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Ull History Centre: Papers of Alan Plater
Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985. -
The Undergroun and Alternative Press in Britain
Harvester/Primary Social Sources The Underground and Alternative Press in Britain A Bibliographical Guide with historical notes By John Spiers Published with a title and chronological index as a companion to the Underground/ Alternative Press collection prepared for microform publication by Ann Sexsmith and Alastair Everitt ~ THEHARVESTERPRESSt974 THE HARVESTER PRESS LIMITED Publishers Contents 2 Stanford Terrace Hassocks, Nr. Brighton Sussex, England First published in 1974 by the Harvester Press General Editor's Preface page7 Introduction© John Spiers 1974 Index, notes, etc ©The Harvester Press 197 4 General Preface page 9 Acknowledgements page 13 This Bibliographical Guide issued with the Harvester/Primary Social Sources silver-halide microfiche and 35 mm roll-fihn collection 'The Underground and THE UNDERGROUND AND ALTERNATIVE Alternative Press in Britain'. PRESS IN BRITAIN by John Spiers page 15 LC Card No. 73-93912 Complete List of Participating Groups and Papers page 29 ISBN 0 901759 84 8 Descriptions of Groups and Papers page 33 Typesetting by Campbell Graphics Ltd., Newcastle upon Tyne Printed in England by Redwood Press Limited, Trowbridge How to use the Index page 55 Bound by Cedric Chivers, Portway, Bath INDEX page 59 All eights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of The Harvester Press Limited. General Editor's Preface What Harvester/Primary Social Sources is now offering to scholars should not be seen as just another collection of research material reproduced on microfiche. It is very much more than that. -
“I Am So Happy to to Read and Treasure. the Pictures
Our chronoscope looks Number 18: back to the fabulous Autumn 2010 fifties..... RELAPSE “I am so happy to have this fine fanzine to read and treasure. The pictures alone are wonderful.” - David Hartwell, e-mail comment. 'Maybe all this awful science fiction will liven things up around here!' SF hits the libraries — see editorial. With the usual apologies to ‘Giles ’ SIDE: 'Tales from the White Horse’ by Frank Arnold; ‘Extracts from Bill Temple’s Diaries’ by Joe Patrizio; ? e:er Phillips - Lost Memories’ by Mike Ashley; ‘The Hardback Explosion' by Phil Harbottle; AND MORE. RIIXPSI -ocussing firmly on the fifties (and tty saying that after a few drinks) our chronoscope this time looks back : a brief period when science fiction in Britain seemed to have come of age. Once again I’ve unearthed tales and images c7* 2 time gone by, to which I hope you'll respond by writing to me, Peter Weston, at 53 Wyvern Road. Sutton Coldfield, B74 2?S or by e-mail to [email protected]. On request I’ll send the pdf of Relapse when published, with a printed edition ::7 the favoured few who contribute or express interest. It will also go onto the eFanzines website after four weeks (where pre. :ous issues can be found) and with your help we will continue to document the rich history of British SF fandom. “Another bleary-eyed late night courtesy of The Never-Ending Symposium. (Next morning, tr. daughter looked at me and actually inquired, were my eyes all right? r - David Redd. LoC I'd better explain the cover, something which came about through a visit I made earlier this year to that ■ e i-kr.own dealer in books and magazines Bob Wardzinski, who turned out to be living less than ten miles from my Boumem: _w ?olt-hole. -
EVERYTHING a Very Short Introduction
EVERYTHING A Very Short Introduction 1 Contents A very short history 1 1 How on earth did we get here? 2 Introduced by Philip Ball 2 There’s more to us than meets the eye 20 Introduced by Simon Blackburn 3 What can the past tell us? 39 Introduced by Mary Beard 4 Are there any good guys? 51 Introduced by Stephen Howe 5 Heaven and Hell 82 Introduced by Damien Keown 6 Expressing ourselves 95 Introduced by Catherine Belsey 7 Are we all mad? 116 Introduced by Dylan Evans List of illustrations 1 Galileo’s presentation of 5 Cartoon, an the Copernican archaeologists’ universe 4 argument 43 Reproduced from Roger Hoskin: Simon James The Cambridge Concise History of Astronomy 6 Mummified body of a man, found at Lindow, 2 The earth as seen Cheshire 46 from space 9 © British Museum Freestockphotos.com 7 Metternich 3 Atomic explosion 19 Stela 48 Freestockphotos.com 8 The Parthenon 96 4 ‘Philosophy class’ © Michael Holford cartoon 25 © Punch 9 Literary theory cartoon 99 Anthony Haden-Guest The publisher and the author apologize for any errors or omissions in the above list. If contacted they will be pleased to rectify these at the earliest opportunity. Chapter 1 How on earth did we get here? Introduction Philip Ball In 1638 two men met in a villa in Arcetri, near Florence. One was a precocious thirty-year-old Englishman, the other an ageing and grey-bearded Italian natural philosopher. Under house arrest by order of the Roman Church, Galileo was used to receiving visitors curious about his astronomical theory, and his young guest may have left little impression. -
C3 Magazine Spring 2016
The Clatterbridge Cancer Centre Magazine Spring 2016 FREE please take me home Transforming Cancer Care £15 million new cancer hospital appeal launched In this issue... Clatterbridge in the Community Chemotherapy at home extended to Liverpool patients Life after cancer in the fast lane Patient Pete Williams shares his story Pioneering Breast Cancer Trials Vital research using the ‘window of opportunity’ Contents News 3 £1.6 million investment in new radiotherapy technology Clatterbridge Board welcomes new executive member New PET-CT service 7 Telephone service helping reduce new patients’ anxiety Our telephone numbers are changing in 2016 10 Cancer treatment in the comfort of your own home Welcome 11 The Hair Fairy - ‘Look Good Nights’ Chief Executive, Andrew Cannell Hello my name is... 12/13 Worrying attitudes to cancer Firstly, I would like to wish everyone a Happy New Year. 14 Staff Achievement Award winners We ended 2015 with a major achievement – submitting an application The Care Certificate - Deborah Prout for full planning permission for our new centre in Liverpool. 15 Emma Holmes moves from the office to the frontline With this in mind, 2016 is going to be an incredibly exciting year for It’s a win win for Callie! the Trust as we hope to get full planning permission in the spring and building work will start at the end of the summer. Following years of Features planning this will be a fantastic milestone and it will mark the start of an incredible journey. 4/5 Patient Pete Williams’ story 16/17 Pioneering Breast Cancer Trials To help us achieve this, our Charity will be launching a £15 million New 19 Consultant profile – Professor Pieter Postmus Cancer Hospital Appeal later in the year. -
Issue 37 the Magazine of the Professional Cartoonists
TheFOGHORN magazine of the Professional Cartoonists’ Organisation (FECO UK) Issue 37 NEWS FOGHORN FOGHORN Issue 37 The magazine of the Professional Cartoonists’ Organisation (FECO UK) Published in Great Britain by the Professional Cartoonists’ Organisation (FECO UK) By the time you skip this and go straight team for upwards of to the cartoons, in the U.S., middle– three minutes, before PCO Patrons aged, not very bright and white will we got real, globally Libby Purves Andrew Marr have given way to young, gifted and irresponsible, and Bill Tidy black. All eyes will be on Mr Obama. chopped down a few What will he fix first? Can he and Gord more trees to bang Foghorn Editor Bill Stott save the world as we know it, Jim? out another FOG- tel: +44 (0) 160 646002 These and other economic downturn HORN! Hurray! email: [email protected] questions such as why Woolworths and not P.C. World engaged your editorial Bill Stott, Foghorn Editor Foghorn Sub-Editor Roger Penwill tel: +44 (0) 1584 711854 Artwork: John Roberts email: [email protected] Tidy stuff! Foghorn Layout/Design New patron fits the Bill. Tim Harries tel: + 44 (0) 1633 780293 As far as the Mighty Tidy is email: [email protected] concerned, “Doyen” springs easily to mind. Nine out of ten PCO Press Office email: [email protected] housewives cannot tell him from a well-known margarine Web info spread. He is the cartoonists’ PCO (FECO UK) website: cartoonist, and co-incidentally http://www.procartoonists.org BLOGHORN the favourite of several million http://thebloghorn.org/ non-cartoonists too. -
Tony Clare 1516.Xlsx
Tony Clare Final: 2015-16 Season Usual rules on forenames and surnames apply. NOTE TO QUESTIONMASTER - Required elements are in bold and underlined. Round 1: Title Roles Given the name of the film and the year it was released, name the British actor who played the title role. 1a) Becket (1964) RICHARD BURTON 1b) Tom Jones (1963) ALBERT FINNEY 2a) Harry Brown (2009) MICHAEL CAINE 2b) Hitchcock (2012) ANTHONY HOPKINS 3a) Buster (1988) PHIL COLLINS 3b) McVicar (1980) ROGER DALTREY 4a) The Elephant Man (1980) JOHN HURT 4b) Gandhi (1982) BEN KINGSLEY Spare 1: Young Winston (1972) SIMON WARD Spare 2: Wilde (1997) STEPHEN FRY Round 2: Red All questions have a reference to the colour red 1a) If a goldsmith works with gold and a siversmith works with silver, with which metal does a redsmith work? COPPER 1b) Which noble gas, atomic number 10, gives off a bright reddish/orange glow and is often used in signs? NEON 2a) At which 19th century battle were the 93rd Highland Regiment referred to as "The Thin Red Line" after repulsing a Russian cavalry charge? BALACLAVA 2b) Redshirts or Red coats is the name given to the volunteers who followed which leader in the fight for Italian unification in the 19th century? GIUSEPPE GARIBALDI 3a) On which Caribbean island was Red Stripe lager first produced in 1938? JAMAICA 3b) Beaujolais Nouveau is a young red wine that is released for sale on the third Thursday of which month? NOVEMBER 4a) The 1888 painting "The Red Vineyard" is reputedly the only one sold by which artist during his lifetime? VINCENT VAN GOGH -
LAYERS of LIVERPOOL Mapping a Sense of Place
LAYERS OF LIVERPOOL Mapping a sense of place Written by Laura Davis and Fiona Shaw Edited by Inge Panneels and Jeffrey Sarmiento Layers of Liverpool: Mapping a sense of place Written by Laura Davis and Fiona Shaw Edited by Inge Panneels and Jeffrey Sarmiento Graphic design by Małgorzata A. Rudnik Copy editor: Caroline Russell Printed and bound by Lulu.com ISBN: 978-0-9566344-5-0 © Wordscapes 2013 Laura Davis and Fiona Shaw are hereby identified as the authors of this work in accordance with Section 77 of the Copyright, Design and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or other- wise, without prior written permission of the publisher. Whilst eve- ry effort has been made to verify the text and images, the author and publishers cannot accept liability for any omissions or errone- ous statements. First published in April 2013 by Wordscapes Metal @ Edge Hill Station Tunnel Road, Liverpool L7 6ND www.wordscape.org.uk A note from the artists The Liverpool Map is a technically ambitious sculpture that embraces 800 years of history that have shaped this city. Seventeen layers of fused glass encapsulate its heritage and identity into a snapshot of the city of Liv- erpool in 2008, its year as European Capital of Culture. The Liverpool Map project was a true team effort. It could not have taken shape without the the contributions of content and opinion of the people of Liverpool, the generous support and knowledge of the National Muse- ums Liverpool staff, Phil and Alexis Redmond, the unwavering guidance from Open Culture through this long project, the dedicated labour of a small army of staff and students at the National Glass at the University of Sunderland who made Liverpool Map a reality, and finally the commitment from publisher Wordscapes and de- signer Małgorzata Rudnik to bringing the Liverpool Map to a new audience in print.