The Key 1934

Total Page:16

File Type:pdf, Size:1020Kb

The Key 1934 Bowling Green State University ScholarWorks@BGSU BGSU Key Yearbooks University Publications 1934 The Key 1934 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/yearbooks Recommended Citation Bowling Green State University, "The Key 1934" (1934). BGSU Key Yearbooks. 9. https://scholarworks.bgsu.edu/yearbooks/9 Key Yearbook by Bowling Green State University is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. ' «—-» ■» > "r * sr ; * * * -.ra^'-V ♦-»■«-trr*-****"***- ■¥«•* --«-»i.»-J***^*»> ^-$-'a'it-)»-*-J*~»'^-* * *~» fc-* *-# * % w * •* » *-* » * at «! *.~i at**1 «nr«s* ... */»♦.» *. t. * « A * -t »/-«»x *-* *» » * n >♦ \ -r - ■* «* * «f W "W «.»««» ^^j-.*^*.^,^.^^- <^ % .«t«4 flg1*-.* # Ifva f-•»..* * * • *> JS 1» ftf *.-* i»l «« Sr 4 «-«i«-#*»■_*»« •;* -4*ij«-*-<!"*■-«•>i'i*-"♦ - tf ■ r *: a^''-*Sk'?i'*i!*" *' * •' *- l!-*s**u«-«* ' * « * ■■»- *t -*►"**■ «»"'■»-» - *J »>..» Gift Of MARGARET YOCOM ^^SS^^B^^m^l^^^m^^^^^^^^^k T/j^aAjd, yL*rri/ THE KEY 1934 MASON L. THOMPSON Editor-in-Chief ARTHUR E. WOHLERS Business Manager Issued by the STUDENT BODY of BOWLING GREEN STATE COLLEGE BOWLING GREEN, O. MRS. MYRNA B. HANNA To one who believes that the safety of the State lies in the education of its youth. One who's aim in life has ever been to put our youth in the presence of the best. And who's vision and untiring efforts so materially assisted in the establishment of the Liberal Arts College at Bowling Green, We dedicate this Book. The old-time Cavalier challenged a wide-spread and persistent belief in the sufficiency of the amateur, the untrained and the unprepared. Everyday expres¬ sions of our campus ideals provide us with a key which will easily reveal the spirit of the Cavalier in our college life through¬ out the year. Faculty Advisor Dr. Leon B. Slater Editor Mason Thompson Assistant Editor Wallace Pisel Business Manager Arthur Wohlers Assistant Business Manager . Janet Wright Assistant Business Manager . Sally Gerding Circulation Manager .... Howard Braithwaite Assistant Circulation Manager . Erwin Hagedorn Activities Editor Mary McMahon Assistant Athletic Editor Earl Brooks Assistant Activities Editor .... Bernice Fisher Features Editor Linda Dill Literary Editor Hulda Doyle Typists . Lucille Leidy; Naomi Curtis: Evelyn Baker Assistant Literary Editor .... Ruth Steckle The Key Staff acknowledges its indebtedness to Assistant Literary Editor Mary Vogel Professors Crowley and Biery for technical Athletic Editor Harold Seibert assistance. ]armnis SCHOOL FEATURES ACTIVITIES ATHLETICS r i 3! ■i$i> ADMINISTRATION DR. H. B. WILLIAMS President THE MEANING OF EDUCATION I have been asked by the Key Staff the concept itself. If I were required to write a paragraph on the above to define education in one word, the topic; otherwise, I would not be pre¬ word I should select is happiness. sumptuous enough to attempt a defini¬ To the understanding mind happiness tion of a term which Herbert Spencer presupposes a knowledge of the and many thinkers since his time have achievements of the race. This means tried to define. Education may be scholarship. Happiness also implies a considered as a process or as a result. progressive approach toward perfec¬ As a process it has to do with prin¬ tion and at the same time recognizes ciples and technique. As a result it that perfection is a goal susceptible it concerned with the ends to be of endless striving. In this sense edu¬ realized from its theory and practice. cation means progress both individual In this paragraph we are thinking of and social. Again happiness to be the achievement rather than the pro¬ complete recognizes a power in all cedure. The history of education is things not our own. Scholarship, duty, replete with definitions in terms of faith—these three, in proper balance, life enrichment, social efficiency, the are necessary criteria of the truly good life, etc., but these condensed educated person. statements are often no clearer than H. B. WILLIAMS 11 ADMINISTRATION Myerholtz Stallbohm Jordan Brod The administrative Functions of Bowling Green State College are divided into four parts. The clerical work is done by the Business and Registrar's Offices, under the direction of Mr. Jordan and Mr. Perry, respectively. No student will forget the penciled signature, "Gertrude Brod" on his registration receipt, nor will he forget the charming courtesy of Mr. Perry as he turns to your problem of schedule or chapel assignment; nor does anyone leave the registrar's office without an increased measure of good will inspired by the ^iendly cheerfulness of Miss Leedom who is ever ready to go an extra mile to find that mislaid blank or last semester's registration card. The courtesy and ease that characterize these two offices, together with the efficiency of their work, leave a decidedly pleasing and refresh¬ ing impression upon those who come in contact with them. The second administrative division is that of the two colleges. The College of Edu¬ cation is conducted under the able supervision and personal enthusiasm of Dean Clyde W. C. Jordan Hissong, to whom no small measure of credit is due for the character and ability of the graduates from Bowling Green. The College of Liberal Arts, created by legislative act in 1930 offers to Bowling Green students the advantages of a broad liberal training intended to make their lives richer and fuller in meaning and values; this college is under the leadership of Dean James R. Overman. The third administrative division, that of personal supervision and social planning, is constructively carried on by Dr. James R. Overman, Dean of Men, and Mrs. Maude F. Sharpe, Dean of Women. Dean Sharpe had the misfortune to suffer ill health during the eaHy part of the second semester, but her guiding function was assumed and well performed by the self-governing Women's League. Dean Sharpe builds the social calendar and directs the social activities of the college, and here again, she leaves much to the student Social Committee, thus fostering self-dependence and self-direction on the part of the student body so far as possible. Dean Overman also is well fitted to his office of personal guidance. C. D. Per ry Registrar 12 ADMINISTRATION Training, Administration and Science buildings as seen from East Wooster. •% He brings to his task a keen analytical mind, ever quick to see implications and solutions to the problems brought before him; and to this keenness there is added a deep sympathy and understanding of young people and their interests. President H. B. Williams, in his capacity as president, supervises and coordinates the functions of these three administrative divisions into one harmonious whole, and to his deep interest in young people and his enthusiasm for educational opportunities for them, is due, again, in no small measure, the fine reputation and vigorous progress which this college enjoys. Dr. J. R. Overman Dean of Men Mrs. Maude F. Sharp Dean of Women 13 "Read not to contradict and confute, nor believe and take for granted,—but to weigh and consider", deeply graven across the front of our Library, expresses the fundamental meaning of the College of Liberal Arts. Written by the Renais¬ sance philosopher, Francis Bacon, this quotation embodies the spirit of the re-awakened intellectual freedom which liberated men from the blind surrender to superstitions and destructive customs to which they had been subjected. The function of a liberal education, as restated through the centuries has been to develop within the individual the ability to weigh and consider that which surrounds him, that he may establish a point of view about which to correlate the many phenomena of his life. In this sense, he acquires a measure of personal power and mastery as he becomes oriented with respect to the forces and relationships composing his environment; and as his conduct grows more meaningful, he becomes in a truer sense an intelligently moral and social being. The era of narrow specialization is waning and THE college students are again commencing to appreciate VALUE OF A the value of a liberal education. Several reasons LIBERAL account for this change. A recent study of engineering EDUCATION graduates shows that sixty per cent are doing admini¬ strative work by the time they are forty, and that they complain that their technical training does not fit them to meet the larger problems of executive work. Leaders in other professions are also urging the necessity of a broader study of the psychological, social, scientific and economic factors underlying the technical work, so that the individual may be equipped to grow in his profession and to meet the changing problems which it presents. Another reason for the increasing interest in liberal education is the growing complexity of our society. For years we have been improving the physical con¬ ditions under which we live, and our success in this has resulted in a world with new and rapidly changing problems. Since these problems are economic, social, psychological and scientific, the wise student seeks an understanding of the fundamental principles in each of these fields, and the ability to apply them to new and unforeseen conditions. Finally the modern student desires a liberal educa¬ tion because he wants a richer life. Since he will probably have considerable leisure in the world in which he will live, he is taking courses in literature, music, art, drama and other subjects which will help him to get more happiness out of living, and prevent his becoming a bore to himself end others. DR. J. R. OVERMAN Dean of the College of Liberal Arts is FACULTY Sophomore Chemistry Loratory. Our fullest measure of self-control is secured only by so conditioning the forces and relationships of our environ¬ ment that we may achieve a greater and more harmonious degree of fruit¬ ful living.
Recommended publications
  • Destination Unknown: Experiments in the Network Novel
    UNIVERSITY OF CINCINNATI DATE: November 25, 2002 I, Scott Rettberg , hereby submit this as part of the requirements for the degree of: Doctorate of Philosophy (Ph.D.) in: The Department of English & Comparative Literature It is entitled: Destination Unknown: Experiments in the Network Novel Approved by: Thomas LeClair, Ph.D. Joseph Tabbi, Ph.D. Norma Jenckes, Ph.D. Destination Unknown: Experiments in the Network Novel A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctorate of Philosophy (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2003 by Scott Rettberg B.A. Coe College, 1992 M.A. Illinois State University, 1995 Committee Chair: Thomas LeClair, Ph.D. Abstract The dissertation contains two components: a critical component that examines recent experiments in writing literature specifically for the electronic media, and a creative component that includes selections from The Unknown, the hypertext novel I coauthored with William Gillespie and Dirk Stratton. In the critical component of the dissertation, I argue that the network must be understood as a writing and reading environment distinct from both print and from discrete computer applications. In the introduction, I situate recent network literature within the context of electronic literature produced prior to the launch of the World Wide Web, establish the current range of experiments in electronic literature, and explore some of the advantages and disadvantages of writing and publishing literature for the network. In the second chapter, I examine the development of the book as a technology, analyze “electronic book” distribution models, and establish the difference between the “electronic book” and “electronic literature.” In the third chapter, I interrogate the ideas of linking, nonlinearity, and referentiality.
    [Show full text]
  • U.S. Sheet Music Collection
    U.S. SHEET MUSIC COLLECTION SUB-GROUP I, SERIES 4, SUB-SERIES A (INSTRUMENTAL) Consists of instrumental sheet music published between 1861 and 1890. Titles are arranged in alphabetical order by surname of known composer or arranger; anonymous compositions are inserted in alphabetical order by title. ______________________________________________________________________________ Box 134 Abbot, John M. The vesper bell mazurka. For solo piano. Boston: Oliver Ditson & Co., 1863. Abbot, John M. The vesper bell mazurka. For solo piano. New York: Firth, Son & Co., 1863. Abecasis, S. Duchess of Albany gavotte. For solo piano. Boston: Oliver Ditson & Co., 1883. Adams, O. S. Daily exercises for piano students. New York: Wm. A. Pond & Co., 1874. Adams, O. S. Polka caprice. For solo piano. New York: Wm. A. Pond & Co., 1880. Adams, Oliver S. Une fleur de printemps (Spring flower) mazurka. For solo piano. New York: Wm. A. Pond & Co., 1864. Adelstein, Samuel. “Bella” mazurka. Violin obbligato. Also includes arrangement for guitar solo by L. B. Douglass. [s.l.]: J. P. Broder & Co., 1889. Agosty, Florian. Orphee aux enfers gallop. No. 5 in “Hitchcock’s Ten Cent or Dime Series of Select Music for the Million,” vol. 1. New York: Benjamin W. Hitchcock, 1869. Cover features lithograph. Alard, D. Berceuse, op. 49, no. 2. For violin and piano. No. 9 in “Repertoire del’Artiste for Violin and Piano.” Baltimore: George Willig & Co., [s.d.]. Alard, D. La fille du regiment. For violin and piano. In “Eight Easy Operatic Fantasies.” Boston: Oliver Ditson & Co., [between 1858 and 1876]. Allen, Geo. W. Waltz quadrille. With a complete description of the figures.
    [Show full text]
  • Kunkel Brothers
    ,_. " ,. I .. .. • 'V.{ -~~"-:'\ c~e//~ ~OFTHE~ COPYRIGHT PUBLICATIONS QNKEL @) BROTI1ERS, 612 Olive Street, ST. LOUIS, MO. M~ MLI4:/\\ J 0­ .1< ?( <.J , LIS'll] Kunkel's Parlor Album No. I. PRICE, $1.00. Bea.ds of Champagne (Polka Ca.price) ....................Schuetz Bubbling Spring (Capr.ice), with Lesson.............. Rive-King Careless Elegance (QUIckstep) ..................... .Schleiffarth Dream of the Lily (Tone Poem Characteristic) with Lesson .................. ....................•...... .. Hertel Echoes of the Woods, with Lesson........................ .Paul Gem of Columbia (Grand Galopl. with Lesson...........Siebert II Trovatore, (Verdi) (Operatic Fantasia), with Lesson... .Paul Martha (Flotow), (Operatic Fantasia)..................... ..Paul Norma (Bellini), (Operatic Fantasia), with Lesson.........Paul Shepherds' Morning Song (Idyl), with Lesson............ .Paul Shower of Rubies (Tone Poem), with Lesson.. '" .....Prosinger Skylark Polka, with Lesson............................. .Dreyer Summer Sky (Waltz), with Lesson....................Vrellmecke The Jolly Blacksmiths (Caprice) with Lesson............ ..Paul Traviata (Verdi), (Operatic Fantasia), with Lesson....... .Paul William Tell (Rossini), (Operatic Fantasia), with Lesson. .Paul Kunkel's Parlor Album No.2. PRICE, $1.00. V<>c~1. Angels' Visits .......................................... ..Melnotte Because I dO-Ballad, (English and German words) .....Molloy Bliss All Raptures Past Excelling (Vocal Waltz-Eng. lish, Italian and German words, and Lesson) ....... Robyn
    [Show full text]
  • Series Guidelines Alto/Tenor 2/3 Bari
    Instrument Ranges Saxes Trumpet Trombone 1 Alto/Tenor 2/3 Bari Instrument Ranges Saxes Trumpet Trombone Alto/Tenor Bari 1 2/3 Instrument Ranges BelwinSaxes Jazz EnsembleTrumpet titles Trombone Alto/Tenor Instrumenthave Ranges a new look!1 Bari 2 Saxes Trumpe3/4 t Trombone 4 1 SERIes GUIDELINes Alto/Tenor 2/3 Bari Instrument Ranges Instrument Ranges Saxes Trumpet Trombone Saxes Trumpet Trombone 1 1 Instrument Ranges 2/3 2 Alto/Tenor Saxes 3/4Trumpet Trombone Bari Alto/Tenor Bari 1 2/3 Jazz Beginnings Designed for very beginning jazz Jazz Band Instrument Ranges ensemblesInstrument Ranges using limited ranges & rhythms Designed for high school & advanced Saxes Trumpet Trombone juniorSa highxes school Trumpe bandst Trombone Instrumentation:Alto/Tenor 2 alto saxes, 2 tenor 1 1 Bari Instrument Ranges2 saxes, 2 trumpets, 2 trombones,2/3 piano, Full instrumentation:3 5 saxes, 8 brass, 4 rhythmSaxe partss • Optional4Trumpe partst provided Trombone for bass, and drumset • Playable by reduced Alto/Tenor flute, horn in F, and baritone1 horn T.C./tenor instrumentation of 2 saxes, 1 trumpet, Bari 2 1 Instrumenttrombone, Ranges piano, bass, and drumset • sax • Solos are written 3/out4 with chord 4 OptionalSaxes parts for 2 Trflutes,umpet 2 B-flat Trombone clarinets, changes • Rhythm section parts suggest chord voicings and rhythms • Guitar chord baritoneInstrument sax, Ranges tuba, horn in 1F, baritone horn 2/3 T.C./tenorSaxesAlto sax,/Tenor and guitarTrumpe •t Solos Trombone are written frames provided to help young guitarists BarAltoi /Tenor out •
    [Show full text]
  • The Evolution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 4-6-2013 The volutE ion of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference DJ Kaiser Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the Comparative Literature Commons Recommended Citation Kaiser, DJ, "The vE olution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference" (2013). All Theses and Dissertations (ETDs). 1076. https://openscholarship.wustl.edu/etd/1076 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in Comparative Literature Dissertation Examination Committee: Robert Hegel, Chair Todd Decker Robert Henke Ignacio Infante Lara Teeter Julia Walker Gerhild Williams The Evolution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference by DJ Kaiser A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2013 St. Louis, Missouri ii © Copyright 2013 by DJ Kaiser. All rights reserved. iii TABLE OF CONTENTS List of Figures……………………………………………………………………………………. iii List of Tables……………………………………………………………………………………. vii Acknowledgements……………………………………………………………………………...viii Abstract………………………………………………………………………………………….... x Chapter 1: Introduction…………………………………………………………………………… 1 Chapter 2: The Methods, Problems, and Possibilities of Cataloguing Musical Entertainment…. 43 Chapter 3: Interlingual Interference during the Operetta Century: 1850-1949…………………. 91 Chapter 4: Intermedial Interference in Broadway Musical Entertainment…………………….
    [Show full text]
  • Discographie Leader/Co-Leader
    Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues.
    [Show full text]
  • City Council Approves Water Treatment Plant
    Wildcats invade Newark symphony .1" Hens' den To drink or not to drink orchestrates 25 years page 13 page 3 page 9 ./' FREE City council approves water treatment plant By Vincent A DeMuro Jr. Staff Reporrer Newark plans new water treatment plant Newark may be a step closer to having clean water after the city council accepted a contract Monday to construct a water treatment facility on Paper Mill Road. Water filtration process City officials decided to build a 1 . Water pumped plant after a report was submitted to in from ponds. the council two weeks ago, detailing 2. Chemicals added the city's long history of water to purify water. problems and recommending that a 3. Sand filters out treatment plant be built. Love-struck vandal paints City manager Carl F. Luft said at impurities. university buildings Monday's city council meeting that 4. Filtered water enters construction of the facility, to begin reservoir for storage. It was on the basketball courts. within a month and completed by 5. Water pumped It was on the bookstore. September I 992, will cost $4 to city system. It was on the Srrtith Overpass. million. It was on various Russell, Gilbert and Joseph Dombrowski, water Harrington dormitories, not to mention director for the city, said the city's up and down East Main Street. water supply has been plagued by "Gorgeous 43" or "G 43 I LOV U" serious problems since 1989, was EVERYWHERE. What began as a including high concentrations of iron couple's quarrel turned into a massive and manganese .
    [Show full text]
  • PGC Monday January 1, 1877 the New Year Begins Roughly. Strong
    Page 318 (cont.) P.G.C. Monday January 1, 1877 The New Year begins roughly. Strong winds—almost gales all around the compass. The n westerly wind changed to north, then N.E. –E. –S.E. –S. and so on around to N.W. again where it hangs on heavily. The thermometer which was 42° yesterday was 72° today. To night it is warm also within doors—but coolish in the wind. We have all been over to Fred’s to tea—even Hunikin. And we had a pleasant time of it after sitting by the Page 319 lightwood fire in the kitchen. The wind fairly howled and came in lively through the crevices between the logs. The skiff broke her painter this afternoon and drifted against the wharf, where she filled. I got her through after being nearly blown over and she finally came ashore, minus seats. The tide is very high and the big waves are dashing over the little wharf and making quite a surf on the beach. Rain fell nearly all the morning. Two of my quail traps fell. I rushed down to “sot ‘em again” and “Oh! gentlemen, you should ee seen the pattridges.” I had four quail in one trap and one in the other. Two we presented to Fred and Anna and the others we had for our New Year day dinner. They were prime and we enjoyed them immensely. The “Laura” must have put back for she is anchored opposite, we find this afternoon. Perhaps Pepi is’nt anxious to be wrecked again.
    [Show full text]
  • F/Le: .I /J E.W 0 Rle4ns Jaz..E.- N#P
    /)-/ F/le: .I /J e.w 0 rle4ns Jaz..e.- N#P ARCHIVAL RECORD AND RESOURCES RELATED TO JAZZ IN THE NEW ORLEANS AREA Curtis Dale Jerde Principal Investigator Submitted by Earth Search, Inc. P.O. Box 850319 New Orleans, LA 70185-0319 April 16, 1990 In P2rti al Fulfillment of PX7530-9-0275 Submitted to Jean Lafitte National Historical Park and Preserve 423 Canal Street, Room 210 New Orleans, LA 70130-2341 I 'I I ARCHIVAL RECORD AND RESOURCES I RELATED TO JAZZ IN THE NEW ORLEANS AREA I Curtis Dale Jerde I Principal Investigator I Submitted by Earth Search, Inc. I, P.O. Box 850319 New Orleans, LA 70185-0319 I April 16, 1990 I' In Partial F'ulfillment of &, PX7530-9-0275 Submit ted to Jean Lafitte National Historical Park and Preserve I 423 Canal Street, Room 210 I New Orleans, LA 70130-2341 I I rI I .-------~---- --- -- -- I PRINCIPAL INVESTIGATOR'S FOREWARD I The United States enters the last decade of the twentieth ' century having seen approximately one hundred years of the development of jazz since the idiom first took root in the I nation's vernacular musical tradition. During that period, the music has inspired a range of attitudes, from rebellious affirmation to pernicious abnegation. In the course of this vacillating response, the nation has simultaneously experienced a I revolution in social and cultural mores, involving in many cases a total inversion of the values by which it lives. Jazz, along with kindred musical developments to which it has a precursive relationship, supplied the musical theme for this incredible I saga.
    [Show full text]
  • September 1935) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1935 Volume 53, Number 09 (September 1935) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 53, Number 09 (September 1935)." , (1935). https://digitalcommons.gardner-webb.edu/etude/837 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE zMusic oMagazine September 1935 Price 25 Cents * * WB?Kli»®(o)Kl AMERICA'S GREAT OPERA, CONCERT AND ORATORIO BASS SINGER OPERATIC ORGANIZA MEMBER OF METROPOLITAN OPERA CO., 1908 CHICAGO MUSICAL COLLEGE, NEW DITSON PUBLICATIONS All Teachers of Piano STANDARD SONGS Should Know These Sung the World Over Piano Methods and Study Books TIME TESTED GEMS OF MELODY AND VERSE For Pre-School, Private or Class Instruction Excellent Publications Season after season, year after year, these preeminently meritorious songs from the Immensely Successful Vocal Catalog of the John From the Catalog of Church Company have been vibrantly alive and are today in a niche of distinction where they have few rivals.
    [Show full text]
  • March 1928) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1928 Volume 46, Number 03 (March 1928) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 46, Number 03 (March 1928)." , (1928). https://digitalcommons.gardner-webb.edu/etude/754 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE Music Magazine The Journal of the March <TACusical Home 1928 Everywhere Nor?rv\<qri HALL// “always did want to play” $2.00 A YEAR dfreei THE WORLD OF MUSIC Interesting and Important Items Gleaned in a Constant Watch on Ever Happenings and Activities Pertaining to Things Musical Everywhere too Late to Learn ? MfmL LITTLE six-year-old girl from St. of life? Has the Goddess of the Muse forever music: v^anyuuiiuinaiuiicr VXJUiayouinump Louis is out in vaudeville with her Buescher bidden you adieu? Is it, for you, too late to out "Home, Sweet HornC'with one finger, at Saxophone. Her name is Dorothy Johnson. learn? Here is a note of encouragement for you the piano? Then you can learn to play a Bues¬ She started taking lessons when she was who have missed the opportunities of youth.
    [Show full text]
  • Cy 1G· En·Eo· N . ·-. . . Ca
    • :.---. l :·.. .:;_; ~ ~. .,,,-:·· . ,. ' \':: .. ;_-.,,_ ·•, O\ ,,.t-.. •, .-... ·.-.. :~ ;l .· Collins to make decision '' :~:·<.• .. ~ . .,. ' ~ . { ,::,. I: •' .._ ... ." :~. ,­ on alternative calendars ~'., By TONY LACAVA for and against the calendars. sync with the high school calendar, . ' '.. ~ · · Editcir-in:Chlef . .· _ The committee, composed of ad· and we like to keep them in sync l ~ I .. •.. ,; .•. A proposal for alternative Ci\len_. mlnlstrators and faculty members,· because of vacations. This was a ' dar schedules. for acadclttlc year . was appointed by collllis at the ·sug· . problem with the.older students and .... ;: .. .'.", ·. -7': . 1982-83 was presented to BC Presi, gestion of the Academic Senate last reentry students," he says . I ";I . dent. John Collins last week by a . spring. "Some _students with · summer . committee headed by Dean of . ' The C<fleldblel' calendar would be jobs also found their employers i . l ..... r-:~~'r_·.. \· i,_•. • I Research David Scott, Collins, who • .I '\f· . : .-'.~ .a change from :the current calendar. were unhappy with the early start sci • received 'a statement from Scoucon­ "A new state law allows community those students treated it like a Labor ;. l ~,~-,...... ,t.· ···.. sisting of three .l>ossible calendar college districts to meet a totaLof . Day cale~dar, stayed on th-e job; '.. :- : . ~ · formats, -WJl1 dedde on. one .Of the · ~ __..;._. l . 160 dmper aC{ldemk.year • Is day.s . amrmissed: the~first · two weeks--of-_ -.·· ·- three formats and present his deci· · · l~s than t~_e 175 days ~-1.trrerttiy in school.,, Scott also pointed out that . l . sion to the .KCCD boatd in its an· 1 ••• effect. The' provision· fs that• those · the "early start'' calendar not only :.·.: .
    [Show full text]