SUSPECT (USA, 1987) (Other Titles: Suspect Presunto Colpevole)

Total Page:16

File Type:pdf, Size:1020Kb

SUSPECT (USA, 1987) (Other Titles: Suspect Presunto Colpevole) From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) S8860 SUSPECT (USA, 1987) (Other titles: Suspect presunto colpevole) Credits: director, Peter Yates ; writer, Eric Roth. Cast: Cher, Dennis Quaid, Liam Neeson. Summary: Mystery melodrama set in contemporary Washington, D.C. A Supreme Court justice takes his own life. A woman is found dead--the victim of a grisly murder. A homeless Vietnam vet (Neeson) stands accused. Kathleen Riley (Cher) is an overworked Washington, D.C. public defender who needs a vacation. Instead, she is assigned another case. But this is no ordinary crime, with no ordinary criminal. Lobbyist Eddie Sanger (Quaid) gets saddled with jury duty just when a critical bill is coming up for vote. While on jury duty, Eddie discovers evidence critical to Kathleen’s case and contacts her outside the courtroom--a violation of the law. Bizarre evidence leads Kathleen on a dangerous trail from Washington’s seamy underbelly to the highest levels of government. And the closer she gets to the answers, the more her life is in danger. Ansen, David. “The arts: Movies: A flood of October films” Newsweek 110 (Oct 19, 1987), p. 86. [Reprinted in Film review annual 1988] Baron, Anne-Marie. “Suspect” Cinema 88 430 (Feb 24-Mar 1, 1988), p. 3-5. Beale, Lewis. “Film scene: Director Peter Yates won’t be pigeonholed” Chicago tribune (Oct 29, 1987), Tempo, p. 12. [Reprinted from the Los Angeles daily news] Benson, Sheila. “Movie review: Plausibility becomes ‘Suspect’ in drama” Los Angeles times (Oct 22, 1987), Calendar, p. 1. [Reprinted in Film review annual 1988] Blowen, Michael. “Director Yates takes a back seat to actors” Boston globe (Oct 23, 1987), Arts and film, p. 54. _____________. “A provocative ‘Suspect’” Boston globe (Oct 23, 1987), Living, p. 49. Chiacchiari, Federico. “Suspect presunto colpevole” Cineforum 28/273 (Apr 1988), p. 88-9. Cook, Pam. “Suspect” Monthly film bulletin 55 (Jul 1988), p. 213. [Reprinted in Film review annual 1988] Cosford, Bill. “Get extra bag of popcorn for super suspect” Miami herald (Oct 23, 1987), p. 5D. Denby, David. “True to formula” New York 20 (Nov 2, 1987), p. 94-5. [Reprinted in Film review annual 1988] Devine, Jeremy M. Vietnam at 24 frames a second [GB] (p. 254, 355) Dufour, Dirk. “Peter Yates” Film en Televisie 370 (Mar 1988), p. 21. Ebert, Roger. [Suspect] New York post (Oct 23, 1987), p. 33. [Reprinted in Film review annual 1988] Edelstein, David. “Film: Coming up roses” Village voice 32 (Nov 2, 1987), p. 76+ [2 p.] [Reprinted in Film review annual 1988] Gray, Marianne. “Suspect” Photoplay 39 (Jul 1988), p. 24-5. Guerif, Francois. “Suspect dangereux” Revue du cinema hors ser. 35 (1988), p. 101- 2. Hinson, Hal. “Reviews: ‘Suspect’: No charges from Cher” Washington post (Oct 23, 1987), p. B1. Howe, Desson. “Everyone here’s a ‘Suspect’” Washington post (Oct 23, 1987), Weekend, p. 37. Huffhines, Kathy. “As a thriller, ‘Suspect’ doesn’t make its case” Detroit free press (Oct 23, 1987), p. 3C. Kael, Pauline. “The current cinema: Mindspeak” New Yorker 63 (Nov 16, 1987), p. 140-42+ [5 p.] Kehr, Dave. “Director, silly script are guilty parties in ‘Suspect’” Chicago tribune (Oct 23, 1987), Friday, p. A. Lally, Kevin. “Double thrills from Peter Yates in ‘Suspect’ and ‘Carroll Street’” Film journal 90 (Nov/Dec 1987), p. 14+ [2 p.] _________. “Suspect” Film journal 90 (Nov/Dec 1987), p. 49. Lanning, Michael Lee. Vietnam at the movies [GB] (p. 324) Leepson, Marc. “Suspect” Vietnam war films [GB] (Entry 581) MacCambridge, Michael (Camb). “Suspect” Variety 328 (Oct 21, 1987), p. 15+ [2 p.] Maslin, Janet. “Film: Cher and Dennis Quaid star in ‘Suspect’” New York times 137 (Oct 23, 1987), p. C14. Matthews, Tom. “Suspect” Boxoffice 124 (Jan 1988), p. R5. Mayer, Alf. “Suspect” EPD Film 5 (Mar 1988), p. 33. McGrady, Mike. “Romance sparks a fast-paced whodunit” Newsday (Oct 23, 1987), pt. III, p. 5. [Reprinted in Film review annual 1988] Molinari, Mario. “Suspect - presunto colpevole” Segnocinema 32 (Mar 1988), p. 77. Noel, Jacques (see under Septon, Monique) Novak, Ralph. [Suspect] People weekly 28 (Nov 9, 1987), p. 14. O’Toole, Lawrence. [Suspect] Maclean’s 100 (Nov 2, 1987), p. 71. Pede, Ronnie. “Suspect” Film en Televisie 370 (Mar 1988), p. 18. Rabourdin, Dominique. “Peter Yates: J’aime raconter ces histoires” Cinema 88 430 (Feb 24-Mar 1, 1988), p. 5-6. Rose, Scott. “Suspect” Films in review 39 (Feb 1988), p. 98-9. [Reprinted in Film review annual 1988] Ryan, Desmond. “‘Suspect’ makes a case for its stars” Philadelphia inquirer (Oct 23, 1987), Weekend, p. 5. Salamon, Julie. “Film: Silly thrillers and more” Wall Street journal (Oct 22, 1987), p. 36. Septon, Monique and Noel Jacques. “Suspect” Grand angle 16/103 (Mar 1988), p. 45-6. Siblet, Adrian. “Peter Yates: Director with a difference” Films and filming 405 (Jun 1988), p. 6-8. [Suspect] City limits 348 (Jun 2, 1988), p. 27. “Suspect” Film review annual 1988 Englewood, N.J. : J.S. Ozer, 1981- (p. 1475-82) [Suspect] Hollywood reporter 299/25 (Oct 21, 1987), p. 3, 25. [Suspect] Listener 119/3065 (Jun 2, 1988), p. 41. [Suspect] Marriage and family living 70 (Feb 1988), p. 25. “Suspect” Motion picture guide annual (edited by Jay Robert Nash and Stanley Ralph Ross) Chicago : Cinebooks, 1987-2000. (1988, p. 287-8) [Suspect] Screen international 626 (Nov 14, 1987), p. 20. [Suspect] St. Anthony messenger 95 (Jan 1988), p. 4. [Suspect] Time out 928 (Jun 1, 1988), p. 30. Tucker, Guy. “Record reviews: ‘Suspect’ / Michael Kamen” Soundtrack! The collector’s quarterly 7 (Mar 1988), p. 15-16. Tybjerg, Casper. “Draebende” Kosmorama 34/184 (summer 1988), p. 48. Walker, John. “Suspect” Video 12 (Sep 1988), p. 122+ Walker, Mark Edward. Vietnam veteran films [GB] (p. 55) Welsh, James M. “Suspect” Magill’s cinema annual Englewood Cliffs, N.J. : Salem Press, 1982- (1988, p. 335-8) c2005 J.K.M. Enterprises .
Recommended publications
  • Peter Yates Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​
    Peter Yates Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Mother, Jugs & Speed https://bg.listvote.com/lists/film/movies/mother%2C-jugs-%26-speed-1022373/actors The Saint https://bg.listvote.com/lists/film/movies/the-saint-1248868/actors Eleni https://bg.listvote.com/lists/film/movies/eleni-131840/actors The Hot Rock https://bg.listvote.com/lists/film/movies/the-hot-rock-1546058/actors Eyewitness https://bg.listvote.com/lists/film/movies/eyewitness-1755573/actors Krull https://bg.listvote.com/lists/film/movies/krull-195710/actors Suspect https://bg.listvote.com/lists/film/movies/suspect-1971726/actors For Pete's Sake https://bg.listvote.com/lists/film/movies/for-pete%27s-sake-2064242/actors The Friends of Eddie Coyle https://bg.listvote.com/lists/film/movies/the-friends-of-eddie-coyle-2184262/actors An Innocent Man https://bg.listvote.com/lists/film/movies/an-innocent-man-2365668/actors Bullitt https://bg.listvote.com/lists/film/movies/bullitt-261209/actors Don Quixote https://bg.listvote.com/lists/film/movies/don-quixote-3035885/actors Murphy's War https://bg.listvote.com/lists/film/movies/murphy%27s-war-335041/actors One Way Pendulum https://bg.listvote.com/lists/film/movies/one-way-pendulum-3352667/actors Roommates https://bg.listvote.com/lists/film/movies/roommates-379190/actors Year of the Comet https://bg.listvote.com/lists/film/movies/year-of-the-comet-3818641/actors Curtain Call https://bg.listvote.com/lists/film/movies/curtain-call-428489/actors The Deep https://bg.listvote.com/lists/film/movies/the-deep-494367/actors The Dresser
    [Show full text]
  • Alun Armstrong
    ALUN ARMSTRONG Film: Cordelia Roger Studio Pow Adrian Shergold Possum Maurice Matthew Holness Thefyzz Funny Cow Lenny Adrian Shergold Gizmo Films Out Of Innocence Detective Callaghan Danny Hiller Defiant Films Golden Years Sid John Miller Molifilms Ent Eragon Uncle Garrow Stefen Fangmeier Fox 2000 Pictures Oliver Twist Mr Fang Roman Polanski R. P Productions Millions St Peter Danny Boyle Pathe Pictures International Van Helsing Cardinal Jinette Stephen Sommers Universal Paradise Found Pissaro Mario Andreacchio Adelaide Motion Pictures It's All About Love Manager Thomas Vinterberg Nimbus Films The Mummy Returns The Curator Stephen Sommers Universal Proof Of Life Wyatt Taylor Hackford Castlerock Harrison's Flowers Samuel Brubeck Ellie Chouraqui 7 Films Cinema Strictly Sinatra* Bill Collins Peter Capaldi Blue Orange Sleepy Hollow Hugh Constable Tim Burton Paramount Greenwich Mean Time Uncle Henry John Strickland Anvil Films With Or Without You Sammy Michael Winterbottom Revolution Films Onegin Zaretsky Martha Fiennes 7 Arts Entertainment The Saint Inspector Teale Philip Noyce Paramount Pics Braveheart Mornay Mel Gibson Icon Entertainment An Awfully Big Adventure Uncle Vernon Mike Newell Heathyard Ltd Black Beauty Reuben Caroline Thompson Warner Bros Blue Ice Osgood Russell Mulcahy B B C / Working Title Patriot Games Owen Philip Noyce Paramount Split Second Thrasher Tony Maylam Split Second Prods London Kills Me Stone Hanif Kureishi Working Title The Widow Maker The Father John Madden Central Films Ltd American Friends Weeks Tristram Powell
    [Show full text]
  • Peter Yates, Un Inglese Alla Corte Di Hollywood
    CULTURA E SPETTACOLI ••Mum—ianga Sta per uscire «Suspect» Incontro con il regista: Teatro. Leo presenta «Macbeth» giallo giudiziario «Mi piace cambiare con Cher e Dennis Quaid adesso farò una commedia La libertà ambientato a Washington sulla televisione» di Shakespeare William Shakespeare e Leo de Berardtnis un in­ contro lungo e particolarissimo. Che passa per le passioni della sceneggiata come per i suoni della Peter Yates, un inglese tragedia. Dagli anni del «Teatro di Malignano» di Leo e Perla alla recente tnlogia per Nuova Scena, Ora Leo ripropone Macbeth da giovedì, al Teatro Ateneo, con una nuova produzione che segna un Il ministro Carrara alla corte di Hollywood ultenore sviluppo nella sua filosofia teatrale. Washington toma di moda al cinema. A un mese NICOLA FANO Teatro da Senza scampo, ecco un altro giallo ambientato •I ROMA «Il palcoscenico guaggi emoilvi da parecchio, nella capitale degli Stati Uniti, all'ombra dei marmi sarà nero vuoto di oggetti e li tealro di Leo proprone un Il ministro di Capitol Hill e della Casa Bianca Si chiama Su­ pieno di luci e di ombre Per viaggio complesso e colto al- spect, e lo vedremo presto sui nostri schermi L'ha che il palcoscenico è il mon l interno dell uomo e delie diretto il britannico Peter Yates, mettendo insieme do» Leo de Berardinis ripro­ sue sensazioni primitive Que­ e la ricerca pone Macbeth di Shakespea­ sto Macbelh (che segna l'e­ un cast dove spiccano Cher e Dennis Quaid. La re La prima volta si chiamava sordio produttivo, per altro, parola al regista, in Italia per promuovere
    [Show full text]
  • Jewish Experience on Film an American Overview
    Jewish Experience on Film An American Overview by JOEL ROSENBERG ± OR ONE FAMILIAR WITH THE long history of Jewish sacred texts, it is fair to characterize film as the quintessential profane text. Being tied as it is to the life of industrial science and production, it is the first truly posttraditional art medium — a creature of gears and bolts, of lenses and transparencies, of drives and brakes and projected light, a creature whose life substance is spreadshot onto a vast ocean of screen to display another kind of life entirely: the images of human beings; stories; purported history; myth; philosophy; social conflict; politics; love; war; belief. Movies seem to take place in a domain between matter and spirit, but are, in a sense, dependent on both. Like the Golem — the artificial anthropoid of Jewish folklore, a creature always yearning to rise or reach out beyond its own materiality — film is a machine truly made in the human image: a late-born child of human culture that manifests an inherently stubborn and rebellious nature. It is a being that has suffered, as it were, all the neuroses of its mostly 20th-century rise and flourishing and has shared in all the century's treach- eries. It is in this context above all that we must consider the problematic subject of Jewish experience on film. In academic research, the field of film studies has now blossomed into a richly elaborate body of criticism and theory, although its reigning schools of thought — at present, heavily influenced by Marxism, Lacanian psycho- analysis, and various flavors of deconstruction — have often preferred the fashionable habit of reasoning by decree in place of genuine observation and analysis.
    [Show full text]
  • WED 5 SEP Home Home Box Office Mcr
    THE DARK PAGESUN 5 AUG – WED 5 SEP home home box office mcr. 0161 200 1500 org The Killing, 1956 Elmore Leonard (1925 – 2013) The Killer Inside Me being undoubtedly the most Born in Dallas but relocating to Detroit early in his faithful. My favourite Thompson adaptation is Maggie A BRIEF NOTE ON THE GLOSSARY OF life and becoming synonymous with the city, Elmore Greenwald’s The Kill-Off, a film I tried desperately hard Leonard began writing after studying literature and to track down for this season. We include here instead FILM SELECTIONS FEATURED WRITERS leaving the navy. Initially working in the western genre Kubrick’s The Killing, a commissioned adaptation of in the 1950s (Valdez Is Coming, Hombre and Three- Lionel White’s Clean Break. The best way to think of this season is perhaps Here is a very brief snapshot of all the writers included Ten To Yuma were all filmed), Leonard switched to Raymond Chandler (1888 – 1959) in the manner of a music compilation that offers in the season. For further reading it is very much worth crime fiction and became one of the most prolific and a career overview with some hits, a couple of seeking out Into The Badlands by John Williams, a vital Chandler had an immense stylistic influence on acclaimed practitioners of the genre. Martin Amis and B-sides and a few lesser-known curiosities and mix of literary criticism, geography, politics and author American popular literature, and is considered by many Stephen King were both evangelical in their praise of his outtakes.
    [Show full text]
  • Fallece Peter Yates
    10/01/2011 21:43 Cuerpo E Pagina 3 Cyan Magenta Amarillo Negro KIOSKO | MARTES 11 DE ENERO DE 2011 | EL SIGLO DE DURANGO 3 Fallece Peter Yates EFE tro homónima de Ronald Londres, Inglaterra Harwoood. El cineasta británico Peter Ya- EL GRAN ÉXITO tes, director de la película Bu- El éxito de Robbery (1967), pe- llit, protagonizada por Steve lícula de ficción inspirada en McQueen, murió el domingo el gran robo del tren de Glas- en Londres a los 82 años tras gow de 1963, que inauguró un larga enfermedad, según la género de “thrillers” de ro- publicación Deadline. bos de banco, le abrió las En la amplia filmografía puertas de Hollywood. de Yates, nacido en Aldershot Allí hizo su primera pelí- (Hampshire) en 1929, figuran cula estadounidense, Bullit también otros filmes famosos (1968), considerado un clási- AGENCIAS Adiós. El fin de semana murió como John and Mary, Sus- co de las películas de perse- en Reino Unido. AGENCIAS pect, The Dresser o The cución con las trepidantes Friends of Eddie Coyle. escenas de persecución de Vaughan). LUNA, ¿INVOLUCRADO EN Estuvo cuatro veces no- automóviles por las empina- En 1969, Yeats dirigió minado a los Oscar, primero das calles de San Francisco. John y Mary, con Dustin CONTRABANDO? como mejor director y mejor Aquel filme ganó el Os- Hoffmann y Mia Farrow,y dos Diego Luna está en negociaciones para integrarse al elenco de la cinta Contraband, protagonizada por Mark productor por Breaking car al mejor montaje y logró años después, Murphy’s War, Whalberg y Kate Beckinsale. La revista Variety publicó que el actor mexicano podría interpretar a un contraban- Away (1979), y después con de paso cuatro Globos de relato bélico ambientado en la dista, en el filme dirigido por Baltasar Kormákur.
    [Show full text]
  • Newsletter C-14
    NEWSLETTER C-14 It’s Summertime, and the living is easy … We have reached the halfway point in this challenging year and still there is no certainty about when we can return to our familiar Wednesday evening slots. At least we have warmer weather, and in the words of Gershwin’s famous tune, the fish are jumpin and the cotton is high, so perhaps you are bbqing in the garden with a rigged up white sheet and all the necessary technology for an outdoors screening of a favourite summer movie? Of course, open-air cinema is no new thing, and Southampton has boasted just a few such presentations over the past few years. In 2020, several films were scheduled such as The Breakfast Club and Dirty Dancing, and it is rumoured that on the weekend of July 10/11 this year there will be two outdoor screenings in the city, but it is not clear where or when. Nevertheless, going back through the years, there are plenty of summery film titles to consider for your back garden shindig (and yes, we (still/always) know what you did last summer) … Perhaps the best place to start our list of aestival films is, well, A Summer Place, a 1959 romantic drama directed by Delmer Daves, known for his 3.10 to Yuma (the original) and many other great westerns. In the U.K. Percy Faith’s version of the theme song from the film, which won a Grammy, is probably better remembered than the film itself. On a similarly musical note, how well you recall A Summer Holiday may depend on your age – it hit our fab screens (and the pop charts) in 1963 just when continental travel was beginning to open up to Britons (oh, how times are different presently).
    [Show full text]
  • New Endowments Given
    50th year of ^Scribe publication The Num ber One College Newspaper .In the Northeast University of Bridgeport 52:2 September 13, 1979 25 cents New endowments given By GEORGE DALEK NEWS EDITOR Nine University faculty members were awarded endowed profes­ sorships in recognition of their scholarly achievements and teach­ ing abilities in the fields of accounting, history, music, gerontology, psychology, engineering, chemistry, and computer science. Univesity President Leland Miles introduced the new endowed chair holders to students assembled at Mertens Theatre for the Uni­ versity’s opening convocation last Thursday. The endowed chairs, named for special donors, provide the faculty members with a stipend (a fixed or regular payment), which depends on the size and terms of the original gifts. The nine faculty members were recommended by a faculty com­ mittee and the Deans’ Council. Awarded chairs were: Noble D. Cook, history; Andrew Demotses, accounting; Mark Edinberg, gerontol­ ogy; Alberta S. Gilinsky, psychology; Roger S. Pressman, computer engineering; Robert Preston, music; Dhwanwant S. Sethi, chemistry; Igal Staw, biomedical engineering; and Boris Verkhovsky, mathe­ matics. “Today the nine new chairs awards bring the total to 28, making UB one of the few universities in the country to have such an exten­ sive program in recognition of faculty achievement,” said Miles. Three University professors were awarded endowed chairs last May at the University’s commencement exercises. They were: Christopher Collier, history; Martin Margulies, law; and Richard Allen, literature. At a press conference held last Friday, Miles stated that before he reactivated the endowed chairs program in 1976,15 of the 28 chairs had lapsed.
    [Show full text]
  • Download Breaking Away Free Ebook
    BREAKING AWAY DOWNLOAD FREE BOOK Anna Gavalda, Alison Anderson | 144 pages | 14 May 2012 | Gallic Books | 9781908313010 | English | London, United Kingdom “Breaking Away” quotes Elizabeth Flock is a reporter and producer for the NewsHour. Barbara Breaking Away as Mom. Don't have an account? I got up the next morning and went to the set. Official Sites. Peter Maloney Doctor. I mean, Breaking Away I am, I gotta live in this stinkin' town and I gotta read in the newspapers about some hot shot kid - new star of the college team. The only thing missing is a trick-or-treat bag missing from my arm. York Breaking Away J. Clear your history. So anyway, then the Peter [Yates, the director] and the writer Steve [Teisch] came back to my hotel room to talk to me. It's a great sports drama about both bikes and growing up. See the full list. Fred Gorman. Do you Breaking Away the person or title these Breaking Away desc Four buddies live in Bloomington, Indiana, facing life as working class "cutters" in a college town. Add Article. Leave a comment. In a summer of big-budget movies that are insults to the intelligence, here's a little film about coming of age in Bloomington, Ind. This section possibly contains original research. Eric Humbold. Owner of Car Wash. Use the HTML below. Looking for some great streaming Breaking Away Retrieved April 14, Sports Film. What if you Breaking Away him a job? And still, I like it. Step 2 of 2 How did you buy your ticket? Dennis Quaid.
    [Show full text]
  • Abortion Is Debated at Stony Brook by Debra Marcus "Kill Her Today and It's Called Murder
    II 11. No. 20 *Universitv Community's I 'eThur il 16.1981 A Fight of Rights Abortion is Debated at Stony Brook By Debra Marcus "Kill her today and it's called murder. Kill her yes- terday and it's called abortion," read a Long Island Coalition for Life flier handed out by anti-abortionists ul" during NYPIRG's "Days of Women Forum" heldlast Wednesday and Thursday in the Stony Brook Union. The forum, organized by Jeanne Williamson and Manuels Grove of NYPIRG, was set up to "raise con- sciousness of men and women on campus." rilEd Right-to-Life activist Phyllis Graham. who attemp- ted to deliver a speech on Thursday promoting the pro-life platform, could scarcely be heard above angry and emotional shouts of dissent from the audience, IV which was, for the most part, in favor of legalized abortion. While some students attending the lecture remained I restrained, approximately 25 of the 50 present pro- tested the right-to-lifer with a poster proclaiming. "PRO-LIFE=MORAL MAJORITY=RACISM=SEX- ISM=THE KLAN=NAZIS=OPPRESSION- =DEATH." Amidst cat-calls, Graham explained. "Why I am here comes from my belief in a judging Pro-choice rally on the steps of New York City's St. (Continued on page 5) Patrick's Cathedral. Pine Barren Pitch The crucial debate over L.L's water supply continues by Linda Scott in the underground acjuifers that provide Long Island with its only source of fresh water. Sixty wells have been You're driving east on Montauk Parkway, eager fo. dclosed in Nassau and Suffolk because of contamination.
    [Show full text]
  • Includes Our Main Attractions and Special
    Hiway Theater Previews103H MARCH – JUNE 2018 Humphrey Bogart in THE TREASURE OF THE SIERRA MADRE TREASURE OF THE Bogart in Humphrey INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS H IWAYT HEATER.ORG 267 864 0065 Welcome to the nonprofit Hiway Theater The Hiway Theater is a nonprofit, tax-exempt 501(c)(3) organization. Policies ADMISSION Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated. General ............................................................$11.25 Late Arrivals – The Theater reserves the right to stop selling Members ...........................................................$6.75 tickets (and/or seating patrons) 10 minutes after a film has Seniors (62+) & Students ..................................$9.00 started. Matinees Outside Food and Drink – Patrons are not permitted to bring Mon, Tues, Thurs & Fri before 4:30 outside food and drink into the theater. Sat & Sun before 2:30 .....................................$9.00 Wed Early Matinee before 2:30 ........................$8.00 Accessibility & Hearing Assistance – The Hiway Theater has a wheelchair-accessible auditorium and restroom, and is Affiliated Theater Members* .............................$6.75 equipped with hearing enhancement headsets and closed cap- You must present your membership card to obtain membership discounts. tion devices. (Please inquire at the concession stand.) The above ticket prices are subject to change. Parking Check our website for parking information. THANK YOU MEMBERS! Your membership is the foundation of the theater’s success. Without your membership support, we would not How can you support the Hiway Theater? exist. Thank you for being a member. Contact us with your feedback Be a member. or questions at 215 348 1878 x115 or email us at Become a member of the non- [email protected].
    [Show full text]
  • Sports Movies Filmed in and About Indiana
    Getting to Know... Sports Movies Filmed in and About Indiana Indiana is renowned not only as a state that loves its sports, but one that has contributed many indelible moments in basketball, football, auto racing and more. It’s no surprise then that over the last three-plus decades, Indiana has been the setting for some of the greatest sports films ever made – most of which are based (albeit some more loosely than others) on real-life events and Hoosiers. Enjoy this stroll down memory lane that mixes the basics and perhaps the not-so-well-known details of three classics. 42 BizVoice/Indiana Chamber – January/February 2011 Breaking Away Summary: Four close friends – all recent high school graduates from working-class families in Bloomington – reflect on their uncertain futures and band together to win the Indiana University Little 500 bicycle race. Year released: 1979 Domestic total gross: Approximately $16.4 million Director: Peter Yates Actors: Dennis Christopher, Dennis Quaid, Daniel Stern Food fight! When Indiana University students try to intimidate the “Cutters,” a brawl breaks out at the student union cafeteria and Jackie Earle Haley (Breaking Away photos courtesy of 20th Century Fox). Filming locations: Bloomington and Nashville The radio announcer for the Little 500 is David K. Blase, Major awards: who inspired the role of Stoller. The Italian-loving cyclist • Academy Award winner (Best Original Screenplay) competed with Breaking Away writer Steve Tesich in the race • Golden Globe Award winner (Best Motion Picture – Musical in 1962. Blase led his team to victory by completing nearly or Comedy) 140 of 200 laps on his own.
    [Show full text]