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PUFFIN BOOKS by ROALD DAHL the BFG Boy: Tales of Childhood
PUFFIN BOOKS BY ROALD DAHL The BFG Boy: Tales of Childhood Charlie and the Chocolate Factory Charlie and the Great Glass Elevator Danny the Champion of the World Dirty Beasts The Enormous Crocodile Esio Trot Fantastic Mr. Fox George's Marvelous Medicine The Giraffe and the Pelly and Me Going Solo James and the Giant Peach The Magic Finger Matilda The Minpins Roald Dahl's Revolting Rhymes The Twits The Vicar of Nibbleswicke The Witches The Wonderful Story of Henry Sugar and Six More ROALD DAHL The BFG ILLUSTRATED BY QUENTIN BLAKE PUFFIN BOOKS For Olivia 20 April 1955—17 November 1962 PUFFIN BOOKS Published by the Penguin Group Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Books Ltd, 27 Wrights Lane, London W8 5TZ, England Penguin Books Australia Ltd, Ringwood, Victoria, Australia Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2 Penguin Books (N.Z.) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England First published in Great Britain by Jonathan Cape Ltd., 1982 First published in the United States of America by Farrar, Straus and Giroux, 1982 Published in Puffin Books, 1984 Reissued in this Puffin edition, 1998 7 9 10 8 6 Text copyright © Roald Dahl, 1982 Illustrations copyright © Quentin Blake, 1982 All rights reserved THE LIBRARY OF CONGRESS HAS CATALOGED THE PREVIOUS PUFFIN BOOKS EDITION UNDER CATALOG CARD NUMBER: 85-566 This edition ISBN 0-14-130105-8 Printed in the United States of America Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
The Magic Finger Decision Alley
The Magic Finger Lesson Decision Alley plan Overview Learning objective • To be able to present a reasoned argument. Learning outcome • To enter a debate for or against killing wildlife for food or resources. Book reference • The Magic Finger. Cross-curricular link • Literacy, History, Geography, Drama, Personal, Social, Health and Citizenship Education. Preparation • Prior to the lesson, the children have researched the killing of animals for various ends in different countries (e.g. elephants for ivory, lions for skin, fox-hunting and so on). Starter • Summarise the moral of The Magic Finger. • Recap main points from the book through quickfire questions: - Why do Mr and Mrs Gregg want to shoot ducks at the beginning of the story? - Why is the Girl against shooting ducks? The Roald Dahl Museum and Story Centre www.roalddahl.com/museum Registered charity number 1085853 | Company limited by guarantee number 4178505 Illustrations © Quentin Blake The Magic Finger - Decision Alley cont. Main teaching activity • Students divide into groups. Some groups are for killing wildlife and others against killing wildlife. They prepare their arguments. • Make a decision alley. The children stand in two lines facing each other. One line represents for, and the other against. One child walks between the two lines (the alley) and while walking, the children in the two lines state reasons for or against the argument. Group or independent activity • Run a class debate. There is one line of for, and another against. One person from each side is allowed to speak for 1 minute giving their arguments. Then volunteers can continue to debate the issue back and forth. -
ECFA Journal 4/2017
interviews Revolting Rhymes Room 123 Journal Rintje No. 4 | 2017 ECFA Seminar report December Photo: Revolting Rhymes www.ecfaweb.org INDEX EDITORIAL 3-5 Revolting Rhymes Interview Always worth taking a spective. Through visual practice we can take part in 6-7 ECFA Award 2018 each other’s perspectives and experiences. In a de- mocratic society we must be able to make visible a 8-9 Room 123 different perspective diversity of perspectives, to make the image of our Interview society complex and nuanced.” 10 Joe Boots Can Cinderella’s Prince be an obnoxious guy? Is a na- Doxspot ive type of animation a suitable format for discus- Therefore enjoy taking a different perspective – it sing a troublesome domestic situation? Are horror broadens our minds and brings us closer to our tar- 11 The Shelter films suitable for children? get audience. Interview Well, read the journal and you’ll see that you can 12-13 Screening for Children answer all these questions with ‘Yes’! – Seminar Report Margret Albers REVOLTING RHYMES, THE SHELTER and ROOM 213 ECFA President 13-14 Linda Sternö: The Truth and take different turns on supposedly known stories, The Camera subjects and genres. In a very interesting, as well as Seminar Report entertaining way, they convey that it’s always worth 15 The Incredible Story of Giant Pear taking a different perspective. Work in Progress This was also the core of the ECFA Seminar 16-17 Films on the Horizon ‘Screening for Children’ on September 20th in Stockholm: the approximately 80 participants from 18 12 Dares Work in Progress now on will never get the same perception again re- garding balloons, kites and bicycles on screen. -
The Narrative Voice in Roald Dahl's Children's and Adult Books
The narrative voice in Roald Dahl’s children’s and adult books Laura VIÑAS VALLE Universidad de Castilla-La Mancha Departamento de Filología Moderna [email protected] Recibido: noviembre 2007 Aceptado: abril 2008 ABSTRACT This article contends that Roald Dahl does not write separately and distinctly for children and adults and that differences respond mostly to the varied emphasis placed on the features that make up his books. The narrative voice that appears both in his adult and children’s books suggest continuity rather than a split in his oeuvre. My examination shows that dissimilarities between his adult and children narrators amount to the different stress he places on the features that conform to the narrative voice he constructs. Thus, depending on the way Dahl understands ‘children’s literature’ or ‘adult books’ to be, he will put more or less emphasis on these particular narrative aspects. Key words: Roald Dahl, children’s literature, short stories for adults, narrative voice, continuity, gradation. La voz narrativa de Roald Dahl en los libros para niños y adultos RESUMEN Este artículo explora las características de la voz del narrador en los libros para niños y para adultos de Roald Dahl. Se demuestra cómo en estos dos campos literarios aparentemente dispares, hay una serie de elementos comunes que sugieren una gradación en el énfasis que el autor pone en los aspectos particulares que caracterizan al narrador. Esta diferencia de énfasis responde a la concepción que tiene el autor de ‘literatura infantil’ y ‘literatura para adultos’. Si bien la crítica insiste en presentar a Dahl como un autor con dos cabezas, defendemos aquí una continuidad a lo largo de su obra y no una ruptura cuando se trata de escribir para lectores de distintas edades. -
The-Collected-Short-Stories-Of-Roald-Dahl.Pdf
Roald Dahl The Collected Short Stories of Roald Dahl, Volume 1 This collection of Roald Dahl's adult short stories, from his world-famous books, includes many seen in the television series, TALES OF THE UNEXPECT ED. With their vibrant characters, their subtle twists and turns, and biza rre and often macabre plots, these stories shock in a way that makes them utterly addictive. Roald Dahi can stand you on your head, twist you in kno ts, tie up your hands and leave you gasping for more. Contents KISS, KISS The Landlady 3 William and Mary 17 The Way up to Heaven 57 Parson's Pleasure 76 Mrs Bixby and the Colonel's Coat 112 Royal jelly 136 Georgy Porgy 176 Genesis and Catastrophe 212 Edward the Conqueror 222 Pig 250 The Champion of the World 281 OVER TO YOU Death of an Old Old Man 323 An African Story 341 A Piece of Cake 362 Madame Rosette 380 Katina 424 Yesterday was Beautiful 460 They Shall Not Grow Old 467 Beware of the Dog 492 Only This 510 Someone Like You 519 SWITCH BITCH The Visitor 533 The Great Switcheroo 602 The Last Act 637 Bitch 680 KISS, KISS The Landlady BILLY WEAVER had travelled down from London on the slow afternoon train, w ith a change at Swindon on the way, and by the time he got to Bath it was about nine o'clock in the evening and the moon was coming up out of a clea r starry sky over the houses opposite the station entrance. -
JAMES and the GIANT PEACH: a PLAY (Adapted by Richard George) the TWITS: PLAYS for CHILDREN (Adapted by David Wood)
Other books by Roald Dahl THE BFG BOY: TALES OF CHILDHOOD BOY and GOING SOLO CHARLIE AND THE CHOCOLATE FACTORY CHARLIE AND THE GREAT GLASS ELEVATOR THE COMPLETE ADVENTURES OF CHARLIE AND MR WILLY WONKA DANNY THE CHAMPION OF THE WORLD GEORGE’S MARVELLOUS MEDICINE GOING SOLO MATILDA THE WITCHES For younger readers THE ENORMOUS CROCODILE ESIOTROT FANTASTIC MR FOX THE GIRAFFE AND THE PELLY AND ME THE MAGIC FINGER THE TWITS Picture books DIRTY BEASTS (with Quentin Blake) THE ENORMOUS CROCODILE (with Quentin Blake) THE GIRAFFE AND THE PELLY AND ME (with Quentin Blake) THE MINPINS (with Patrick Benson) REVOLTING RHYMES (with Quentin Blake) Plays THE BFG: PLAYS FOR CHILDREN (Adapted by David Wood) CHARLIE AND THE CHOCOLATE FACTORY: A PLAY (Adapted by Richard George) FANTASTIC MR FOX: A PLAY (Adapted by Sally Reid) JAMES AND THE GIANT PEACH: A PLAY (Adapted by Richard George) THE TWITS: PLAYS FOR CHILDREN (Adapted by David Wood) THE WITCHES: PLAYS FOR CHILDREN (Adapted by David Wood) Teenage fiction THE GREAT AUTOMATIC GRAMMATIZATOR AND OTHER STORIES RHYME STEW SKIN AND OTHER STORIES THEVICAR OF NIBBLESWICKE THE WONDERFUL STORY OF HENRY SUGAR AND SIX MORE Roald Dahl James and the Giant Peach illustrated by Quentin Blake PUFFIN PUFFIN BOOKS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Ireland, -
Year 3 Roald Dahl & Quentin Blake Homework
Year 3 Roald Dahl & Quentin Blake Homework By Sheila Ceccarelli AccessArt is always looking for examples to make the case that creativity is integral to learning (like, let's say reading) and art should not be seen as an add on subject but core, so you can imagine my delight when my eight year old daughter came home with a year 3 homework brief to 'make or draw a Roald Dahl character inspired by Quentin Blake.' Alfie from Roald Dahl's Esio trot by Louis, year 3 So at home on the kitchen table, year three children at Milton Road Primary School set about bringing Roald Dahl characters to life. Many thanks to pupils and parents for sharing images of their efforts with AccessArt. All quotes are from the official Roald Dahl website. The BFG by Portia "I is a nice and jumbly giant! I is the only nice and jumbly Giant in Giant Country! I is THE BIG FRIENDLY GIANT! I is the BFG. What is your name?" Roald Dahl, The BFG Portia started by making a basic form out of newspaper and wrapping masking tape around it to hold it in place Making a basic torso form with newspaper and masking tape Using newspaper and masking tape to make the BFG's ear and torso Adding his nose And getting his posture right Portia then applies modroc over her masking tape and newspaper armature and uses her fingers to massage the modroc to create an even layer and form it before it dries She applies the modroc all over her structure Portia uses her fingers to mould the modroc and create detail The following week, Portia is set to paint her BFG She mixed the skin colour with -
English and Literacy Home Learning Read and Respond Units Year 2 - Week 2
English and Literacy Home Learning Read and Respond Units Year 2 - Week 2 Provided with our compliments by the English and Literacy LPDS Team Week Two Year 2 Day 1 Day 2 Day 3 Day 4 Day 5 Focus text/theme: The Porcupine Little Red Riding Hood and The Tummy Beast Goldilocks and the Three Review and Performance Roald Dahl Poetry the Wolf Bears Opportunity Use the link below to listen Use the link below to listen to and enjoy The Porcupine The link below takes you to to and enjoy The Tummy Use the link below to listen Review and discuss some When following from Dirty Beasts by Roald a printed version of the Beast from Dirty Beasts by to and enjoy Goldilocks and of the characters and links online, parents Dahl. text, together with an Roald Dahl. the Three Bears from poetry you have met this should monitor that audio recording by the https://www.youtube.com Revolting Rhymes up to week. https://soundcloud.com/p children are author, Roald Dahl. For the /watch?v=tinzhrgFILE 3:59 mins. Which has been your remaining on that enguin-audio/revolting- learning today, you will Watch the clip again, this https://www.youtube.com favourite and why? page only and are rhymes-dirty-beasts need to pause the time while following the /watch?v=IxHn2v3dz5E recording at various points text, accessible here: Jot down new or Extend your reading with keeping safe online. Watch this short clip to find to make predictions and https://www.poetryfounda interesting words to some further Revolting out more about Roald Dahl may have discussions with your tion.org/poems/51659/the explore meanings and Rhymes referenced in the porcupines. -
It's Roald Dahl's Favorite Book! the 2016 Disney Movie Is Amazing, Although Somewhat Different from the Book! And
Name: ______________________________________ Score: _____/65 pts. 2019 Fifth Grade Summer Reading-Thinking-Writing Assignment It’s Roald Dahl’s favorite book! The 2016 Disney movie is amazing, although somewhat different from the book! And, The BFG is one of the funnest, whoppsy-wifflingest thinking ticklers! Let’s get started! Score high! Do not wait until the last week in August to cram this important work! This packet is due the first day of school. You can write out your answers on the lines provided, or you can write them on notebook paper and staple them to this packet, or you can type them in a Google doc Titled BFG. Be sure to show the number of each question for each answer. After reading The BFG all the way through to experience the story in its entirety, please go back and reread to answer the following questions in R.A.P.P. format. 1 Example: 1. What does the BFG collect? Right There Barb Dwyer, our invisible classmate who usually earns top scores, writes: 1. The BFG collects dreams. (Question’s words are Restated, and a question is Answered in own words.) The B.F.G. says, “I has a special place to go for catching dreams.” (10) (Proof from text is given to support answer with Page number where answer is ****************************************************************************** Knowing the QAR of comprehension questions based on printed text helps you to know where to find the answers. Sometimes they are not in the book! You can use the lines to jot notes on and post page numbers. -
Roald Dahl Month Celebration Calendar
Announcing The Sep tember Reading Dahlathon! Celebrate Month Participate from September—December 2010 Open to residents of the fi fty United States and the District of Columbia, ages 7–13. SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Channel your inner The Missing Golden Ticket Are you hosting a Roald Puree together 6 What is it? Matilda and read a and Other Splendiferous Dahl Month party? peaches (skinned and A Reading Challenge wonderful book today. Stories is on sale today. Visit roaldahl.com to pitted), half a mango, that kicks off in September Designate a special Find out whom the sixth download extra and juice of one lemon table for “Matilda’s golden ticket went to in the materials such as for James and the Giant for Roald Dahl Month! Favorite Books.” original version of Charlie invitations and signage. Peach juice! How can kids and the Chocolate Factory! participate? 1 2 3 4 1. Kids track their reading Give everyone a great Have a laborious day— Frobscottle is the BFG’s Catch dreams like the In honor of 2010 being Recommend Danny the progress in the Offi cial big smile today . just kidding, we’re favorite drink. Enjoy your BFG! Make dream- the 40th anniversary of Champion of the World Reading Journal from Don’t be like The Twits, swizzfi ggling you! own version of a special catchers from some Fantastic Mr. Fox, as a great September–December. whose ugly thoughts frobscottle drink in honor string or yarn tied tightly play the movie Father-Son read. grew upon them year LABOR DAY of Roald Dahl Month! across a hoop, and then soundtrack. -
Twisted Fairy Tales
1 2NDE SCENARIO PEDAGOGIQUE SEQUENCE 6 : TWISTED FAIRY TALES DESCRIPTEURS CECRL (niveau visé) ACTIVITES LANGAGIERES PRIVILEGIEES : LIRE B1 Je peux comprendre l’essentiel d’un texte narratif ou d’un texte littéraire contemporain. Je peux trouver rapidement l’information principale dans des écrits et distinguer l’idée essentielle des détails. Je peux réunir des informations provenant de textes différents afin d’accomplir une tâche spécifique. B2 Je peux comprendre l’implicite dans un texte narratif. ECRIRE B1 Je peux relater des événements qui se sont déroulés dans le passé, en mettant en évidence leur chronologie. Je peux raconter une histoire en mettant en relief la succession ou la cohérence des évènements et des comportements. Je peux respecter les formes adaptées à un genre de texte. B2 Je peux décrire des événements et des expériences imaginaires en donnant des détails. Justine DOHERTY – Lycée Madame de Staël – Saint Julien en Genevois (74) 2 NOUVEAUX PROGRAMMES DE 2nde - BO SPECIAL N°4 29/04/2010 Le scénario proposé s’inscrit dans les nouveaux programmes de 2nde entrés en vigueur à la rentrée 2010. L’écriture d’une parodie de conte de fées correspond aux notions culturelles « mémoire » : héritages (la tradition du conte de fées, ses composantes spécifiques et sa transmission entre générations) et ruptures (détournement du genre) ; ainsi que « visions d’avenir » : créations et adaptations (invention et écriture d’un conte original). OBJECTIFS DE LA SEQUENCE Tâche finale : You are taking part in a “Twisted Fairy Tale” contest. Write a fairy tale with a difference : choose a tale you know and decide how you want to “twist” it. -
Understanding the Significance and Purpose of Violence in the Short Stories of Roald Dahl
S. Mehmi / PsyArt 18 (2014) 205–229 Understanding the Significance and Purpose of Violence in the Short Stories of Roald Dahl Suneel S. Mehmi Abstract In this article I argue for new meaning and critical importance to be given to Dahl's short story in his most successful collections Someone Like You, Kiss, Kiss and Switch Bitch by systematising and accounting for its portrayed violence. I first outline the history, importance and contemporary significance of Dahl’s short stories. I then show that a strange puzzle attaches itself to these stories: that a number of inconsistent accounts have been attempted in order to explain the tantalisingly meaningful violence within them. I see such attempts to account for the violence and meanings of Dahl's adult writing as failures and argue that they do not critically engage with the recurring contexts and forms of the violence or Dahl’s own suggestions for its occurrence. I then remedy such critical deficiencies through an application of the psychoanalytical method and more adequately reformulate the violence by uncovering its relation to unconscious processes which repress innate desires, demonstrating that psychoanalytical theories of repression can engage with and contribute to understanding the significance of the violence, which is predicated on taboo relations between son and mother. I thus rethink the meaning and architecture of the stories psychoanalytically, suggesting for them a new claim for attention. To cite as Mehmi, S., 2014, ‘Understanding the Significance and Purpose of Violence in the Short Stories of Roald Dahl’, PsyArt 18, pp. 205–229. Introduction Dahl’s Short Stories: The Critical Reception Roald Dahl’s most successful short stories are a savage, sophisticated fusion of stylistic, formal and thematic elements derived from the American short fiction of Edgar Allen Poe, O.