DOCSLIB.ORG

HT-R693 En Fr AV RECEIVER Es

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HT-R693 En Fr AV RECEIVER Es HT-R693 En Fr AV RECEIVER Es Basic Manual Advanced Manual found here http://www.onkyo.com/manual/htr693/adv/en.html En Before Start About the Basic Manual Features Supplied Accessories The Basic Manual leads you through the fundamental steps r Equipped with 7 ch amplifier to enjoy the AV Receiver from connections to TV, speaker r Supports playback in Dolby Atmos format which provides Indoor FM antenna --- (1) system and playback components, to necessary functions 360-degree placement and movement of sounds for playback. As well as that, Basic Manual informs you with including overhead sound the instructions on frequently used functions. Besides, there r Dolby Surround listening mode expands 2 ch, 5.1 ch or AM loop antenna --- (1) is another part of the manual called Advanced Manual to 7.1 ch source to available speaker configurations inform you with more detailed information, which we have r Incorporates Qdeo™ technology Remote controller (RC-880M) --- (1) decided to publish on the web from the ecological point of r Equipped with 4K 60 Hz Passthrough-compatible HDMI Batteries (AA/R6) --- (2) view. IN/OUT jacks (among the HDMI IN jacks, only IN1 to IN4 of support 4K) Speaker setup microphone --- (1) r Supports the HDMI Through function which allows Advanced Manual transmission from playback devices to the TV in standby ¼The number in parenthesis indicates the quantity. On packaging, the Advanced Manual is always updated with the latest state letter at the end of the product name indicates the color. information and its user friendly interface, which does not r Supports HDCP2.2, a strict copy-protection for providing matter whether you access from PC or Smartphone, helps high quality content (HDMI IN3/HDMI OUT MAIN only) you to understand more deeply about this unit. Advanced r Supports ARC (Audio Return Channel) How to use the remote controller Manual is consisted of the following chapters. r Supports USB storage playback r Details on AM/FM playback r Supports variety of network functions such as Internet r Playing Music Files on a USB Storage Device Radio, DLNA, etc. r Listening to Internet Radio r Supports Wi-Fi, Bluetooth and MHL-enabled mobile r Playing Music with DLNA device Remote control sensor r Playing Music Files in a Shared Folder r Bi-Amping capability AV Receiver r Operating Music Files with the Remote Controller r A/V Sync Function to correct deviation of audio and video Batteries (AA/R6) r Listening Mode r Multi-zone function which allows you to play a different r Advanced Settings source in another room from the main room r Operating Other Components with the Remote Controller r 32 bit DSP (Digital Signal Processor) with excellent Approx. r Advanced speaker connections calculation performance 16 ft. (5 m) r Connecting and Operating Onkyo RI Components r Music Optimizer™ for Compressed Digital Music files ¼If you do not use the remote controller for a long time, remove the r Firmware Update r Phase Matching Bass System batteries to prevent leakage. r Troubleshooting r Automatic speaker setup available using supplied ¼Note that keeping consumed batteries inside may cause corrosion r Reference Information calibrated microphone (AccuEQ Room Calibration) resulting in damage of the remote controller. r Supports playback of MP3, FLAC, WAV, Ogg Vorbis, Apple Lossless, DSD, Dolby TrueHD via network and USB storage device (the supported formats will differ depending on the use environment) Advanced Manual found here http://www.onkyo.com/manual/htr693/adv/en.html 2 Step 1: Connections TV Personal computer HDMI IN HDMI OUT HDMI cable To use the ARC function, connect to the ARC compatible HDMI jack of the TV and make an CRRTQRTKCVGUGVVKPIQPVJGWPKV5GGPF5VGR| Source Connection" of "Step 2: Setting Up". HDMI OUT HDMI HDMI HDMI OUT OUT Blu-ray Disc/ OUT DVD player Game console Set-top box/Digital Satellite/Cable video recorder, etc. set-top box, etc. input selector buttons. For how to make settings, see the zAudio connection with a TV not supporting ARC 1 Connecting the TV and players Advanced Manual. ¼ Select an appropriate connection for your TV. To connect the TV and the unit, connect the Important: The power cord must be connected only after all HDMI OUT MAIN jack of the unit and the HDMI IN jack TV AUDIO OUT other connections are completed. of the TV with an HDMI cable. With this connection, it DIGITAL OPTICAL becomes possible to display the setting screen of the unit OUT on the TV or transmit video/audio signals from the player to HDMI cable connection the TV. If your TV supports ARC (Audio Return Channel), it is possible to play the TV sound with the AV receiver's The unit has many HDMI jacks on its rear panel and each speakers with this connection only. If your TV does not of them corresponds to an input selector button of the support ARC, you need, in addition to the HDMI OUT MAIN same name on the front panel. For example, a Blu-ray jack connection, a digital optical cable connection Disc player will be connected to the HDMI IN1 jack and the between the digital audio out optical jack of the TV and The unit supports the HDMI Through function that allows BD/DVD button on the front panel will be used to listen to the DIGITAL IN OPTICAL jack of the unit or an RCA cable transmission from players to the TV even if the unit is in the playback sound (if the player is CEC compliant, input connection between the audio output jack of the TV and the standby. You have to modify the settings to enable the will be switched automatically). If you add another Blu-ray VIDEO/AUDIO IN TV/CD jack of the unit. Disc player, you can use any other jack than HDMI IN1. It input selection link with CEC compliant device, connection is possible to change assignment of the input jacks and with ARC compatible TV, and HDMI Through function. See "2nd Step : Source Connection" of "Step 2: Setting Up". 3 Step 1: Connections r To enjoy HDCP2.2 protected video, connect the player to Audio signal connection 5 Use a composite video cable to connect a TV with the HDMI IN3 jack and the TV to the HDMI OUT MAIN composite video input jack or a player with composite jack of the unit. Your player and TV need to support 1 Digital connection: Use a digital optical cable video output jack. HDCP2.2. (OPTICAL) or digital coaxial cable (COAXIAL) for r To play 4K or 1080p video, use the high speed HDMI connection with a player. Composite video cable cable. Another TV can be connected to the HDMI OUT SUB jack. Digital optical cable (OPTICAL) r ¼As the digital in optical jack of the unit has a To use the function to display the unit's setting screen on cover, push in the cable against the cover as it is the TV, connect the TV to the HDMI OUT MAIN jack. turned inside. Video signals input to the composite video input jack r It is possible to send video and audio of an MHL-enabled or the COMPONENT VIDEO IN input jacks will be mobile device by connecting the MHL-enabled mobile Digital coaxial cable (COAXIAL) upconverted to HDMI signals and then output from the HDMI output jack. device to the AUX INPUT HDMI/MHL jack on the front 2 panel. Analog connection: Use an analog audio (RCA) cable Note that it is not possible to convert digital audio input for connection with a player. signals to analog or vice versa. To enjoy multi-zone playback of audio of a CD player or Connecting Components without HDMI such other player without HDMI output jack, you need to use the RCA cable to connect the corresponding If your AV component does not have HDMI jack, use an jacks of the player and this unit. For details on the multi- available jack of your component for cable connection with zone function, see the section 6 "Using the multi-zone this unit. Just as the HDMI jacks, other jacks on this unit function" of "Step 3: Playing Back". have a preassigned input selector button on the front panel. See the name of the input selector button shown with the Analog audio (RCA) cable jack when connecting the device. 1 4 5 3 Connection with turntable: If it uses an MM type cartridge and does not have a built-in audio equalizer, connect it to the 3 PHONO jack. If the connected AV Receiver turntable has a built-in audio equalizer, connect it to the 2 TV/CD jack. ¼When you upconvert video signals input to the ¼If it uses an MC type cartridge, install an audio equalizer compatible COMPONENT VIDEO IN jacks and output them from with MC type cartridge between the unit and the turntable by the HDMI OUT jack, set the output resolution of the connecting it to the 2 TV/CD jack. For details, refer to the turntable's player to 480i or 576i. If the input has 480p/576p or instruction manual. higher resolution, a message prompting you to change ¼If the turntable has a ground wire, connect it to the GND terminal of the resolution setting will appear. If your player does this unit. If connecting the ground wire increases noise, disconnect it. not support 480i or 576i output, use the composite video jack. ¼If multiple video signal inputs are put into one input Video signal connection system, the output will be made in the order of HDMI, COMPONENT VIDEO, and composite video.
Load more

Recommended publications
  • M3 Complete User Guide
    Born for Music and Happy M3 Complete User Guide (Applicable to firmware version 1.5 and later) Foreword Thank you for purchasing FiiO’s M3, our micro-sized 96kHz/24bit lossless music player. To let you better utilize the M3 to enjoy high-quality music, we have prepared this complete user manual and answered some frequently asked questions by users. We hope this manual will help you get to know the M3 and unleash its full potential. 1 / 22 Born for Music and Happy Contents A. Introduction .............................................................................................................................. 3 B. Buttons and ports explained ..................................................................................................... 3 C. Firmware Updates ..................................................................................................................... 4 D. Menu operation (pictorial guide) .............................................................................................. 6 1. Categories Menu ...................................................................................................................... 6 2. Quick Menu.............................................................................................................................. 1 3. Custom EQ ............................................................................................................................... 8 E. Menu operation (textual guide) ...............................................................................................
    [Show full text]
  • Sonnox Fraunhofer Pro-Codec User Guide
    Contents 1 Introduction 5 2 Terminology 6 3 Supported Codecs and Formats 7 4 Summary of Codec Features and Applications 8 4.1 iTunes+ ....................................... 9 4.2 MPEG Surround .................................. 9 4.3 HD-AAC ....................................... 10 4.4 AAC-LC ....................................... 10 5 The Pro-Codec Plug-In 11 5.1 User Interface and Workflow Overview ...................... 11 5.2 Input and Output Panels .............................. 15 5.2.1 Surround Channel Mapping ........................ 16 5.3 Online Auditioning and Configuring Codecs ................... 17 5.3.1 The NMR Indicator ............................. 20 5.3.2 Downsampling When Using Higher Sample Rates ........... 21 5.3.3 Overloading Pre-Codec (Codec Headroom) ............... 22 5.3.4 Overloading Post-Codec (Audition Level Matching) .......... 22 5.4 Bitstream Level (TRIM Tab) ............................ 23 5.5 Data Compression Factor (COMP Tab) ...................... 24 5.6 A-B Auditioning and A-B-X Testing (A-B Tab) .................. 25 5.6.1 A-B Auditioning .............................. 25 5.6.2 A-B-X Testing ................................ 25 5.7 Processing Sequence ............................... 27 5.8 Online Encoding .................................. 28 5.9 HD-AAC ....................................... 31 5.9.1 Auditioning HD-AAC ............................ 31 5.9.2 Bit Depth .................................. 33 5.9.3 Dither and Truncation ........................... 34 5.9.4 Internal Dither and Truncation ....................... 37 5.9.5 Overloading HD-AAC ........................... 41 5.9.6 Reasons to Audition HD-AAC ....................... 41 5.10 Description of Controls .............................. 43 6 Preset Manager Toolbar 53 6.1 Presets and Project/Session Data Handling ................... 54 6.1.1 Internal Data Rules ............................. 54 6.2 Plug-In Signal and Control Flow Diagram .................... 55 7 The Pro-Codec Manager Application 56 7.1 Folder Browser ..................................
    [Show full text]
  • X7 Users' Guide
    X7 Users’ Guide (applies to FW1.8 and later) 1 / 40 Foreword: Thank you for purchasing FiiO’s X7, our 384kHz / 64bit / DSD high resolution lossless music player. To let you better utilize the X7 to enjoy high-quality music, we have prepared this complete user manual and collected and answered some frequently asked questions by users. We hope this manual will help you get to know the X7 and unleash its full potential. 2 / 40 Contents A. Introduction ........................……....................................................….……… 4 B. Buttons and ports introduced ................................................................... 5 C. Pure Music / Android Mode switch ……..................................………..... 8 D. Wireless connectivity .................................................................................. 8 E. Firmware update …..................................................................................... 11 F. Pictorial guide to operating the X7 ......................................................... 14 1. Andriod mode .............................................................................................................. 14 2. FiiO Music .................................................................................................................... 24 3. Pure Music Mode .................................................................................................. 31 G. FAQ ................................................................................................................ 32 1. Charging
    [Show full text]
  • Using Praat for Linguistic Research
    Using Praat for Linguistic Research Dr. Will Styler Document Version: 1.8.3 Last Update: March 12, 2021 Important! This document will be continually updated and improved. Download the latest version at: http://savethevowels.org/praat Using Praat for Linguistic Research by Will Styler is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License. For more information on the specifics of this license, go to http://creativecommons.org/licenses/by-sa/3.0/. 1 Will Styler - Using Praat for Linguistic Research - Version 1.8.2 Contents 1 Version History 4 2 Introduction 7 2.1 Versions ........................................... 7 2.2 Other Resources ...................................... 7 2.3 Getting and Installing Praat ................................ 8 2.4 Using this guide ...................................... 8 3 About Praat 8 3.1 Praat Windows ....................................... 8 4 Recording Sounds 10 4.1 Mono vs. Stereo Recording ................................ 10 5 Opening and Saving Files} 11 5.1 Opening Files ........................................ 11 5.1.1 Working with longer sound files ......................... 11 5.2 Playing Files ........................................ 12 5.3 Saving Files ......................................... 12 6 Phonetic Measurement and Analysis in Praat 13 6.1 Working with Praat Waveforms and Spectrograms ................... 13 6.1.1 Pulling out a smaller section of the file for analysis ............... 14 6.2 Adjusting the Spectrogram settings ............................ 15 6.2.1 Narrowband vs. Broadband Spectrograms .................... 16 6.3 Measuring Duration .................................... 16 6.3.1 Measuring Voice Onset Time (VOT) ....................... 16 6.4 Examining and measuring F0/Pitch ............................ 17 6.4.1 Measuring F0 from a single cycle ......................... 17 6.4.2 Viewing Pitch via a narrowband spectrogram .................. 17 6.4.3 Using Praat’s Pitch Tracking ..........................
    [Show full text]
  • Licensing Information for Cisco Jabber for Windows 12.6
    Open Source Used In Jabber for Windows 12.6 Cisco Systems, Inc. www.cisco.com Cisco has more than 200 offices worldwide. Addresses, phone numbers, and fax numbers are listed on the Cisco website at www.cisco.com/go/offices. Text Part Number: 78EE117C99-194348893 Open Source Used In Jabber for Windows 12.6 1 This document contains licenses and notices for open source software used in this product. With respect to the free/open source software listed in this document, if you have any questions or wish to receive a copy of any source code to which you may be entitled under the applicable free/open source license(s) (such as the GNU Lesser/General Public License), please contact us at [email protected]. In your requests please include the following reference number 78EE117C99-194348893 Contents 1.1 7-Zip 18.06 1.2 base64.cpp 1.0 1.2.1 Available under license 1.3 boost 1.59.0 :1.59 1.3.1 Available under license 1.4 boost 1.52.0 1.4.1 Notifications 1.4.2 Available under license 1.5 BOOST C++ Library 1.56.0 1.5.1 Available under license 1.6 bootstrap 4.3.1 1.7 ccard 1.0 1.7.1 Available under license 1.8 Chromium Embedded Framework (CEF) 3.3440.1806.g65046b7 1.8.1 Available under license 1.9 cmark 0.25 1.9.1 Available under license 1.10 cpprest 2.9.1 1.10.1 Available under license 1.11 CyrusSASL 2.1.26 :2.1.26 1.11.1 Available under license 1.12 e2fsprogs-lib-uuid 1.41.8 1.12.1 Available under license 1.13 Expat 2.2.0 :2.2.0 1.13.1 Available under license 1.14 FreeType 2.1.4 Open Source Used In Jabber for Windows 12.6 2 1.14.1
    [Show full text]
  • Dcs Guide to Computer Audio Data Conversion Systems Ltd
    dCS Guide to Computer Audio Issue 1.10 February 2011 © Data Conversion Systems Ltd. 2010-2011 All rights reserved. This publication may be printed or stored electronically for personal use, provided that it remains unaltered. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. Information contained in this manual is subject to change without notice, and whilst it is checked for accuracy, no liabilities can be accepted for errors. dCS disclaim rights to any trademarks or service marks other than our own. * dCS is Data Conversion Systems Ltd. Company registered in England No. 2072115. dCS Guide to Computer Audio Data Conversion Systems Ltd. February 2011 DISCLAIMER: The information in this manual is supplied in good faith and is intended for general ! guidance only. dCS cannot accept responsibility for correcting problems with your computer system / server or for ensuring that all the various combinations of third-party operating systems, streaming software and plug-ins operate correctly with dCS products, whether they work with other audio products or not. Contents Overview – the Principles of Computer Audio ......................................................................................... 4 The Advantages of Computer Audio .................................................................................................... 4 The Disadvantages of Computer Audio ..............................................................................................
    [Show full text]
  • Japanese.Book
    Elva URL www.retailers.mclaren.com https://cars.mclaren.com/contact-us : / 1800 626 768 1.1 2.1 3.1 4.1 5.1 6.1 7.1 8.1 翻 MIS MIS : 2 McLaren Automotive : • - • - © McLaren Automotive Limited. McLaren Automotive Limited cars.mclaren.com/patents Printed in United Kingdom, 26QA046SP 3 : 翻 翻 Related Topics 翻 翻 MIS 4 : : 絶 翻 : : : : : : 6.29 2 翻 • 6.30 • • • • 翻 • • 7.5 • 5 : AAMS 胸 縮 • : • 345 6 6.3 • • : : : 6 翻 • • • • • • 翻 • • 較 • 翻 • • • 翻 • • • 縮 • 翻 • • • • • 7 ....................................................................... 1.2 ....................................................................... 1.2 ............................................................................... 1.6 .......................................................................... 1.2 ........................................................................................... 1.7 ............................................................................................... 1.2 ........................................................................................... 1.7 ..................................................................................... 1.2 / ..................................................
    [Show full text]
  • License Information GNU General Public License
    ################################################################# ################################################################# ####### ####### ####### Open Icon Library ####### ####### License File ####### ####### ####### ################################################################# ################################################################# Table of Contents: * Description * Sources * Licenses * File List * Icons from Wikicommons * Icons under Creative Commons licenses * Icons under GPL and LGPL licenses * Icons under Public Domain * Icons under MIT license * Icons under BSD license * Icons from app-install-data ################################################################# ## Description: The Open Icon Library contains icons from various sources. This file list the license and source of each file in this package. In the rare occasion where there is two files with the same name, you will have to check the developers package. If you wish to use these icons in your project, include this file in your projects documentation. ################################################################# ## Sources: AEM Pictorial Database (aem) link: http://www.aem.org/Technical/PictorialDatabase/index.asp license: PD license link: http://en.wikipedia.org/wiki/Public_domain format: eps -> svg, png subdirectory: open_icon_library-devel/icons/aem app-install-data (app-install) link: http://packages.debian.org/lenny/app-install-data licenses: Various, see docs/AUTHORS_app-install license link: see docs/AUTHORS_app-install format: xpm, svg,
    [Show full text]
  • Can Standard Analysis Tools Be Used on Decompressed Speech?
    CAN STANDARD ANALYSIS TOOLS BE USED ON DECOMPRESSED SPEECH? R.J.J.H. van Son* Institute of Phonetic Sciences/ACLC University of Amsterdam Herengracht 338, 1016CG Amsterdam [email protected] Abstract This paper quantifies some of the effects of "lossy" audio compression on basic acoustic speech analysis procedures by comparing original audio-CD speech recordings to compressed/decompressed versions of these recordings. The differences found are benchmarked against the effects of a change of microphone. Tested are a Sony Minidisc Walkman recorder and two audio compression codecs: Ogg Vorbis 1.0rc3 and LAME 3.92 (MP3), with 3 bit rates: 40, 80 (Ogg Vorbis), and 192 kbs (MP3). These are tested against pitch and formant extraction and spectral center of gravity (i.e., first spectral moment). Audio compression added only a limited amount of "jump errors" ( 3%) to vowel pitch and formant measurements. Only small systematic effects on measurements were found that could be attributed to compression. However, rather large systematic effects resulted from a switch of microphone, mostly on the spectral center of gravity. The audio compression algorithms introduced a Root-Mean-Square (RMS) error, after removing jump errors, of less than 1 semitone to vowel mid-point pitch, formant, and CoG measurements. The effect of the microphone change on RMS error was as large, i.e., for pitch, or larger, i.e., >1.2 semitones for formants and center of gravity. Comparison of the pitch in sonorants and the spectral center of gravity measurements in continuants showed that here too, the RMS errors introduced by the audio compression were always less than 1 semitone, except for the lowest bit-rate, 40 kbs, where CoG errors exploded in vowel-like consonants and fricatives (> 2 semitones).
    [Show full text]
  • X5 MKII Streaming Transporter USER MANUAL ENGLISH
    X5 MKII Streaming Transporter USER MANUAL ENGLISH INTRODUCTION Congratulations on your purchase! Consonance X5 MKII is an Network Bridge and Streaming Transporter designed with 3 key pricinples in mind: ease of use, universal compatibility with music sources and sound quality. To achieve its best potential, please read this manual carefully. If needed, our support team is there to assist for any doubt or question regarding our products at [email protected] QUICK START GUIDE X5 MKII is a ready to play device. From Unboxing, the unit is ready to play in less than 5 minutes. In order to get started please follow those steps: Step 1: Unbox your X5 MKII. Step 2: Screw the included Wireless Antenna. Step 4: Plug power supply and connect to USB DAC. Step 5: Wait 3 minutes for X5 MKII to do first start initialization. Step 6: Connect to the wireless Hotspot network called Opera (password 12345678). Step 7: Complete the first setup wizard. Step 8: Done. WHAT IT’S IN THE PAGKAGE X5 MKII Wireless Antenna Power Supply User Manual I\O OVERVIEW 1/2 Front 1 Power Switch：The switch is on the left and the red LED is on, which is turn off and charging. The switch is on the right side, the green LED is on, and it is working on the battery supply. Charging status indication: The red LED is on, indicating that it is in the charging state, and the off is indicating that the charging is over. Battery supply indication: The green LED lights up to indicate that the RDS1 is working on battery supply.
    [Show full text]
  • FLAC Format Assessment
    Digital Date: 18/01/2018 Preservation Assessment: Preservation FLAC Format Preservation Assessment Team Version: 1.00 FLAC Format Preservation Assessment Document History Date Version Author(s) Circulation Simon Whibley, 08/02/2017 0.91 Michael Day, Initial internal release David Russo Simon Whibley, 09/11/2017 0.95 David Russo, Internal release Tom Ruane 18/01/2018 1.0 David Russo External release British Library Digital Preservation Team [email protected] This work is licensed under the Creative Commons Attribution 4.0 International License. Page 1 of 11 Digital Date: 18/01/2018 Preservation Assessment: Preservation FLAC Format Preservation Assessment Team Version: 1.00 1. Introduction This document provides a high level, non-collection specific assessment of the FLAC file format with regard to preservation risks and the practicalities of preserving data in this format. This format assessment is one of a series of assessments carried out by the British Library’s Digital Preservation Team. An explanation of the criteria used in this assessment is provided in the italics below each heading. 1.1 Scope This document will focus on the FLAC (Free Lossless Audio Codec) format. Note that this assessment considers format issues only, and does not explore other factors essential to a preservation planning exercise, such as collection specific characteristics, that should always be considered before implementing preservation actions. 1.2 Summary FLAC is a non-proprietary, open source audio file format standard designed for the lossless compression of digital audio [1]. It is specifically designed for compression of linear pulse-code modulation (LPCM) audio data, “with many of its default parameters tuned to CD-quality music data.” [2] FLAC is in some ways similar to MP3, but uses lossless compression, meaning that while the audio stream is compressed, it suffers no loss in quality.
    [Show full text]
  • Cisco Jabber Guest Client App for Android 11.1 Licensing Document
    Open Source Used In JabberC Android Client App 11.1(0) Cisco Systems, Inc. www.cisco.com Cisco has more than 200 offices worldwide. Addresses, phone numbers, and fax numbers are listed on the Cisco website at www.cisco.com/go/offices. Text Part Number: 78EE117C99-166618591 Open Source Used In JabberC Android Client App 11.1(0) 1 This document contains licenses and notices for open source software used in this product. With respect to the free/open source software listed in this document, if you have any questions or wish to receive a copy of any source code to which you may be entitled under the applicable free/open source license(s) (such as the GNU Lesser/General Public License), please contact us at [email protected]. In your requests please include the following reference number 78EE117C99-166618591 Contents 1.1 BOOST C++ Library 1.56.0 1.1.1 Available under license 1.2 CyrusSASL 2.1.26 :2.1.26 1.2.1 Available under license 1.3 e2fsprogs-lib-uuid 1.41.8 1.3.1 Available under license 1.4 Expat 2.2.0 1.4.1 Available under license 1.5 Expat 2.1.1 1.5.1 Available under license 1.6 glib 2.27.1 1.6.1 Available under license 1.7 gstreamer 0.10.35.1 1.7.1 Available under license 1.8 gstreamer-plugins-bad 0.10.22.1 1.8.1 Available under license 1.9 gstreamer-plugins-base 0.10.35.1 1.9.1 Available under license 1.10 gstreamer-plugins-good 0.10.30.1 1.10.1 Available under license 1.11 icu4c 56.1 1.11.1 Available under license 1.12 jansson 2.7 1.12.1 Available under license 1.13 json-c 0.12 1.13.1 Available under license
    [Show full text]