AN IDEAL HUSBAND #Wildewednesdays by Oscar Wilde #AIH Filmed Live at the Vaudeville Theatre on 5 June 2018

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presents AN IDEAL HUSBAND #WildeWednesdays By Oscar Wilde #AIH Filmed live at the Vaudeville Theatre on 5 June 2018 CAST (in order of speaking) CREATIVES & PRODUCTION SAMUEL MARTIN VIOLINIST/HAROLD, FOOTMAN JONATHAN CHURCH DIRECTOR JOANNA VAN KAMPEN MRS MARCHMONT SIMON HIGLETT DESIGNER REBECCA CHARLES COUNTESS OF BASILDON HOWARD HARRISON LIGHTING DESIGNER SAM ARCHER MASON, BUTLER MATT McKENZIE SOUND DESIGNER TAMEKA MORTIMER DUCHESS OF MARYBOROUGH LIZZI GEE CHOREOGRAPHER EDWARD FOX EARL OF CAVERSHAM JASON CARR COMPOSER SALLY BRETTON LADY CHILTERN CELINE LOWENTHAL ASSOCIATE DIRECTOR FAITH OMOLE MISS MABEL CHILTERN GABRIELLE DAWES CDG CASTING DIRECTOR SUSAN HAMPSHIRE LADY MARKBY FRANCES BARBER MRS CHEVELEY ROBIN LONGLEY COMPANY STAGE MANAGER SAM PARKS VICOMTE DE NANJAC SARAH LYNDON DEPUTY STAGE MANAGER NATHANIEL PARKER SIR ROBERT CHILTERN KIRSTY MacDIARMID ASSISTANT STAGE MANAGER FREDDIE FOX VISCOUNT GORING ANDY McCARTHY ASSISTANT STAGE MANAGER MICHAEL PETERS MR MONTFORD ROSIE TOWNSEND ASSOCIATE PRODUCER TIM WALLERS PHIPPS, SERVANT BONNIE MORRIS ASSOCIATE PRODUCER SAM BARRETT JAMES, FOOTMAN ALICE SCHWEITZER ASSISTANT PRODUCER DOMINIC DROMGOOLE ARTISTIC DIRECTOR Running Time 160 minutes Acts 1 & 2 80 mins Directed for the screen by Ross MacGibbon Interval 15 mins Filmed for the screen by Serpent Productions Act 3 & 4 65 mins Distributed to cinemas worldwide by More2Screen Oscar Wilde’s An Ideal Husband was first performed on 3 January 1895 at the Haymarket Theatre in London. This new production at the Vaudeville Theatre was staged by the Classic Spring Theatre Company led by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. Directed by Jonathan Church, this ‘wildely charming’ (Mail On Sunday) and ‘surprisingly topical’ (Sunday Times) production was critically-acclaimed and garnered a host of 4-star reviews. The talented ensemble cast includes real-life father and son Edward and Freddie Fox who are ‘a delicious double-act’ (Independent), with ‘masterful performances’ (Evening Standard) from Olivier Award-nominated Frances Barber, Olivier Award-winner Nathaniel Parker, Sally Bretton and Susan Hampshire. Tweet your thoughts after the screening #WildeWednesdays #AIH @More2Screen / @ClassicSpringCo BRINGING MORE CHOICE TO YOUR CINEMA Live and recorded theatre, opera, ballet, music & exhibitions Follow us on Facebook, Twitter and Instagram @more2screen Website: more2screen.com.

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An Introduction to Lady Windermere's Fan
An introduction to Lady Windermere's Fan Article written by: Andrew Dickson Themes: Fin de siècle, Popular culture Published: 5 Nov 2018 Andrew Dickson explores some of complexities of Oscar Wilde’s first hit play, Lady Windermere’s Fan. Oscar Wilde’s first hit play, Lady Windermere’s Fan (1892), is a hectic upper-class comedy, in which the tangled complexities of the plot are rivalled only by Wilde’s sparkling and witty dialogue. Relating an enjoyably unlikely story of a wife who suspects her husband of having an affair, only for the ‘other woman’ to be unmasked as her own mother, the drama was a hit on the London West End stage, and made Wilde rich. But despite its diamond-sharp one-liners, there is more to Lady Windermere’s Fan than mere entertainment: it is above all a subtle social satire, particularly pointed about the hypocrisy of Victorian attitudes to women and sex. Its meticulous construction and deft balance between comedy and seriousness point the way towards Wilde’s later scripts An Ideal Husband and The Importance of Being Earnest, perhaps his masterworks. The background to the play By the early 1890s, it looked as if Wilde – then in his late 30s – might never have a successful career as a dramatist. Born in Dublin in 1854 and educated at the University of Oxford, Wilde spent his 20s as a freelance poet, lecturer, critic, and well-dressed man about town, yearning all the time to be taken seriously as a playwright. His first play, a tragedy called Vera (1881), failed when it was produced in New York; his second, a dour historical work in Shakespearian verse called The Duchess of Padua, was rejected by the actress who commissioned it.
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Victorian Morality and Its Victims: Oscar Wilde and His Characters
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An Ideal Husband Department of Theatre, Florida International University
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The Canterville Ghost
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Oscar Wilde and His Literary Circle Collection: Wildeiana MS.Wildeiana
http://oac.cdlib.org/findaid/ark:/13030/kt867nf36t No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Wildeiana MS.Wildeiana Finding aid created by Rebecca Fenning Marschall William Andrews Clark Memorial Library © 2017 2520 Cimarron Street Los Angeles 90018 [email protected] URL: http://www.clarklibrary.ucla.edu/ Finding Aid for the Oscar Wilde MS.Wildeiana 1 and his Literary Circle Collection: Wildeiana MS.Wildeia... Contributing Institution: William Andrews Clark Memorial Library Title: Oscar Wilde and his Literary Circle Collection: Wildeiana Creator: William Andrews Clark Memorial Library Identifier/Call Number: MS.Wildeiana Physical Description: 19 Linear Feet27 boxes Date (inclusive): 1858-1998 Abstract: This finding aid describes a wide-ranging collection of material relating to Oscar Wilde and to his literary and artistic circle in late nineteenth- and early twentieth-century Great Britain. Clark Library. Language of Material: English . Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. It appears that large segments of the Wildeiana collection were likely originally part of the collection assembled by Wilde bibliographer Christopher Millard. The actual date the Clark acquired these materials is unknown and any documentation about the source of these items has been lost.
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The Role of Frail Women in the “Serious Plays” of Sir
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Teacher's Notes
PENGUIN READERS Teacher’s notes LEVEL 3 Teacher Support Programme An Ideal Husband Oscar Wilde in Argentina, which will make her rich. If he doesn’t do this, she threatens to tell the newspapers about the letter. Chiltern at first resists, but eventually agrees to do as she wishes. Act 1, Scenes 4–6: Mrs Cheveley tells Lady Chiltern that she has persuaded Sir Robert to change his mind about the canal project. Lady Chiltern is shocked and finds it hard to believe that an honest man like her husband would do such a thing. After Mrs Cheveley leaves, Mabel, Sir Robert’s sister, finds a brooch on the sofa. Another guest, Lord Goring, takes the brooch and asks Mabel not to tell anybody that he has it. He says he had given it to somebody many years earlier. Lady Chiltern confronts About the author her husband and asks him not to do what Mrs Cheveley Oscar Fingal O’Flahertie Wills Wilde was born in 1854 wants. Sir Robert gives in to his wife and writes a letter to in Dublin, Ireland, the second of three children born Mrs Cheveley refusing to support the plan in the House of to writer Jane Francesca Wilde née Elgee and surgeon Commons. Sir William Robert Wills Wilde. Wilde’s mother was Act 2, Scenes 1–3: Sir Robert tells Lord Goring about a prominent poet, journalist and nationalist and his the difficult situation he is in. He explains that he sold father was a successful surgeon and noted philanthropist, the government secret because he was poor and wanted knighted in 1864.
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An Ideal Husband’ Has Been Adapted from Stage Play to Screen Production
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Ba Chelor Thesis
Bachelor of Arts BACHELOR BACHELOR Wilde's Women A feminist study of the female characters in Oscar Wilde’s comedies of manners: Lady Windermere’s Fan, A woman of No Importance and An Ideal Husband THESIS Minon Weber Term paper, 15 credits Halmstad 1st of February 2017 Halmstad University Wilde’s Women A feminist study of the female characters in Oscar Wilde’s comedies of manners: Lady Windermere’s Fan, A woman of No Importance and An Ideal Husband Minon Weber English 61-90 EN5001 Supervisor: Kristina Hildebrand Bachelor thesis Fall Term 2016 Contents 1. Introduction 2 1.2 Feminist theory and aim and approach 4 1.4 Material and previous research 5 2. Analysis 7 2.1 Lady Windermere’s fan 7 2.2 A Woman of No Importance 13 2.3 An Ideal Husband 19 3. Conclusion 28 4. Works cited 29 * Front picture ”A Private View at the Royal Academy, 1881” by William Powell Frith, from Google Weber !2 1. Introduction There is no doubt that Oscar Wilde is one of the most acclaimed, as well as criticised, authors of his century. To this day he is admired for his wit and sharp dialogue, and his satire. Born in 1854, Wild was a writer of the Victorian Era. Looking back at the Victorian Era through descriptions of life and society an image appears of a rigid society characterised by prudishness, tradition and strict social codes, which is precisely what Wilde commented on and satirised in his comedies of society. Born into a wealthy Anglo-Irish family (BBC) and later educated at both Trinity College in Dublin and at Oxford, Wilde grew up associating with the upper classes.
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An Ideal Husband and the Importance of Deputy Stage Manager Whitney Mcnamara Being Earnest Mocking and Delighting High Society Audiences
Education Mini-Pack Cast Sir Robert Chiltern Simon Gleeson 16 JULY – 18 AUGUST Lord Goring Brent Hill Nanjac / Butler / James Joseph Lai Arts Centre Melbourne, Playhouse Mrs Marchmont Jem Lai Miss Mabel Chiltern Michelle Lim Davidson The Earl of Caversham William McInnes About the Play Lady Chiltern Zindzi Okenyo Successful politician Sir Robert Chiltern has it all – money, Mason / Mr Montford / Phipps Josh Price power and the love of his adoring wife. But when a mysterious Lady Markby Gina Riley character threatens to expose a dark secret from his past, Lady Basildon Greta Sherriﬀ he becomes hopelessly embroiled in a world of insider Mrs Cheveley Christie Whelan Browne trading, blackmail and deception. Production About the Playwright Director Dean Bryant Born in in Dublin, Wilde was the son of an ear surgeon Set & Costume Designer Dale Ferguson and a poet. Wilde sailed for America in on a successful Lighting Designer Matt Scott lecture tour celebrating art for art’s sake. He married Composer & Sound Designer Mathew Frank Constance Lloyd in , and the couple raised two sons Voice & Dialect Coach Leith McPherson in London. Wilde wrote widely, including journalism, critical essays and short stories. Wilde’s only novel, The Picture Assistant Director Ellen Simpson of Dorian Gray, was ﬁrst published in . The following Assistant Costume Designer Sophie Woodward decade saw Wilde’s maturity and success as a playwright, Directorial Secondment Angelica Clunes with productions of Lady Windermere’s Fan, A Woman of Stage Manager Christine Bennett No Importance, An Ideal Husband and The Importance of Deputy Stage Manager Whitney McNamara Being Earnest mocking and delighting high society audiences.
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AN IDEAL HUSBAND by Oscar Wilde
AN IDEAL HUSBAND By Oscar Wilde CONTENTS: THE PERSONS OF THE PLAY .................................................................................3 FIRST ACT.................................................................................................................5 SECOND ACT..........................................................................................................31 THIRD ACT .............................................................................................................54 FOURTH ACT..........................................................................................................75 THE PERSONS OF THE PLAY THE EARL OF CAVERSHAM, K.G. VISCOUNT GORING, his Son SIR ROBERT CHILTERN, Bart., UnderSecretary for Foreign Affairs VICOMTE DE NANJAC, Attache at the French Embassy in London MR. MONTFORD MASON, Butler to Sir Robert Chiltern PHIPPS, Lord Goring's Servant JAMES } HAROLD } Footmen LADY CHILTERN LADY MARKBY THE COUNTESS OF BASILDON MRS. MARCHMONT MISS MABEL CHILTERN, Sir Robert Chiltern's Sister MRS. CHEVELEY THE SCENES OF THE PLAY ACT I. The Octagon Room in Sir Robert Chiltern's House in Grosvenor Square. ACT II. Morningroom in Sir Robert Chiltern's House. ACT III. The Library of Lord Goring's House in Curzon Street. ACT IV. Same as Act II. TIME: The Present PLACE: London. The action of the play is completed within twentyfour hours. THEATRE ROYAL, HAYMARKET Sole Lessee: Mr. Herbert Beerbohm Tree Managers: Mr. Lewis Waller and Mr. H. H. Morell January 3rd, 1895 THE EARL OF CAVERSHAM, Mr. Alfred
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