The Williamson Amplifier
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MI Amplification
MI Amplification Owner’s Manual 1 1. Welcome ....................................................................................................................................... 4 2. Precautions................................................................................................................................... 5 3. Amp Overview .............................................................................................................................. 6 3.1. Preamp.............................................................................................................................................. 6 3.2. Power Amp ....................................................................................................................................... 6 3.3. FX Loops .......................................................................................................................................... 7 3.4. Operating Modes ............................................................................................................................. 7 4. Getting Started ............................................................................................................................. 8 5. The Channels ............................................................................................................................... 9 5.1. Introduction ..................................................................................................................................... 9 5.2. Channel 1 ......................................................................................................................................... -
Bias-Easy 1200™ Bias Tester Instructions
Bias-Easy 1200™ Bias Tester Instructions 1. Turn off your amp, and allow to cool down. The Bias-Easy 1200™ is primarily for amplifiers using four 8-pin power tubes with a bias adjustment potentiometer available inside or on the chassis underside or back panel of the amp. 2. Remove one of the power tubes (6L6, EL34, 5881, 6550, 6V6, KT66, KT77, etc) 3. Insert a Bias-Easy™ probe into the power tube socket, making sure to line up the key on the probe post with the key in the center hole of the socket. Repeat for the second, third and fourth power tubes with each of the remaining probes. If your amp only has two power tubes, we suggest using the A and B probes. The C and D probes may be unplugged from the Bias-Easy™ in that case. 4. Insert each tube you removed into each socket of the Bias-Easy™. Make sure the key on the tube base is properly lined up with the key on the center hole of the socket. All power tube(s) must be in place in their sockets during testing. 5. Make certain that a speaker is connected to the amp. If this is an amp head, connect a cable between the speaker jack and the speaker cabinet. 6. Make sure all bias probes to be used in the testing are connected to the jacks at the top of the Bias-Easy™. Connect the power supply cord to the jack on the bottom of the Bias-Easy™, and connect the USB connector on the cord to the power supply. -
Williamson Design Info 29 September 2021
Page 1 of 30 Williamson Design Info 29 September 2021 This article collates design information on the Contents 1949 ‘new’ Williamson amplifier circuit. By 1. Preamble ................................................................ 1 detailing design considerations of the original circuit, assessment of altered operating 2. Mid-band behaviour ............................................... 2 conditions or part selection or circuit changes 3. Low-frequency behaviour ...................................... 3 can be made. 4. High-frequency behaviour ...................................... 5 A listing and commentary of changes 5. Power Supply ......................................................... 9 proposed over decades by magazine articles 6. Signal stage valve types and bias conditions ...... 12 and manufactured clones is provided. 7. Output stage bias conditions ............................... 16 The aim of this article is not to propose 8. Changes ............................................................... 20 substantial changes to the original circuit, but 9. Setup and Testing ................................................ 27 rather to appreciate the original circuit’s 10. References ....................................................... 29 design outcomes, and why some have made changes to the design over time. 1. Preamble The 1949 Williamson ‘new’ amplifier circuit with 6SN7 and KT66 valves, and Partridge WWFB output transformer with 0.95Ω secondary windings configured as 8.5Ω (3 secondary sections in series), is the default circuit assessed here (807 related parameters given in {brackets}). The circuit schematic shows idle condition voltages and currents (the first stage power supply voltage is ~305V, not 320V, and the driver stage power supply rail is ~430V). At 15W output, the output voltage is 11.3Vrms. Williamson used an output transformer with 1.7Ω windings configured as 15.3Ω (also 3 secondary sections in series). Williamson related articles and information are collated at http://dalmura.com.au/projects/Williamson.php. -
The Williamson Amplifier of 1947, by P.R. Stinson
1 THE WILLIAMSON AMPLIFIER OF 1947. An account of D.T.N. Williamson's quality audio amplifier design as published in 1947: Background, development, and fortunes. by P. R. Stinson. Author’s revised edition - September 2020. 2 Advertisement Australasian Radio World March 1948 Swales & Swann were prominent Melbourne makers of P.A. & audio equipment. 1951. Advertisement from the W.W. ‘Williamson Amplifier’ booklet.Vortexion Ltd were pre-eminent U.K. makers of very high quality audio compoments. 3 THE WILLIAMSON AMPLIFIER OF 1947. An account of D.T.N. Williamson's quality audio amplifier design as published in 1947: Background, development, and fortunes. by P. R. Stinson. ************************************************************** 1. INTRODUCTION. 2. AMPLIFIER TECHNOLOGY. 1908-1939. 3. D.T.N. WILLIAMSON. 4. THE QUALITY AMPLIFIER. 1944-5. 5. THE POSTWAR AUDIO SCENE. 1945-7. 6. EARLY REACTION TO THE QUALITY AMPLIFIER. 1947-8. 7. THE PROGRESS OF THE WILLIAMSON. 1948-51. 8. THE WILLIAMSON IN AMERICA. 1948-51. 9. THE ULTRALINEAR ERA. 1951. 10. CONCLUSIONS. Postscripts & Appendices. ************************************************************* Author's Preface. I recognise that this paper is a very selective ramble through the history of audio, and an incomplete account of the contribution of D.T.N. Williamson, but I discovered that trying to describe the ‘Williamson’ amplifier out of context was quite difficult, and I suspect, somewhat less interesting than the story which resulted. The quest for high fidelity sound reproduction is a good story and perhaps this paper will encourage more interest in the subject. I hope it will also encourage the rescue and restoration of the surviving Williamson amplifiers. P.R.S. -
Univalve.Pdf
® UniValve™ Amplifier Introducing the THD UniValve Amplifier! The new THD UniValve is a Single-Ended Class A amplifier head with a single output tube that can be switched at will among many octal- based power tubes for different tones without re-biasing the amp. Useable tubes include 6L6, EL34, 6550, KT90, KT88, KT77 and KT66. With the amp in “LoV” setting you can use 6V6 for a total output of 5 watts. A special UniValve Yellow Jacket™ Converter is available allowing the UniValve to use the popular EL84 power tube at a total of 4 watts output power, also in “LoV” setting. Likewise, the two preamp tubes can be any combination of 12AX7, 12AT7, 12AU7, 12AY7 or 12AZ7. The UniValve delivers tones from smooth and clear to very aggressive overdrive. It is easily capable of driving a 4 x 12 cabinet, yet is quite small and light. It has a built-in Hot Plate™ Power Attenuator that allows for full output distortion at almost any volume. And it doesn’t cost as much as you might think. set of tubes and the other set, each for one half of the wave. The set not in use is turned off by a positive swing of the grid voltage. Single-ended output stages always operate in Class A. Most push-pull amplifiers, including the venerated Vox AC-30, operate in Class AB when What is Class A? overdriven, even if they are in Class A while clean. Class A operation has its own unique tonal characteristics that set it apart from other tube amp classes. -
An “Entry Level” Version of Our Award Winning Stereo 40 at Nearly Half the Price!
Award winning Valve Amplifiers An “Entry Level” version of our award winning Stereo 40 at nearly half the price! A “Basic” amplifier with simplified design, with The simplified bias circuit means that providing many of the features of our £900 Stereo 40. the replacement valves of the same type are used, no bias checking is required. But unlike Designed by David Shaw, founder of Icon older British amplifiers, there is very little heat Audio, the Stereo 25 has all the performance generated under the chassis to degrade other you would expect from Icon Audio an components and waste power. amplifier which has wide bandwidth smooth dynamics and the ability to deliver very Valves The solution to your hi fi problems? musical performance ahead of its transistor You may have an excellent hi fi system but the competitors. All we have done is to carefully reproduction can be a bit cold and sterile. And you strip away some of the more expensive find that prolonged listening unsatisfying and tiring. features, without compromising the basic The characteristics of a simple pure valve amplifier design. bring out the warmth and colour of music. You get a smooth and detailed sound stage which works well to Icon Audio make a wide range of pure valve bring out the colour and texture of older recordings amplifiers and pre-amplifiers aimed at all kinds of and whilst not overemphasizing the harshness of pockets, but we are aware that not everyone can many modern digital recordings. This makes for a justify the expense of some of our more exotic very easy to live with amplifier that still has plenty of designs. -
Antique Electronic Supply Tube Prices 2019
ANTIQUE ELECTRONIC SUPPLY TUBE PRICES 2019 201A - Triode, Low-MU, Globe -Long Pin $54.10 2A3 - Triode, Power Amp, Single Plate - Used $263.85 201A - Triode, Low-MU, Globe - Used $27.05 2A5 - Pentode, Power Amplifier $21.90 0A2/150C2 - Voltage Reg, Diode, Glow $6.90 2A5 - Pentode, Power Amplifier - Used $11.65 0A3/VR75 - Voltage Regr, Diode, Glow $6.90 2A6 - Diode, Dual - Triode $7.90 0B2 - Voltage Reg, Diode, Glow $5.90 2A7 - Pentagrid Converter $9.90 0B3/VR90 - Voltage Regulator $3.90 2C22/7193 - Triode $8.05 0C2 - Voltage Regulator $8.90 2D21/PL21 - Thyratron $6.90 0C3-A/VR105 - Voltage Regulator $6.90 2E5 - Indicator, ST Shape Glass $14.35 0D3-A/VR150 - Voltage Regulator $6.15 2E5 - Indicator, Tubular Glass $14.35 0G3/85A2 - Voltage Regulator $3.30 2E24 - Beam Power Amplifier $8.70 0Z4-A - Rectifier, Full Wave, Gas $3.90 2E26 - Pentode, Beam $6.90 1A5GT - Pentode, Power Amplifier $4.90 2X2A/2Y2_879 - Rectifier $2.66 1A7GT - Pentagrid Converter $4.90 3A4 - Pentode, Power Amplifier $5.90 1AD4 - Pentode $4.45 3A5/DCC90 - Triode, Dual $5.90 1C5GT - Pentode, Power Amplifier $3.65 3AV6 - Diode, Dual - Triode $3.55 1G4GT - Triode, Medium MU $14.90 3B28 - Rectifier, Half Wave $29.00 1H4G - Triode, Medium MU $15.90 3C24/24G - Triode $19.90 1H5GT-G - Diode - Triode, High MU $3.90 3Q4 - Pentode, Power $5.90 1H6G - Diode, Dual - Triode $2.85 3Q5GT - Pentode, Beam Power $4.90 1J6G - Triode, Dual, Power Amplifier $7.55 3S4 - Tetrode, Beam Power $4.90 1L4/DF92 - Pentode $2.67 3V4/DL94 - Pentode, Power $8.90 1L6 - Heptode $99.90 4-125A/4D21 - Tetrode, -
The Williamson Amplifier
The Williamson Amplifier A Collection of Articles, reprinted from “ Wireless World,” on “Design for a High-quality Amplifier” By D. T. N. WILLIAMSON (formerly of the M.O. Valve Company, now with Ferranti Research Laboratories) Published for Wireless World LONDON : ILIFFE & SONS, LTD. Digitized march 2011 by Thomas Guenzel for www.radiomuseum.org The Williamson Amplifier CONTENTS Page Introduction 5 Basic Requirements: 7 Alternative Specifications (April 1947) Details of Chosen Circuit and Its Performance 11 (May 1947) NEW VERSION Design Data: 14 Modifications: Further Notes (August 1949) Design of Tone Controls and Auxiliary Gramophone Circuits 20 (October and November 1949) Design for a Radio Feeder Unit 30 (December 1949) Replies to Queries Raised by Constructors 34 (January 1950) Modifications for High-impedance Pickups and Long-playing Records 35 (May 1952) Digitized march 2011 by Thomas Guenzel for www.radiomuseum.org The Williamson Amplifier Introduction Introduced by Wireless World in 1947 as merely one of a series of amplifier designs, the “ Williamson ” has for several years been widely accepted as the standard of design and performance wherever amplifiers and sound reproduction are discussed. Descriptions of it have been published in all the principal countries of the world, and so there are reasonable grounds for assuming that its widespread reputation is based solely on its qualities. This booklet includes all the articles written by D. T. N. Williamson on the amplifier. Both the 1947 and 1949 versions are reprinted, as the alternative output transformer ratios cover a wide range of require- ments. Modifications and additions include pre-amplifier circuits and an r.f. -
Moderize Your Williamson Amplifier
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. -
TAD-Products
Tube Amp Doctor is a German company specialized in electron tubes and related components for musical instruments and audio amplification. TAD is closely cooperating with all of the few existing tube factories. Our techs, who are all active musicians, have been developing processes to test and secure the quality, consistency and reliability of our TAD tubes. TAD STR tubes (Special Tube Requirement) are produced to exclusive TAD designs and strict specifications. TAD tubes get evaluated, tested, approved, selected and finally matched, labeled and boxed. All tube quality control and processing is done at the TAD plant in Germany. Every single tube has passed our listening test to ensure the finest selection of best premium quality tubes available on the market to support your music. Tube Laboratoriesquality control and test approach BURN IN PROCESS Tubes must be properly burned-in to provide the stable and reliable data that is required for quality tube matching. This is a time- and energy-consuming and cost-intensive pro- cess, which most new tubes on the market are not subjected to. During the extensive TAD burn-in procedure, the tube’s cath- ode surface is formatted, which balances the tube’s emission and offers increased dynamic headroom. This in itself leads to a better overall response and smooth tone. TAD tubes offer maximum reliability, consistency and sturdiness for one goal: the ultimate tone! TAD BIAS SYSTEM true blackplate The bias setting of any amp has a noticeable impact on its anode construction tone and attack. The bias can be set “colder” for a cleaner sound or “hotter” for more punch and easier saturation. -
Bias-Easy 800™ Bias Tester Instructions
Bias-Easy 800™ Bias Tester Instructions 1. Turn off your amp.. 2. Remove one of the power tubes (6L6, EL34, 5881, 6550, 6V6, KT66, KT77, etc) 3. Insert the Bias-Easy™ probe into the power tube socket, making sure to line up the key on the probe post with the key in the center hole of the socket. Repeat for the second power tube with the second probe. 4. Insert each tube you removed into each socket of the Bias-Easy™. Make sure the key on the tube base is properly lined up with the key on the center hole of the socket. Both power tube(s) must be in place in their sockets during testing. 5. If your amp has 4 power tubes, you will need to repeat steps 2-4 for the other two power tubes. Leave those additional tubes inserted into their sockets during the test. 6. Make certain that a speaker is connected to the amp. If this is an amp head, connect a cable between the speaker jack and the speaker cabinet. 7. Make sure both bias probes are connected to the jacks at the top of the Bias-Easy. Connect the power supply cord to the jack on the bottom of the Bias-Easy, and connect the USB connector on the cord to the power supply. Plug in the power supply to a power outlet. The display should read "000" 8. Turn on the amp, allow to warm up, and turn the standby switch to "operate". 9. The toggle switch on the Bias-Easy points to which probe is being measured. -
The Williamson Amplifier
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright.