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Stanford Tape Collection ARS.0112
http://oac.cdlib.org/findaid/ark:/13030/kt8x0nf8dx No online items Guide to the Stanford Tape Collection ARS.0112 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Stanford Tape ARS.0112 1 Collection ARS.0112 Descriptive Summary Title: Stanford Tape Collection Dates: 1940-2007 Date (bulk): Bulk, 1960-1980 Collection number: ARS.0112 Repository: Archive of Recorded Sound Collection size: 14 boxes: 317 open reel tapes (37 5" reels ; 200 7" reels ; 80 10.5" reels) ; 5 videocassettes ; 7 video reels ; 1 film (8mm) ; 2 compact discs ; one binder Abstract: Historic music and speech recordings on open reel tape, made on the campus of Stanford University. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Stanford Tape Collection, ARS-0112. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Stanford Tape Collection consists of historic music and speech recordings made on the campus of Stanford University. -
Buffalo Chamber Music Society 1924-2019 Ensembles – Artists
BUFFALO CHAMBER MUSIC SOCIETY 1924-2019 ENSEMBLES – ARTISTS ACADEMY OF ST. MARTIN IN THE FIELDS, IONA BROWN, Director and violin soloist ACADEMY OF ST. MARTIN IN THE FIELDS OCTET Kenneth Sillito, violin, leader; Harvey de Souza, violin; Mark Butler, violin; Paul Ezergailis, violin Robert Smissen, viola; Duncan Ferguson, viola; Stephen Orton, cello; John Heley, cello AIZURI QUARTET Emma Frucht & Miho Saegusa, violins; Ayane Kozasa, viola; Karen Ouzounian, cello ; ALBENERI TRIO Alexander Schneider, violin; Benar Heifetz, cello; Erich Itor Kahn, piano – 1945, 1948 Giorgio Ciompi, violin; Benar Heifetz, cello; Erich Itor Kahn, piano 1951, 1952,1955 Giorgio Ciompi, violin; Benar Heifetz, cello, Ward Davenny, piano 1956, 1958 Giorgio Ciompi, violn; Benar Heifetz, cello; Arthur Balsam, piano 1961 ALEXANDER SCHNEIDER AND FRIENDS Alexander Schneider, violin; Ruth Laredo, piano; Walter Trampler, viola, Leslie Parnas, cello 1973 Alexander Schneider, violin; Walter Trampler, viola; Laurence Lesser, cello; Lee Luvisi, piano 1980 ALEXANDER STRING QUARTET Eric Pritchard, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1988 Ge-Fang Yang, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1994 Zakarias Grafilo, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 2006 ALMA TRIO Andor Toth, violin; Gabor Rejto, cello; Adolph Baller, piano 1967 Andor Toth, violin; Gabor Rejto, cello; William Corbett Jones, piano 1970 ALTENBERG TRIO Claus-Christian Schuster, piano; Amiram Ganz, -
Coleman Chamber Concerts Ensembles & Musicians (1904-2020)
COLEMAN CHAMBER CONCERTS ENSEMBLES & MUSICIANS (1904-2020) (Dates in bold face type are Competition Winners Concert performances, including the prize awarded.) ENSEMBLE/MUSICIANS PERFORMANCE DATE ABAS STRING QUARTET............................................................................................................................................................. Feb 1937, Apr 1937 Nathan Abas, violin; Hubert Sorenson, violin; Abraham Weiss, viola; Flori Gough, cello ACADEMY OF ANCIENT MUSIC ................................................................................................................................................................ Feb 2008 Richard Egarr, director, harpsichord; Pavlo Beznosiuk, Pierre Joubert, Persephone Gibbs, violin I; Rodolfo Richter, Joanna Lawrence, Iwona Muszynska, violin II; Trevor Jones, viola; Joseph Crouch, cello; Tim Amherst, double bass; William Carter, theorbo; Rachel Brown, flute ACADEMY OF ST MARTIN IN THE FIELDS CHAMBER ENSEMBLE Kenneth Sillito, Malcolm Latchem, violin; Robert Smissen, viola; Stephen Orton, cello; Paul Marrion, double bass; Andrew Marriner, clarinet; Graham Sheen, bassoon; Timothy Brown, French horn ................................................................................. Mar 1994 Kenneth Sillito, Harvey de Souza, Mark Butler, Paul Ezergailis, violin; Robert Smissen, Duncan Ferguson, viola; Stephen Orton, John Heley, cellos ............................................................................................................................................................ -
Jonathan Elkus Oral History
Jonathan Elkus Oral History San Francisco Conservatory of Music Library & Archives San Francisco Conservatory of Music Library & Archives 50 Oak Street San Francisco, CA 94102 Interview conducted November 26 and December 14, 2012 Sam Smith and Tessa Updike, Interviewers San Francisco Conservatory of Music Library & Archives Oral History Project The Conservatory’s Oral History Project has the goal of seeking out and collecting memories of historical significance to the Conservatory through recorded interviews with members of the Conservatory's community, which will then be preserved, transcribed, and made available to the public. Among the narrators will be former administrators, faculty members, trustees, alumni, and family of former Conservatory luminaries. Through this diverse group, we will explore the growth and expansion of the Conservatory, including its departments, organization, finances and curriculum. We will capture personal memories before they are lost, fill in gaps in our understanding of the Conservatory's history, and will uncover how the Conservatory helped to shape San Francisco's musical culture through the past century. Jonathan Elkus Interview This interview was conducted in two sessions at the San Francisco Conservatory of Music on Monday, November 26 and Friday, December 14, 2012 by Sam Smith and Tessa Updike. Sam Smith Sam Smith is a communications and marketing specialist as well as a classical tenor and violist. Currently a publicist with the San Francisco Film Society, he served as director of communications for the San Francisco Conservatory of Music from 2012 to 2015. He appears regularly with many of the region’s leading ensembles, including the San Francisco Symphony, the Grace Cathedral Choir of Men and Boys, American Bach Soloists and Cappella SF, among others. -
Roman Totenberg Papers
Roman Totenberg Papers Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2014 Revised 2016 September Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu014004 LC Online Catalog record: http://lccn.loc.gov/2013568043 Processed by the Music Division of the Library of Congress Collection Summary Title: Roman Totenberg Papers Span Dates: 1846-2011 Bulk Dates: (bulk 1930s-2000s) Call No.: ML31.T65 Creator: Totenberg, Roman Extent: 9,350 items ; 100 containers ; 45.5 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Roman Totenberg was a Polish-American violinist and teacher. The collection contains annotated music scores, correspondence, business files, biographical materials, photographs, programs, clippings and other materials that document his life and career as a twentieth-century master of the violin. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Flesch, Carl, 1873-1944--Correspondence. Flesch, Carl, 1873-1944--Photographs. Kolsky, Ilka. Menuhin, Yehudi, 1916-1999--Photographs. Milhaud, Darius, 1892-1974--Correspondence. Milhaud, Darius, 1892-1974--Photographs. Milhaud, Madeleine--Correspondence. Rubinstein, Artur, 1887-1982--Photographs. Schuman, William, 1910-1992--Correspondence. Stravinsky, Soulima, 1910-1994--Correspondence. Stravinsky, Soulima, 1910-1994--Photographs. Szymanowski, Karol, 1882-1937--Photographs. Totenberg, Roman--Archives. Totenberg, Roman--Correspondence. -
UC Santa Cruz Other Recent Work
UC Santa Cruz Other Recent Work Title George Barati: A Life in Music Permalink https://escholarship.org/uc/item/5zs7n9hv Authors Barati, George Jarrell, Randall Regional History Project, UCSC Library Publication Date 1991 Supplemental Material https://escholarship.org/uc/item/5zs7n9hv#supplemental eScholarship.org Powered by the California Digital Library University of California Table of Contents Introduction vii LIFE IN HUNGARY Childhood and Early Life 1 Franz Liszt Conservatory 9 Budapest Concert Orchestra 18 Comparing European and American Classical Musical Culture 20 Touring America with the Hungarian Gypsy Orchestra 23 A Blossoming Career in Budapest 25 THE PRINCETON YEARS Settling in America: Princeton, New Jersey 32 Meeting Roger Sessions 36 Playing String Quartets With Albert Einstein 39 Tanglewood Music Festival 42 Establishing the RCA Labs Orchestra 42 Conducting the Princeton Choral Union 46 Life in the U.S. Army 49 THE SAN FRANCISCO YEARS Arriving in San Francisco 55 Auditioning for the San Francisco Symphony 56 California String Quartet and the Barati Chamber Orchestra 59 Meeting Ruth Barati 60 The Composers' Forum 67 Marriage to Ruth Barati 71 Recording Barati's String Quartet 72 Resignation from the San Francisco Symphony 76 SETTLING IN HAWAII The Honolulu Symphony 80 Integrating the Honolulu Symphony 84 Building a Musical Life in Hawaii 87 The MacDowell Colony 90 The American Symphony League 92 The Honolulu Symphony Grows 95 Music Composition 98 An International Career 100 Mitropoulos Conducting Competition 104 Conducting in Japan 105 A Year in the Life of George Barati 108 Social Life in Hawaii 109 The Berlioz Society 113 Innovations with the Honolulu Symphony 113 Conflicts with Honolulu Symphony 114 James Michener 120 RETURNING TO CALIFORNIA Villa Montalvo 122 Noelani 123 That Jungle Called Musical Life 126 Santa Cruz Symphony 129 Ernest T. -
Bonnie Hampton Oral History
Bonnie Hampton Oral History San Francisco Conservatory of Music Library & Archives San Francisco Conservatory of Music Library & Archives 50 Oak Street San Francisco, CA 94102 Interview conducted April 1 and 2, 2013 Tessa Updike, Interviewer San Francisco Conservatory of Music Library & Archives Oral History Project The Conservatory’s Oral History Project has the goal of seeking out and collecting memories of historical significance to the Conservatory through recorded interviews with members of the Conservatory's community, which will then be preserved, transcribed, and made available to the public. Among the narrators will be former administrators, faculty members, trustees, alumni, and family of former Conservatory luminaries. Through this diverse group, we will explore the growth and expansion of the Conservatory, including its departments, organization, finances and curriculum. We will capture personal memories before they are lost, fill in gaps in our understanding of the Conservatory's history, and will uncover how the Conservatory helped to shape San Francisco's musical culture through the past century. Bonnie Hampton Interview This interview was conducted in two sessions at the San Francisco Conservatory of Music on Monday, April 1 and Tuesday, April 2, 2013 by Tessa Updike. Tessa Updike Tessa Updike is the archivist for the San Francisco Conservatory of Music. Tessa holds a B.A. in visual arts and has her Masters in Library and Information Science with a concentration in Archives Management from Simmons College in Boston. Previously she has worked for the Harvard University Botany Libraries and Archives and the Bancroft Library at the University of California, Berkeley. Use and Permissions This manuscript is made available for research purposes. -
Specific Area and at a Specific Level of Music Provided for Locating
DOCUMENT RESUME EM 006 854 ED 022 380 By- Shetler, Donald J. FILM GUIDE FOR MUSIC EDUCATORS. Music Educators NationalConference, Washington, D.C. Pub Date 68 Note-93p. Department of theNational Education'Assn., 1201 Available from-Music EducatorsNational Conference, A 16th St., N.W., Washington, D.C.20036 ($2.50). EDRS Price MF-$0.50 HC NotAvailable from EDRS. *INSTRUCTIONAL FILMS,INSTRUCTIONAL Descrj)tors- AUDIOVISUALAIDS,*CATALOGS, *FILMSTRIPS, MATERIALS, MUSIC, *MUSICEDUCATION and filmstrips in thiscatalog were producedfor use on The music oriented films designed to be used in a instructional, educational, orcommercial television, or were specific level of musicteaching. Many of thelistings should be specific area and at a Two indices are of interest to teachersof general music at thesecondary school level. provided for locatingdesired films and filmstrips inthe guide. One contains an second is a simple,topical index withlistings under nine alphabetical title listing. The Biographies, Band, broad topics includingMusical Performance,Flistories of Music and of Music, Acoustics,Music as a Orchestra, the Teaching ofMusic, Visual Interpretation by page to a Career, and MusicFestivals. From these indicesthe user is referred each film. These descriptionscontain a production ordistribution short description of white or color; length; series source; dateof release, when available;type, black and short content analysisincluding performers, music .title, where applicable; and a apdiovisual books performed, sublect matter,and production data.A bibliography of information on instructionalmedia and materials,and a and periodicals likely to contain additional film listing of current addressesof film distributorsand producers having and purchase rateinformation are included. (MT) PROCESS WITH MICROFICHE AND PUBLISHER'S PRICES. MICRO- FICHE REPRODUCTION ONLY. -
Marilyn Thompson Oral History
Marilyn Thompson Oral History San Francisco Conservatory of Music Library & Archives San Francisco Conservatory of Music Library & Archives 50 Oak Street San Francisco, CA 94102 Interview conducted June 29, 2016 Tessa Updike, Interviewer San Francisco Conservatory of Music Library & Archives Oral History Project The Conservatory’s Oral History Project has the goal of seeking out and collecting memories of historical significance to the Conservatory through recorded interviews with members of the Conservatory's community, which will then be preserved, transcribed, and made available to the public. Among the narrators will be former administrators, faculty members, trustees, alumni, and family of former Conservatory luminaries. Through this diverse group, we will explore the growth and expansion of the Conservatory, including its departments, organization, finances and curriculum. We will capture personal memories before they are lost, fill in gaps in our understanding of the Conservatory's history, and will uncover how the Conservatory helped to shape San Francisco's musical culture through the past century. Marilyn Thompson Interview This interview was conducted at the San Francisco Conservatory of Music on June 29, 2016 by Tessa Updike. Tessa Updike Tessa Updike is the archivist for the San Francisco Conservatory of Music. Tessa holds a B.A. in visual arts and has her Masters in Library and Information Science with a concentration in Archives Management from Simmons College in Boston. Previously she has worked for the Harvard University Botany Libraries and Archives and the Bancroft Library at the University of California, Berkeley. Use and Permissions This manuscript is made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved for the San Francisco Conservatory of Music.