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Washington Funding Report: FY 2011 – 2016
Washington Institute of Museum and Library Services Funding Report: FY 2011 - 2016 The Institute of Museum and Library Services (IMLS) helps ensure that all Americans have access to museum, library, and information services. IMLS is an independent grantmaking agency and the primary source of federal support for the nation’s approximately 123,000 libraries and 35,000 museums. The agency supports innovation, lifelong learning, and entrepreneurship, enabling museums and libraries to deliver services that make it possible for communities and individuals to thrive. IMLS Investments IMLS Investments: FY 2011-2016 # Projects Federal % of Non-Federal Total $ or Awards Funding Federal $ Contribution $ Grants to States, Libraries 431 * $19,618,687 59% $12,830,000 * $32,448,687 Competitive Awards to Museums & Libraries 146 $13,378,884 41% $10,161,216 $23,540,100 Total 577 $32,997,571 100% $22,991,216 $55,988,787 * FY 2016 data for the Grants to States, Libraries count of projects and non-federal contribution are not yet available. Figures shown here only include FY 2011-2015. Grants to State Library Administrative Agencies The Library Grants to States Program, supported by the Library Grants to States Awards (LSTA): Services and Technology Act (LSTA), is IMLS's largest program and FY 2011-2016 provides grants to every state using a population-based formula. State Library Administrative Agencies (SLAAs) provide IMLS with a five-year FY 2016 $3.26 M plan and use subawards and statewide projects to improve library services. FY 2015 $3.30 M In FY 2014, IMLS’s $3.28 million grant to the SLAA leveraged FY 2014 $3.28 M approximately $2.27 million in support from the state that year for library services through the SLAA. -
Download NARM Member List
Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
Volume 26 March • April 2017 Number 2 2 Artaccess.Com © March • April 2017 Here We Are
TM Volume 26 March • April 2017 Number 2 www.ArtAccess.com 2 ArtAccess.com © March • April 2017 Here We Are I’m not unlike many professional artists. My work means piecing together of Way Write a career from teaching, publishing, speaking fees, grants, honorariums, and applying to choreograph in far away places, which satisfies my addiction to traveling, and my love of dancing. Dancers are my mobile community. Wherever I go, here we are. I’m in KeriKeri, New Zealand, first studio on a North Island tour. And it’s not every day that I get to teach Polynesians, so, quickly as possible, I’m going to write this and press SEND. I’m sitting outside a private home, pilfering the wireless. My lodging doesn’t have internet, possibly what I like best about it. Talia walked into the studio slowly, but I didn’t get the feeling it was because she is bigger than most people, only that she comes from a humid place in the middle of the Pacific Ocean and slowly is just how people move due to the heat. “I know nothing about your kind of dancing,” she said, “I worry I make fool of myself.” But as soon as she started moving her hips, it didn’t take long to see how there is nothing slow about her dancing. “Hula is an amazing dance form,” I whispered to the director. “We have a lot of Samoan dancers,” he said. “We had to have our floor reinforced.” I liked Talia right away. When I think more about why, I consider all the people who are moving to Seattle lately with lots of money and, oftentimes, airs to match. -
L I N D a H O D G E S G a L L E
L I N D A H O D G E S G A L L E R Y 316 First Ave S, Seattle, WA 98104 206-624-3034 lindahodgesgallery.com ALFREDO ARREGUIN EDUCATION 1969 MFA, University of Washington, Seattle, WA 1967 BA, University of Washington, Seattle, WA SOLO EXHIBITIONS 2016 Linda Hodges Gallery, Seattle, WA 2015 Sueños y Naturaleza, Museo de Cadiz, Spain 2014 Linda Hodges Gallery, Seattle, WA Museo de America, Madrid, Spain, Disenos y naturaleza en la obra de Alfredo Arreguin, Oct-Dec, 2014 Palacio del Conde Luna, Leon, Spain 2014 Diseños y Cultura, Bakersfield Museum of Art, Bakersfield, CA 2013 Ventanas (Windows), Linda Hodges Gallery, Seattle, WA 2013 Homage to Alfredo Arreguín, organized by the State of Michoacán, Mexico, through the Michoacán State Department of Culture and El Museo de Arte Contemporaneo Alfredo Zalce Gallery One, Ellensburg, WA, “Primavera,” Arreguin’s Solo Exhibition 2012 Handforth Gallery, Tacoma Public Library, Tacoma, WA 2011 Linda Hodges Gallery, Seattle, WA Seattle Art Museum, Seattle, WA, “Seattle as Collector.” Celebrating the Seattle Arts Commission 40th Anniversay. Catalogue 2010 El Esplendor de la Selva, Hallie Ford Museum of Art, Willamette University, Salem, OR Alfredo Arreguin, Art in Ecology, Washington State Department of Ecology, Olympia, WA 2009 Linda Hodges Gallery, Seattle, WA Natural Patterns, Skagit Valley College, Mt. Vernon, WA Universal Patterns, Kokoon Gallery, Cleveland, OH 2008 Canciones de la Terra, Linda Hodges Gallery, Seattle, WA Artists Without Borders, Alfredo Arreguin and Guillermo Gomez-Pena, Museum -
French Impressionism and the Northwest
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest IMAGES AVAILABLE August 2, 2019 (Tacoma, WA)— Opening on September 28, Tacoma Art Museum will present Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest, a new exhibition that examines how the work of French Impressionists and their immediate precursors made their way into Northwest public and private collections. It also will include selected paintings by American and Northwest artists to illustrate the spread of Impressionism across the country. “The purpose of this exhibition is deeply connected to the same passion that drove the French Impressionists, to transform the way we see,” said David F. Setford, TAM’s Executive Director and curator of this exhibition. “It does this in two ways. First, it puts rarely seen works from TAM’s European art collection into context and allows for an expanded visitor learning opportunity. In addition, it is also the first time that these Impressionist works from museums and private collections in the Northwest have been seen together. It will provide a lasting resource about French Impressionism and its historical impact for curators and collectors in our region and beyond.” Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest was organized and curated by the Tacoma Art Museum, and includes approximately fifty (50) works of art. The exhibition is accompanied by a small publication including essays by Setford and TAM curator Margaret Bullock, as well as an online listing of French Impressionist works currently in Northwest public collections. -
Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano. -
Audubon/RYAN!
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition The Naturalist & The Trickster: Audubon/RYAN! IMAGES AVAILABLE January 7, 2020 (Tacoma, WA)— On February 1, 2020, Tacoma Art Museum will open The Naturalist & The Trickster: Audubon/RYAN!. Although centuries apart, artists John James Audubon and RYAN! Feddersen draw inspiration from animals and the natural world to create compelling work that urges us to better understand the human impact on the environment. As 2020 marks the 50th anniversary of Earth Day, TAM presents this exhibition which explores themes of animals, environmentalism, and conservation. “Juxtaposing these two artists will present a very immersive and thought-provoking experience regarding perceptions of the natural world and relationships between humans and the environment,” said Faith Brower, TAM’s Haub Curator of Western American Art. “During Audubon’s life his prints were one of the ways that scientific information from the American West could be shared and studied. His respect and concern for the natural world clearly marks him as one of the forefathers of the modern conservation and environmental movements,” noted John James Audubon (1785–1851) Brower. Prairie Wolf (Canis latrans) Plate LXXI, The Viviparous Quadrupeds of North America hand colored lithograph, Printed by J.T. Bowen, Philadelphia, 1845 35 x 41 inches framed Collection of Huntsville Museum of Art Tacoma-based, RYAN! Feddersen, an enrolled member of the Confederated Tribes of the Colville Reservation and a contemporary mixed media artist, explores the character of Coyote, the trickster, as a lens to examine current events. Feddersen’s 75-foot mural encourages collaborative drawing with crayons cast in the shape of coyote bones which further links the community to Coyote’s story. -
Forgotten Stories Northwest Public Art of the 1930S
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Forgotten Stories: Northwest Public Art of the 1930s IMAGES AVAILABLE November 15, 2019 (Tacoma, WA)— Opening on February 22, 2020, Tacoma Art Museum will present Forgotten Stories: Northwest Public Art of the 1930s. During the economic hard times of the 1930s, U.S. government art projects under the WPA and other agencies created a wealth of public art and supported art communities across the country. In the Northwest hundreds of artists were employed and thousands of artworks created but their stories are almost unknown. The exhibition will offer an extensive overview of the bounty and variety of work created in our region and bring forgotten treasures back to view. “The extent of the federal art projects in the Northwest is surprising,” said Margaret Bullock, TAM’s interim Chief Curator and Curator of Collections and Special Exhibitions. “We’ve long thought that the impact of the work was limited but, research has now shown that the projects in the Northwest were widespread and highly productive employing over 600 artists resulting in thousands of artworks and offering art making opportunities to hundreds of thousands of Northwesterners.” Virginia Darcé (born Portland, Oregon, 1910; died Los Angeles, TAM’s exhibition brings together a California, 1985) The Market, 1938 wide variety of the artworks Tempera on board created in Idaho, Montana, 22 ½ x 30 ½ inches Portland Art Museum, Portland, Oregon, Courtesy of the Fine Arts Oregon, and Washington. It Collection, US General Services Administration, New Deal Art reintroduces a number of talented Project, L45.3.2 figures whose names are now unknown, and also includes early work by prominent figures (like Morris Graves and photographer Minor White). -
Show of Hands
Show of Hands Northwest Women Artists 1880–2010 Maria Frank Abrams Ruth Kelsey Kathleen Gemberling Adkison Alison Keogh Eliza Barchus Maude Kerns Harriet Foster Beecher Sheila Klein Ross Palmer Beecher Gwendolyn Knight Susan Bennerstrom Margot Quan Knight Marsha Burns Margie Livingston Margaret Camfferman Helen Loggie Emily M. Carr Blanche Morgan Losey Lauri Chambers Sherry Markovitz Doris Chase Agnes Martin Diem Chau Ella McBride Elizabeth Colborne Lucinda Parker Show of Hands Northwest Women Artists 1880–2010 Claire Cowie Viola Patterson Louise Crow Mary Ann Peters Imogen Cunningham Susan Point Barbara Matilsky Marita Dingus Mary Randlett Caryn Friedlander Ebba Rapp Anna Gellenbeck Susan Robb Virna Haffer Elizabeth Sandvig Sally Haley Norie Sato Victoria Haven Barbara Sternberger Zama Vanessa Helder Maki Tamura Karin Helmich Barbara Earl Thomas Mary Henry Margaret Tomkins Abby Williams Hill Gail Tremblay Anne Hirondelle Patti Warashina Yvonne Twining Humber Marie Watt Elizabeth Jameson Myra Albert Wiggins Fay Jones Ellen Ziegler Helmi Dagmar Juvonen whatcom museum, bellingham, wa contents This book is published in conjunction with the 6 Foreword exhibition Show of Hands: Northwest Women Artists 1880–2010, organized by the Whatcom Patricia Leach Museum and on view from April 24–August 8, 2010. Funding for the exhibition and the 8 Acknowledgments accompanying catalogue was supported in part with funds provided by the Western 10 A Gathering of Women States Arts Federation (WESTAF) and the Barbara Matilsky National Endowment for the Arts (NEA). The City of Bellingham also generously funded the 52 Checklist of the Exhibition catalogue. Additional support was provided by the Washington Art Consortium (WAC). Published in the United States by 55 Bibliography Whatcom Museum 56 Photographic Credits © 2010 by the Whatcom Museum 121 Prospect Street Bellingham, WA 98225 The copyright of works of art reproduced in www.whatcommuseum.org 56 Lenders to the Exhibition this catalogue is retained by the artists, their heirs, successors, and assignees. -
Program Booklet Here
ALHFAM Western Region 2018 ANNUAL CONFERENCE NOVEMBER 1-4 / TACOMA, WA BREAKING THE MOLD: New Interpretation for New Audiences ALHFAM IS BREAKING THE MOLD Remaining relevant in a fast-paced, technology-driven society can be a challenge for heritage organizations. To address this hurdle, ALHFAM members have found creative ways to draw new audiences to their sites, programs, and other educational venues. At this conference you will have the opportunity to take tours, join discussions, and learn from experienced panelists about best practices for attracting audiences and building programs to serve our new, ever-changing public. CONTENTS 3 | About Tacoma 4 | Plan Your Visit 5 | Conference Schedule 15 | Registration Form About Tacoma, Washington Tacoma, the “City of Destiny,” welcomes you to the 2018 ALHFAM conference! Tacoma’s roots run deep. Situated in the shadow of Mount Rainier on the waters of the southern Puget Sound, the Tacoma area has been home to the Lushootseed-speaking Southern Coast Salish peoples for thousands of years. The city owes its name to the famous mountain – “Tacoma” is an anglicized version of Mount Rainier’s original Lushootseed name. In 1833, the Hudson’s Bay Company established Fort Nisqually, Puget Sound’s first globally connected settlement, in nearby present-day Dupont. Quaker pioneer Job Carr staked the first claim in what is now considered the "Old Town" neighborhood of Tacoma in 1865. Tacoma quickly boomed after it won the spot as the western terminus for the Northern Pacific Railroad in 1873. Attracting immigrants from all corners of the globe, Tacoma established itself as an important port city and was for a long time in contention with Seattle to be western Washington’s “biggest city”. -
William Elston's First Experiments with Painting En Plein Air Were While He Was Still in High School, Three Decades Before the Current Plein Air Revival
WILLIAM ELSTON (Paintings, Drawings, and Prints) William Elston's first experiments with painting en plein air were while he was still in high school, three decades before the current plein air revival. Rural and urban landscape continue to be his principal subjects. William Elston has taught at Fort Wright College, The Spokane Art School, The Academy for Realist Art (now The Gage Academy,) the Frye Art Museum, the Seattle Art Museum, and has been a guest lecturer at Marymount Manhattan College in New York, Whitworth College in Spokane, Eastern Washington University in Cheney, the University of Washington in Seattle, and The Gage Academy. He continues to teach ongoing plein air classes and workshops in Seattle and surrounding areas. His work has been widely collected in the United States and in Europe, and is included in many public, private and corporate collections. HIs self portrait is currently on display at the Cascadia Art Gallery in Edmonds. www.williamelston.com JANIS GRAVES (Miniatures and Small Paintings) Janis Graves is a native of the Pacific Northwest. Since childhood her world was one of colors and textures. From the moment her father showed her the nuances of color in a dog-eared coloring book. She never lost interest in trying to capture the superlative beauty in her everyday world. The development of skills has progressed to allow Janis to instruct in various mediums including pastel, oil, and acrylic. Primarily in a realist style but also enjoying the use of impressionism, contemporary, and whimsy. Janis has had the pleasure of working with a wealth of known artists such as Ned Mueller, Richard McKinley, Bill Hosner, Jill Soukup, Liana Bennett, Susan Oglvie and many more. -
Livingston Margie Resume 4 Page 05 11 20
M A R G I E L I V I N G S T O N Selected Solo Exhibitions 2020 The Earth is a Brush, Luis De Jesus Los Angeles 2019 Circumambulation: Launceston, Sawtooth ARI, Launceston, Tasmania 2018 Extreme Landscape Painting, Greg Kucera Gallery, Seattle 2016 Too Soon for Hindsight, Greg Kucera Gallery, Seattle Holding it Together, Luis De Jesus Los Angeles 2015 APEX: Margie Livingston, Portland Art Museum 2014 Expanding on an Expanded Subject, Part 1: Margie Livingston, Paint as Canvas, Armory Center for the Arts, curated by Sinéad Finnerty-Pyne, Pasadena, CA Poured, Sliced, and Draped, Greg Kucera Gallery, Seattle 2013 Objectified, Luis De Jesus Los Angeles 2012 Paint Objects, Greg Kucera Gallery, Seattle 2011 Repository, exhibition at annual meeting of the Visual Artists Network, Tampa Twenty Gallons, Los Angeles Contemporary Exhibitions (LACE) Paint Objects, Luis De Jesus Los Angeles 2009 Riff—New Paintings, Greg Kucera Gallery, Seattle 2007 Hybrid, Greg Kucera Gallery, Seattle Betty Bowen Memorial Award Exhibition, Seattle Art Museum Nexus, Richard Levy Gallery, Albuquerque 2006 Untitled exhibition, Archer Gallery, Clark College, Vancouver, Washington 2005 The Structure Paintings, Greg Kucera Gallery, Seattle 2004 An Introduction, Greg Kucera Gallery, Seattle 2002 The Berlin Work, Gallery Space, Bellevue Community College, Bellevue, Washington Selected Group Exhibitions 2020 Making a Better Painting: Thinking Through Practice, Lewis and Clark College 2019 I’VE GOT A MIND TO GIVE UP LIVING AND GO SHOPPING INSTEAD, Luis De Jesus Los Angeles 2018