Officer Greg Kasko Suspended
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kirchner | Dissertation Master Document
UNIVERSITY OF CALIFORNIA Los Angeles Cinemascapes: Cinematic Sublimity and Spatial Configurations ¾ or ¾ Learning from Los Angeles A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and TV by Carolin Kirchner 2018 ã Copyright by Carolin Kirchner 2018 ABSTRACT OF THE DISSERTATION Cinemascapes: Cinematic Sublimity and Spatial Configurations ¾ or ¾ Learning from Los Angeles by Carolin Kirchner Doctor of Philosophy in Film and TV University of California, Los Angeles, 2018 Professor Kathleen A McHugh Due to the shift in production practices and the availability of lighter camera equipment in the mid-1960s, filmmakers began to cinematically explore Los Angeles (LA) many environments. Utilizing the city’s diverse neighborhoods, unique architectural styles, and geographical topography, their films created imaginary spaces that sought to specifically represent LA, but also reflected post-war American urban restructuring processes in general. European filmmakers John Boorman, Jacques Demy, Agnès Varda, and Michelangelo Antonioni seemed to be especially perceptive regarding the specificity of the spaces they encountered in Los Angeles, and their films illustrate ambivalent feelings toward the built environment¾feelings that seem to run parallel to cultural and theoretical investigations taking place in the academy. Aided by the founding of the UCLA School of Architecture and Urban Planning, a new wave of scholars and theorists utilized ii Los Angeles in their writing as the most important case study for the postmodern megalopolis. Like Boorman, Demy, Varda, and Antonioni, neither of the leaders of this theoretical interest in Los Angeles¾ Kevin Lynch, Jane Jacobs, Reyner Banham, and Edward Soja ¾were native Californians. -
Collezione 16Mm
Elenco pellicole collezione “16mm GEH” TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI 20.000 YEARS IN SING SING 20.000 YEARS IN SING SING Michael Curtiz USA 1932 16 3 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 3 GODFATHERS 3 GODFATHERS John Ford USA 1948 16 3 3 MEN IN WHITE THREE IN WHITE Willis Goldbeck USA 1944 16 2 36 HOURS 36 HOURS George Seaton USA 1965 16 4 42ND STREET 42ND STREET Lloyd Bacon USA 1933 16 3 7 FACES OF DR. LAO 7 FACES OF DR. LAO George Pal USA 1964 16 3 7 WOMEN 7 WOMEN John Ford USA 1966 16 3 A CHRISTMAS CAROL A CHRISTMAS CAROL Edwin L. Marin USA 1938 16 2 A DATE WITH JUDY A DATE WITH JUDY Richard Thorpe USA 1948 16 3 A DAY AT THE RACES A DAY AT THE RACES Sam Wood USA 1937 16 3 A FAMILY AFFAIR A FAMILY AFFAIR George B. Seitz USA 1937 16 2 Elenco pellicole collezione “16mm GEH” Pagina 1 TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI A FREE SOUL A FREE SOUL Clarence Brown USA 1931 16 3 A GUY NAMED JOE A GUY NAMED JOE Victor Fleming USA 1943 16 3 A KISS IN THE DARK A KISS IN THE DARK Delmer Daves USA 1949 16 3 A LIFE FOR A LIFE A LIFE FOR A LIFE Stephen Whittaker UK 1998 16 2 A MIDSUMMER NIGHTʼS DREAM A MIDSUMMER NIGHTʼS DREAM William Dieterle, Max Reinhardt USA 1935 16 3 A MODERN HERO A MODERN HERO G.W. -
David Bravo Díaz
FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA MODERNA, CONTEMPORÁNEA, AMÉRICA, PERIODISMO, COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD. TESIS DOCTORAL: LA II GUERRA MUNDIAL A TRAVÉS DE LA TELEVISIÓN FORMATOS, CONTENIDOS Y DIMENSIÓN SOCIAL Presentada por David Bravo Díaz para optar al grado de doctor por la Universidad de Valladolid Dirigida por: Dr. José-Vidal Pelaz López David Bravo Díaz 2 La II Guerra Mundial a través de la televisión 3 David Bravo Díaz Índice general. Índice de gráficas, tablas e ilustraciones. .................................................... 9 Gráficas. ................................................................................................ 9 Tablas. .................................................................................................. 9 Ilustraciones. ........................................................................................ 9 1. INTRODUCCIÓN .............................................................................. 14 1.1. PLANTEAMIENTO DEL TRABAJO. LOS OBJETIVOS. ........ 17 1.2. UN NUEVO CAMPO PARA LA HISTORIOGRAFÍA. ............... 23 1.3. ALGUNOS TEMAS PARA EL DEBATE. ................................... 31 1.4. HISTORIOGRAFÍA SOBRE LA REPRESENTACIÓN DE LA II GUERRA MUNDIAL. .................................................................... 37 1.5. ANÁLISIS DE CONTENIDO, FUENTES Y ESTRUCTURA DEL TRABAJO. ...................................................................................... 46 2. EL CINE SOBRE LA II GUERRA MUNDIAL ................................ -
Reappraising the Renaissance
Reappraising the Renaissance The New Hollywood in Industrial and Critical Context Nicholas Godfrey Bachelor of Arts (Honours) A thesis submitted for the degree of Doctor of Philosophy December 2014 Department of Screen and Media School of Humanities and Creative Arts Flinders University South Australia i ii Contents Introduction… 1 The New Hollywood that Couldn’t… 1 Aims and Context: Which New Hollywood?... 8 Chapter One: Easy Rider… 22 Chapter Two: Variations on a Theme - Five Easy Riders… 54 Part I: Five Easy Pieces... 56 Part II: Two-Lane Blacktop… 79 Part III: Vanishing Point… 126 Part IV: Little Fauss and Big Halsy… 149 Part V: Adam at 6 A.M…. 162 Chapter Three: Politicising Genre… 175 Part I: Dirty Harry… 179 Part II: The French Connection… 202 Chapter Four: The Limits of Auteurism… 222 Part I: The Last Movie… 222 Part II: The Hired Hand… 254 Conclusion… 278 Bibliography and Filmography… 293 iii iv Thesis Abstract This thesis offers a reappraisal of the “New Hollywood” of the late 1960s and early 1970s that aims to move beyond the currently accepted reductive historical models. It challenges many of the assumptions underlying prevailing accounts of the period, including the makeup of the orthodox “canon” of New Hollywood movies, the time frame within which the movies were contained, and the role played by the critical establishment in determining the ways in which the movies of the period were understood. Bringing together industrial context, textual analysis and critical (re)interpretation, it examines the complex interplay of factors that allowed a movie such as Easy Rider to achieve commercial and canonical success, while so many of its contemporaries and imitators failed to make an impact, either at the box office or within the annals of film history. -
British Film Institute Report & Financial Statements 2007
www.bfi.org.uk BritishBFI Film Institute ReportAnnual & Review Financial Statements2006/2007 2007 There’s more to discover about film and television BFI through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Annual Review resources are here to inspire you. 2006/2007 Contents About the BFI 3 Director’s Report 5 Key objectives 9 Key Targets 13 Cultural programme 15 BFI National Archive 23 BFI Southbank 25 BFI Digital Strategy 27 Education & Research 31 National Reach 35 Financial Statements 38 Appendices 41 Cover Picture: The Passenger (Professione: reporter) (1975) In This World We promote access 1 to and appreciation ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to film and of the widest possible television culture in Britain. In 1983 the BFI was incorporated by Royal Charter, a copy of which is available on request or from our range of British website www.bfi.org.uk. Our mission is ‘to champion moving image culture in all its and world cinema richness and diversity, across the UK, for the benefit of as wide an audience as possible, to create and encourage debate.’ We aim to grow the value of diverse cinema and television in Britain. By this we mean British and international works of artistic and historic significance that, without intervention, might not otherwise be available to the public. SUMMARY OF ROYAL CHARTER OBJECTIVES — To establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom — To encourage the development of the art of film, television and the moving image throughout the United Kingdom — To promote the use of film and television culture as a record of contemporary life and manners — To promote access to and appreciation of the widest possible range of British and world cinema — To promote education about film, television and the moving image generally, and their impact on society. -
Ralph Edwards Productions Production Records PASC.0336
http://oac.cdlib.org/findaid/ark:/13030/kt767nf2nr No online items Finding Aid for the Ralph Edwards Productions production records PASC.0336 UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2020 July 27. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Ralph Edwards PASC.0336 1 Productions production records PASC.0336 Contributing Institution: UCLA Library Special Collections Title: Ralph Edwards Productions production records Creator: Ralph Edwards Productions Identifier/Call Number: PASC.0336 Physical Description: 156.5 Linear Feet(313 boxes) Date (inclusive): 1940-circa 2001 Abstract: The collection consists of materials pertaining to the various Ralph Edwards Productions projects such as Truth or Consequences , This is Your Life, and Name That Tune . Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
165705030.Pdf
[email protected] Name Persian Name PageYear 1 Subtitle Director Primary Actor Secondary Actor09/04/2013 Stephen Norrington Sean Connery Naseeruddin Shah 2003 انجمن مردان خارق العاده ( T EXTRAORDINARY (The League of Extraordinary Gentlemen 1 Michael Apted Pierce Brosnan Robert Carlyle 1999 دنیا کافی نیست World Is Not Enough 2 Dobleh Ronald Neame Gregory Peck Ronald Squire 1953 اسکناس یک میلیون پوندی (Million Pound Note (+ original sound 7 Alfred Hitchcock Joel Mc Crea Laraine Day 1940 خبرنگارخارجی Foreign Correspondent 8 Dobleh Anatole Litvak Ingrid Bergman Yul Brynner 1956 آناستازیا (ANASTASIA (+ original sound 9 Pietro Germi Marcello Mastroianni Daniela Rocca 1961 ازدواج به سبک ایتالیائی DIVORZIO ALL ITALIANA 10 Akira Kurosawa Toshirô Mifune Misa Uehara 1958 قلعه گمشده Hidden Fortress , The 11 Akira Kurosawa Hideo Aguno 1962 سانجورو Sanjuro 12 Akira Kurosawa Denjirô Ôkôchi Susumu Fujita 1945 مردی درتعقیب ببر Man Who Tread On The Tiger's Tail , The 14 فرشته مست DRUNKEN ANGEL 15 Akira Kurosawa Denjirô Ôkôchi Susumu Fujita 1943 سانشیروسوگاتا Sunshiro sugata 16 Akira Kurosawa Toshiro Mifune 1961 یوجیمبو Yojimbo 17 Akira Kurosawa Yuri Solomin Maksim Munzuk 1975 درسواوزال Dersu Uzala 18 Akira Kurosawa Isao Numasaki Chieko Nakakita 1947 یکشنبه شگفت انگیز One Wonderful Sunday 19 Mervyn LeRoy Robert Taylor Deborah Kerr 1951 کووادیس Qvo Vadis 21 Lux Vides Galatea Elizabeth Taylor Richard Burton 1962 سالواتورجولیاتو Salvatore Giuliano 22 Federico Fellini Federico Fellini Bernardino Zapponi 1972 روم Fellini's Roma 23 Federico Fellini Anthony Quinn Giulietta Masina 1954 جاده La Strada 24 Federico Fellini Franco Interlenghi Alberto Sordi 1953 ولگردها I Vitelloni 25 Federico Fellini Freddie Jones Barbara Jefford 1983 پسربادبان AND THE SHIP SAILSON 26 D.W. -
The Actors Studio and Hollywood in the 1950S: a History of Theatrical
THE ACTORS STUDIO AND HOLLYWOOD IN THE 1950s A History of Theatrical Realism Mario Beguiristain The Edwin Mellen Press Lewiston •Queenston• Lampeter Library of Congress Cataloging-in-Publication Data Beguiristain, Mario. The actors studio and Hollywood in the 1950s : a history of theatrical realism I Mario Beguiristain. p.cm.. Includes bibliographical references and index. ISBN-·13: 978-0-7734-.5703-4 ISBN-10: 0-7734-.5703-8 L Title. hors serie. A CIP catalog record for this book is available from the British Library .. Copyright © 2006 Mario Beguiristain All rights reserved.. For information contact The Edwin Mellen Press The Edwin Mellen Press Box450 Box67 Lewiston, New York Queenston, Ontario USA 14092-0450 CANADA LOS 1LO The Edwin Mellen Press, Ltd. Lampeter, Ceredigion, Wales UNITED KINGDOM SA48 8LT Printed in the United States of America The Actors Studio and Hollywood in the 1950s A History of Theatrical Realism For my parents, Rosa and Rodolfo, and in memory of my professor, Arthur Knight TABLE OF CONTENTS Foreword by Peter Krikes, Ph.D. i Preface iii Acknowledgments v Chapters I. THE SEARCH FOR A FILM STYLE Intro0A/@5;: 1 -@A>1-:0"A><;?1;2@41%@A0E 3 1102;>@41%@A0E 5 &;C->0-125:5@5;:;2%@E81 7 125:5@5;:;2&41-@>5/-8$1-85?9 9 1@4;0;8;3E 13 >5@5/-8<<>;-/4 16 $1B51C;2@415@1>-@A>1 21 II. REALISM IN FILM AND THEATRE: 5?@;>5/-8:@1>-/tion 29 $1-85?9;:@41%/>11: 34 589-:0&41-@>1 41 III. -
The Performing Arts on Film and Television Catalogue
THE PERFORMING ARTS ON FILM & TELEVISION CATALOGUE Film and video materials held by the archives and collections of BFI, Arts Council England, LUX, Central St Martins British Artists Film & Video Study Collection relating to theatre, dance, music, performance art, politics and poetry Balletomines, 1954 2011 Acknowledgements This catalogue was commissioned by MI:LL (Moving Image: Legacy and Learning), an Arts Council England initiative to support projects and develop strategies that promote engagement with the arts through the moving image. Researched, written, edited, designed and published by Helena Blaker James Bell Michael Brooke Elaine Burrows Bryony Dixon Christophe Dupin Jane Giles Amy Howerska Edward Lawrenson Deborah Salter Dan Smith Louise Watson With thanks to Karen Alexander, Nigel Algar, Nigel Arthur, Steve Bryant, Mike Caldwell, Ros Cranston, David Curtis, Will Fowler, Philippa Johns, Nathalie Morris, Patrick Russell, David Sin, Mike Sperlinger, Gary Thomas, Rebecca Vick, Ian White, Andrew Youdell and Juliane Zenke. All stills courtesy of BFI Stills, Posters & Designs A BFI Publication 2011 available to download from www.bfi.org.uk BFI 21 Stephen Street London W1T 1LN UK Telephone +44 (020) 7255 1444 www.bfi.org.uk 2 Contents Please click on a word/link to be taken automatically to that part of the Catalogue Acknowledgements................................................................................................................. 2 Contents .................................................................................................................................. -
BRUCE WINANT the Jim Flynn Agency Hair: Black (SAG-AFTRA/AEA) (212) 868-1068 Eyes: Brown Video Available At
Height: 5’10” BRUCE WINANT The Jim Flynn Agency Hair: Black (SAG-AFTRA/AEA) (212) 868-1068 Eyes: Brown Video available at www.brucewinant.com EPISODIC TELEVISION (selected) PERSON OF INTEREST co-star Dir; Chris Fisher BLUE BLOODS co-star Dir; Gwyneth Horder-Payton BOARDWALK EMPIRE supporting Dir; Tim Van Patten LAW AND ORDER: SVU co-star Dir; Peter Leto LAW AND ORDER recurring Dir; Various THE WEST WING co-star Dir; Scott Winant CROSSING JORDAN supporting Dir; Lisa Libman CARNIVALE guest star Dir; Rodrigo Garcia FIRST YEARS (9 episodes) series regular Dir; Various THIS LIFE (NBC pilot) guest star Dir; Charles McDougall GRAHAM (ABC pilot) series regular Dir; Scott Winant MY SO-CALLED LIFE co-star Dir; Ron Lagermasino THIRTYSOMETHING guest star Dir; Debra Reinish STAR TREK: The Next Generation supporting Dir; Rick Berman T.J. HOOKER guest star Dir; Cliff Bole LOVING recurring Dir; Various HOOPERMAN co-star Dir; Betty Thomas GENERAL HOSPITAL principal Dir; Phil Sogard ANOTHER WORLD principal Dir; Bob Schwarz LA LAW supporting Dir; Donald Petrie MINI-SERIES/MOW’S (selected) MILDRED PIERCE co-star Dir; Todd Haynes ANDERSONVILLE co-star Dir; John Frankenheimer A.D. ANNO DOMINI series lead Dir; Stuart Cooper THEY CAME FOR GOOD co-star PBS Docudrama Special WORLD WAR III co-star Dir; David Greene THE KID WHO WOULDN’T QUIT co-star Dir; Johanna Lee THE SECRET WAR OF JACKIE’S GIRLS supporting Dir; Philip Leacock TWO LIVES OF CAROL LETNER supporting Dir; Alan Crossland Jr CBS PLAYHOUSE “THE LIE” supporting Dir; Alex Segal MOTION PICTURES PLANES (Animated) various voices Dir; Klay Hall ANOTHER EARTH co-star Dir; Mike Cahill ROBOTS (Animated) various voices Dir; Chris Wedge FRIENDS AND FAMILY co-star Dir; Kristin Coury ICE AGE (Animated) various voices Dir; Chris Wedge MIGHTY APHRODITE supporting Dir; Woody Allan ‘TIL THERE WAS YOU supporting Dir; Scott Winant ARABIAN KNIGHT (Animated) various voices Dir; Richard Williams BROADWAY & NATIONAL COMPANIES LA CAGE AUX FOLLES ('10 revival) M.