DOCSLIB.ORG

Zeiss ZM Lenses Brochure

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zeiss ZM Lenses Brochure Lenses for Rangefinder Cameras ZEISS lenses for rangefinder cameras Overview Super wide-angle Distagon T* 2,8/15 ZM Distagon T* 4/18 ZM Biogon T* 2,8/21 ZM C Biogon T* 4,5/21 ZM Wide-angle Biogon T* 2,8/25 ZM Biogon T* 2,8/28 ZM Distagon T* 1,4/35 ZM ZEISS ZM Lenses Biogon T* 2/35 ZM C Biogon T* 2,8/35 ZM Standard C Sonnar T* 1,5/50 ZM Planar T* 2/50 ZM Tele Tele-Tessar T* 4/85 ZM ZEISS ZM Lenses Overview Distagon T* 2,8/15 ZM Distagon T* 4/18 ZM Biogon T* 2,8/21 ZM C Biogon T* 4,5/21 ZM Biogon T* 2,8/25 ZM Biogon T* 2,8/28 ZM Distagon T* 1,4/35 ZM Biogon T* 2/35 ZM C Biogon T* 2,8/35 ZM ZEISS ZM lenses are available C Sonnar T* 1,5/50 ZM Planar T* 2/50 ZM in black and silver. Tele-Tessar T* 4/85 ZM When you go your own way. ZEISS ZM Lenses The best photographers are characterized by their individuality. They go their own way instead of keeping to the beaten track. With ZEISS ZM lenses, // INSPIRATION we offer the ideal equipment to give full expression MADE BY ZEISS to their individuality. ZM lenses made by ZEISS have always stood out for the optimal fusion of creativity and comfort. And also for their legendary ZEISS quality. ZEISS ZM Lenses High-quality workmanship Outstanding image quality Optimal operation • Excellent reduction of light reflections thanks • Uniformly optimized, intuitive operating concept to the T*® anti-reflective coating from ZEISS • 1/₃ f-stop intervals with easy-to-feel, lock-in • Advanced stray light reduction positions and exact photometric graduation • Almost circular aperture with 10 blades enables exceptionally harmonious bokeh • Biogon® lenses are designed symmetrically and are therefore Premium craftsmanship free from color fringes and practically distortion-free • The easy-grip focusing ring of the ZEISS lenses with • Uniform color characteristics across all focal lengths of the ergo nomic finger rest allows fast and precise ZM series focusing • Robust front ring with filter thread and outer bayonet for the lens shade • Compact and lightweight design for the most frequently used focal lengths 8 9 Wolf Rainer Schmalfuss, ZEISS Distagon T* 2,8/15 ZM ZEISS Distagon T* 2,8/15 ZM Focal length 15 mm Impressive perspectives Aperture range f/2.8–f/22 Elements/groups 11/9 Focusing range m/ft 0.3–∞/0.98–∞ The super wide-angle lens with Field angle* (diag./horiz./vert.) 110°/100°/77° rectilinear imaging for dynamic Coverage** cm/inch 43 x 65/16.9 x 25.6 perspectives. Extremely high speed, Reproduction scale 1:18 allows photography under difficult Compatible with Leica M Cameras*** light conditions, also without a *Based on 35 mm format. **At close range. tripod. Advanced optical design ***Leica is a registered trademark of Leica Microsystems IR GmbH. and leading edge glass materials. Design • Distagon® with 11 lens elements in 9 groups • Lens with aspheric optical surface • Lens made of special glass with anomalous partial dispersion • “Floating Elements” design 10 11 Michael Ankenbrand, ZEISS Distagon T* 4/18 ZM ZEISS Distagon T* 4/18 ZM Focal length 18 mm The compact specialist Aperture range f/4–f/22 Elements/groups 10/8 Focusing range m/ft 0.5–∞/1.6–∞ The super wide-angle lens Field angle* (diag./horiz./vert.) 98°/87°/65° displays excellent distortion Coverage** cm/inch 56 x 84/22 x 33.1 correction and outstanding Reproduction scale 1:23 performance across the entire Compatible with Leica M Cameras*** image field. The small size and *Based on 35 mm format. **At close range. wide-angle of view are ideal for ***Leica is a registered trademark of Leica Microsystems IR GmbH. travel, landscape and journalistic photography. Design • Distagon with 10 lens elements in 8 groups • Lens made of special glass with anomalous partial dispersion 12 13 Michael Ankenbrand, ZEISS Biogon T* 2,8/21 ZM ZEISS Biogon T* 2,8/21 ZM Focal length 21 mm For sharp perspectives Aperture range f/2.8–f/22 Elements/groups 9/7 Focusing range m/ft 0.5–∞/1.6–∞ A high-speed super wide- Field angle* (diag./horiz./vert.) 90°/80°/58° angle lens with outstanding Coverage** cm/inch 47 x 71/18.5 x 28 image quality and high Reproduction scale 1:21 resolving power for Compatible with Leica M Cameras*** experimenting with angles. *Based on 35 mm format. **At close range. Ideal for journalistic, ***Leica is a registered trademark of Leica Microsystems IR GmbH. architectural and landscape photography. Design • Biogon with 9 lens elements in 7 groups 14 15 Michael Ankenbrand, ZEISS C Biogon T* 4,5/21 ZM ZEISS C Biogon T* 4,5/21 ZM Focal length 21 mm Super wide-angle lens for out Aperture range f/4.5–f/22 and about Elements/groups 8/6 Focusing range m/ft 0.5–∞/1.6–∞ Field angle* (diag./horiz./vert.) 90°/80°/58° Compact lens for distortion-free, Coverage** cm/inch 48 x 72/18.9 x 28.3 dynamic pictures. The exceptionally Reproduction scale 1:20 small and lightweight size makes it Compatible with Leica M Cameras*** an ideal traveling companion. *Based on 35 mm format. **At close range. Special optical design makes it ideal ***Leica is a registered trademark of Leica Microsystems IR GmbH. for analog photography. Design • Biogon with 8 lens elements in 6 groups 16 17 Roman Parker, ZEISS Biogon T* 2,8/25 ZM ZEISS Biogon T* 2,8/25 ZM Focal length 25 mm Wide-angle originality Aperture range f/2.8–f/22 Elements/groups 9/7 Focusing range m/ft 0.5–∞/1.6–∞ For particularly creative Field angle* (diag./horiz./vert.) 82°/72°/52° photography. Practically Coverage** cm/inch 43 x 65/16.9 x 25.6 distortion-free. A moderate Reproduction scale 1:18 wide-angle focal length with Compatible with Leica M Cameras*** impressive, but easily controlled *Based on 35 mm format. **At close range. perspectives for creative ***Leica is a registered trademark of Leica Microsystems IR GmbH. photography. Design • Biogon with 9 lens elements in 7 groups 18 19 Jens Karlson, ZEISS Biogon T* 2,8/28 ZM ZEISS Biogon T* 2,8/28 ZM Focal length 28 mm For bright moments Aperture range f/2.8–f/22 Elements/groups 8/6 Focusing range m/ft 0.5–∞/1.6–∞ The compact wide-angle lens Field angle* (diag./horiz./vert.) 75°/65°/46° provides high accuracy even at Coverage** cm/inch 37 x 55/14.6 x 21.7 close range and at full aperture. Reproduction scale 1:16 Minimizes stray light and Compatible with Leica M Cameras*** reflection and can integrate very *Based on 35 mm format. **At close range. bright light sources. For dynamic ***Leica is a registered trademark of Leica Microsystems IR GmbH. urban, landscape and architec- tural subjects. Design • Biogon with 8 lens elements in 6 groups • Lens made of special glass with anomalous partial dispersion 20 21 Andreas Bogenschütz, ZEISS Distagon T* 1,4/35 ZM Linsenschnitt_Disatgon_1.4-35_RZ.ai 1 11.07.14 08:41 ZEISS Distagon T* 1,4/35 ZM Focal length 35 mm Master of variety Aperture range f/1.4–f/16 Elements/groups 10/7 Focusing range m/ft 0.7–∞/2.3–∞ Capture life in all its colorful glory Field angle* (diag./horiz./vert.) 62°/53°/37° with the ZEISS Distagon T* 1.4/35 Coverage** cm/inch 61 x 41/24 x 16 ZM. This is the fastest lens in the Reproduction scale 1:17 ZM family and shines with its Compatible with Leica M Cameras*** natural image dimension and *Based on 35 mm format. **At close range. compact size – the perfect ***Leica is a registered trademark of Leica Microsystems IR GmbH. companion for the widest variety of photographic journeys. Design • Distagon with 10 lens elements in 7 groups • Lens with aspheric optical C M surface Y • Lens made of special glass with CM MY anomalous partial dispersion CY CMY • “Floating Elements” design K 22 23 Sven Zellner, ZEISS Biogon T* 2/35 ZM ZEISS Biogon T* 2/35 ZM Focal length 35 mm The all-round solution Aperture range f/2–f/22 Elements/groups 9/6 Focusing range m/ft 0.7–∞/2.3–∞ The highest-speed lens of the Field angle* (diag./horiz./vert.) 63°/54°/38° Biogon family features Coverage** cm/inch 43 x 65/16.9 x 25.6 outstanding imaging perfor- Reproduction scale 1:18 mance. It is a creative tool Compatible with Leica M Cameras*** suited to practically all areas *Based on 35 mm format. **At close range. of rangefinder photography – ***Leica is a registered trademark of Leica Microsystems IR GmbH. no camera bag should be without one. Design • Biogion with 9 lens elements in 6 groups • Lens made of special glass with anomalous partial dispersion 24 25 Werner Dennochweiler, ZEISS C Biogon T* 2,8/35 ZEISS C Biogon T* 2,8/35 ZM Focal length 35 mm Mobile perfection Aperture range f/2.8–f/22 Elements/groups 7/5 Focusing range m/ft 0.7–∞/2.3–∞ The exceptionally compact, Field angle* (diag./horiz./vert.) 62°/53°/37° moderate wide-angle focal length Coverage** cm/inch 41 x 62/16.1 x 24.4 is the ideal companion for travel Reproduction scale 1:17 photographers. It also features Compatible with Leica M Cameras*** uncompromising image perfection, *Based on 35 mm format.
Load more

Recommended publications
  • Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
    Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer.
    [Show full text]
  • Journey Planet Placed As a Finalist for the Hugo Award for Best Fanzine
    2 Contents Page 2—Art by Ed Hengeveld Page 4—Editorial by Steven H Silver Page 5—A Note from Chris Page 6—A Note to Our Readers by James Bacon Page 8—Walter, Frank, Jules, My Grandfather and Me by David M. Stein Page 13—The Apollo Guidance Computer of Phenomenal Cosmic Power in Itty Bitty Living Space by Chris Garcia Page 17—Art from Kurt Erichsen Page 18—Apollo 11 and the Volvo by Jack Clemons, Images courtesy Jack Clemons Page 22—Moon Shots—Words and Pictures by John Scalzi Page 36—The Hasselblad and the Space Program by Richard Man Page 57—The First Time All Over Again by Alma Alexander Page 60—Waiting for Someone From China… or Maybe California by Allen M. Steele Page 64—Apollo 11 Reminiscences by Bryan A. Palaszewski Page 67—The Apollo Art of David Hardy Page 71—Neil Armstrong, Buzz Aldrin, & the Moon Reflected in a Still Lake by John Donat Page 73—The Apollo 11 Pre-launch Party by Joseph Green Page 76—A Visit to the Armstrong Air & Space Museum by Steven H Silver Page 81—Company in Quarantine by Steven H Silver Page 84 Why Haven’t We Been Back to the Moon? By C. Stuart Hardwick Page 93—Church and Space by Nancy Jane Moore Page 96—The Gift I Never Got for Christmas by Bill Higgins Page 105—”When you do a stamp, think big, but draw small.” by James Bacon Page 111—As Buzz is My Passenger by Steven H Silver Page 115—Knowing Buzz by Gregory Benford Page 119—Coolock is Full of Spacers by Pádraig Ó Méalóid Page 123—Passing the Torch by Brenda W.
    [Show full text]
  • Datasheet-Zeiss-Biogon-4538-Cf-En
    Biogon@ T* 4.5/38 CF 34.5to film @ co -~! -- I I i 80 HASSElBlAD 90 degrees angle of view, a focallenght only half the The famous Hasselblad Superwide Camera SWC, the '" diagonal of the film frame, produced with an almost state-of-the-art wide angle device in medium format für symmetrie lens design of surprising compactness, almost 50 years and the premium choice für these who featuring the typical advantages of symmetricallens demand the utmost in wide angle performance on designs: distortion is very weil controlled, and so is earth - or in space. @ color correction and image fjeld flatness. Combined The Hasselblad SWC with the Biogon T* 4.5/38 CF is with extreme precise manufacturing these properties a powerful and fast tael für architecture, demanding make für an outstanding wide angle optic with high interiors, documentation, industrial photography. resolution, an excellent documentention tael. This is Combined with current high resolution films the SWC exactly wh at is needed in aerial mapping photography, and the Biogon can easily replace view cameras in a fjeld where Carl Zeiss has played a leading roje many situations: It is much faster, sm aller, more worldwide für alm ost a century, hence the expertise to convenient (no cassette loading in the dark!) and more design and manufacture such an outstanding portable; film and processing are much more high-performance jens like the Biogon. SinGe the last economic. With the focusing screen adapter 41057 vertex is located only 18.8 mm away from the film precision focusing is possible down to 20 cm in front of plane, no viewfinder-mirror can be used between the lens.
    [Show full text]
  • ZEISS Lenses for Rangefinder Cameras Overview
    Lenses for Rangefinder Cameras ZEISS lenses for rangefinder cameras Overview Super wide-angle Distagon T* 2,8/15 ZM Biogon T* 2,8/21 ZM Wide-angle Biogon T* 2,8/25 ZM Biogon T* 2,8/28 ZM Distagon T* 1,4/35 ZM ZEISS ZM Lenses Biogon T* 2/35 ZM C Biogon T* 2,8/35 ZM Standard C Sonnar T* 1,5/50 ZM Planar T* 2/50 ZM ZEISS ZM Lenses Overview Distagon T* 2,8/15 ZM Biogon T* 2,8/21 ZM Biogon T* 2,8/25 ZM Biogon T* 2,8/28 ZM Distagon T* 1,4/35 ZM Biogon T* 2/35 ZM C Biogon T* 2,8/35 ZM ZEISS ZM lenses are available C Sonnar T* 1,5/50 ZM Planar T* 2/50 ZM in black and silver. When you go your own way. ZEISS ZM Lenses The best photographers are characterized by their individuality. They go their own way instead of keeping to the beaten track. With ZEISS ZM lenses, // INSPIRATION we offer the ideal equipment to give full expression MADE BY ZEISS to their individuality. ZM lenses made by ZEISS have always stood out for the optimal fusion of creativity and comfort. And also for their legendary ZEISS quality. ZEISS ZM Lenses High-quality workmanship Outstanding image quality Optimal operation • Excellent reduction of light reflections thanks • Uniformly optimized, intuitive operating concept to the T*® anti-reflective coating from ZEISS • 1/₃ f-stop intervals with easy-to-feel, lock-in • Advanced stray light reduction positions and exact photometric graduation • Almost circular aperture with 10 blades enables exceptionally harmonious bokeh • Biogon® lenses are designed symmetrically and are therefore Premium craftsmanship free from color fringes and
    [Show full text]
  • Camera Lenses from ZEISS Products at a Glance
    Camera Lenses from ZEISS Products at a glance ZEISS Otus Lenses Mediumformat look and quality on full-frame cameras • Exceptionally high contrast, practically no color fringes even at an aperture of f/1.4 and virtually no distortion • Outstanding build quality and extremely ZEISS Otus 1.4/28 smooth internal focusing mechanism with ZEISS Otus 1.4/55 very long rotation angle for the very best ZEISS Otus 1.4/85 Compatible with: Canon or Nikon cameras1; usability ZEISS Otus 1.4/100 Format: FF; Focus: MF ZEISS Milvus Lenses Lenses that unleash the performance of high resolution cameras • Outstanding micro contrast, high suppression of flares and ghosting • Ideal for both still and motion picture applications thanks to the de-click feature of the ZEISS Milvus 2.8/15 ZEISS Milvus 1.4/85 ZF.2 series and hard stops at MOD and infinity ZEISS Milvus 2.8/18 ZEISS Milvus 2/135 • Weather-sealed barrel and lens mount for ZEISS Milvus 2.8/21 ZEISS Milvus 2/50M use under a wide range of conditions ZEISS Milvus 1.4/25 ZEISS Milvus 2/100M ZEISS Milvus 1.4/35 ZEISS Milvus 2/35 Compatible with: Canon or Nikon cameras1; ZEISS Milvus 1.4/50 Format: FF; Focus: MF ZEISS Classic Lenses Proven optical design with a legendary bokeh in a sturdy metal barrel • Classic product design and high optical performance • Full-metal housing and focus ring • Ideal for both still and motion picture applications due to hard stops at MOD ZEISS Planar T* 1,4/50 Compatible with: Canon or Nikon cameras1; and infinity ZEISS Planar T* 1,4/85 Format: FF; Focus: MF Carl Zeiss AG | Consumer Products | For more information see: zeiss.com/photo | zeiss.com/photo/dealer | lenspire.zeiss.com 1 Canon is a trademark or registered trademark of Canon Inc.
    [Show full text]
  • Dierk Hobbie
    DEUTSCHE GEODÄTISCHE KOMMISSION bei der Bayerischen Akademie der Wissenschaften Reihe E Geschichte und Entwicklung der Geodäsie Heft Nr. 30 Dierk Hobbie The development of photogrammetric instruments and methods at Carl Zeiss in Oberkochen München 2010 Verlag der Bayerischen Akademie der Wissenschaften in Kommission beim Verlag C. H. Beck ISSN 0065-5341 ISBN 978-3-7696-9673-8 DEUTSCHE GEODÄTISCHE KOMMISSION bei der Bayerischen Akademie der Wissenschaften Reihe E Geschichte und Entwicklung der Geodäsie Heft Nr. 30 Dierk Hobbie The development of photogrammetric instruments and methods at Carl Zeiss in Oberkochen München 2010 Verlag der Bayerischen Akademie der Wissenschaften in Kommission beim Verlag C. H. Beck ISSN 0065-5341 ISBN 978-3-7696-9673-8 Adresse der Deutschen Geodätischen Kommission: Deutsche Geodätische Kommission Alfons-Goppel-Straße 11 ! D – 80 539 München Telefon (089) 23 031 -1113 ! Telefax (089) 23 031 -1283/ -1100 E-mail [email protected] ! http://dgk.badw.de Adresse des Autors: Dr. Dierk Hobbie Fliederweg 7 • D-89551 Königsbronn e-mail [email protected] Acknowledgement For the valuable support in writing this English edition of the publication DGK - E 30 "Die Entwicklung photogrammetrischer Verfahren und Instrumente bei CARL ZEISS in Oberkochen" I want to express my great thanks to Ernie Wickens © 2010 Deutsche Geodätische Kommission, München Alle Rechte vorbehalten. Ohne Genehmigung der Herausgeber ist es auch nicht gestattet, die Veröffentlichung oder Teile daraus auf photomechanischem Wege (Photokopie, Mikrokopie)
    [Show full text]
  • ZEISS Distagon T* 4/40
    Distagon® T* 4/40 CFE 74.9 to film 83 94 ® The Distagon T* 4/40 CFE lens is an extreme wide curvature in unsymmetrical retrofocus lenses used ® angle lens. It covers an angle of view of 88° over the close-up is reduced. Recently the Distagon T* 4/40 diagonal of the frame. This is almost as much as the CFE lens has become the preferred lens in studios ® Carl Zeiss Biogon T* 4.5/38 CF lens in the using digital chip backs with their Hasselblad cameras, Hasselblad Super Wide Camera would cover. Different using the central part of the frame only, narrowing the ® ® from the Biogon T* 4.5/38 CF lens the Distagon T* angle of view and asking for shorter focal length. Also, 4/40 CFE lens is an extreme retrofocus design with a in aerial photography from low flying aircraft the ® back focal distance which is 70% longer than the focal Distagon T* 4/40 CFE lens excels, because it allows length of the lens. So only the Distagon combines such for lower altitudes, thus reducing the adverse effects of a wide angle of view with all the advantages of an SLR haze and polluted air. The opposite is also true: At viewfinder. For a lens with these specifications the extremely high altitudes the Distagon T* 4/40 CFE speed is also quite impressive. But most important is lens excels again in the hands of NASA astronauts. the elaborate correction of all aberrations. Distortion is And so it does on the ground: In the hands of ® particularly well controlled.
    [Show full text]
  • Ludwig J. Bertele Wurde Am 25.12.1900 in München Geboren
    Ludwig Jakob Bertele (25.12.1900 - 16.11.1985) Ein genialer Objektivkonstrukteur Ludwig J. Bertele wurde am 25.12.1900 in München geboren. 1916 kam er nach 10 Schuljahren in der Oberrealschule zu der Firma „Optische Werke Rodenstock“, die einen Lehrling als Rechner für die Optik-Entwicklung suchte. Danach arbeitete Ludwig Bertele ab 1919 bei den Ernemann-Werken in Dresden, die ab 1926 in die Zeiss Ikon AG aufgingen. Hier rechnete er vor allem lichtstarke Objektive, die in verschiedenen Kameras, wie z.B. als Ernostar in der Ermanox oder als Sonnare in der legendären Contax eingesetzt wurden. Was den Photographen damit an Objektiven zur Verfügung stand, war für damalige Verhältnisse einmalig. Auf Grund der großen Offenblenden ließen sich in Theatern oder Konferenzen Fotos ohne Blitzlicht aufnehmen! Ermanox mit Ernostar 1:2, f=100mm H. Rudolf 23.09.2020 1 Sonnare für die Zeiss - Contax - Kameras, von Ludwig Bertele gerechnet Broschüre „Contaxfotografie“ von 1938 Das erste Biogon (1: 2.8/35 mm) berechnete Ludwig Bertele 1935 als Abwandlung des damaligen Sonnars. Es wurde von Carl Zeiss bis ca. 1949 in Jena, dann nach einer H. Rudolf 23.09.2020 2 Neuberechnung in Oberkochen hergestellt. 1951 wurde ein neues Biogon mit 90° Bildwinkel (Superweitwinkel) ebenfalls von Ludwig Bertele für Carl Zeiss berechnet, das den Weg zu extremen Weitwinkelobjektiven eröffnete. Hergestellt wurden ab 1952 das Biogon 1:4.5/21 mm zur Contax, 1954 das Biogon 1:4.5/38 mm zur Hasselblad Superwide und ab 1955 bzw. 1956 das Biogon 1:4.5/53 mm und 1:4.5/75 mm zur Linhof.
    [Show full text]
  • Zeiss Ikon Contarex
    zElsslKoN Now also for the CONTAREX: two new ZEISSlenses with the sensational automatlc flash control The -zOO / Q r€x ultimate in cameras from world-renowned zErssrKoN e") Gontarclx A Camera That Could Only COMefrom ZEISSIKON The name ZEISS|KON is synonymous formance is quickly appreciated by the New ! Sensationalautomatic flash control with photography because ZETSS|KON photographer,for it easily handle6 the has contributed with innumerable in- most difficult photographic problems of Flash without calculation! What could ventions and many new technical de- the amateur, the professional, or the be easier - adjust the focusing and the velopments to the rapid growth of the scientist.The CONTAREXhas more built- aperture is automatically set. Special photographic industry and has been a in features and advantages than many stops are fitted to the ring which pioneer in revolutionary camera de- cameras offer effec- as additionalaccessories. tivefy prevent signs over several decades. any setting being made which would result in under or over Among the great achievements of With ZEISSTESSAR f 12.8, S0 mm exposure. This system works just as the world-renowned ZETSSIKON or- Order No. 10.2411 efficiently with expendable flashbulbs ganization,the CONTAREXcam era ranks With ZEISSPLANAR f 12, 50 mm as with electronicflash. first. This model is the ultimate in per- Order No. 10.2401 fection of 35 This unique ZETSStKON feature is fitted mm single-lens reflex With ZEISSB-PLANAR f/2, 50 mm cameras. to both the ZETSSB-PLANAR f12, SO mm Order No. 10.2412 and the ZEISSB-DtSTAGON f/4, 35 mm - The CONTAREXis remarkable a tech- With ZEISSPLANA? f 11 .4, 55 mm the most suitable lenses for flash nological achievement.lts brllliant per- Order No.
    [Show full text]
  • Zeiss Tessar − Das Adlerauge Szöcs Tamás, Wikipedia.Org Szöcs Tamás
    HISTORY (5) HISTORY (5) Zeiss Tessar − das Adlerauge Szöcs Tamás, wikipedia.org Szöcs Tamás, Zwischen 1900 und 1950 dominierte Abbildungsfehler erlaubten. Die Bedeu- Zeiss weltweit und unangefochten den tung und der Einfluss von Zeiss auf die Bau von Foto-Objektiven. Wie keinem Fotoindustrie kann kaum überschätzt anderen Hersteller war es Carl Zeiss ab werden. In der diesjährigen «History»- 1880 gelungen, die optische Forschung Serie gehen wir detailliert auf die Zeiss- zu stimulieren und Erkenntnisse aus ver- Objektivlinie ein, die zur Grundlage schiedensten Gebieten wie Mathematik, praktisch aller heute produzierten Objek- Alle diese Objektive waren zu ihrer Zeit Physik, Chemie und Feinmechanik sys- tive wurde: führend und beeinflussten das Objektiv- tematisch zu bündeln. Durch eine enge • Zeiss Tessar, das «Adlerauge» design massgebend. Wir haben die Kooperation von Carl Zeiss mit dem Phy- (Paul Rudolph 1902) faszinierendsten und seltensten Zeiss- siker Ernst Abbe und dem Glashersteller • Zeiss Sonnar (Ludwig Bertele 1931) Klassiker aus der Versenkung geholt, sie Otto Schott wurden in den 1880er Jahren • Zeiss Planar & Biotar (Paul Rudolph überholt und mit ihnen am digitalen Voll- Zusammenfluss von Fontanne und Kl. Emme in Jena optische Gläser entwickelt, die 1896, Willy Merté um 1930) format sowie an aufwändig restaurierten bei Wolhusen LU (Schweiz). Grossformat- erstmals eine weitgehende Korrektur aller • Zeiss Biogon (Ludwig Bertele 1951) Original-Zeiss-Kameras fotografiert. Aufnahme mit einem Zeiss Tessar 15 cm 1:4.5 20 21 HISTORY
    [Show full text]
  • Datasheet-Zeiss-Biogon-4538-Cfi-En
    Biogon® T* 4.5/38 CFi 34.5 to film 83 65 90 degrees angle of view, a focal lenght only half the diagonal of The famous Hasselblad Superwide Camera SWC, the the film frame, produced with an almost symmetric lens design of state-of-the-art wide angle device in medium format for almost 50 surprising compactness, featuring the typical advantages of years and the premium choice for those who demand the utmost symmetrical lens designs: distortion is very well controlled, and in wide angle performance on earth – or in space. so is color correction and image field flatness. Combined with The Hasselblad SWC with the Biogon® T* 4.5/38 CFi is a extreme precise manufacturing these properties make for an powerful and fast tool for architecture, demanding interiors, outstanding wide angle optic with high resolution, an excellent documentation, industrial photography. Combined with current documentention tool. This is exactly what is needed in aerial high resolution films the SWC and the Biogon can easily replace mapping photography, a field where Carl Zeiss has played a view cameras in many situations: It is much faster, smaller, more leading role worldwide for almost a century, hence the expertise convenient (no cassette loading in the dark!) and more portable; to design and manufacture such an outstanding film and processing are much more economic. With the focusing high-performance lens like the Biogon®. Since the last vertex is screen adapter 41050 precision focusing is possible down to located only 18.8 mm away from the film plane, no 20 cm in front of the lens.
    [Show full text]
  • Cult Classic Third Party Lenses by Robert Monaghan Angenieux (France)
    http://medfmt.8k.com/third/cult.html Cult Classic Third Party Lenses by Robert Monaghan Angenieux (France) Angenieux Lenses from mid-1980s F/l f/stop 25mm 1.4 75mm 2.5 180mm 2.3 35-70 2.5 70-210 3.5 See listing for prices Angenieux is a French third party lens manufacturer that ranks with Schneider and Zeiss as one of the world's top lens makers. Angenieux lenses are unfamiliar to most 35mm SLR users because they are very expensive and come in only a few mounts, chiefly Leica. To a Leica user, a top quality Angenieux 70-210mm f/3.5 zoom for only $1,845 in 1983 is a bargain ;-) (that's $3,000+ in today's 1998 dollarettes). Some of their earlier preset lenses were much less expensive, but still multiples of the cost of similar speed and focal length lenses. Still, the name is generally associated with top optical quality, despite Angenieux's status as a third party lens maker from a country (France) not generally associated with manufacturing 35mm SLR optics. Angenieux 90mm f/1.8 Angenieux's cult status started early. One example was their development of a super-fast but remarkably high quality 90mm f/1.8 optic sold in the 1950s and 1960s. This Angenieux 90mm f/1.8 is an example of a surprisingly fast lens that was originally available for the M42 Universal thread mount popularized by Pentax and others. These lenses had manual diaphragms for use with these older stopped-down manual cameras. The lens is heavy for a short telephoto at over 18 ounces, but it can close-focus to under 3 feet.
    [Show full text]