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Cşrvùparaprajñùbhinand CşRVùPARAPRAJÑùBHINANDANAM EAST AND WEST, PAST AND PRESENT Indological and Other Essays in Honour of Klaus Karttunen O CşRVùPARAPRAJÑùBHINANDANAM EAST AND WEST, PAST AND PRESENT Indological and Other Essays in Honour of Klaus Karttunen Helsinki 2011 <Ŗrvôparaprajñôbhinandanam – East and West, Past and Present Indological and Other Essays in Honour of Klaus Karttunen Edited by Bertil Tikkanen and Albion M. Butters Studia Orientalia, vol. 110, 2011 Copyright © 2011 by the Finnish Oriental Society Societas Orientalis Fennica c/o Department of World Cultures P.O. Box 59 (Unioninkatu 38 B) FI-00014 University of Helsinki FINLAND Editor Lotta Aunio Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Librarian of the Society) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Riikka Tuori (Secretary of the Society) Typesetting Lotta Aunio ISSN 0039-3282 ISBN 978-951-9380-76-6 WS Bookwell Oy Jyväskylä 2011 CONTENTS Preface ..................................................................................................................xi Select Bibliography of Klaus Karttunen 1980–2010 ..........................................xv Tabula Gratulatoria ..........................................................................................xxiii I INDOLOGY “Him I Call a Brahmin”: Further instances of intertextuality between the Mah»bh»rata and some P»li texts ..................................................... 3 Origin and Spread of the P»Ėupata Movement: About Heracles, LakulãĖa and symbols of masculinity ....................................... 21 Archetypes and Bottlenecks: Reӳ ections on the text history of the Mah»bh»rata ..........................................39 Drama in the Service of KЉБϵa: Rĥpa Gosv»min’s N»Лaka-Candrik» ................55 The Classical ºyurvedic Representation of Human Anatomy .......................... 67 ó^ҟa versus Anô^ҟa in P»ϵini and Allied Literature ........................................... 85 vi Die Kurus und Ihre Jungen Frauen .................................................................... 93 The Recovery of the Body after Death: A prehistory of the devayôna and pitਦeôna ....................................................... 103 LakБmaϵa’s Yogacandrik» ..................................................................................121 War and Peace: Semantics of Saѿdhi and Vigraha in the ArthaŊôstra ..............131 The Three Ways of Chanting in a SacriӲ cial Laud: Chapter two of Jaimini- Paryadhy»ya (Jaiminãya-ĕrautasĥtra III) with Bhavatr»ta’s commentary: Sanskrit text with an annotated English translation..........................................141 The Macedonian Month Xandikos in Gandh»ran Inscriptions .......................165 Rare Mediaeval Kerala Murals at Kumbla, near Kasargode .............................171 Domaki Noun Inӳ ection and Case Syntax ......................................................205 II CLASSICAL AND INDO-EUROPEAN STUDIES In Horis Sanguinis: Physiology and Generation in the Pseudo-Galenic De Spermate ......................231 vii Nasal Reduction in Late Luwian ...................................................................... 243 Fourteen Indo-European Etymologies in Honour of Klaus Karttunen ..........249 III HISTORY OF ORIENTAL STUDIES Henrik Grenman and Olga Sederholm – Two unlucky Finnish Orientalists from the town of Vasa ........................................................................................273 Syriac Poems Written by Finnish Scholars in the Seventeenth and Eighteenth Centuries .................................................. 285 Abraham Ibn Ezra on “The Scholars of India” – A twelfth century Jewish view of Indian astrology............................................................................................. 297 Georg August Wallin: An Orientalist between national and imperial orientalism ..............................309 From the History of Indian Studies in Russia: Gerasim Lebedev and the Freemasons ..............................................................317 RARE MEDIAEVAL KERALA MURALS AT KUMBLA, NEAR KASARGODE Henri Schildt 1. SUBJECT AND METHOD 1.1 Subject and acknowledgements This article presents a mural panel (Pls 3–11) found in the main shrine of the Anantapadman»bhasv»mi temple of Kumbla (Kerala, Kasargode District). This mural is exceptional in the Kerala heritage of mural painting.1 I visited the temple on 12 March 2007 with Professor M.G. Sasibhooshan (Thiruvanantha- puram, Kerala), who kindly arranged access. Since the ediӲ ce was then under repair and not in a consecrated state, it was possible to photograph the murals. Subsequently, Professor Michael W. Meister (Norman Brown Professor in Art History, University of Pennsylvania, Philadelphia, PA) kindly encouraged me to present the photographs at the colloquium of the South Asia Center, University of Pennsylvania, (Philadelphia, PA) on 23 October 2008. 1.2 Method and sources The mural in the main shrine of the Anantapadman»bhasv»mi temple is located on the southern panel of the western wall, within the inner ambulatory (Pl. 2). Its style is analyzed to determine its probable age. It presents the scene of the divine marriage of ĕiva and P»rvatã, with ĕiva at the center, accompanied by his consort 2»rvatã, two di࿞ erent aspects of ViБϵu, two Bhĥtas, and two temple servants (Pl. 3). Harman’s (1989) study on the divine marriage and Donaldson’s (2007) study on ĕaivite iconography are referenced to further highlight the details of the painting. The relation of this mural to the di࿞ erent schools of the craft of painting can be ascertained by referring to S. Sivaramamurti’s (1970) and Moti Chandra’s (1970) 1 Pictures of the painting are already published in a recent work entitled Wall Paintings in North Kerala: 1000 Years of Temple Art (Frenz & Marar 2004: 66–74, Pls 99, 100, 103). Studia Orientalia 110 (2011), pp. 171–203 172 Henri Schildt works. Due to the small number of surviving murals, for further enlightenment on their evolution one must turn to examples of sculptural art, as explained by Sivaramamurti’s (1963) work on South Indian bronzes. Though the two crafts evolved independently, they were in theory both under the same concept of citra (Nardi 2006). 2. INTRODUCTION TO THE PAINTING IN THE ANANTAPADMANî-BHASVîMI TEMPLE AT KUMBLA 2.1 Outline of regional history In the early centuries , South India formed to some extent a homogenous ethno- cultural region. Kerala was part of a larger Tamil-speaking area that stretched from the Chandragiri River and Nilgiri hills in the northwest and Tondai Nadu in the north-east to Kanyakumari in the south. In the Early Middle Ages (i.e. the late 7th century and 8th centuries), the greatest events were the continuous wars between the %»lukya kings of B»F»mi, Karnataka and the Pallavas of K»ñcã, Tamil Nadu, with both dynasties claiming to have also conquered Kerala. By the 10th century, the CÉra kingdom of Makotai had extended to include the ºy VÉls in the south and the MĥĖikas in the north, ending the peaceful terms between the %Ĉϩas and CÉras. King Par»ntaka I Coϩa ( 907– 955) was the Ӳ rst CĈϩa king to wage war against the CÉras, due to loyalty towards the P»ϵλyas. True CĈϩa expansion began during R»jar»ja I CĈϩa’s reign ( 985–1016). He started the so-called “Hundred-Year” war, which was continued by his son RajÉndra I ( 1012–1044) and their successors. The CÉras succeeded in reestablishing power after this war e࿞ ort, but King KulĈttuϳga I CĈϩa ( 1070–1122) campaigned against Kerala immediately after this recovery, eventually splitting it into the smaller kingdoms of Venad, Cochin, Calicut, and Kolattiri (Sreedhara Menon 1967: 65, 86, 126–127, 130–137; Swaminathan 1998: 63). In Tulu Nadu, the most signiӲ cant local kingdom from the 6th century was the ºϥupa kingdom. It received the onslaught of the CĈϩas by R»jar»ja I and 4»jendra I slightly before 1006. The CĈϩa occupation lasted until circa 1020, after which the ºϥupa reign was restored. The ºϥupas would later become close to the Late C»lukyas and the Hoysalas. The kingdom was annexed by the Vijayanagara Empire by 1400 (Ramesh 1970: 35, 101–103, 107, 149). Kumbla and the nearby Atandapadman»bhasv»mi temple, located approxi- mately Ӳ fteen kilometers north-northwest of the town of Kasargode, fall between northern Kerala and southern Tulu Nadu. Being a “gray territory” between two cultures, the history of Kumbla has not been extensively studied. Once ruled Rare Mediaeval Kerala Murals at Kumbla 173 by the local kings of Kumbla loyal to the ºϥupas, the rule of the MĥĖika and -Ĉlattiri kings did not reach here (Sreedhara Menon 1972: 725). 2.2 The architecture of the temple and its probable date The Anantapadman»bhasv»mi temple (Pls 1 & 2) and its plan are ordinary in terms of Kerala temple architecture. Mostly built of laterite and wood, it has a square or samacaturaŊra plan with the principal shrine or garbhagҗha within an ambulatory (pradakҟU҃ôpatha). The eastern entrance is covered by a four-pillared antechamber (mukhama҃ъapa), which in turn is preceded by a four-pillared front pavilion (namaskôrama҃ъapa) of later date. The inner ambulatory (pradakҟU҃ô- patha) is spacious. The central shrine or garbhagҗha is an independent ediӲ
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