DOCSLIB.ORG

SFRA Newsletter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SFRA Newsletter University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 6-1-2000 SFRA ewN sletter 246 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 246 " (2000). Digital Collection - Science Fiction & Fantasy Publications. Paper 65. http://scholarcommons.usf.edu/scifistud_pub/65 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #~4# lIaT/lune 1~~~ (oeo'tiors: Karen Hellekson Crajs Jacobsen Honndion leyielYs Eo'tior: lIej. Barron lidion leyielYs Eo'tior: Crajs Jacobsen The SFRAReview (lSSN 1068-395X) is published six times a year by the Science Fiction ResearchAssociation (SFRA) and distributed to SFRA mem­ bers.lndividual issues are not for sale. For information about the SFRA and its benefits, see the description at the back of this issue. For a membership application, contact SFRA Treasurer Michael M. Levy or get one from the SFRA website: <wwvv.sfra.org>. SUBMISSIONS The SFRAReview editors encourage submissions, including essays, review essays that cover several related texts, and interviews. Please send submis­ sions or queries to both coeditors. If you would like to review nonfiction or fiction, please contact the respec­ tive editor. The general editorial ad­ dress for the SFRAReview is: <[email protected]>. Karen Hellekson, Coeditor 742 N. 5th Street Lawrence,KS 66044 <[email protected]> Craig Jacobsen, Coeditor & Fiction Reviews Editor 208 East Baseline Rd. #3 I I Tempe,AZ 85283 <[email protected]> Neil Barron, Nonfiction Reviews Editor I 149 Lime Place Vista, CA 92083-7428 <[email protected]> Visit UsAt: www.sfra.org PRESIDENT'S MESSAGE "HE FIIR ANllrHER SFRA ANrHIILllay Alan Elms WORK IN PROGRESS AND The Science Fiction Research Association is really the Science MEMBER UPDATES Fiction Research (and Teaching) Association. Formal SFRA activities, including the annual conference, the awards, the Review, the journals we Jan Bogstad has been promoted to distribute, and our Web presence, are mainly research oriented. But (ull professor. from the organization's beginning, a majority of our members have been teachers of SF at one level or another, and each of the formal Edgar L Chapman is putting activities just listed has included teaching-oriented components. In together an anthology o( essays on addition, the SFRA has been involved in one mainly teaching-oriented alternate history fiction. activity: the sponsorship and editing of anthologies. Courses in science fiction typically give some attention both to Helen Collins reports that her latest novel, tentatively titled Neurogenesis, novels and to shorter fiction. But short fiction has been so central to is finished and will be published by the development of SF that representative anthologies are even more David Hartwell at Tor. important than in most other kinds of literature courses. Given that literature departments rarely offer more than one or two SF courses, Joan Gordon has a new e-mail and that such courses are usually limited to one 10- to IS-week term, address:<joangordon@dellnetcom>. anthologies that include a sampling of the diverse forms and themes of SF are essential. Craig Jacobsen is working on the Strictly commercial SF anthologies can be used as textbooks, and ethical implications a( virtual reality in they often have been-especially The Science Fiction Hall of Fame, SF film and literature. Volume 1, edited by Robert Silverberg. But the contents of such anthologies are seldom chosen with college courses in mind, and the Philip Kaveney reports that he has anthologies themselves may go out of print without warning. James recently retired (ram the University o( Gunn has managed to keep parts of his excellent Road to Science Fiction WISconsin-Madison. series intermittently in print, but it has been a struggle for Jim, and one he may not be able to win much longer. Susan Kray reports that she has Enter the SFRA. The first anthology to include Significant input several projects in the works on film from several SFRA members, The Mirror of Infinity (also edited by and SF. Robert Silverberg), reached print at about the same time the SFRA was formed. Our first officially sponsored anthology, simply titled Science Joe Sanders is completing and revising Tom C/areson's book on Fiction (edited by Patricia Warrick, Charles Waugh, and Martin H. Heinlein. Greenberg), was developed through repeated polling of SFRA mem­ bers about the stories they wanted to teach. The poll results included Steven H. Silver appeared on so many stories from The Science Fiction Hall of Fame that an editorial Jeopardy/ on June 13. He is also a decision was made to reduce their number significantly in favor of Hugo nominee (or Best Fan Writer. more contemporary work. Our most recent sponsored anthology, Visions of Wonder (edited by David Hartwell and Milton Wolf), includes Susan Stratton is working on an no Hall of Fame stories, but it does range over a broad sample of more eco(eminist critique o( utopian fictions. recent SF and fantasy, plus various nonfiction discussions of SF recommended by Gary K. Wolfe and Samuel Delaney. Marshall Tymn has moved to I 16 The Warrick/Waugh/Greenberg anthology has recently gone out Mill Road Court, Stevens Point, WI of print. The Hartwell/Wolf anthology appears to be designed mainly 54481-6328. for upper-division college courses and for fairly sophisticated SF readers. So is the other anthology currently in wide classroom use, the Norton Book of Science Fiction (edited by Ursula Le Guin and Brian PROJECTS THE SFRA Attebery with Karen Joy Fowler). Well and good for those upper­ SHOULD UNDERTAKE division courses, at least for the time being-but what about courses at the high school and introductory college levels, as well as courses Craig Jacobsen suggests developing nominally upper-division but containing mainly students who have a fUll SF-based curricula (or primary, read little if any SF previously? Those are the students whose attention secondary, and postsecondary schools. we most need to catch, and who most need to be exposed to the pre­ postmodern classics of SF, before they can move on to the more ANNOUNCEMENTS sophisticated styles and the more complex themes of recent antholo­ gies. Member Andy Sawyer reports that Several years ago, an effort was begun to develop another SFRA­ the University o( Uverpool Ubrary sponsored anthology, this one aimed mainly at the high school class­ SpeCial Collections andArchives will be room market. That effort seems to have faded away without results: unavailable during the summer as far as I can determine, no one is currently working on the project. But the idea is still a good one, and I hope some of you will come forth to renew the effort. My own limited experiences with teaching SF to college freshmen suggest that no single anthology now summer of 2000, from available-indeed, no two anthologies-can provide a sound basis, at the middle ofJune until the end of reasonable expense, for introducing SF-naIve students to the field. September, because the facilities are Many or perhaps most of our members got our first real taste of being upgraded with environmental short SF by reading anthologies of the early classics in our early teens. controls. Not all those classics still work, and some "modern" classics are well worth adding to the introductory canon. As a group, spearheaded by Bruce A. Beatie has posted the an eager editorial crew, we should be able to come up with a solid tentative program for SFRA 2000; he collection of stories that will expand the horizons of young SF readers will repost again before the actual far beyond movie and TV tie-ins, on campus and off. And we should event occurs. The program is also be able to find a publisher willing to give such a collection a shelf life available on the conference's Website. long enough for us to plan our introductory classes around it for years to come. ADDITION TO PUBLISHING THEORY & BEYOND SOURCES IN'R~."~rl~N r~ 'HE~RY Ie BEY~N. FOUNDATlON:THE Edited by Joan Gordon and Shelley Rodrigo Blanchard INTERNATIONAL REVIEW OF SCIENCE FlaION. Who are the Alien Others and why do we fear them? Why should critical theories be counted in their number? By understanding the Specs: 3lyear; c. 128 pages; 5.75 x 8 Alien Other, or even critical theory, our own humanity, or maybe just inches; circulation: 450. our own critical analysis, will expand. Theory & Beyond is a series of essays written by SFRA members Audience:Academic and fan. for SFRA members. In each issue, the column will highlight a particu­ lar theory, discussing its implications for the researching and teaching Review:Academic articles refereed, of science fiction and including a list of major critical works. Over the professional authors commissioned. next few issues, authors will discuss Alien Otherness in terms of queer theory and feminism; Earth's place in SF through Contact: Editor: eco (feminist) criticism; and who and what SF and SF readers are, and Edward F.James, Department of what they do, through reader response theory. But the list goes on, and History you too can add to it-for example, Marxist implications of techno­ University of Reading logical innovations, de constructive readings of hybrid characters and Whitekights, Reading RG6 6AA, UK objects, and psychoanalytical interpretations of who we were, who we <[email protected]>; are, and who we will be.
Load more

Recommended publications
  • Note to Users
    NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D.
    [Show full text]
  • To Sunday 31St August 2003
    The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made.
    [Show full text]
  • 13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
    13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V.
    [Show full text]
  • The Depart..Nt at Librarllwlhlp Dectl.Ber 1974
    SCIENCE FICTION I AN !NTRCIlUCTION FOR LIBRARIANS A Thes1B Presented to the Depart..nt at LibrarllWlhlp hpor1&, KaM.., state College In Partial ll'u1f'lllJlent at the Require..nte f'ar the Degrlle Muter of' L1brartlUlllhlp by Anthony Rabig . DeCtl.ber 1974 i11 PREFACE This paper is divided into five more or less independent sec­ tions. The first eX&lll1nes the science fiction collections of ten Chicago area public libraries. The second is a brief crttical disOUBsion of science fiction, the third section exaaines the perforaance of SClltl of the standard lib:rary selection tools in the area.of'Ulcience fiction. The fourth section oona1ats of sketches of scae of the field's II&jor writers. The appendix provides a listing of award-w1nD1ng science fio­ tion titles, and a selective bibli-ography of modem science fiction. The selective bibliogmphy is the author's list, renecting his OIfn 1m000ledge of the field. That 1m000ledge is not encyclopedic. The intent of this paper is to provide a brief inU'oduction and a basic selection aid in the area of science fiction for the librarian who is not faailiar With the field. None of the sections of the paper are all-inclusive. The librarian wishing to explore soience fiction in greater depth should consult the critical works of Damon Knight and J&Iles Blish, he should also begin to read science fiction magazines. TIlo papers have been Written on this subject I Elaine Thomas' A Librarian's .=.G'="=d.::.e ~ Science Fiction (1969), and Helen Galles' _The__Se_l_e_c­ tion 2!. Science Fiction !2!: the Public Library (1961).
    [Show full text]
  • Nebula Awards Showcase 2012
    an imprint of Prometheus Books Amherst, NY Published 2012 by Pyr®, an imprint of Prometheus Books Nebula Awards Showcase 2012. Copyright © 2012 by Science Fiction and Fantasy Writers of America (SFWA, Inc.). All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, digital, electronic, mechanical, photocopying, recording, or otherwise, or conveyed via the Internet or a website without prior written permission of the publisher, except in the case of brief quotations em- bodied in critical articles and reviews. Cover illustration © Michael Whelan Cover design by Grace M. Conti-Zilsberger Inquiries should be addressed to Pyr 59 John Glenn Drive Amherst, New York 14228–2119 VOICE: 716–691–0133 FAX: 716–691–0137 WWW.PYRSF.COM 16 15 14 13 12 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Nebula Awards showcase 2012 / edited by James Patrick Kelly and John Kessel. p. cm. ISBN 978–1–61614–619–1 (pbk. : alk. paper) ISBN 978–1–61614–620–7 (ebook) 1. Science fiction, American. I. Kelly, James P. (James Patrick) II. Kessel, John. PS648.S3A16 2012 813'.0876208—dc23 2012000382 Printed in the United States of America on acid-free paper PERMISSIONS “Ponies,” copyright 2010 by Kij Johnson, first published on Tor.com, January 2010. “The Sultan of the Clouds,” copyright 2010 by Geoffrey Landis, first published in Asimov’s Sci- ence Fiction, September 2010. “Map of Seventeen,” copyright 2010 by Christopher Barzak, first published in The Beastly Bride: Tales of the Animal People, edited by Ellen Datlow and Terry Windling, Viking.
    [Show full text]
  • WELCOME to WINDYCON 35!#% General Info Table of CONTENTS Department Hours
    WELCOME TO WINDYCON 35!#% General Info Table OF CONTENTS Department Hours ................................2 Our theme this year is Military Science Fiction. Military SF Convention Rules .................................2 is defined by the Wikipedia as: “A subgenre of science fiction Hotel Map ............................................3 in which the principal characters are members of a military Welcome to ISFiC ................................5 service and an armed conflict is taking place, normally Restaurant Guide .................................31 in space, or on another planet. A detailed depiction of the Staff List ..............................................36 conflict, the tactics used to wage it, and the role of a military service and the individual members of that service forms the basis for a work of military science fiction. The stories GoH Bios often take features of actual past or current Earth conflicts, John Ringo ...........................................7 with countries being replaced by entire planets or galaxies Walter Koenig ......................................9 of similar characteristics, and certain events changed so that David Mattingly .................................11 the author can extrapolate on what might have occurred.” Ryan Yantis ........................................13 Kim Williams .....................................15 That hits the broad idea of Military SF but it doesn’t Eric Flint ............................................17 mention the concepts of bravery, sacrifice, sense of duty and
    [Show full text]
  • Writing Western Women
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2006 Place of invention| Writing western women Rachel Toor The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Toor, Rachel, "Place of invention| Writing western women" (2006). Graduate Student Theses, Dissertations, & Professional Papers. 3229. https://scholarworks.umt.edu/etd/3229 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Montana Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. **Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission ______ Author's Signature: f J \ ^ Date Any copying for commercial purposes or financial gain may he undertaken only with the author's explicit consent. A PLACE OF INVENTION: WRITING WESTERN WOMEN by Rachel Toor B.A. Yale University, 1984 presented in partial fulfillment of the requirements for the degree of M asters of Fine Arts The University of Montana M ay 2006 Dean, Graduate School 5-2Cp-oc. Date UMI Number: EP35740 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • Generic Affinities, Posthumanisms and Science-Fictional Imaginings
    GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance.
    [Show full text]
  • Catalogue XV 116 Rare Works of Speculative Fiction
    Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985.
    [Show full text]
  • Bulletin 7/13C
    Southern Fandom Confederation Contents SFC Handbooks Off the Wall . .1 This amazing 196 page tome of Southern Fannish lore, edited Treasurer’s Report . .3 by T.K.F. Weisskopf, is now available to all comers for $5, plus Contributors . .3 a $2 handling and shipping charge if we have to mail it. The Nebula Award Winners . .3 Handbook is also available online, thanks to the efforts of Sam Hugo Nominees . .4 Smith, at http://www.smithuel.net/sfchb Convention Reports . .6 T-Shirts Convention Listing . .8 Fanzine Listings . .10 Size S to 3X LoCs . .12 Price $10 {{Reduced!}} Plus $3 shipping and handling fee if we have to mail it. Policies Art Credits The Southern Fandom Confederation Bulletin Vol. 7, No. 13, Cover, Page 1 . .Teddy Harvia June 2002, is the official publication of the Southern Fandom This page, Page 2,3,6,7,12,14,18 . .Trinlay Khadro Confederation (SFC), a not-for-profit literary organization and Page 5, 17 . .Scott Thomas . information clearinghouse dedicated to the service of Southern Page 19 . .Sheryl Birkhead Science Fiction and Fantasy Fandom. The SFC Bulletin is edit- ed by Julie Wall and is published at least three times per year. Addresses of Officers Membership in the SFC is $15 annually, running from DeepSouthCon to DeepSouthCon. A club or convention mem- Physical Mail: bership is $75 annually. Donations are welcome. All checks President Julie Wall, should be made payable to the Southern Fandom 470 Ridge Road, Birmingham, AL 35206 Confederation. Vice-President Bill Francis, Permission is granted to reprint all articles, lists, and fly- PO Box 1271, Brunswick, GA 31521 ers so long as the author and the SFCB are credited.
    [Show full text]
  • The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI
    The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI Spring 2015 • From the Editor Do you think fictional characters need to be likable? In this issue, by coincidence, two of our contributors explore this topic. Molly Backes in her Writer’s Tip says: “Personally, I’m in favor of unlikable characters. We are writing about teenagers, after all! They’re not the most likable creatures in the universe. Lovable, sure. But not always likable.” Juliet Bond, in her review of Blake Snyder’s book Save the Cat: The Last Book on Screenwriting You’ll Ever Need for the Writer’s Bookshelf, says, “I’m personally drawn to characters that are a bit prickly, rebellious, and less than charming. But they have to be likable.” See what you think. In our previous issue Lisa Bierman said goodbye. In this issue our new co-regional advisor Deborah Topolski introduces herself: “I’m a prepublished member, still learning how to make inroads in my career . I’m on this journey to publication with you.” Another change in this issue is in the format of our Illustrator in the Spotlight column. A panel of Illinois illustrators has compiled a set of questions that each issue’s featured illustrator will answer. This time it’s Theresa Brandon, answering such questions as “Do you ever tuck little personal homages or details in your illustrations?” and “What gets in the way of your creativity?” Our Tale from the Front, the story of a first-time author, comes from Stefanie Lyons, author of Dating Down. Stefanie has a curious tale to tell: “My first book that my agent liked but thought should be my second book while I was working on my second-supposed-to-be-first book with her turned out to be my first book anyway.” Check out Season’s Crop, compiled by Tina Stoval and Natalie Ziarnik, for a list of ten books coming out this spring by Illinois authors.
    [Show full text]
  • Selected Scifi 201102.Xlsx
    Selected Used SciFi Books- Subject to availability - Call/email store to receive purchasing link ([email protected] 540206-2505) StorePri AuthorsLast Title EAN Publisher ce Cross-Currents: Storm Season, The Face of Chaos, Abbey, Robert Lynn Asprin and Lynn B000GPXLOQ Nelson Doubleday,. $8.00 and Wings of Omen Adams, Douglas Life, The Universe and Everything 9780517548745 Harmony Books $8.00 Adams, Douglas Mostly Harmless 9781127539635 BALLANTINE BOOKS $15.00 Adams, Douglas So Long, and Thanks for All the Fish 9780795326516 HARMONY BOOKS $6.00 Adams, Douglas The Restaurant at the End of the Universe 9780517545355 Harmony $8.00 Adams, Richard MAIA 9780394528571 Knopf $8.00 Alan, Foster Dean Midworld B001975ZFI Ballentine $8.00 Aldiss, Brian W. Helliconia Summer (Helliconia Trilogy, Book Two) 9781111805173 Atheneum / $8.00 Aldiss, Brian W. Non-Stop B0057JRIV8 Carroll & Graf $10.00 Aldiss, Brian Wilson Helliconia Winter (Helliconia, 3) 9780689115417 Atheneum $7.00 Allen, Roger E. Isaac Asimov's Inferno 9780441000234 Ace Trade $6.00 Allen, Roger Macbride Isaac Asimov's Utopia 9781857982800 Orion Publishing Co $8.00 Allston, Aaron Enemy lines (Star wars, The new Jedi order) 9780739427774 Science Fiction $15.00 Anderson, Kevin J and Rebecca The Rise of the Shadow Academy 9781568652115 Guild America $15.00 Moesta Anderson, Kevin J,Herbert, Brian Hunters of Dune 9780765312921 Tor Books $10.00 Anderson, Kevin J. A Forest of Stars: The Saga of Seven Suns Book 2 9780446528719 Aspect $8.00 Anderson, Kevin J. Darksaber (Star Wars) 9780553099744 Spectra $10.00 Anderson, Kevin J. Hidden Empire: The Saga of Seven Suns - Book 1 9780446528627 Aspect $8.00 Anderson, Kevin J.
    [Show full text]