30 Rock Spec Script “The Dating Agent” by Mark Cantan
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Producer/ Director Obin Olson Talks About Operator PAGE 12
APRIL VOLUME 15 2015 ISSUE 2 Where everyone goes for scripts and writers ™ Producer/ Director Obin Olson Talks About Operator PAGE 12 Q&A with Operator Screenwriter, Dwain Worrell PAGE 16 FIND YOUR NEXT SCRIPT HERE! Where everyone goes for writers and scripts™ IT’S FAST AND EASY TO FIND THE SCRIPT OR WRITER YOU NEED. WWW.INKTIP.COM A FREE SERVICE FOR ENTERTAINMENT PROFESSIONALS. Peruse this magazine, find the scripts/books you like, and go to www.InkTip.com to search by title or author for access to synopses, resumes and scripts! l For more information, go to: www.InkTip.com. l To register for access, go to: www.InkTip.com and click Joining InkTip for Entertainment Pros l Subscribe to our free newsletter at http://www.inktip.com/ep_newsletters.php Note: For your protection, writers are required to sign a comprehensive release form before they can place their scripts on our site. Table of Contents Recent Successes 3, 9, 11 Feature Scripts – Grouped by Genre 7 Industry Endorsements 3 Feature Article: Operator 12 Contest/Festival Winners 4 Q&A: Operator Screenwriter Dwain Worrell 16 Writers Represented by Agents/Managers 4 Get Your Movie on the Cover of InkTip Magazine 18 Teleplays 5 3 Welcome to InkTip! The InkTip Magazine is owned and distributed by InkTip. Recent Successes In this magazine, we provide you with an extensive selection of loglines from all genres for scripts available now on InkTip. Entertainment professionals from Hollywood and all over the Bethany Joy Lenz Options “One of These Days” world come to InkTip because it is a fast and easy way to find Bethany Joy Lenz found “One of These Days” on InkTip, great scripts and talented writers. -
How to Format Your Script
How to format your Script Many screenwriting books specify formats that may not still be in general use today, or which contain directions that may be unnecessary. The following format tips are accurate and will result in your screenplay being formatted in the correct manner. These tips apply only to a spec script. A production script contains editing and camera directions (and scene numbers) all of which are only added after a script goes into production, and should not be included in a spec script, the purpose of which is only to present the basic story. How the story is interpreted on the screen is up to the director, not the writer. LENGTH: Ideally, a screenplay for a regular feature film for theatrical release or for television should be between 100 and 120 pages. DO NOT list a cast of characters before the first page of the script. And, DO NOT number the scenes. THERE ARE ONLY THREE ELEMENTS NECESSARY IN A SPEC SCRIPT: · THE SCENE HEADING (INTERIOR OR EXTERIOR, LOCATION, TIME) · THE VISUAL EXPOSITION (Only what you would see if you were watching the screen) · THE DIALOGUE (1) The Scene Heading sets the stage for the action and dialogue to follow. It tells us where the story is taking place, and the time of day. There are only two locations where this can happen, inside (INT) or outside (EXT). The specific location and geographic placement should be included as well. The scene heading is positioned on your first indent, one-and-a-half inches in from the left hand side of the page. -
Introduction Screenwriting Off the Page
Introduction Screenwriting off the Page The product of the dream factory is not one of the same nature as are the material objects turned out on most assembly lines. For them, uniformity is essential; for the motion picture, originality is important. The conflict between the two qualities is a major problem in Hollywood. hortense powdermaker1 A screenplay writer, screenwriter for short, or scriptwriter or scenarist is a writer who practices the craft of screenwriting, writing screenplays on which mass media such as films, television programs, comics or video games are based. Wikipedia In the documentary Dreams on Spec (2007), filmmaker Daniel J. Snyder tests studio executive Jack Warner’s famous line: “Writers are just sch- mucks with Underwoods.” Snyder seeks to explain, for example, why a writer would take the time to craft an original “spec” script without a mon- etary advance and with only the dimmest of possibilities that it will be bought by a studio or producer. Extending anthropologist Hortense Powdermaker’s 1950s framing of Hollywood in the era of Jack Warner and other classic Hollywood moguls as a “dream factory,” Dreams on Spec pro- files the creative and economic nightmares experienced by contemporary screenwriters hoping to clock in on Hollywood’s assembly line of creative uniformity. There is something to learn about the craft and profession of screenwrit- ing from all the characters in this documentary. One of the interviewees, Dennis Palumbo (My Favorite Year, 1982), addresses the downside of the struggling screenwriter’s life with a healthy dose of pragmatism: “A writ- er’s life and a writer’s struggle can be really hard on relationships, very hard for your mate to understand. -
2014 DGA Episodic Director Diversity Report (By SIGNATORY COMPANY)
2014 DGA Episodic Director Diversity Report (by SIGNATORY COMPANY) Signatory Company Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Network Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority 50/50 Productions, LLC Workaholics 13 0 0% 13 100% 0 0% 0 0% 0 0% Comedy Central ABC Studios Betrayal 12 1 8% 11 92% 0 0% 1 8% 0 0% ABC ABC Studios Castle 23 3 13% 20 87% 1 4% 2 9% 0 0% ABC ABC Studios Criminal Minds 24 8 33% 16 67% 5 21% 2 8% 1 4% CBS ABC Studios Devious Maids 13 7 54% 6 46% 2 15% 4 31% 1 8% Lifetime ABC Studios Grey's Anatomy 24 7 29% 17 71% 1 4% 2 8% 4 17% ABC ABC Studios Intelligence 12 4 33% 8 67% 4 33% 0 0% 0 0% CBS ABC Studios Mixology 12 0 0% 13 108% 0 0% 0 0% 0 0% ABC ABC Studios Revenge 22 6 27% 16 73% 0 0% 6 27% 0 0% ABC And Action LLC Tyler Perry's Love Thy Neighbor 52 52 100% 0 0% 52 100% 0 0% 0 0% OWN And Action LLC Tyler Perry's The Haves and 36 36 100% 0 0% 36 100% 0 0% 0 0% OWN The Have Nots BATB II Productions Inc. Beauty & the Beast 16 1 6% 15 94% 0 0% 1 6% 0 0% CW Black Box Productions, LLC Black Box, The 13 4 31% 9 69% 0 0% 4 31% 0 0% ABC Bling Productions Inc. -
RANGELEY HIGHLANDER — Rangeley, Maine AU G U ST 16, 1957
Burns VOL. 1 NO. 9 RANGELEY LAKES, MAINE AUGUST ft, 1957 PRICE 10c Mountain Lion Phillips Woman Popular Award Winner Seen On Rt. 17 The last mountain lion killed in New England * “ was shot in the Magalloway area in 1929, but Lions Club they are again on the increases due to the large deer herds. Holds Meeting had seen as to color, shape and The semi-monthly meeting of Mr. and Mrs. Ralph Long, di everything. Mr. Long Sr. who First Prise Winner at Art Show rectors of Camp Symana, tutor was born Maine and Is very fam the Rangeley Lakes Lions Club ring camp established this year iliar with the woods, is positive was held Tuesday night at Bemis Ian Ormon’s “ Alley” , a metlcu- on Dodge Pond, saw a mountain he and Mrs. Long saw a moun Lodge on Mooselookmeguntic. — Miss Priscilla Montgomery of lous watercolor, was third. Mr. lion last week on Rt. 17. Driving tain lion. Fourteen members -were present. Phillips and Cambridge, Mass, is Ormon, who lg employed at the south, about a mile north of the One visiting Lion, Dick Horter of the winner of the popular ballot Barker, also captured fourth and Height of Land at 7 p.m. in good Woodbury, N. J., ..attended the ing at the recent art exhibit put fifth place with two oils, “ Dere daylight, the Longs saw the ani Cobb Urges meeting. on by members of the Rangeley lict” and “Before the Storm” , mal cross the road approximately The. 3/4 Century Club will hold Lakes Art Assoc, at Goodsell’s Miss Lucy Pionfkowski’s “ La fifty yards ahead of their car. -
Summer 2019 Vol.21, No.3 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SUMMER 2019 VOL.21, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA A Rock Star in the Writers’ Room: Bringing Jann Arden to the small screen Crafting Canadian Horror Stories — and why we’re so good at it Celebrating the 23rd annual WGC Screenwriting Awards Emily Andras How she turned PM40011669 Wynonna Earp into a fan phenomenon Congratulations to Emily Andras of SPACE’s Wynonna Earp, Sarah Dodd of CTV’s Cardinal, and all of the other 2019 WGC Screenwriting Award winners. Proud to support Canada’s creative community. CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 21 No. 3 Summer 2019 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Editor Tom Villemaire [email protected] Contents Director of Communications Lana Castleman Cover Editorial Advisory Board There’s #NoChill When it Comes Michael Amo to Emily Andras’s Wynonna Earp 6 Michael MacLennan How 2019’s WGC Showrunner Award winner Emily Susin Nielsen Andras and her room built a fan and social media Simon Racioppa phenomenon — and why they’re itching to get back in Rachel Langer the saddle for Wynonna’s fourth season. President Dennis Heaton (Pacific) By Li Robbins Councillors Michael Amo (Atlantic) Features Mark Ellis (Central) What Would Jann Do? 12 Marsha Greene (Central) That’s exactly the question co-creators Leah Gauthier Alex Levine (Central) and Jennica Harper asked when it came time to craft a Anne-Marie Perrotta (Quebec) heightened (and hilarious) fictional version of Canadian Andrew Wreggitt (Western) icon Jann Arden’s life for the small screen. -
Showboat Has $5,500 Profit Open Football Season Here on Friday Night
Showboat has $5,500 profit The report of the treasurer will be needed. Insurance 1,Oil.21 of Lowell Showboat. Inc., .lake Total income for the 1965 Boat operation 554.97 Callier on Monday night at the Showboat, when the income Costumes 285.47 annual meeting of the corpora- from program advertising and Supplies 196.30 Ticket Expense 148.SI Directors of the Schneider tion disclosed that this year's seal cushion rental Is In will fund, Philip Schneider of Lowell, show will have a profit of some be over $35,000, This is a gain Petty Cash items 1WU9 Telephone 56,12 Ray Ritlenger of Lowell Town- $5,500, of $12,000 in gross income over Michigan Sales Tax 53.56 ship, and Donald O. Johnson of This is a great improvement 1?JW. the Old Kent Bank, met for over last year, when the pro- The mteting adjourned until Electricity 25 00 the first time on Tuesday. duction ended up wilh a $4,000 December 1st. when a dinner Total expenses $28,882.13 / Use of the money was dis- loss. meeting will be held and final cussed, but the only decision Principal increase In earnings figures will be available. The made was that it would be came from ticket sales: total terms of Bernard Baer. Bern- NET PROFIT TO DATE $5.650 01 for a definite project and no sales this year were $32,089.10, ard Kropf atid Bill Jones ex- funds would be available ior an increase of $9,000 over last ire this fall and elections will individual cases. -
Black Masculinity and White-Cast Sitcoms Unraveling Stereotypes in New Girl
Black masculinity and White-cast Sitcoms Unraveling stereotypes in New Girl Marie Zafimehy Supervisor: Alma Persson, Gender Studies, LiU Master’s Programme Gender Studies – Intersectionality and Change Master’s thesis 15 ECTS credits ISRN: LIU-TEMA G/GSIC1-A—19/015-SE Marie Zafimehy 2 Master thesis - Gender, Intersectionality and Change ABSTRACT For decades, situational comedies — commonly named “sitcoms” — have been racially segregated on TV between Black-cast sitcoms and White-cast sitcoms. Extensive research has been led about representation of Black and White masculinities in this segregated context. This master thesis studies what happens when White and Black males are equally casted as main characters in contemporary sitcoms by offering a case-study of the 2011 sitcom New Girl (2011-2017). How is Black masculinity represented in New Girl, and in which ways does it intersect with contemporary societal issues (e.g. racial profiling, Black Lives Matter movement)? This case-study uses tools, methodologies and concepts, drawn from Black and Intersectional feminism as well as Feminist media studies. Based on a 25 episodes sample of the show, it implements Ronald Jackson’s traditional stereotypes classification and “Black masculine identity theory” (Jackson, 2006) to study representations of Black masculinity in New Girl, through its two main Black male characters, Winston and Coach. Given that representations of minorities in popular culture reflect and influence our contemporary society, the results offer new insights about how sitcoms, series and pop- culture productions in general can challenge traditional stereotypes and display a more progressive Black masculinity. Key words: Black feminism, Feminist media studies, Men and masculinities, Representation, New Girl, Sitcoms Marie Zafimehy 3 Master thesis - Gender, Intersectionality and Change ACKNOWLEDGEMENTS Thank you to Johanna Hägg and Sebastian Ingels who successively shared their Netflix access codes with me. -
500M 57 29 11 9 39
29 2008 Warner Bros. 27 series for 10 networks 57 39 20th Century Fox TV 20 broadcast Universal Television 2013 7 basic cable 43 original series for 16 networks* 22 for broadcast 18 basic cable 11 19 ABC Studios 2 pay cable 1 digital Growth Sony Pictures *16 new series in 2013-14 Television Fox TV Studios 2013 Emmy 9 Nominations CBS Television Studios 20th Century Fox Television Fox 21 Studios Cable series: 2013-14 20 20th Century Fox TV 15 Warner Bros. Output ABC “Modern Family” 10 Universal Television CBS “How I Met Your Mother” 7 Sony Pictures Television USA “Burn Notice” USA “White Collar” 2 ABC Studios SHO “Homeland” 2 CBS Television Studios Third-Party Broadcast series: 2013-14 Network Hits 34 Warner Bros. 22 20th Century Fox TV 18 ABC Studios 18 Universal Television 17 CBS Television Studios 11 Sony Pictures Television “American Dad” “Bob’s Burgers” “Family Guy” “Futurama” The World of “How I Met Your Mother” “King of the Hill” Off-Network “Last Man Standing” Brian Grazer & Ron Howard Dana Walden & Pipeline (2015-16) (“24,” “Arrested Development”) “Modern Family” “New Girl” (2015-16) Gary Newman “Raising Hope” Howard Gordon (2014-15) (“The X-Files,” “24,” “The Simpsons” “Homeland,” Diverse in both content and “Legends,” “Tyrant”) outlets, 20th Century Fox TV has flourished under the leadership of its chairman-CEOs. Key Exec “Angel” Producers Key Library “Buffy the Vampire Slayer” Series “King of the Hill” “MASH” “Prison Break” “Reba” “24” Seth MacFarlane “The X-Files” (“Family Guy,” More than 50 current “American Dad,” “The and -
New Histories of Hollywood Roundtable Moderated by Luci Marzola
Chris Cagle, Emily Carman, Mark Garrett Cooper, Kate Fortmueller, Eric Hoyt, Denise McKenna, Ross Melnick, Shelley Stamp New Histories of Hollywood Roundtable Moderated by Luci Marzola As part of this issue on “The System Beyond the Studios,” I sought not only to give scholars an opportunity to publish work that looks at specific cases reassessing the history of Hollywood, but I also wanted to look more broadly at the state of the field of American film history. As such, I assembled a roundtable of scholars who have been studying Hollywood through myriad lenses for most of their careers. I wanted to know, from their perspective, what were the current and future threads to be taken up in the study of this central topic in cinema and media studies. The roundtable discussion focuses on innovative methods, sources, and approaches that give us new insights into the study of Hollywood. Chris Cagle, Emily Carman, Mark Garrett Cooper, Kate Fortmueller, Eric Hoyt, Denise McKenna, Ross Melnick, and Shelley Stamp all participated while I moderated the conversation. It was conducted via email and Google docs in the fall of 2017. Each participant began by writing a brief response to a broad question on one topic – research, methodology, pedagogy, or the meaning of ‘Hollywood.’ These responses were then culled together and given follow up questions which were all placed in a Google drive folder. Over the course of two months, the participants added responses, provocations, and questions on each of the threads, while I added follow up questions to guide the discussion. When seen as a whole, this roundtable creates a snapshot of where the field of Hollywood history is at this moment. -
Invite a Friend Meeting Guide
Invite a Friend Meeting Guide As girls are headed back to school and back to troop, Girl Scouts Spirit of Nebraska encourages girls to invite friends to join the fun and register for Girl Scouts. Girl Scouts is the preeminent organization just for girls that offers a variety of ways to participate. Regardless of a girl’s interests, Girl Scouts provides opportunities for her to make new friends, try new things, and grow her confidence using the Girl Scout Leadership Experience. Girls choose what they want to learn and do, all while developing leadership skills that last a lifetime. Girl Scouting works. Research shows that Girl Scouts are more likely than their non-Girl Scout peers to: become leaders in their community and among their peers; try something new or something outdoors; have a higher level of financial literacy; achieve academic success; participate in STEM activities; and advocate against bullying. Girl Scouts is led by girls who learn by doing. Girls who are part of a girl-led environment are better at conflict resolution, problem solving, team building and cooperation, and developing self-confidence. WHY Girl Scouts offers the best leadership development experience for girls. The inclusive, all-female environment creates a safe space where girls can try new things and be themselves. How many girls do you or your Girl Scouts know who would flourish in Girl Scouts? WHEN Invite a Friend meetings and events can happen during Girl Scout Spirit Week, the week including October 31st, or anytime throughout the year! They can be a regular troop meeting, a troop meeting just for new Girl Scout friends, or even a special event or theme party! BE PREPARED In partnership with a co-leader, plan what you will do at the meeting or event. -
The Wonder Years Episode & Music Guide
The Wonder Years Episode & Music Guide “What would you do if I sang out of tune … would you stand up and walk out on me?" 6 seasons, 115 episodes and hundreds of great songs – this is “The Wonder Years”. This Episode & Music Guide offers a comprehensive overview of all the episodes and all the songs played during the show. The episode guide is based on the first complete TWY episode guide which was originally posted in the newsgroup rec.arts.tv in 1993. It was compiled by Kirk Golding with contributions by Kit Kimes. It was in turn based on the first TWY episode guide ever put together by Jerry Boyajian and posted in the newsgroup rec.arts.tv in September 1991. Both are used with permission. The music guide is the work of many people. Shane Hill and Dawayne Melancon corrected and inserted several songs. Kyle Gittins revised the list; Matt Wilson and Arno Hautala provided several corrections. It is close to complete but there are still a few blank spots. Used with permission. Main Title & Score "With a little help from my friends" -- Joe Cocker (originally by Lennon/McCartney) Original score composed by Stewart Levin (episodes 1-6), W.G. Snuffy Walden (episodes 1-46 and 63-114), Joel McNelly (episodes 20,21) and J. Peter Robinson (episodes 47-62). Season 1 (1988) 001 1.01 The Wonder Years (Pilot) (original air date: January 31, 1988) We are first introduced to Kevin. They begin Junior High, Winnie starts wearing contacts. Wayne keeps saying Winnie is Kevin's girlfriend - he goes off in the cafe and Winnie's brother, Brian, dies in Vietnam.