND SHADOW: PHOTOGRAPHS GATHERED BY WILLIAM T. HILLMAN FREDERICK SOMMER, Livia, 1948. gelatin silver print, $80,000 - 120,000 RINEKE DIJKSTRA, Nicky, The Krazyhouse, Liverpool, England, January 19, 2009, $15,000 - 25,000 New York – On March 31, Christie’s will present the sale of Leaves Of Light And Shadow: Photographs Gathered By William T. Hillman, comprising 117 works judiciously acquired by William Hillman over the past three decades. With a sophisticated eye and tremendous dedication to photography, Mr. Hillman has built a comprehensive collection by pursuing consummate examples from top photographers spanning the history of the medium. In Hillman’s dedication to both photography and his hometown of Pittsburgh, Pennsylvania, his primary mission over the past three decades has been to build a world-class collection that will ultimately be gifted to the Carnegie Museum of Art. “There are gaps in the vintage acquisitions and the need to support and strengthen the contemporary component of this endeavor,” Mr. Hillman has stated. Hillman personally designated each work being presented for sale, and will reinvest the funds raised by the auction back into his mission. The top lot of the auction is Waitress in a Nudist Camp, N.J., 1963 by Diane Arbus (estimate: $200,000-300,000). Additional Highlights include: HENRI CARTIER-BRESSON, Piazza della Signoria, Florence, Italy, 1933, gelatin silver print | Estimate: $100,000-150,000 Piazza della Signoria, Florence was one of Henri Cartier Bresson's favorite images. He included it in his first solo exhibition in 1933 and his last retrospective in 2003, as well as in his first monograph The Decisive Moment in 1952, and his last monograph in 2005. -
WINTER 17 / 18 One Truth
HILTI ART FOUNDATION Nº1 – WINTER 17/18 Christian Saehrendt One Truth La danseuse Der Kunsthistoriker und Zu Besuch bei den Graffi ti-Künstlern Ein Meisterwerk von Bestseller-Autor im Interview Pase und Dr. Drax in Zürich Fernand Léger stellt sich vor Interview with the art historian Visit to the graffiti artists Pase and An introduction to one of and bestselling author Dr. Drax in Zurich Fernand Léger’s masterpieces Editorial Michèle Hilti über arteria Michèle Hilti on arteria Interview mit Christian Saehrendt with Christian Saehrendt 06 Reportage Bei Nacht und Sprüh nebel Under cover of darkness Meisterwerke La danseuse von Fernand Léger La danseuse of Fernand Léger Landkarte Aktuelle Ausstellungen im Vierländereck Current exhibitions in the four-country region Comic Museumsbesucher auf dem Prüfstand Museum visitors put to the test Story Teure Missgeschicke aus der Kunstwelt Expensive mishaps in the art world 27 Angewandte Künste Der Architekt der Moderne The architect of Modernism Interpretationen Winter Winter Aus aller Welt Die Unterwasser-Fotografi en des Christoph Gerigk Christoph Gerigk’s underwater images Das weisse Blatt Carlo Janka Carlo Janka EDITORIAL Liebe Leserinnen und Leser, Dear readers, die Kunst ist eine unverzichtbare Lebensader. Art is an indispensible lifeline. It is a source of Durch sie fl iesst Sauerstoff im Menschen und oxygen for mankind and breathes new life into weht frischer Wind durch die Gesellschaft. society. The name of our magazine arteria Unser Magazin-Name arteria ist daher nicht zu- was therefore not chosen randomly. It is rather fällig gewählt. Er ist vielmehr Programm. Wir synonymous with “programme”. We want to wollen mit Herzblut von der Kunst in all ihrer report passionately about art in all its diversity. -
Relatório E Contas 2008
RELATÓRIO E CONTAS 2008 ÍNDICE 1. ENQUADRAMENTO 6 1.1. LINHAS ESTRATÉGICAS 6 1.2. IMPACTO INSTITUCIONAL 7 1.3. NOVOS PROJECTOS REALIZADOS 11 1.4. SÍNTESE DA ACTIVIDADE EM 2008 15 1.4.1. Exposições 15 1.4.2. Publicações 16 1.4.3. Artes performativas e Cinema 16 1.4.4. Programas Educativos 17 1.4.5. Reflexão, Debate e Estudo sobre a Contemporaneidade 18 1.4.6. Biblioteca 19 1.4.7. Serralves em Festa 20 1.4.8. Parcerias com as Autarquias 20 1.4.9. Indústrias Criativas 21 1.4.10. Eventos de carácter social e empresarial 21 1.5. INVESTIMENTOS 21 1.6. PROTOCOLOS 22 1.7. AMIGOS E VOLUNTÁRIOS 23 1.8. CONTRIBUTOS E APOIOS 24 1.9. CONSELHO DE ADMINISTRAÇÃO 24 2. ACTIVIDADES REALIZADAS 26 2.1. ARTES PLÁSTICAS 26 2.1.1. Exposições em Serralves 26 2.1.2. Exposições em espaços externos ao Museu 27 2.1.3. Co-Produções Internacionais 28 2.1.4. Colecção de Obras de Arte 29 2.1.5. Edições 29 2.1.5.1. Catálogos de exposições 30 2.1.5.2. Colecção de Arte Contemporânea Público Serralves 31 2.1.5.3. Publicações que acompanharam exposições no País 32 2.1.5.4. Publicações do Serviço Educativo 32 2.2. ARTES PERFORMATIVAS 34 2.2.1. Programa paralelo à exposição “Robert Rauschenberg: em Viagem 70-76” 34 2.2.2. Ciclo Documente-se! Reflexões sobre o Social 35 2.2.3. Outros Eventos 35 2.2.4. Residência artística Mugatxoan 36 2.2.5. -
EMA) RELOCATION This Is a Courtesy Translation Into the English Language
PORTUGUESE OFFER TO THE EUROPEAN MEDICINES AGENCY (EMA) RELOCATION This is a courtesy translation into the English language. Only the text in the Portuguese language shall be authentic. Official page in: http://www.emainporto.eu/ Portuguese Offer To The European Medicines Agency (EMA) Relocation ÍNDEX Executive summary Institutional messages Introduction 1. The assurance that the Agency can be set up on site and take up its functions at the date of the United Kingdom’s withdrawal from the Union 2. The accessibility of the location 3. The existence of adequate education facilities for the children of Agency staff 4. Appropriate access to the labour market, social security and medical care for both children and spouses 5. Business continuity 6. Geographical spread Annex I - Macroeconomic background Annex II - Technical features of the locations (confidential) 3 Portuguese Offer To The European Medicines Agency (EMA) Relocation EXECUTIVE SUMMARY PORTO, LOCATION OF EXCELLENCE Since joining the European Union in 1986, This is only possible thanks to the modern Portugal has been at the forefront of landmark infrastructure the city is endowed with, providing initiatives such as the Schengen area or the excellent access to Europe and to the rest of the Euro, of which it is a founding member. The world. The new headquarters of the European country's commitment to the European project Medicines Agency (EMA) will be located in is supported by the majority of the population, the Historic Centre of Porto, a UNESCO World and runs through political cycles. Heritage Site, in a modern building fulfilling all the necessary requirements for the Agency to be Being the westernmost country in Europe, with fully operational.