AN IDEAL HUSBAND by Oscar Wilde
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Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
Irving Room David Garrick (1717-1779) Nathaniel Dance-Holland (1735-1811) (After) Oil on Canvas BORGM 00609
Russell-Cotes Paintings – Irving Room Irving Room David Garrick (1717-1779) Nathaniel Dance-Holland (1735-1811) (after) Oil on canvas BORGM 00609 Landscape with a Cow by Water Joseph Jefferson (1829-1905) Oil on canvas BORGM 01151 Sir Henry Irving William Nicholson Print Irving is shown with a coat over his right arm and holding a hat in one hand. The print has been endorsed 'To My Old Friend Merton Russell Cotes from Henry Irving'. Sir Henry Irving, Study for ‘The Golden Jubilee Picture’, 1887 William Ewart Lockhard (1846-1900) Oil in canvas BORGM 01330 Russell-Cotes Paintings – Irving Room Sir Henry Irving in Various Roles, 1891 Frederick Barnard (1846-1896) Ink on paper RC1142.1 Sara Bernhardt (1824-1923), 1897 William Nicholson (1872-1949) Woodblock print on paper The image shows her wearing a long black coat/dress with a walking stick (or possibly an umbrella) in her right hand. Underneath the image in blue ink is written 'To Sir Merton Russell Cotes with the kind wishes of Sara Bernhardt'. :T8.8.2005.26 Miss Ellen Terry, Study for ‘The Golden Jubilee Picture’, 1887 William Ewart Lockhart (1846-1900) Oil on canvas BORGM 01329 Theatre Poster, 1895 A theatre poster from the Borough Theatre Stratford, dated September 6th, 1895. Sir Henry Irving played Mathias in The Bells and Corporal Brewster in A Story of Waterloo. :T23.11.2000.26 Russell-Cotes Paintings – Irving Room Henry Irving, All the World’s a Stage A print showing a profile portrait of Henry Irving entitled ‘Henry Irving with a central emblem of a globe on the frame with the wording ‘All The World’s A Stage’ :T8.8.2005.27 Casket This silver casket contains an illuminated scroll which was presented to Sir Henry Irving by his friends and admirers from Wolverhampton, in 1905. -
Wilde's Comedies of Society
9 PETER RABY Wilde's comedies of Society Wilde's three Society comedies were produced by different managers: Lady Windermere's Fan by George Alexander at the St James's Theatre (20 February 1892), A Woman of No Importance by Herbert Beerbohm Tree (19 April 1893) and An Ideal Husband (3 January 1895) by Lewis Waller, both at the Theatre Royal, Haymarket. Had Henry James's Guy Domville not been a failure and left Alexander with a gap in his season, Wilde would have added Charles Wyndham and the Criterion Theatre to his list with The Importance of Being Earnest. In the months before his career collapsed in the witness box of the Queensberry libel trial, he was sketching out a new play of modern life for Alexander, the Gerald Lancing scenario which Frank Harris later fleshed out as Mr and Mrs Daventry; and negotiating with American producers such as Albert Palmer about a play ' "with no real serious interest" - just a comedy', and with Charles Frohman for a 'modern "School for Scandal"' style of play. This flurry of activity indicates both Wilde's perceived marketability on both sides of the Atlantic and his own growing confidence in a genre he had only taken up in 1891, in fact at Alexander's invitation. 'I wonder can I do it in a week, or will it take three?' he reportedly commented to Frank Harris. 'It ought not to take long to beat the Pineros and the Joneses.' Writing to Alexander in February 1891, Wilde offered a rather different attitude towards his progress on Lady Windermere's Van: 'I am not satisfied with myself or my work. -
The Life of Oscar Wilde
Dixon 1 The late 19 th century was an exceptional time for literature in both Europe and the Americas. Arguably, some of the greatest minds in the history of Western literature actively published during this period. Twain, Melville, Dickens, Verne, Wilde and many others were widely circulated among both literary factions and laypersons. Through their fiction, their collective reach was enormous. For most of these writers, their fictive works have eclipsed their personal lives. Until recently, historians have focused only on these writers’ contributions to literature, rather than their intriguing personal histories as a whole. With the emergence of new types of historical inquiry, the study of literary figures has begun a paradigm shift toward examining the impact of their entire lives, rather than simply their works. In following that trend, this study will shine a unique light on not only the works, but also the life of one of the 19 th century’s most controversial authors: Oscar Wilde. Wilde saw himself as a brilliant Aesthetic artist, proclaiming during his 1882 American book tour, “I have nothing to declare but my genius.” 1 Early in his career the Victorian public viewed Wilde as an eccentric Aesthete whose plays delighted but often left the public feeling somewhat left out. Later, as Wilde’s now infamous trial approached, the public formed new ideas about homosexuality and began to develop tropes out of the mannerisms and dress of the Aesthetic movement to which Wilde belonged. The ways in which Oscar Wilde envisioned himself ran counter to the expectations of Victorian England; the mantle of homosexuality was thrust upon Wilde based on the narrow ideas of the society in which he lived – the public was simply ill- 1 Wilde, Oscar. -
On the Rejection of Oscar Wilde's the Picture of Dorian Gray by W. H. Smith
humanities Article On the Rejection of Oscar Wilde’s The Picture of Dorian Gray by W. H. Smith Satoru Fukamachi Faculty of Humanities, Doho University, Nagoya 453-8540, Japan; [email protected] Received: 1 September 2020; Accepted: 26 October 2020; Published: 29 October 2020 Abstract: Wilde’s only novel, The Picture of Dorian Gray, is widely said to have been rejected by W. H. Smith, but there is no doubt that this did not happen. The letter sent to Wilde by the publisher strongly indicates that W. H. Smith contemplated removing the July issue of Lippincott’s Magazine, but does not go so far as to say that the bookstore did. This letter is the only evidence, however, that this is not absolute. The refusal to sell is mere speculation. The fact that none of Wilde’s contemporaries mentioned the incident of The Picture of Dorian Gray that supposedly happened, while the boycott of George Moore’s Esther Waters, which was much less topical than this one, was widely reported and discussed, provides further evidence that Wilde’s work was not rejected. Given that the censorship of literary works by private enterprises was still topical in the 1890s, it is unbelievable that the rejection of Wilde’s novel would not have been covered by any newspaper. It makes no sense, except to think that such a thing did not exist at all. It is also clear that this was not the case in the 1895 Wilde trial. Wilde’s lawyer argued that the piece was not a social evil because it was sold uninterruptedly, and the other side, which would have liked to take advantage of it in any way, never once touched on the boycott. -
University of Warwick Institutional Repository: a Thesis Submitted for the Degree of Phd at The
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/36168 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Critical and Popular Reaction to Ibsen in England: 1872-1906 by Tracy Cecile Davis Thesis supervisors: Dr. Richard Beacham Prof. Michael R. Booth Submitted for the degree of Doctor of Philosophy, University of Warwick, Department of Theatre Studies. August, 1984. ABSTRACT This study of Ibsen in England is divided into three sections. The first section chronicles Ibsen-related events between 1872, when his work was first introduced to a Briton, and 1888, when growing interest in the 'higher drama' culminated in a truly popular edition of three of Ibsen's plays. During these early years, knowledge about and appreciation of Ibsen's work was limited to a fairly small number of intellectuals and critics. A matinee performance in 1880 attracted praise, but successive productions were bowdlerized adaptations. Until 1889, when the British professional premiere of A Doll's House set all of London talking, the lack of interest among actors and producers placed the responsibility for eliciting interest in Ibsen on translators, lecturers, and essayists. The controversy initiated by A Doll's House was intensified in 1891, the so-called Ibsen Year, when six productions, numerous new translations, debates, lectures, published and acted parodies, and countless articles considered the value and desirability of Ibsen's startling modern plays. -
An Introduction to Lady Windermere's Fan
An introduction to Lady Windermere's Fan Article written by: Andrew Dickson Themes: Fin de siècle, Popular culture Published: 5 Nov 2018 Andrew Dickson explores some of complexities of Oscar Wilde’s first hit play, Lady Windermere’s Fan. Oscar Wilde’s first hit play, Lady Windermere’s Fan (1892), is a hectic upper-class comedy, in which the tangled complexities of the plot are rivalled only by Wilde’s sparkling and witty dialogue. Relating an enjoyably unlikely story of a wife who suspects her husband of having an affair, only for the ‘other woman’ to be unmasked as her own mother, the drama was a hit on the London West End stage, and made Wilde rich. But despite its diamond-sharp one-liners, there is more to Lady Windermere’s Fan than mere entertainment: it is above all a subtle social satire, particularly pointed about the hypocrisy of Victorian attitudes to women and sex. Its meticulous construction and deft balance between comedy and seriousness point the way towards Wilde’s later scripts An Ideal Husband and The Importance of Being Earnest, perhaps his masterworks. The background to the play By the early 1890s, it looked as if Wilde – then in his late 30s – might never have a successful career as a dramatist. Born in Dublin in 1854 and educated at the University of Oxford, Wilde spent his 20s as a freelance poet, lecturer, critic, and well-dressed man about town, yearning all the time to be taken seriously as a playwright. His first play, a tragedy called Vera (1881), failed when it was produced in New York; his second, a dour historical work in Shakespearian verse called The Duchess of Padua, was rejected by the actress who commissioned it. -
Victorian Morality and Its Victims: Oscar Wilde and His Characters
International Journal of English and Literature (IJEL) ISSN 2249-6912 Vol. 3, Issue 1, Mar 2013, 117- 122 © TJPRC Pvt. Ltd. VICTORIAN MORALITY AND ITS VICTIMS: OSCAR WILDE AND HIS CHARACTERS IN AN IDEAL HUSBAND ANITA AHMADI 1 & MITTAPALI RAJESHWAR 2 1Research Scholar, Department of English literature, Kakatiya University, Warangal, Andhra Pradesh, India 2Professor of Department of English literature, Kakatiya University, Warangal, Andhra Pradesh, India ABSTRACT Oscar Wilde as a father of aesthetic movement changed the minds and life style of people of 19 th century. He aimed to integrate beauty and art to expose the art of life as promoter of “Art for Art’s Sake”. Really, he influenced London society by his great domination as a great artist with extraordinary descriptive power. So he tried to criticize traditions, beliefs, customs, behaviors, rituals, and social codes of 19 th century in upper class family in which they are well- known as Victorian morality in Victorian Era. According to him people are victims of restrictions in their life then they couldn’t take enough pleasure of it. So they have to sacrifice their desires and aspirations to rescue the frame of their family customs. Thus, Wilde tried to present all conduct contrasts among contemporary people in his literary great works. Actually he depicted his thoughts against Victorian morality in one of his prominent works; An Ideal Husband (1895). An Ideal Husband is Wilde’s third play which revolves around blackmail and political corruption and touches on the themes of public and private honor. It is one of the most serious of Wilde’s social comedies and it contains very strong political overtones, ironically and cynically examining the contemporary political landscape. -
An Ideal Husband Department of Theatre, Florida International University
Florida International University FIU Digital Commons Department of Theatre Production Programs Department of Theatre Fall 9-26-2014 An Ideal Husband Department of Theatre, Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/theatre_programs Part of the Theatre and Performance Studies Commons Recommended Citation Department of Theatre, Florida International University, "An Ideal Husband" (2014). Department of Theatre Production Programs. 77. https://digitalcommons.fiu.edu/theatre_programs/77 This work is brought to you for free and open access by the Department of Theatre at FIU Digital Commons. It has been accepted for inclusion in Department of Theatre Production Programs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Theatre u • lllul llFAR lllrt1 IUIU 1111 RH theatre.fiu.edu TO ALL OUR PATRONS An Ideal Husband Students, faculty, staff and community WELCOME TO THE 2014-2015 SEASON! By Oscar Wilde On behalf of the Department of Theatre at Florida International Cast (In order of appearance) University allow me to thank you for attending this performance. We truly appreciate your interest and continuing support. Viscount Goring- Allyn Anthony (BFA Performance) 2014 - 2015 is ,roised to be a crackerjack of a season! First up is Oscar Wilde's An Ideal Husband", and for those familiar with Sir Robert Chiltern - Danny Leonard (BFA Performance) Phillip M. Church his hilarious comedy , "The Importance of Being Earnest" there Lady Chiltern - Pia Isabell Vicioso-Vila (BA) Chairperson is an interesting surprise in store. In a move to disengage from Mrs. Cheveley - Chachi Colon (BFA Performance) the world of melodrama, Wilde developed "a new play about Vicomte De Nanjac - Lovanni Gomez (BFA Performance) modem life" in which he contrasted the worlds of social opinion Lady Markby - Madeleine Escarne (BFA Performance) against the dark interior of the human condition. -
The Canterville Ghost
THE CANTERVILLE GHOST www.transeduca.com Upper Secondary School THE CANTERVILLE GHOST 2 BEFORE GOING TO THE THEATRE Welcome to The Canterville Ghost! Are you ready to go to the theatre? We are sure you will have a lot of fun! Before going to the theatre, please answer the following questions. Good luck! As you may know, The Canterville Ghost was written by Oscar Wilde. What do you know about Oscar Wilde? In groups of four, do some research on internet about the author. Find the correct answer to the following questions. Then share them with the whole class. 1. Oscar Wilde lived during the Victorian Era of the late 19th century. Can you list three interesting things about Victorian society? a)……………………………………………………………………………………………………………………………………………………………………………………………………… ………………………………………………………………………………………………………………………………………………………………………………………………………....... ....………………………………………………………………………………………………………………………………………………………………………………………………………… …………………………………………………………………………………………………………………………………………………………………………………………………….......... b)……………………………………………………………………………………………………………………………………………………………………………………………………… ………………………………………………………………………………………………………………………………………………………………………………………………………....... ....………………………………………………………………………………………………………………………………………………………………………………………………………… …………………………………………………………………………………………………………………………………………………………………………………………………….......... c)………………………………………………………………………………………………………………………………………………………………………………………………………… ……………………………………………………………………………………………………………………………………………………………………………………………………........ ...………………………………………………………………………………………………………………………………………… -
Reflection of Upper Class in an Ideal Husband and the Importance of Being Earnest
Devasi M. Chandravadiya [Subject: Social Science] International Vol. 1, Issue: 7, September 2013 Journal of Research in Humanities and Social Sciences ISSN:(P) 2347-5404 ISSN:(O)2320-771X Reflection of Upper Class in an Ideal Husband and the Importance of Being Earnest DEVASI M. CHANDRAVADIYA Assistant Teacher, Shri Arablush Primary School, Lalpur Dist. Jamnagar Gujarat (India) Abstract: Oscar Wilde is a greatest Anglo Irish play writer. He was born on 16th October, 1854, in Dublin into a protestant Anglo Irish family. He left Ireland in 1878 and spent some time in London, Paris and United States where he traveled with intent to deliver his lecture. He was not only greatest play writer but also he contributed on fiction, child literature, fairy tale and poem such various literary fields. His marvelous dramas are Salome (1891), An Ideal Husband (1895), A Woman of No Importance (1893), Importance of Being Earnest (1898) and Lady Windermere’s Fan (1892): he presented very smart way like that satire, comic, tragedy, fashion and realism. He was fabulous master of drawing the realistic sketch of the character. He unmasked the social evils and weakness of the society. Keywords: Being earnest, Society, Upper class 1. Introduction In the time of Victorian era so many social evils spread in the society and upper class of human mind. Oscar Wilde took the responsibility to expose these evils and intrigue by his splendid plays. He reveals reality through his greatest plays with his unique writing skill. 2. Luxurious life Style Oscar Wilde’s play An Ideal Husband (1895) starts with big high profile culture party. -
International Theatre Programs Collection O-018
http://oac.cdlib.org/findaid/ark:/13030/c8b2810r No online items Inventory of the International Theatre Programs Collection O-018 Liz Phillips University of California, Davis General Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/special-collections/ Inventory of the International O-018 1 Theatre Programs Collection O-018 Language of Material: English Contributing Institution: University of California, Davis General Library, Dept. of Special Collections Title: International Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-018 Physical Description: 19.1 linear feet Date (inclusive): 1884-2011 Abstract: Mostly 19th and early 20th century British programs, including a sizable group from Dublin's Abbey Theatre. Researchers should contact Special Collections to request collections, as many are stored offsite. Scope and Contents The collection includes mostly 19th and early 20th century British programs, including a sizable group from Dublin's Abbey Theatre. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], International Theatre Program Collection, O-018, Department of Special Collections, General Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.