Zeiss Ikon Contarex
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Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer. -
Rolleiflex-6000.Pdf
Rolleiflex 6000-System Lenses and Dedicated Accessories www.mr-alvandi.com Top-notch Lenses Only the best lenses are good enough for a profes- Glass sional camera system. A combination of proper lens curvatures and suitable For your Rolleiflex 6008 AF and Rolleiflex 6008 Integral glass types are your guarantee that the Rollei line of you may choose between lenses from ultra-wide-angle, lenses are optimally corrected for aberrations for sharp wide-angle and standard lenses to telephoto, zoom and brilliant pictures. Carl Zeiss, Schneider-Kreuznach and several special-purposes lenses. All of them cut- and Franke & Heidecke use advanced glass types, some ting-edge products made by Carl Zeiss and Schneider- of which with particularly high refractive indices. Kreuznach, the world-famous specialists for medium- format optics. All of them with Rollei HFT coating (High Mechanics Fidelity Transfer) for optimum flare suppression and bril- A lens consists of several elements, some of which may liant colors. be combined in components. These are axially shifted for focusing and zooming, sometimes even in opposite Our PQ (Professional Quality) and PQS lenses, the latter directions. All these motions have to be very precise in with a top shutter speed of 1/1000 s, are the result of order not to degrade the high performance of the advanced optical design techniques, innovative technol- lenses over their entire focusing and zooming ranges. ogy and permanent optimization. All of them use the Precise manufacturing techniques and high-quality unique Rollei Direct-Drive technology: The diaphragm materials make sure that the tight tolerances are met and shutter blades in the lens are driven by two linear even after many years of use. -
Journey Planet Placed As a Finalist for the Hugo Award for Best Fanzine
2 Contents Page 2—Art by Ed Hengeveld Page 4—Editorial by Steven H Silver Page 5—A Note from Chris Page 6—A Note to Our Readers by James Bacon Page 8—Walter, Frank, Jules, My Grandfather and Me by David M. Stein Page 13—The Apollo Guidance Computer of Phenomenal Cosmic Power in Itty Bitty Living Space by Chris Garcia Page 17—Art from Kurt Erichsen Page 18—Apollo 11 and the Volvo by Jack Clemons, Images courtesy Jack Clemons Page 22—Moon Shots—Words and Pictures by John Scalzi Page 36—The Hasselblad and the Space Program by Richard Man Page 57—The First Time All Over Again by Alma Alexander Page 60—Waiting for Someone From China… or Maybe California by Allen M. Steele Page 64—Apollo 11 Reminiscences by Bryan A. Palaszewski Page 67—The Apollo Art of David Hardy Page 71—Neil Armstrong, Buzz Aldrin, & the Moon Reflected in a Still Lake by John Donat Page 73—The Apollo 11 Pre-launch Party by Joseph Green Page 76—A Visit to the Armstrong Air & Space Museum by Steven H Silver Page 81—Company in Quarantine by Steven H Silver Page 84 Why Haven’t We Been Back to the Moon? By C. Stuart Hardwick Page 93—Church and Space by Nancy Jane Moore Page 96—The Gift I Never Got for Christmas by Bill Higgins Page 105—”When you do a stamp, think big, but draw small.” by James Bacon Page 111—As Buzz is My Passenger by Steven H Silver Page 115—Knowing Buzz by Gregory Benford Page 119—Coolock is Full of Spacers by Pádraig Ó Méalóid Page 123—Passing the Torch by Brenda W. -
Datasheet-Zeiss-Biogon-4538-Cf-En
Biogon@ T* 4.5/38 CF 34.5to film @ co -~! -- I I i 80 HASSElBlAD 90 degrees angle of view, a focallenght only half the The famous Hasselblad Superwide Camera SWC, the '" diagonal of the film frame, produced with an almost state-of-the-art wide angle device in medium format für symmetrie lens design of surprising compactness, almost 50 years and the premium choice für these who featuring the typical advantages of symmetricallens demand the utmost in wide angle performance on designs: distortion is very weil controlled, and so is earth - or in space. @ color correction and image fjeld flatness. Combined The Hasselblad SWC with the Biogon T* 4.5/38 CF is with extreme precise manufacturing these properties a powerful and fast tael für architecture, demanding make für an outstanding wide angle optic with high interiors, documentation, industrial photography. resolution, an excellent documentention tael. This is Combined with current high resolution films the SWC exactly wh at is needed in aerial mapping photography, and the Biogon can easily replace view cameras in a fjeld where Carl Zeiss has played a leading roje many situations: It is much faster, sm aller, more worldwide für alm ost a century, hence the expertise to convenient (no cassette loading in the dark!) and more design and manufacture such an outstanding portable; film and processing are much more high-performance jens like the Biogon. SinGe the last economic. With the focusing screen adapter 41057 vertex is located only 18.8 mm away from the film precision focusing is possible down to 20 cm in front of plane, no viewfinder-mirror can be used between the lens. -
Accessories Fo R Contax Photography
ACCESSORIES FO R IKON CONTAX PHOTOGRAPHY A"CCESSORIES FOR CONTAX PHOTOGRAPHY ZEISS IKON A G DRESDEN C 551 E CONTENTS PAR T I: Close-up Subjects, Copies and Photo micro Work Page Supplementary Lenses 6 Optical Near Focussing Equipment 8 Large Copying Stand and X-ray Plate Copying Apparatus 10 Special Copying Stand 16 Photo-micro Apparatus 18 Plate Adapter 21 List of separate parts 23 PART II: Projection, Enlargement and Colour Pictures Contabox Miniature Projector 26 Contax Large Projector 28 Magniphot Enlarger 30 Helinox Projection Printer 32 Colour Pictures 33 List of separate parts 35 PAR TIll: Miscellaneous Accessories Dark-room Appliances 38 Accessories for the Camera 42 List of separate articles 47 2 Jntroduction A camera which is universal in the truest sense of the word enables use to be made of lenses which can be inter changeably fitted to it as well as of a series of accessories for special purposes. For this reason the Contax has be come the base of an entire system of appliances with which the most varied branches of photography are at the command of the user From the following pages it will be seen that everything photographic can be done with the Contax and the acces sories for it. It will be clear that the Contax is not merely a camera with which the most diverse subjects can be taken but is also an instrument adapted for the purposes of serious scientific work. The special Contax construction-in particular, the de tachable back, with consequent accessibility of parts, and the bayonet-joint mount for lenses etc.-has the very great advantage that every accessory appliance is extra ordinarily convenient and reliable in use. -
Zeiss ZM Lenses Brochure
Lenses for Rangefinder Cameras ZEISS lenses for rangefinder cameras Overview Super wide-angle Distagon T* 2,8/15 ZM Distagon T* 4/18 ZM Biogon T* 2,8/21 ZM C Biogon T* 4,5/21 ZM Wide-angle Biogon T* 2,8/25 ZM Biogon T* 2,8/28 ZM Distagon T* 1,4/35 ZM ZEISS ZM Lenses Biogon T* 2/35 ZM C Biogon T* 2,8/35 ZM Standard C Sonnar T* 1,5/50 ZM Planar T* 2/50 ZM Tele Tele-Tessar T* 4/85 ZM ZEISS ZM Lenses Overview Distagon T* 2,8/15 ZM Distagon T* 4/18 ZM Biogon T* 2,8/21 ZM C Biogon T* 4,5/21 ZM Biogon T* 2,8/25 ZM Biogon T* 2,8/28 ZM Distagon T* 1,4/35 ZM Biogon T* 2/35 ZM C Biogon T* 2,8/35 ZM ZEISS ZM lenses are available C Sonnar T* 1,5/50 ZM Planar T* 2/50 ZM in black and silver. Tele-Tessar T* 4/85 ZM When you go your own way. ZEISS ZM Lenses The best photographers are characterized by their individuality. They go their own way instead of keeping to the beaten track. With ZEISS ZM lenses, // INSPIRATION we offer the ideal equipment to give full expression MADE BY ZEISS to their individuality. ZM lenses made by ZEISS have always stood out for the optimal fusion of creativity and comfort. And also for their legendary ZEISS quality. ZEISS ZM Lenses High-quality workmanship Outstanding image quality Optimal operation • Excellent reduction of light reflections thanks • Uniformly optimized, intuitive operating concept to the T*® anti-reflective coating from ZEISS • 1/₃ f-stop intervals with easy-to-feel, lock-in • Advanced stray light reduction positions and exact photometric graduation • Almost circular aperture with 10 blades enables exceptionally -
Rolleifle,X 2.8F IMPROVING on When the Rolleiflex 2.8F Was Created, Astar Was Born
HOW Amateur Photographer's... Ie P 0 06 MUCH o HEY PHOTOGRAPHER I PHOTOGRAPH I COST? AType 1Rolleiflex 2,8F with 80mm Planar and exposure AType 1version of the meter, showing late 1950s, with 75mm 'moderate/heavy use' 1/3.5 Planar and built with 'obvious wear in uncoupled exposure to the body covering' meter. Ihis one is in sold for [432,02 on as-bought condition eBay on 16 July, A and has not yet been dealer in Frankfurt cleaned for display sold anear-mint 2.8F with Planar and meter for [1.261 on 11 July. The 3.5F realises similar prices, with similar differences for condition. Amint example of the last 'wl\'ite face' 3.5F with meter and ERe [ever ready easel sold on eBay for [1,874 on, 16 July. AweU-used but sound 3.5F with ptanar and accessories sold for [436.20 on 14 July A3.5F with f/3.5 Xenotar and needing a the optical quality of the 80mm f/2.8 Carl shutter service [which Zeiss Planar and the ultimate mechanical could be pricey] sold leaf shutter of the time, the Synchro for [171 on 11 July. The classic Type 1of the 1960s, Compur As acreative tool, particularly for These examples show pictures of people, it was unsurpassed, that prices of 2.8F with 80mm f/28 Planar and built-in The companion to the 28F, the Rolleiflex and 3.5F Rolleiflexes 35F, had been launched in 1958 with either vary dramatically with selenium-cell exposure meter an f/35 Zeiss Planar or an f/35 Schneider condition. -
ZEISS Lenses for Rangefinder Cameras Overview
Lenses for Rangefinder Cameras ZEISS lenses for rangefinder cameras Overview Super wide-angle Distagon T* 2,8/15 ZM Biogon T* 2,8/21 ZM Wide-angle Biogon T* 2,8/25 ZM Biogon T* 2,8/28 ZM Distagon T* 1,4/35 ZM ZEISS ZM Lenses Biogon T* 2/35 ZM C Biogon T* 2,8/35 ZM Standard C Sonnar T* 1,5/50 ZM Planar T* 2/50 ZM ZEISS ZM Lenses Overview Distagon T* 2,8/15 ZM Biogon T* 2,8/21 ZM Biogon T* 2,8/25 ZM Biogon T* 2,8/28 ZM Distagon T* 1,4/35 ZM Biogon T* 2/35 ZM C Biogon T* 2,8/35 ZM ZEISS ZM lenses are available C Sonnar T* 1,5/50 ZM Planar T* 2/50 ZM in black and silver. When you go your own way. ZEISS ZM Lenses The best photographers are characterized by their individuality. They go their own way instead of keeping to the beaten track. With ZEISS ZM lenses, // INSPIRATION we offer the ideal equipment to give full expression MADE BY ZEISS to their individuality. ZM lenses made by ZEISS have always stood out for the optimal fusion of creativity and comfort. And also for their legendary ZEISS quality. ZEISS ZM Lenses High-quality workmanship Outstanding image quality Optimal operation • Excellent reduction of light reflections thanks • Uniformly optimized, intuitive operating concept to the T*® anti-reflective coating from ZEISS • 1/₃ f-stop intervals with easy-to-feel, lock-in • Advanced stray light reduction positions and exact photometric graduation • Almost circular aperture with 10 blades enables exceptionally harmonious bokeh • Biogon® lenses are designed symmetrically and are therefore Premium craftsmanship free from color fringes and -
The Zorki Cameras - Part 1
Australian Photographic Collectors’ Society, Inc. :: From Back Focus #73 The Zorki Cameras - Part 1 Text & Photos from Stefan Sztromajer In 1948 in The Krasnogorskij Mechaniczeskij Zavod the production of the Leica like miniature cameras called Zorki began. These cameras were similar to the FEDs, produced in parallel by the Charkovskij Kombinat. At fi rst the production was rather limited as the plant was designated for the quite different produc- tion. In 1949 the small number of cameras were produced under the name “FED Zorki” - now very rare indeed. The serial production of the Zorki cameras began in 1950. From the beginning the standard focal distance of all Zorki cameras was equal to 28.8 mm. so theoretically every body would accept every Zorki and later FED lens, as its mount thread diameter is 39mm. I say “theoretically”, as on the beginning the production was not always enough carefully tested, probably there was an optimistic opinion, being that the most common use of the camera would be on sunny days when f/8 – f11 aperture value would be the best choice. The Zorki is very similar to the chrome edition of the Leica II. And no wonder to the early FED. Looking at the front of the camera (from left to right) (Fig. 1) we will see the large fi lm transport knob, provided with the frame counter, the tiny lever for uncoupling the transport mechanism after the fi lm is exposed, the shutter release button, provided with the cable thread, the shutter setting dial, the rangefi nder, and the fi nder windows, plus the knob for rewinding of the exposed fi lm. -
Camera Lenses from ZEISS Products at a Glance
Camera Lenses from ZEISS Products at a glance ZEISS Otus Lenses Mediumformat look and quality on full-frame cameras • Exceptionally high contrast, practically no color fringes even at an aperture of f/1.4 and virtually no distortion • Outstanding build quality and extremely ZEISS Otus 1.4/28 smooth internal focusing mechanism with ZEISS Otus 1.4/55 very long rotation angle for the very best ZEISS Otus 1.4/85 Compatible with: Canon or Nikon cameras1; usability ZEISS Otus 1.4/100 Format: FF; Focus: MF ZEISS Milvus Lenses Lenses that unleash the performance of high resolution cameras • Outstanding micro contrast, high suppression of flares and ghosting • Ideal for both still and motion picture applications thanks to the de-click feature of the ZEISS Milvus 2.8/15 ZEISS Milvus 1.4/85 ZF.2 series and hard stops at MOD and infinity ZEISS Milvus 2.8/18 ZEISS Milvus 2/135 • Weather-sealed barrel and lens mount for ZEISS Milvus 2.8/21 ZEISS Milvus 2/50M use under a wide range of conditions ZEISS Milvus 1.4/25 ZEISS Milvus 2/100M ZEISS Milvus 1.4/35 ZEISS Milvus 2/35 Compatible with: Canon or Nikon cameras1; ZEISS Milvus 1.4/50 Format: FF; Focus: MF ZEISS Classic Lenses Proven optical design with a legendary bokeh in a sturdy metal barrel • Classic product design and high optical performance • Full-metal housing and focus ring • Ideal for both still and motion picture applications due to hard stops at MOD ZEISS Planar T* 1,4/50 Compatible with: Canon or Nikon cameras1; and infinity ZEISS Planar T* 1,4/85 Format: FF; Focus: MF Carl Zeiss AG | Consumer Products | For more information see: zeiss.com/photo | zeiss.com/photo/dealer | lenspire.zeiss.com 1 Canon is a trademark or registered trademark of Canon Inc. -
-~Onlirax Photo by Franz Fiedler Afternoon Aun, September, 'I
THE CONNOISSEUR AND TH E ......-~ONlIrAX Photo by Franz Fiedler Afternoon aun, September, 'I... ec . with 112 Sonnar at 115.6 I. THE IDEAL MINIATURE CAMERA Due to the perfection of the miniature camera, amateur photography during the past few years has developed along altogether fresh lines. The extraordinarily universal performance of a high-class modern miniature camera is chiefly due to thc fact that even under difficult conditions as regards light, movement of the object etc., well exposed and very sharply defined negatives, capable of consider able enlargement, can be obtained. In order to obtain these results, however, the use of a sufficiently fine-grained film is essential for the repro duction of very fine detail. Several makes of cine-negative film possess the required properties to a high degree, and for this reason the Contax has been designed for use with a high-class cine negative film of standard width (35 mm.). Apart from thc film question, however, the design of the camera itself must fulfil, in all respects, a number of conditions, if results of first-rate quality are to be obtained. Above all, the camera must be equipped with lenses of such optical correction that the optical definition enables full use to bc made of the fine grain of the negative. The necessary sharpness of the negatives is therefore 2 first of all obtained by the use of a suitable film and of high - quality optical equipment. To a considerable extent, however, sharpness is also dependent upon min u tel y accura te focus sing, which entails a focussing mechanism of easy and rapid operation. -
Dierk Hobbie
DEUTSCHE GEODÄTISCHE KOMMISSION bei der Bayerischen Akademie der Wissenschaften Reihe E Geschichte und Entwicklung der Geodäsie Heft Nr. 30 Dierk Hobbie The development of photogrammetric instruments and methods at Carl Zeiss in Oberkochen München 2010 Verlag der Bayerischen Akademie der Wissenschaften in Kommission beim Verlag C. H. Beck ISSN 0065-5341 ISBN 978-3-7696-9673-8 DEUTSCHE GEODÄTISCHE KOMMISSION bei der Bayerischen Akademie der Wissenschaften Reihe E Geschichte und Entwicklung der Geodäsie Heft Nr. 30 Dierk Hobbie The development of photogrammetric instruments and methods at Carl Zeiss in Oberkochen München 2010 Verlag der Bayerischen Akademie der Wissenschaften in Kommission beim Verlag C. H. Beck ISSN 0065-5341 ISBN 978-3-7696-9673-8 Adresse der Deutschen Geodätischen Kommission: Deutsche Geodätische Kommission Alfons-Goppel-Straße 11 ! D – 80 539 München Telefon (089) 23 031 -1113 ! Telefax (089) 23 031 -1283/ -1100 E-mail [email protected] ! http://dgk.badw.de Adresse des Autors: Dr. Dierk Hobbie Fliederweg 7 • D-89551 Königsbronn e-mail [email protected] Acknowledgement For the valuable support in writing this English edition of the publication DGK - E 30 "Die Entwicklung photogrammetrischer Verfahren und Instrumente bei CARL ZEISS in Oberkochen" I want to express my great thanks to Ernie Wickens © 2010 Deutsche Geodätische Kommission, München Alle Rechte vorbehalten. Ohne Genehmigung der Herausgeber ist es auch nicht gestattet, die Veröffentlichung oder Teile daraus auf photomechanischem Wege (Photokopie, Mikrokopie)