Cyberwar Conscripts Would Still Own the Business, but Conscription Would Limit Its Ability to Control the Company's Day- To-Day Operations
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Broadcast Bulletin Issue Number 191 10/10/11
Ofcom Broadcast Bulletin Issue number 191 10 October 2011 1 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Contents Introduction 4 Notice of Sanction Al Ehya Digital Television Limited Saturday Night Special, 13 November 2010 5 Note to Broadcasters Publication of new guidance and research 7 Standards cases In Breach Aden Live 27 October 2010, 18:20 (16:20 GMT) to 29 October 2010, 19:00 (17:00 GMT) 15 November 2010, 10:00 (08:00 GMT) to 16 November 2010, 10:00 (08:00 GMT) 8 Pro Bull Riders trailer Extreme Sports, 19 July 2011, 13:00 31 Howard Taylor at Breakfast Total Star – Wiltshire, 20 May 2011, 06:00 33 The Baby Borrowers Really, 2 August 2011, 20:00 36 Music video programming Brit Asia TV, 11 June 2011 38 Sponsorship of various programmes B4U Music, 15 June 2011, 21:00 to 22:42 42 Resolved Station promotion 106 Jack FM, 2 August 2011, 10:30 47 Fairness and Privacy cases Upheld Complaint by Mr David Gemmell Grimefighters, ITV1, 12 April 2011 49 2 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Not Upheld Complaint by Dr Saeb Erakat on his own behalf and on behalf of the Palestine Liberation Organisation The Palestine Papers, Al Jazeera English, 23 to 26 January 2011 53 Other programmes Not in Breach 72 Complaints Assessed, Not Investigated 73 Investigations List 79 3 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
How Technology Impacts Doctrine in Asymmetric Warfare
0 How Technology Impacts Doctrine in Asymmetric Warfare Jeremiah Rozman Northfield Vermont Bachelors of Arts, University of Vermont, 2014 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of Foreign Affairs University of Virginia May, 2016 1 Abstract How does technology impact military doctrine, and how does this in turn impact political support for offensive, preventative or preemptive military action?1 I study defensive weapons systems, specifically focusing on missile defense in the theoretical context of technology and defense-based strategies as a whole. Through the study of Israel’s use of Iron Dome, I aim to demonstrate that technology can be an exogenous factor affecting military doctrine. Through careful case study analysis, I demonstrate that operationally successful defensive technologies can lead to the adoption of a defensive military doctrine by decreasing the political cost of inaction to the extent that allowing attrition becomes politically less costly than launching an offensive. Introduction A comparison of Israel’s two recent wars in Gaza, Operation Cast Lead in 2008/9 and Operation Protective Edge in 2014, indicates that the tactical success of Iron Dome, as a defensive military technology, can effect a change in military doctrine. The goal of this study is to demonstrate the effect of an unexpectedly successful defensive military technology on military doctrine, an effect which leads to prioritizing defense, allowing attrition, and moving away from a long-standing offense-based doctrine, specifically when dealing with asymmetric conflict. This study focuses on Israel, specifically in the Gaza theater of conflict and not in the Northern theater of conflict where Israel’s adversary, Hezbollah is 1 Preemptive war is defined as actor A launching a first strike in order to gain advantage in a situation where an attack by actor B is anticipated to be imminent. -
Broadcast Bulletin Issue Number
O fcom Broadcast Bulletin Issue number 117 15 September 2008 Standards cases In Breach World’s Most Amazing Videos 4 TV6, 28 June 2008, 20:00 “Wake Up Your Brain” competition 7 James and Ali in the Morning, Invicta FM, 20 December 2007, 06:00 “Worst Girlfriend” competition 9 Lloydie and Katie Show, Power FM, 14 March 2007, 16:00 Full Pott 11 Kanal 5, 16 July 2008; 09:00 Breakfast 13 Kiss 105, 10 April 2008, 08:00 Peter Popoff Ministries 14 Ben TV, 29 February 2008, 16:30 Paul Lewis Ministry Ben TV, 20 March 2008, 16:00 Peter Popoff Ministries Red TV, 24 March 2008, 17:30 The Soup 17 E! Entertainment, 19 July 2008, 23:00 Stripped 18 The Style Network, 2 July 2008, 11:00 Biggles 20 Movies4Men+1, 21 June 2008; 16:20 Eid Messages 22 Aapna Channel, 24 December 2007, 17:00 Deepam TV 23 Non-retention of off-air recordings and sponsored news bulletins up to July 2008 Karl Davies Breakfast Show 25 Tudno FM, 7 August 2008, 7:45 and 8 August 2008, 8:20 Note to Broadcasters – Recordings 26 2 Resolved BBC News 27 BBC1, 2 July 2008, 22:00 Not in Breach The F Word 29 Channel 4, 29 July 2008, 21:00 Fairness & Privacy Cases Not Upheld Complaint by Ms Jenny Thoresson made on her behalf by 30 Ms Ann-Kristin Thoresson Lyxfällan (Luxury Trap), TV3 Sweden, 12 April 2007 (and repeated 23 July 2007) 3 Standards cases In Breach World’s Most Amazing Videos TV6, 28 June 2008, 20:00 Introduction TV6 is a Swedish language channel operated by Viasat Broadcasting UK Limited (“Viasat”). -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -