From Masks to Masterpieces
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Modernist Aesthetic in the Case of Lord Alfred Douglas and Marie Carmichael Stopes
33 The Poetry That Dare Not Speak Its Name: Modernist Aesthetic in the Case of Lord Alfred Douglas and Marie Carmichael Stopes Christina Hauck Kansas State University An improbable friendship sprang up in 1938 when one “Mrs Carmi- chael,” representing herself as a young mother, wrote Lord Alfred Douglas to show him a sonnet and ask his advice about publishing it. Little realizing that he was entering into correspondence with the notorious birth control advocate, Marie Carmichael Stopes, the staunchly Catholic Douglas wrote back kindly, calling Mrs. Carmichael a “pleasant poet” and lamenting his own difficulties publishing (Hall 282). If Douglas didn’t understand quite whom he was writing to, Stopes herself, rabidly homophobic and anti-Catholic, must have: Douglas’s claim to fame lay less in his poetry, whose quality critics debated fiercely when they bothered to read it at all, but in his having been a central actor in the events leading up to Oscar Wilde’s trial and imprisonment.1 By the time the correspondence had be- gun, Douglas had long converted to Catholicism and was admitting only to limited homosexual activities over a limited period, with Wilde or any- one else; Stopes apparently believed him.2 After several months, Stopes revealed her “true” identity. Douglas, understandably, was nervous. In a letter to George Bernard Shaw, he writes: I am fated to make friends with my enemies. For the last three months I have been corresponding with a lady who wrote about my poetry and poetry in general. She expressed great admira- tion for me as a poet. -
Planetary Patterns of Thought in De Profundis
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 2, Issue 2 Winter 2019 Elliptical Thinking: Planetary Patterns of Thought in De Profundis Amelia Hall ISSN: 2515-0073 Date of Acceptance: 1 December 2019 Date of Publication: 21 December 2019 Citation: Amelia Hall, ‘Elliptical Thinking: Planetary Patterns of Thought in De Profundis’, Volupté: Interdisciplinary Journal of Decadence Studies, 2.2 (2019), 247–59. DOI: 10.25602/GOLD.v.v2i2.1349.g1468 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Elliptical Thinking: Planetary Patterns of Thought in De Profundis Amelia Hall Cornell University In an 1881 letter asking a friend to meet his mother, Oscar Wilde writes: ‘all brilliant people should cross each other’s cycles, like some of the nicest planets’.1 In comparing the people in his social circle to celestial bodies in orbit, Wilde sets forth an idea that will soon become literalized in images within and surrounding his works. An illustration in Salomé (1894) renders Wilde the actual ‘(wo)man in the moon’, through placing his distinguishing physiognomy – slightly drooping eyes and thick full lips – on a white circle [fig. 1], while many cartoons satirizing Wilde’s American lecture tour put his head at the centre of a plant that seems to be more sun than flower. An 1881 Punch cartoon by Edward Sambourne, ‘O.W.’, features Wilde’s head as the only visible centre of a sunflower, with crisp triangular petals extending outward so rigidly that they appear to emanate from his body [fig. 2]. Another cartoon appearing in Judge magazine, entitled ‘A Thing of Beauty Not a Joy Forever’, features a sunflower-adorned Wilde standing with his head and torso in the centre of an enormous shape of ambiguous identification [fig. -
An Introduction to Lady Windermere's Fan
An introduction to Lady Windermere's Fan Article written by: Andrew Dickson Themes: Fin de siècle, Popular culture Published: 5 Nov 2018 Andrew Dickson explores some of complexities of Oscar Wilde’s first hit play, Lady Windermere’s Fan. Oscar Wilde’s first hit play, Lady Windermere’s Fan (1892), is a hectic upper-class comedy, in which the tangled complexities of the plot are rivalled only by Wilde’s sparkling and witty dialogue. Relating an enjoyably unlikely story of a wife who suspects her husband of having an affair, only for the ‘other woman’ to be unmasked as her own mother, the drama was a hit on the London West End stage, and made Wilde rich. But despite its diamond-sharp one-liners, there is more to Lady Windermere’s Fan than mere entertainment: it is above all a subtle social satire, particularly pointed about the hypocrisy of Victorian attitudes to women and sex. Its meticulous construction and deft balance between comedy and seriousness point the way towards Wilde’s later scripts An Ideal Husband and The Importance of Being Earnest, perhaps his masterworks. The background to the play By the early 1890s, it looked as if Wilde – then in his late 30s – might never have a successful career as a dramatist. Born in Dublin in 1854 and educated at the University of Oxford, Wilde spent his 20s as a freelance poet, lecturer, critic, and well-dressed man about town, yearning all the time to be taken seriously as a playwright. His first play, a tragedy called Vera (1881), failed when it was produced in New York; his second, a dour historical work in Shakespearian verse called The Duchess of Padua, was rejected by the actress who commissioned it. -
Victorian Morality and Its Victims: Oscar Wilde and His Characters
International Journal of English and Literature (IJEL) ISSN 2249-6912 Vol. 3, Issue 1, Mar 2013, 117- 122 © TJPRC Pvt. Ltd. VICTORIAN MORALITY AND ITS VICTIMS: OSCAR WILDE AND HIS CHARACTERS IN AN IDEAL HUSBAND ANITA AHMADI 1 & MITTAPALI RAJESHWAR 2 1Research Scholar, Department of English literature, Kakatiya University, Warangal, Andhra Pradesh, India 2Professor of Department of English literature, Kakatiya University, Warangal, Andhra Pradesh, India ABSTRACT Oscar Wilde as a father of aesthetic movement changed the minds and life style of people of 19 th century. He aimed to integrate beauty and art to expose the art of life as promoter of “Art for Art’s Sake”. Really, he influenced London society by his great domination as a great artist with extraordinary descriptive power. So he tried to criticize traditions, beliefs, customs, behaviors, rituals, and social codes of 19 th century in upper class family in which they are well- known as Victorian morality in Victorian Era. According to him people are victims of restrictions in their life then they couldn’t take enough pleasure of it. So they have to sacrifice their desires and aspirations to rescue the frame of their family customs. Thus, Wilde tried to present all conduct contrasts among contemporary people in his literary great works. Actually he depicted his thoughts against Victorian morality in one of his prominent works; An Ideal Husband (1895). An Ideal Husband is Wilde’s third play which revolves around blackmail and political corruption and touches on the themes of public and private honor. It is one of the most serious of Wilde’s social comedies and it contains very strong political overtones, ironically and cynically examining the contemporary political landscape. -
An Ideal Husband Department of Theatre, Florida International University
Florida International University FIU Digital Commons Department of Theatre Production Programs Department of Theatre Fall 9-26-2014 An Ideal Husband Department of Theatre, Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/theatre_programs Part of the Theatre and Performance Studies Commons Recommended Citation Department of Theatre, Florida International University, "An Ideal Husband" (2014). Department of Theatre Production Programs. 77. https://digitalcommons.fiu.edu/theatre_programs/77 This work is brought to you for free and open access by the Department of Theatre at FIU Digital Commons. It has been accepted for inclusion in Department of Theatre Production Programs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Theatre u • lllul llFAR lllrt1 IUIU 1111 RH theatre.fiu.edu TO ALL OUR PATRONS An Ideal Husband Students, faculty, staff and community WELCOME TO THE 2014-2015 SEASON! By Oscar Wilde On behalf of the Department of Theatre at Florida International Cast (In order of appearance) University allow me to thank you for attending this performance. We truly appreciate your interest and continuing support. Viscount Goring- Allyn Anthony (BFA Performance) 2014 - 2015 is ,roised to be a crackerjack of a season! First up is Oscar Wilde's An Ideal Husband", and for those familiar with Sir Robert Chiltern - Danny Leonard (BFA Performance) Phillip M. Church his hilarious comedy , "The Importance of Being Earnest" there Lady Chiltern - Pia Isabell Vicioso-Vila (BA) Chairperson is an interesting surprise in store. In a move to disengage from Mrs. Cheveley - Chachi Colon (BFA Performance) the world of melodrama, Wilde developed "a new play about Vicomte De Nanjac - Lovanni Gomez (BFA Performance) modem life" in which he contrasted the worlds of social opinion Lady Markby - Madeleine Escarne (BFA Performance) against the dark interior of the human condition. -
The Canterville Ghost
THE CANTERVILLE GHOST www.transeduca.com Upper Secondary School THE CANTERVILLE GHOST 2 BEFORE GOING TO THE THEATRE Welcome to The Canterville Ghost! Are you ready to go to the theatre? We are sure you will have a lot of fun! Before going to the theatre, please answer the following questions. Good luck! As you may know, The Canterville Ghost was written by Oscar Wilde. What do you know about Oscar Wilde? In groups of four, do some research on internet about the author. Find the correct answer to the following questions. Then share them with the whole class. 1. Oscar Wilde lived during the Victorian Era of the late 19th century. Can you list three interesting things about Victorian society? a)……………………………………………………………………………………………………………………………………………………………………………………………………… ………………………………………………………………………………………………………………………………………………………………………………………………………....... ....………………………………………………………………………………………………………………………………………………………………………………………………………… …………………………………………………………………………………………………………………………………………………………………………………………………….......... b)……………………………………………………………………………………………………………………………………………………………………………………………………… ………………………………………………………………………………………………………………………………………………………………………………………………………....... ....………………………………………………………………………………………………………………………………………………………………………………………………………… …………………………………………………………………………………………………………………………………………………………………………………………………….......... c)………………………………………………………………………………………………………………………………………………………………………………………………………… ……………………………………………………………………………………………………………………………………………………………………………………………………........ ...………………………………………………………………………………………………………………………………………… -
Reflection of Upper Class in an Ideal Husband and the Importance of Being Earnest
Devasi M. Chandravadiya [Subject: Social Science] International Vol. 1, Issue: 7, September 2013 Journal of Research in Humanities and Social Sciences ISSN:(P) 2347-5404 ISSN:(O)2320-771X Reflection of Upper Class in an Ideal Husband and the Importance of Being Earnest DEVASI M. CHANDRAVADIYA Assistant Teacher, Shri Arablush Primary School, Lalpur Dist. Jamnagar Gujarat (India) Abstract: Oscar Wilde is a greatest Anglo Irish play writer. He was born on 16th October, 1854, in Dublin into a protestant Anglo Irish family. He left Ireland in 1878 and spent some time in London, Paris and United States where he traveled with intent to deliver his lecture. He was not only greatest play writer but also he contributed on fiction, child literature, fairy tale and poem such various literary fields. His marvelous dramas are Salome (1891), An Ideal Husband (1895), A Woman of No Importance (1893), Importance of Being Earnest (1898) and Lady Windermere’s Fan (1892): he presented very smart way like that satire, comic, tragedy, fashion and realism. He was fabulous master of drawing the realistic sketch of the character. He unmasked the social evils and weakness of the society. Keywords: Being earnest, Society, Upper class 1. Introduction In the time of Victorian era so many social evils spread in the society and upper class of human mind. Oscar Wilde took the responsibility to expose these evils and intrigue by his splendid plays. He reveals reality through his greatest plays with his unique writing skill. 2. Luxurious life Style Oscar Wilde’s play An Ideal Husband (1895) starts with big high profile culture party. -
Oscar Wilde and His Literary Circle Collection: Wildeiana MS.Wildeiana
http://oac.cdlib.org/findaid/ark:/13030/kt867nf36t No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Wildeiana MS.Wildeiana Finding aid created by Rebecca Fenning Marschall William Andrews Clark Memorial Library © 2017 2520 Cimarron Street Los Angeles 90018 [email protected] URL: http://www.clarklibrary.ucla.edu/ Finding Aid for the Oscar Wilde MS.Wildeiana 1 and his Literary Circle Collection: Wildeiana MS.Wildeia... Contributing Institution: William Andrews Clark Memorial Library Title: Oscar Wilde and his Literary Circle Collection: Wildeiana Creator: William Andrews Clark Memorial Library Identifier/Call Number: MS.Wildeiana Physical Description: 19 Linear Feet27 boxes Date (inclusive): 1858-1998 Abstract: This finding aid describes a wide-ranging collection of material relating to Oscar Wilde and to his literary and artistic circle in late nineteenth- and early twentieth-century Great Britain. Clark Library. Language of Material: English . Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. It appears that large segments of the Wildeiana collection were likely originally part of the collection assembled by Wilde bibliographer Christopher Millard. The actual date the Clark acquired these materials is unknown and any documentation about the source of these items has been lost. -
CHAPTER I INTRODUCTION A. Background of the Study Man Is
CHAPTER I INTRODUCTION A. Background of the Study Man is born to be a social being who cannot live alone and need someone else to help them as well as they need partner to live their life. Marriage is one of the men’s efforts not to live alone. Man and woman who decide to make a commitment in a marriage bounding have a responsibility not only towards their selves but also their partner because they no longer two independent people but they become one who complete and dependent to each other. “Marriage is a bound of loyal vow between husband and wife in which there is a responsibility from the two” (Kertamuda, 2009: 13). Marriage has a good impact towards men’s health; it can make them live longer (Gottman, 2001: 5). It can be said so because there is someone who takes care of them and Campbell (in Duvall, 1984: 4) adds that marriage makes them to live positively. Long last marriage and harmonic family are all spouses dream and no one wants their marriage ends in divorce, but it is not easy to bring it into reality because husband and wife have the difference characteristics, point of view in viewing something, past experience, emotion level, and background which can arise some marital conflicts that will lead to the unhealthy marriage and the worst is it can be ended in divorce if it happens in a long time without any means to fix it up. That is why the spouses need value of marriage to avoid the marital problems because its functions are as the binding of marriage and strengthener when their marriage is weakening by the problems. -
Oscar Wilde Refracted Rebecca Howell Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 7-2008 Becoming Earnest: Oscar Wilde Refracted Rebecca Howell Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the English Language and Literature Commons Recommended Citation Howell, Rebecca, "Becoming Earnest: Oscar Wilde Refracted" (2008). All Theses. 397. https://tigerprints.clemson.edu/all_theses/397 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BECOMING EARNEST: OSCAR WILDE REFRACTED A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Rebecca Alyce Howell August Accepted by: Dr. E. K. Sparks, Committee Chair Dr. Wayne Chapman Dr. Kimberly Manganelli ABSTRACT This paper explores four Wildean texts, their techniques, and their purposes, beginning with an introduction to Wilde’s life, contemporary culture, and his major educational and ideological influences—a familiarity that is necessary to understand his more subtle and subversive meanings. The second chapter deals with Wilde’s pre- incarceration texts, “The Decay of Lying” and The Picture of Dorian Gray . The essay serves almost as a guidebook for the writing of the novel and through similarities in theme and vocabulary, perfectly sets up a comparison with the post-incarceration works—De Profundis and The Ballad of Reading Gaol —which will be examined in the third chapter, along with various biographical elements which are necessary to any interpretation of De Profundis . -
Wilde's Final Act Justine Ilissa Sha [email protected]
Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) Spring 5-15-2016 Wilde's Final Act Justine Ilissa Sha [email protected] Follow this and additional works at: https://scholarship.shu.edu/dissertations Part of the Literature in English, British Isles Commons Recommended Citation Sha, Justine Ilissa, "Wilde's Final Act" (2016). Seton Hall University Dissertations and Theses (ETDs). 2179. https://scholarship.shu.edu/dissertations/2179 Wilde’s Final Act Justine Ilissa Sha M. A. Seton Hall University, 2016 A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts In The Department of English Seton Hall University May 2016 Sha 2 © Justine Sha, 02 May 2016 All Rights Reserved Sha 3 Justine I. Sha Sha 4 Wilde’s Final Act If Oscar Wilde’s De Profundis, the lengthy confessional letter written from prison to his lover, Lord Alfred Douglas, were a work of drama, it would have been the comprehensive capstone on his oeuvre and have received a much more significant response than it has. No critic fails to mention Richard Ellmann’s infamous preface when he calls it, “a love letter… One of the greatest, and the longest, ever written” (Ellmann 4). However, although it may possess the generic conventions of a love letter, it likewise includes features of different genres. Critics, most significantly Josephine Guy and Ian Small, have dabbled with the idea that the letter is not simply just a letter, but rather something more. They go so far as to claim that even though the text hinges on indisputable autobiographical facts and events, due to the similarities between the letter and Wilde’s prior works of fiction, essays, drama, and his writing process, it is possible to assert that the letter is a pretext for a new work of fiction or an essay. -
Oscar Wilde's Elegant Republic
Oscar Wilde’s Elegant Republic Oscar Wilde’s Elegant Republic: Transformation, Dislocation and Fantasy in fin-de-siècle Paris By David Charles Rose Oscar Wilde’s Elegant Republic: Transformation, Dislocation and Fantasy in fin-de-siècle Paris By David Charles Rose This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by David Charles Rose All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8360-3 ISBN (13): 978-1-4438-8360-3 TABLE OF CONTENTS Acknowledgements .................................................................................... vii Preface ......................................................................................................... ix Chapter One .................................................................................................. 1 Paris Sighted Chapter Two ............................................................................................... 30 Paris Mutuels Chapter Three ............................................................................................. 47 Anglomania, Francophilia and Anglophobia Chapter Fouur ..............................................................................................